[Script Info]
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; http://www.aegisub.org/
Title: Default Aegisub file
ScriptType: v4.00+
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Video Aspect Ratio: c1.33333
Video Zoom: 8
Video Position: 8352
Audio File: ?video
Last Style Storage: Default
Video File: Marco13 [premux] [E_B].mkv
Audio URI: Marco13 [premux] [E_B].mkv
Scroll Position: 172
Active Line: 187
Video Zoom Percent: 1
YCbCr Matrix: TV.601
Collisions: Normal

[V4+ Styles]
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Style: Marco-EpisodeTitle,Felt,44,&H00C3D0C1,&H00FFFFFF,&H00000008,&H80000008,-1,0,0,0,120,100,1,0,1,0.5,0,5,0,0,0,0
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Style: Marco-Narrator,VAGRundschriftD,26,&H00E9E9E9,&H00FFFFFF,&H00000000,&H80000000,0,0,0,0,100,100,0,0,1,2,0,2,20,20,25,0
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Style: Marco-Calpis,Genuine,60,&H00CBDBE2,&H00FFFFFF,&H005F5F5F,&H805F5F5F,0,0,0,0,100,90,3,0,1,0,1,5,0,0,0,0
Style: Marco-JCOName,VTCKomixationSC,16,&H00FFFFFF,&H00FFFFFF,&H00000000,&H805F5F5F,0,0,0,0,100,100,0,0,1,0.5,0,4,0,0,0,0
Style: Marco-JCOTitle,VTCKomixationSC,14,&H00FFFFFF,&H00FFFFFF,&H00000000,&H805F5F5F,0,0,0,0,100,100,0,0,1,0.5,0,4,0,0,0,0
Style: Marco-JCOBroadcast,VTCKomixationSC,14,&H00F0F9FF,&H00FFFFFF,&H005F5F5F,&H805F5F5F,0,0,0,0,100,100,0,0,1,1,1,9,0,20,20,0
Style: Marco-MainTitle1,Felt,40,&H00C5D3E7,&H00DEF5FF,&H005F5F5F,&H805F5F5F,-1,-1,0,0,100,100,0,0,1,0,0.5,5,0,0,0,0
Style: Marco-MainTitle2,Felt,28,&H00C5D3E7,&H00FFFFFF,&H005F5F5F,&H805F5F5F,-1,-1,0,0,100,100,0,0,1,0,0.5,5,0,0,0,0
Style: Marco-OPE,CLAP,40,&H00F4FCFF,&H00FFFFFF,&H00000000,&H805F5F5F,-1,-1,0,0,100,100,2,0,1,0,0.5,2,0,0,0,0
Style: Marco-OPR,Tekton Pro,30,&H008080FF,&H00CCCCFF,&H00000000,&H805F5F5F,-1,0,0,0,100,100,0,0,1,0,0,5,0,0,0,0
Style: Marco-Present,Genuine,30,&H20FFFFFF,&H00FFFFFF,&H00FFFFFF,&H41000008,0,0,0,0,100,100,0.5,0,1,0,0,5,0,0,0,0
Style: Marco-EDE,CONCRETE,35,&H00F4FCFF,&H00FFFFFF,&H00000000,&H80000000,0,0,0,0,100,100,0,0,1,0,1,2,0,0,25,0
Style: Marco-EDK,HGSoeiMarupoptai,36,&H00FFFFFF,&H00FFFFFF,&H00000008,&H80000008,-1,0,0,0,100,100,0,0,1,2,0,5,0,0,0,0
Style: Marco-EDR,Mcgannahan,26,&H00FFFFFF,&H00CCCCFF,&H00FFFFFF,&H80000000,-1,0,0,0,100,100,0,0,1,0.3,1,5,0,0,0,0
Style: Marco-JCE,VTCKomixationSC,14,&H00E6F2FF,&H00FFFFFF,&H00E6F2FF,&H80000008,0,0,0,0,100,100,0,0,1,0.01,1,5,0,0,0,0
Style: Marco-JCE2,VTCKomixationSC,12,&H00F0F9FF,&H00FFFFFF,&H00FFFFFF,&H40000008,0,0,0,0,100,100,0,0,1,0.05,1.2,5,0,0,0,0
Style: FansubCredits,Dance Craze BV,16,&H00F0F9FF,&H00FFFFFF,&H00000008,&H80000008,0,0,0,0,100,100,0,0,1,0,1,6,0,0,0,0
Style: Marco-JCEW,VTCKomixationSC,14,&H00FEFDFB,&H00FFFFFF,&H20FFFFFF,&H80000008,0,0,0,0,100,100,0,0,1,0.01,1,5,0,0,0,0
Style: Marco-JCE2W,VTCKomixationSC,12,&H00FEFDFB,&H00FFFFFF,&H20FEFDFB,&H40000008,0,0,0,0,100,100,0,0,1,0.05,1.2,5,0,0,0,0

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Comment: 0,0:00:10.15,0:00:14.74,Marco-OPR,,0,0,0,Karaoke,{\k35}{\k30}ha{\k35}ru{\k99}ka{\k10}{\k35}so{\k37}u{\k40}ge{\k32}n{\k109}wo
Comment: 0,0:00:15.07,0:00:18.24,Marco-OPR,,0,0,0,Karaoke,{\k35\k30}hi{\k25}to{\k27}tsu{\k25}ka{\k25}mi{\k30}no{\k30}ku{\k35}mo{\k57}ga
Comment: 0,0:00:15.58,0:00:17.58,*Default,,0,0,0,,SONG
Comment: 0,0:00:18.55,0:00:26.33,Marco-OPR,,0,0,0,Karaoke,{\k30\k26}a {\k27}te {\k27}mo {\k32}na {\k57}ku {\k42}sa {\k32}ma {\k42}yo {\k66}i {\k50\k67}to {\k101}n {\k47}de {\k57}yu {\k77}ku
Comment: 0,0:00:26.65,0:00:30.79,Marco-OPR,,0,0,0,Karaoke,{\k40\k33}ya {\k33}ma {\k33}mo {\k33}na {\k43}ku {\k20\k23}ta {\k33}ni {\k33}mo {\k33}na {\k58}ku
Comment: 0,0:00:31.00,0:00:39.01,Marco-OPR,,0,0,0,Karaoke,{\k25\k32}na {\k32}ni {\k192}mo {\k45\k37}mi {\k29}e {\k47}wa {\k54}shi {\k42}na {\k211}i{\k60}
Comment: 0,0:00:39.22,0:00:42.64,Marco-OPR,,0,0,0,Karaoke,{\k4\k4}ke {\k5}re {\k13}do {\k4\k7}ma {\k5}ru {\k8}ko
Comment: 0,0:00:43.09,0:00:47.14,Marco-OPR,,0,0,0,Karaoke,{\k25\k31}o {\k32}ma {\k31}e {\k52}wa {\k55\k32}ki {\k32}ta {\k31}n {\k89}da
Comment: 0,0:00:47.48,0:00:56.32,Marco-OPR,,0,0,0,Karaoke,{\k20\k33}a {\k23}n {\k23}de {\k43}su {\k68}ni {\k47}tsu {\k43}zu {\k83}ku {\k55\k58}ko {\k93}no {\k58}mi {\k62}chi {\k186}o
Comment: 0,0:00:57.81,0:01:02.04,Marco-OPR,,0,0,0,Karaoke,{\k40\k32}sa {\k41}a {\k22}shu {\k11}p {\k17}pa {\k12}tsu {\k32}da {\k35\k31}i {\k27}ma {\k25\k12}hi {\k7}ga {\k17}no {\k12}bo {\k49}ru
Comment: 0,0:01:02.32,0:01:05.50,Marco-OPR,,0,0,0,Karaoke,{\k20\k14}ki {\k14}bo {\k11}u {\k14}no {\k14}hi {\k9}ka {\k29}ri {\k17}ryo {\k11}u {\k9}te {\k14}ni {\k22}tsu {\k29}ka {\k92}mi
Comment: 0,0:01:06.20,0:01:09.58,Marco-OPR,,0,0,0,Karaoke,{\k30\k9}po {\k11}n {\k17}cho {\k14}ni {\k14}yo {\k11}a {\k9}ke {\k14}no {\k14}ka {\k14}ze {\k9}ha {\k14}ra {\k19}ma {\k34}se {\k106}te
Comment: 0,0:01:10.15,0:01:14.04,Marco-OPR,,0,0,0,Karaoke,{\k30\k11}ka {\k11}a {\k21}sa {\k31}n {\k31}no {\k21}i {\k46}ru {\k35\k11}a {\k11}no {\k26}so {\k21}ra {\k21}no {\k32}shi {\k37}ta
Comment: 0,0:01:14.30,0:01:21.51,Marco-OPR,,0,0,0,Karaoke,{\k15\k23}ha {\k73}ru {\k38}ka {\k43}na {\k33}ki {\k33}ta {\k52}o {\k40\k48}me {\k48}za {\k281}se
Comment: 0,0:01:26.89,0:01:30.40,Marco-EpisodeTitle,,0,0,0,,{\pos(320,320)\fad(0,104)}Goodbye, Fiolina
Comment: 0,0:24:40.62,0:24:43.71,Marco-EDR,,0,0,0,Karaoke,{\k20\k28}a {\k96}sa, {\k71}bo {\k37}ku {\k59}o
Comment: 0,0:24:44.63,0:24:48.13,Marco-EDR,,0,0,0,Karaoke,{\k39}o {\k58}ko {\k42}shi {\k33}ta {\k29}o {\k38}hi {\k53}sa {\k38}ma {\k27}ga
Comment: 0,0:24:48.40,0:24:51.62,Marco-EDR,,0,0,0,Karaoke,{\k20\k29}ho {\k58}ra, {\k39}mo {\k57}u {\k24}ma {\k21}u {\k83}e
Comment: 0,0:24:52.32,0:24:55.87,Marco-EDR,,0,0,0,Karaoke,{\k35}i {\k62}ma {\k42}ka {\k55}a {\k47}sa {\k75}n {\k43}o
Comment: 0,0:24:56.11,0:24:59.32,Marco-EDR,,0,0,0,Karaoke,{\k10\k30}o {\k61}ko {\k40}shi {\k56}te {\k27}ru {\k15}n {\k89}da
Comment: 0,0:24:59.81,0:25:03.44,Marco-EDR,,0,0,0,Karaoke,{\k20\k35}ha {\k55}ru {\k40}ka {\k60}na {\k35}ku {\k95}ni {\k29}no
Comment: 0,0:25:00.54,0:25:04.01,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(576,164)}Hane\NYoshiyuki
Comment: 0,0:25:00.54,0:25:04.01,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(576,200)}Okada\NToshiyasu
Comment: 0,0:25:00.54,0:25:04.01,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(576,234)}Sakai\NShunichi
Comment: 0,0:25:03.70,0:25:07.16,Marco-EDR,,0,0,0,Karaoke,{\k15\k36}so {\k61}ra {\k36}ni {\k36}no {\k31}bo {\k27}t {\k110}te
Comment: 0,0:25:04.25,0:25:07.97,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\fscx95\pos(579,188)}Maeda\NEimi
Comment: 0,0:25:04.25,0:25:07.97,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\fscx95\pos(579,222)}Tomizawa\NNobuo
Comment: 0,0:25:07.83,0:25:11.17,Marco-EDR,,0,0,0,Karaoke,{\k25\k69}ka {\k26}a {\k34}sa {\k26}n {\k30\k36}o {\k29}ha {\k29}yo {\k37}u
Comment: 0,0:25:08.21,0:25:11.81,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(110,116)}Kubota Tadao
Comment: 0,0:25:08.21,0:25:11.81,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(110,149)}Itou Kouyou
Comment: 0,0:25:08.21,0:25:11.81,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(110,184)}Gei Youko
Comment: 0,0:25:11.40,0:25:15.07,Marco-EDR,,0,0,0,Karaoke,{\k10\k19}bo {\k16}n {\k19}jo {\k14}ru {\k29}no {\k14}mi {\k21}a {\k92}maa {\k24}do {\k109}re
Comment: 0,0:25:12.05,0:25:15.69,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(118,202)}Kageyama Yasuo
Comment: 0,0:25:12.05,0:25:15.69,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(118,200)}Baba Kenzou
Comment: 0,0:25:15.30,0:25:18.48,Marco-EDR,,0,0,0,Karaoke,{\k20\k34}a {\k89}i {\k63}ta {\k34}i {\k84}na
Comment: 0,0:25:19.14,0:25:22.74,Marco-EDR,,0,0,0,Karaoke,{\k20\k88}da {\k37}i {\k28}su {\k38}ki {\k28}na {\k63}ka {\k32}a {\k18}sa {\k18}n
Comment: 0,0:25:22.96,0:25:26.53,Marco-EDR,,0,0,0,Karaoke,{\k15\k31}a {\k63}no, {\k29}ku {\k34}mo {\k29}ni {\k39}no {\k123}ri
Comment: 0,0:25:23.52,0:25:27.41,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\fscx98\pos(579,176)}Takeuchi\NKouji
Comment: 0,0:25:23.52,0:25:27.41,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\fscx98\pos(578,176)}Horiuchi\NToshihiro
Comment: 0,0:25:26.81,0:25:30.38,Marco-EDR,,0,0,0,Karaoke,{\k10\k33}o {\k68}o {\k29}zo {\k59}ra {\k39}na {\k83}n {\k43}ka
Comment: 0,0:25:30.65,0:25:34.21,Marco-EDR,,0,0,0,Karaoke,{\k15\k32}hi {\k92}to {\k62}ma {\k37}ta {\k122}gi
Comment: 0,0:25:34.43,0:25:38.14,Marco-EDR,,0,0,0,Karaoke,{\k15\k28}to {\k63}bi {\k33}ko {\k58}mi {\k43}ta {\k60}i {\k35}n {\k35}da
Comment: 0,0:25:38.28,0:25:42.55,Marco-EDR,,0,0,0,Karaoke,{\k15\k11}ka {\k16}a {\k41}sa {\k21}n {\k36}no {\k66}mu {\k36}ne {\k187}ni

Dialogue: 0,0:00:00.00,0:00:04.89,Marco-Calpis,,0,0,0,,{\be1\pos(320,123)}CALPIS
Dialogue: 0,0:00:00.00,0:00:04.89,Marco-CP,,0,0,0,,{\be1\pos(315,314)}Children's Playhouse
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-MainTitle1,,0,0,0,,{\fad(0,265)\pos(322,125)}3000 Leagues In Search of Mother
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-MainTitle1,,0,0,0,,{\fad(0,265)\be1\pos(322,125)}3000 Leagues In Search of Mother
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-MainTitle2,,0,0,0,,{\fad(0,265)\pos(322,160)}( Haha o Tazunete Sanzen Ri )
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-MainTitle2,,0,0,0,,{\fad(0,265)\be1\pos(322,160)}( Haha o Tazunete Sanzen Ri )
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-Adapted,,0,0,0,,{\fad(0,265)\pos(315,298)}From {\fe128}「{\fe0}Cuore{\fe128}」{\fe0} by Edmondo de Amicis
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-Adapted,,0,0,0,,{\fad(0,265)\be1\shad0\pos(315,298)}From {\fe128}「{\fe0}Cuore{\fe128}」{\fe0} by Edmondo de Amicis
Dialogue: 0,0:00:10.15,0:00:14.74,Marco-OPR,,0,0,0,,{\fad(0,0)\be0\pos(316,385)}haruka sougen wo
Dialogue: 0,0:00:10.15,0:00:14.74,Marco-OPR,,0,0,0,,{\fad(0,0)\be1\pos(316,385)}{\t(0,1,0.5,\1c&HCCCCFF)}{\t(250,450,0.5,\1c&H8080FF&)\t(350,650,0.5,\1c&HFFFFFF&)}ha{\t(350,350,0.5,\1c&H8080FF&)\t(650,1000,0.5,\1c&HFFFFFF&)}ru{\t(650,650,0.5,\1c&H8080FF&)\t(1000,2000,0.5,\1c&HFFFFFF&)}ka{\t(0,1,0.5,\1c&HCCCCFF&)\t(2000,2200,0.5,\1c&H8080FF&)\t(2100,2450,0.5,\1c&HFFFFFF&)} so{\t(2100,2100,0.5,\1c&H8080FF&)\t(2450,2820,0.5,\1c&HFFFFFF&)}u{\t(2450,2450,0.5,\1c&H8080FF&)\t(2820,3220,0.5,\1c&HFFFFFF&)}ge{\t(2820,2820,0.5,\1c&H8080FF&)\t(3220,3540,0.5,\1c&HFFFFFF&)}n{\t(0,1,0.5,\1c&HCCCCFF&)\t(3440,3640,0.5,\1c&H8080FF&)\t(3540,4670,0.5,\1c&HFFFFFF&)} wo
Dialogue: 0,0:00:10.15,0:00:14.74,Marco-OPR,,0,0,0,,{\fad(0,0)\be1\pos(316,385)}{\t(0,1,0.5,\1c&HCCCCFF)}{\t(250,450,0.5,\1c&H8080FF&)\t(350,650,0.5,\1c&HFFFFFF&)}ha{\t(350,350,0.5,\1c&H8080FF&)\t(650,1000,0.5,\1c&HFFFFFF&)}ru{\t(650,650,0.5,\1c&H8080FF&)\t(1000,2000,0.5,\1c&HFFFFFF&)}ka{\t(0,1,0.5,\1c&HCCCCFF&)\t(2000,2200,0.5,\1c&H8080FF&)\t(2100,2450,0.5,\1c&HFFFFFF&)} so{\t(2100,2100,0.5,\1c&H8080FF&)\t(2450,2820,0.5,\1c&HFFFFFF&)}u{\t(2450,2450,0.5,\1c&H8080FF&)\t(2820,3220,0.5,\1c&HFFFFFF&)}ge{\t(2820,2820,0.5,\1c&H8080FF&)\t(3220,3540,0.5,\1c&HFFFFFF&)}n{\t(0,1,0.5,\1c&HCCCCFF&)\t(3440,3640,0.5,\1c&H8080FF&)\t(3540,4670,0.5,\1c&HFFFFFF&)} wo
Dialogue: 0,0:00:10.15,0:00:14.74,Marco-OPE,,0,0,0,,{\fad(0,0)\pos(316,470)}Across the endless grassland
Dialogue: 0,0:00:10.15,0:00:14.74,Marco-OPE,,0,0,0,,{\fad(0,0)\be1\pos(316,470)}Across the endless grassland
Dialogue: 0,0:00:15.07,0:00:18.24,Marco-OPR,,0,0,0,,{\fad(0,30)\bord0\shad1\be0\pos(313,385)}hitotsukami no kumo ga
Dialogue: 0,0:00:15.07,0:00:18.24,Marco-OPR,,0,0,0,,{\fad(0,30)\bord0\shad0\be1\pos(313,385)\t(0,1,0.5,\1c&HCCCCFF)\t(250,450,0.5,\1c&H8080FF&)\t(350,650,0.5,\1c&HFFFFFF&)}hi{\t(350,350,0.5,\1c&H8080FF&)\t(650,900,0.5,\1c&HFFFFFF&)}to{\t(650,650,0.5,\1c&H8080FF&)\t(900,1170,0.5,\1c&HFFFFFF&)}tsu{\t(900,900,0.5,\1c&H8080FF&)\t(1170,1420,0.5,\1c&HFFFFFF&)}ka{\t(1170,1170,0.5,\1c&H8080FF&)\t(1420,1670,0.5,\1c&HFFFFFF&)}mi{\t(0,1,0.5,\1c&HCCCCFF)\t(1570,1770,0.5,\1c&H8080FF&)\t(1670,1970,0.5,\1c&HFFFFFF&)} no{\t(1520,1520,0.5,\1c&HCCCCFF)\t(1870,2070,0.5,\1c&H8080FF&)\t(1970,2270,0.5,\1c&HFFFFFF&)} ku{\t(1970,1970,0.5,\1c&H8080FF&)\t(2270,2620,0.5,\1c&HFFFFFF&)}mo{\t(0,1,0.5,\1c&HCCCCFF)\t(2520,2720,0.5,\1c&H8080FF&)\t(2620,3190,0.5,\1c&HFFFFFF&)} ga
Dialogue: 0,0:00:15.07,0:00:18.24,Marco-OPR,,0,0,0,,{\fad(0,30)\bord0\shad0\be1\pos(313,385)\t(0,1,0.5,\1c&HCCCCFF)\t(250,450,0.5,\1c&H8080FF&)\t(350,650,0.5,\1c&HFFFFFF&)}hi{\t(350,350,0.5,\1c&H8080FF&)\t(650,900,0.5,\1c&HFFFFFF&)}to{\t(650,650,0.5,\1c&H8080FF&)\t(900,1170,0.5,\1c&HFFFFFF&)}tsu{\t(900,900,0.5,\1c&H8080FF&)\t(1170,1420,0.5,\1c&HFFFFFF&)}ka{\t(1170,1170,0.5,\1c&H8080FF&)\t(1420,1670,0.5,\1c&HFFFFFF&)}mi{\t(0,1,0.5,\1c&HCCCCFF)\t(1570,1770,0.5,\1c&H8080FF&)\t(1670,1970,0.5,\1c&HFFFFFF&)} no{\t(1520,1520,0.5,\1c&HCCCCFF)\t(1870,2070,0.5,\1c&H8080FF&)\t(1970,2270,0.5,\1c&HFFFFFF&)} ku{\t(1970,1970,0.5,\1c&H8080FF&)\t(2270,2620,0.5,\1c&HFFFFFF&)}mo{\t(0,1,0.5,\1c&HCCCCFF)\t(2520,2720,0.5,\1c&H8080FF&)\t(2620,3190,0.5,\1c&HFFFFFF&)} ga
Dialogue: 0,0:00:15.07,0:00:18.24,Marco-OPE,,0,0,0,,{\fad(0,30)\bord0\shad1\be0\fsp2\pos(313,470)}A handful of clouds
Dialogue: 0,0:00:15.07,0:00:18.24,Marco-OPE,,0,0,0,,{\fad(0,30)\bord0\shad0\be1\fsp2\pos(313,470)}A handful of clouds
Dialogue: 0,0:00:16.82,0:00:20.83,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(351,192)}Executive\NProducer
Dialogue: 0,0:00:16.82,0:00:20.83,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(396,218)}Motohashi Kouichi
Dialogue: 0,0:00:18.52,0:00:26.33,Marco-OPR,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\pos(316,385)}ate mo naku samayoi tonde yuku
Dialogue: 0,0:00:18.52,0:00:26.33,Marco-OPR,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\pos(316,385)\t(0,1,0.5,\1c&HCCCCFF)\t(200,400,0.5,\1c&H8080FF&)\t(300,560,0.5,\1c&HFFFFFF&)}a{\t(300,300,0.5,\1c&H8080FF&)\t(560,830,0.5,\1c&HFFFFFF&)}te{\t(0,1,0.5,\1c&HCCCCFF)\t(730,930,0.5,\1c&H8080FF&)\t(830,1110,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(1010,1210,0.5,\1c&H8080FF&)\t(1110,1420,0.5,\1c&HFFFFFF&)} na{\t(1110,1110,0.5,\1c&H8080FF&)\t(1420,1990,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(1890,2090,0.5,\1c&H8080FF&)\t(1990,2410,0.5,\1c&HFFFFFF&)} sa{\t(1990,1990,0.5,\1c&H8080FF&)\t(2410,2730,0.5,\1c&HFFFFFF&)}ma{\t(2410,2410,0.5,\1c&H8080FF&)\t(2730,3150,0.5,\1c&HFFFFFF&)}yo{\t(2730,2730,0.5,\1c&H8080FF&)\t(3150,3810,0.5,\1c&HFFFFFF&)}i{\t(0,1,0.5,\1c&HCCCCFF)\t(4210,4410,0.5,\1c&H8080FF&)\t(4310,4980,0.5,\1c&HFFFFFF&)} to{\t(4310,4310,0.5,\1c&H8080FF&)\t(4980,5990,0.5,\1c&HFFFFFF&)}n{\t(4980,4980,0.5,\1c&H8080FF&)\t(5590,6460,0.5,\1c&HFFFFFF&)}de{\t(0,1,0.5,\1c&HCCCCFF)\t(6360,6560,0.5,\1c&H8080FF&)\t(6460,7030,0.5,\1c&HFFFFFF&)} yu{\t(6460,6460,0.5,\1c&H8080FF&)\t(7030,7800,0.5,\1c&HFFFFFF&)}ku
Dialogue: 0,0:00:18.52,0:00:26.33,Marco-OPR,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\pos(316,385)\t(0,1,0.5,\1c&HCCCCFF)\t(200,400,0.5,\1c&H8080FF&)\t(300,560,0.5,\1c&HFFFFFF&)}a{\t(300,300,0.5,\1c&H8080FF&)\t(560,830,0.5,\1c&HFFFFFF&)}te{\t(0,1,0.5,\1c&HCCCCFF)\t(730,930,0.5,\1c&H8080FF&)\t(830,1110,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(1010,1210,0.5,\1c&H8080FF&)\t(1110,1420,0.5,\1c&HFFFFFF&)} na{\t(1110,1110,0.5,\1c&H8080FF&)\t(1420,1990,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(1890,2090,0.5,\1c&H8080FF&)\t(1990,2410,0.5,\1c&HFFFFFF&)} sa{\t(1990,1990,0.5,\1c&H8080FF&)\t(2410,2730,0.5,\1c&HFFFFFF&)}ma{\t(2410,2410,0.5,\1c&H8080FF&)\t(2730,3150,0.5,\1c&HFFFFFF&)}yo{\t(2730,2730,0.5,\1c&H8080FF&)\t(3150,3810,0.5,\1c&HFFFFFF&)}i{\t(0,1,0.5,\1c&HCCCCFF)\t(4210,4410,0.5,\1c&H8080FF&)\t(4310,4980,0.5,\1c&HFFFFFF&)} to{\t(4310,4310,0.5,\1c&H8080FF&)\t(4980,5990,0.5,\1c&HFFFFFF&)}n{\t(4980,4980,0.5,\1c&H8080FF&)\t(5590,6460,0.5,\1c&HFFFFFF&)}de{\t(0,1,0.5,\1c&HCCCCFF)\t(6360,6560,0.5,\1c&H8080FF&)\t(6460,7030,0.5,\1c&HFFFFFF&)} yu{\t(6460,6460,0.5,\1c&H8080FF&)\t(7030,7800,0.5,\1c&HFFFFFF&)}ku
Dialogue: 0,0:00:18.52,0:00:26.33,Marco-OPE,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\fsp2\pos(316,470)}Drift, wandering aimlessly.
Dialogue: 0,0:00:18.52,0:00:26.33,Marco-OPE,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\fsp2\pos(316,470)}Drift, wandering aimlessly.
Dialogue: 0,0:00:21.20,0:00:24.54,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(369,40)}Screenplay
Dialogue: 0,0:00:21.20,0:00:24.54,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(393,60)}Fukazawa Kazuo
Dialogue: 0,0:00:26.65,0:00:30.79,Marco-OPR,,0,0,0,,{\fad(0,80)\bord0\shad1\be0\pos(316,385)}yama mo naku tani mo naku
Dialogue: 0,0:00:26.65,0:00:30.79,Marco-OPR,,0,0,0,,{\fad(0,80)\bord0\shad0\be1\pos(316,385)\t(0,1,0.5,\1c&HCCCCFF)\t(300,500,0.5,\1c&H8080FF&)\t(400,730,0.5,\1c&HFFFFFF&)}ya{\t(400,400,0.5,\1c&H8080FF&)\t(730,1060,0.5,\1c&HFFFFFF&)}ma{\t(0,1,0.5,\1c&HCCCCFF)\t(960,1160,0.5,\1c&H8080FF&)\t(1060,1390,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(1290,1490,0.5,\1c&H8080FF&)\t(1390,1720,0.5,\1c&HFFFFFF&)} na{\t(1390,1390,0.5,\1c&H8080FF&)\t(1720,2150,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(2250,2450,0.5,\1c&H8080FF&)\t(2350,2580,0.5,\1c&HFFFFFF&)} ta{\t(2350,2350,0.5,\1c&H8080FF&)\t(2580,2910,0.5,\1c&HFFFFFF&)}ni{\t(0,1,0.5,\1c&HCCCCFF)\t(2810,3010,0.5,\1c&H8080FF&)\t(2910,3240,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(3140,3340,0.5,\1c&H8080FF&)\t(3240,3570,0.5,\1c&HFFFFFF&)} na{\t(3240,3240,0.5,\1c&H8080FF&)\t(3570,4150,0.5,\1c&HFFFFFF&)}ku
Dialogue: 0,0:00:26.65,0:00:30.79,Marco-OPR,,0,0,0,,{\fad(0,80)\bord0\shad0\be1\pos(316,385)\t(0,1,0.5,\1c&HCCCCFF)\t(300,500,0.5,\1c&H8080FF&)\t(400,730,0.5,\1c&HFFFFFF&)}ya{\t(400,400,0.5,\1c&H8080FF&)\t(730,1060,0.5,\1c&HFFFFFF&)}ma{\t(0,1,0.5,\1c&HCCCCFF)\t(960,1160,0.5,\1c&H8080FF&)\t(1060,1390,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(1290,1490,0.5,\1c&H8080FF&)\t(1390,1720,0.5,\1c&HFFFFFF&)} na{\t(1390,1390,0.5,\1c&H8080FF&)\t(1720,2150,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(2250,2450,0.5,\1c&H8080FF&)\t(2350,2580,0.5,\1c&HFFFFFF&)} ta{\t(2350,2350,0.5,\1c&H8080FF&)\t(2580,2910,0.5,\1c&HFFFFFF&)}ni{\t(0,1,0.5,\1c&HCCCCFF)\t(2810,3010,0.5,\1c&H8080FF&)\t(2910,3240,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(3140,3340,0.5,\1c&H8080FF&)\t(3240,3570,0.5,\1c&HFFFFFF&)} na{\t(3240,3240,0.5,\1c&H8080FF&)\t(3570,4150,0.5,\1c&HFFFFFF&)}ku
Dialogue: 0,0:00:26.65,0:00:30.79,Marco-OPE,,0,0,0,,{\fad(0,80)\bord0\shad1\be0\fsp2\pos(316,470)}No mountains, no valleys
Dialogue: 0,0:00:26.65,0:00:30.79,Marco-OPE,,0,0,0,,{\fad(0,80)\bord0\shad0\be1\fsp2\pos(316,470)}No mountains, no valleys
Dialogue: 0,0:00:30.38,0:00:34.38,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(94,46)}Music
Dialogue: 0,0:00:30.38,0:00:34.38,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(120,66)}Sakata Kouichi
Dialogue: 0,0:00:31.00,0:00:39.01,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\pos(314,385)}nani mo mie wa shinai
Dialogue: 0,0:00:31.00,0:00:39.01,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,570,0.5,\1c&HFFFFFF&)}na{\t(250,250,0.5,\1c&H8080FF&)\t(570,890,0.5,\1c&HFFFFFF&)}ni{\t(0,1,0.5,\1c&HCCCCFF)\t(790,990,0.5,\1c&H8080FF&)\t(890,2810,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(3160,3360,0.5,\1c&H8080FF&)\t(3260,3630,0.5,\1c&HFFFFFF&)} mi{\t(3260,3260,0.5,\1c&H8080FF&)\t(3630,3920,0.5,\1c&HFFFFFF&)}e{\t(0,1,0.5,\1c&HCCCCFF)\t(3820,4020,0.5,\1c&H8080FF&)\t(3920,4390,0.5,\1c&HFFFFFF&)} wa{\t(0,1,0.5,\1c&HCCCCFF)\t(4290,4490,0.5,\1c&H8080FF&)\t(4390,4930,0.5,\1c&HFFFFFF&)} shi{\t(4390,4390,0.5,\1c&H8080FF&)\t(4930,5350,0.5,\1c&HFFFFFF&)}na{\t(4390,4390,0.5,\1c&H8080FF&)\t(5350,7260,0.5,\1c&HFFFFFF&)}i
Dialogue: 0,0:00:31.00,0:00:39.01,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,570,0.5,\1c&HFFFFFF&)}na{\t(250,250,0.5,\1c&H8080FF&)\t(570,890,0.5,\1c&HFFFFFF&)}ni{\t(0,1,0.5,\1c&HCCCCFF)\t(790,990,0.5,\1c&H8080FF&)\t(890,2810,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(3160,3360,0.5,\1c&H8080FF&)\t(3260,3630,0.5,\1c&HFFFFFF&)} mi{\t(3260,3260,0.5,\1c&H8080FF&)\t(3630,3920,0.5,\1c&HFFFFFF&)}e{\t(0,1,0.5,\1c&HCCCCFF)\t(3820,4020,0.5,\1c&H8080FF&)\t(3920,4390,0.5,\1c&HFFFFFF&)} wa{\t(0,1,0.5,\1c&HCCCCFF)\t(4290,4490,0.5,\1c&H8080FF&)\t(4390,4930,0.5,\1c&HFFFFFF&)} shi{\t(4390,4390,0.5,\1c&H8080FF&)\t(4930,5350,0.5,\1c&HFFFFFF&)}na{\t(4390,4390,0.5,\1c&H8080FF&)\t(5350,7260,0.5,\1c&HFFFFFF&)}i
Dialogue: 0,0:00:31.00,0:00:39.01,Marco-OPE,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\fsp2\pos(314,470)}There's nothing to be seen.
Dialogue: 0,0:00:31.00,0:00:39.01,Marco-OPE,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\fsp2\pos(314,470)}There's nothing to be seen.
Dialogue: 0,0:00:34.65,0:00:38.64,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(142,238)}Scene Design\N& Layout
Dialogue: 0,0:00:34.65,0:00:38.64,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(166,266)}Miyazaki Hayao
Dialogue: 0,0:00:39.22,0:00:42.64,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\pos(314,385)}keredo maruko
Dialogue: 0,0:00:39.22,0:00:42.64,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,510,0.5,\1c&HFFFFFF&)}ke{\t(250,250,0.5,\1c&H8080FF&)\t(510,820,0.5,\1c&HFFFFFF&)}re{\t(510,510,0.5,\1c&H8080FF&)\t(820,1730,0.5,\1c&HFFFFFF&)}do{\t(0,1,0.5,\1c&HCCCCFF)\t(1930,2130,0.5,\1c&H8080FF&)\t(2030,2540,0.5,\1c&HFFFFFF&)} ma{\t(2030,2030,0.5,\1c&H8080FF&)\t(2540,2850,0.5,\1c&HFFFFFF&)}ru{\t(2540,2540,0.5,\1c&H8080FF&)\t(2850,3440,0.5,\1c&HFFFFFF&)}ko
Dialogue: 0,0:00:39.22,0:00:42.64,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,510,0.5,\1c&HFFFFFF&)}ke{\t(250,250,0.5,\1c&H8080FF&)\t(510,820,0.5,\1c&HFFFFFF&)}re{\t(510,510,0.5,\1c&H8080FF&)\t(820,1730,0.5,\1c&HFFFFFF&)}do{\t(0,1,0.5,\1c&HCCCCFF)\t(1930,2130,0.5,\1c&H8080FF&)\t(2030,2540,0.5,\1c&HFFFFFF&)} ma{\t(2030,2030,0.5,\1c&H8080FF&)\t(2540,2850,0.5,\1c&HFFFFFF&)}ru{\t(2540,2540,0.5,\1c&H8080FF&)\t(2850,3440,0.5,\1c&HFFFFFF&)}ko
Dialogue: 0,0:00:39.22,0:00:42.64,Marco-OPE,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\fsp2\pos(314,470)}Still, Marco
Dialogue: 0,0:00:39.22,0:00:42.64,Marco-OPE,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\fsp2\pos(314,470)}Still, Marco
Dialogue: 0,0:00:43.09,0:00:47.14,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}omae wa kita n da
Dialogue: 0,0:00:43.09,0:00:47.14,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,560,0.5,\1c&HFFFFFF&)}o{\t(250,250,0.5,\1c&H8080FF&)\t(560,880,0.5,\1c&HFFFFFF&)}ma{\t(560,560,0.5,\1c&H8080FF&)\t(880,1190,0.5,\1c&HFFFFFF&)}e{\t(0,1,0.5,\1c&HCCCCFF)\t(1090,1290,0.5,\1c&H8080FF&)\t(1190,1710,0.5,\1c&HFFFFFF&)} wa{\t(0,1,0.5,\1c&HCCCCFF)\t(2160,2360,0.5,\1c&H8080FF&)\t(2260,2380,0.5,\1c&HFFFFFF&)} ki{\t(2260,2260,0.5,\1c&H8080FF&)\t(2380,2900,0.5,\1c&HFFFFFF&)}ta{\t(0,1,0.5,\1c&HCCCCFF)\t(2800,3000,0.5,\1c&H8080FF&)\t(2900,3210,0.5,\1c&HFFFFFF&)} n{\t(0,1,0.5,\1c&HCCCCFF)\t(3110,3310,0.5,\1c&H8080FF&)\t(3210,4100,0.5,\1c&HFFFFFF&)} da
Dialogue: 0,0:00:43.09,0:00:47.14,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,560,0.5,\1c&HFFFFFF&)}o{\t(250,250,0.5,\1c&H8080FF&)\t(560,880,0.5,\1c&HFFFFFF&)}ma{\t(560,560,0.5,\1c&H8080FF&)\t(880,1190,0.5,\1c&HFFFFFF&)}e{\t(0,1,0.5,\1c&HCCCCFF)\t(1090,1290,0.5,\1c&H8080FF&)\t(1190,1710,0.5,\1c&HFFFFFF&)} wa{\t(0,1,0.5,\1c&HCCCCFF)\t(2160,2360,0.5,\1c&H8080FF&)\t(2260,2380,0.5,\1c&HFFFFFF&)} ki{\t(2260,2260,0.5,\1c&H8080FF&)\t(2380,2900,0.5,\1c&HFFFFFF&)}ta{\t(0,1,0.5,\1c&HCCCCFF)\t(2800,3000,0.5,\1c&H8080FF&)\t(2900,3210,0.5,\1c&HFFFFFF&)} n{\t(0,1,0.5,\1c&HCCCCFF)\t(3110,3310,0.5,\1c&H8080FF&)\t(3210,4100,0.5,\1c&HFFFFFF&)} da
Dialogue: 0,0:00:43.09,0:00:47.14,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp2\pos(314,470)}You've come over
Dialogue: 0,0:00:43.09,0:00:47.14,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp2\pos(314,470)}You've come over
Dialogue: 0,0:00:47.48,0:00:56.32,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}andesu ni tsuzuku kono michi o
Dialogue: 0,0:00:47.48,0:00:56.32,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(100,200,0.5,\1c&H8080FF&)\t(200,530,0.5,\1c&HFFFFFF&)}a{\t(200,200,0.5,\1c&H8080FF&)\t(530,760,0.5,\1c&HFFFFFF&)}n{\t(530,530,0.5,\1c&H8080FF&)\t(760,990,0.5,\1c&HFFFFFF&)}de{\t(760,760,0.5,\1c&H8080FF&)\t(990,1420,0.5,\1c&HFFFFFF&)}su{\t(0,1,0.5,\1c&HCCCCFF)\t(1320,1420,0.5,\1c&H8080FF&)\t(1420,2100,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(2000,2100,0.5,\1c&H8080FF&)\t(2100,2570,0.5,\1c&HFFFFFF&)} tsu{\t(2100,2100,0.5,\1c&H8080FF&)\t(2570,3000,0.5,\1c&HFFFFFF&)}zu{\t(2570,2570,0.5,\1c&H8080FF&)\t(3000,3830,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(4280,4380,0.5,\1c&H8080FF&)\t(4380,4960,0.5,\1c&HFFFFFF&)} ko{\t(4380,4380,0.5,\1c&H8080FF&)\t(4960,5890,0.5,\1c&HFFFFFF&)}no{\t(0,1,0.5,\1c&HCCCCFF)\t(5790,5890,0.5,\1c&H8080FF&)\t(5890,6470,0.5,\1c&HFFFFFF&)} mi{\t(5890,5890,0.5,\1c&H8080FF&)\t(6470,7090,0.5,\1c&HFFFFFF&)}chi{\t(0,1,0.5,\1c&HCCCCFF)\t(6990,7090,0.5,\1c&H8080FF&)\t(7090,8950,0.5,\1c&HFFFFFF&)} o
Dialogue: 0,0:00:47.48,0:00:56.32,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(100,200,0.5,\1c&H8080FF&)\t(200,530,0.5,\1c&HFFFFFF&)}a{\t(200,200,0.5,\1c&H8080FF&)\t(530,760,0.5,\1c&HFFFFFF&)}n{\t(530,530,0.5,\1c&H8080FF&)\t(760,990,0.5,\1c&HFFFFFF&)}de{\t(760,760,0.5,\1c&H8080FF&)\t(990,1420,0.5,\1c&HFFFFFF&)}su{\t(0,1,0.5,\1c&HCCCCFF)\t(1320,1420,0.5,\1c&H8080FF&)\t(1420,2100,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(2000,2100,0.5,\1c&H8080FF&)\t(2100,2570,0.5,\1c&HFFFFFF&)} tsu{\t(2100,2100,0.5,\1c&H8080FF&)\t(2570,3000,0.5,\1c&HFFFFFF&)}zu{\t(2570,2570,0.5,\1c&H8080FF&)\t(3000,3830,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(4280,4380,0.5,\1c&H8080FF&)\t(4380,4960,0.5,\1c&HFFFFFF&)} ko{\t(4380,4380,0.5,\1c&H8080FF&)\t(4960,5890,0.5,\1c&HFFFFFF&)}no{\t(0,1,0.5,\1c&HCCCCFF)\t(5790,5890,0.5,\1c&H8080FF&)\t(5890,6470,0.5,\1c&HFFFFFF&)} mi{\t(5890,5890,0.5,\1c&H8080FF&)\t(6470,7090,0.5,\1c&HFFFFFF&)}chi{\t(0,1,0.5,\1c&HCCCCFF)\t(6990,7090,0.5,\1c&H8080FF&)\t(7090,8950,0.5,\1c&HFFFFFF&)} o
Dialogue: 0,0:00:47.48,0:00:56.32,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp2\pos(314,470)}This road leading to the Andes.
Dialogue: 0,0:00:47.48,0:00:56.32,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp2\pos(314,470)}This road leading to the Andes.
Dialogue: 0,0:00:48.52,0:00:52.23,Marco-JCOTitle,,0,0,0,,{\fad(0,50)\pos(352,33)}Character Design\N& Animation Director
Dialogue: 0,0:00:48.52,0:00:52.23,Marco-JCOName,,0,0,0,,{\fad(0,50)\pos(425,61)}Otabe Youichi
Dialogue: 0,0:00:52.32,0:00:55.82,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(345,76)}Art Director
Dialogue: 0,0:00:52.32,0:00:55.82,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(371,96)}Mukuo Takamura
Dialogue: 0,0:00:57.81,0:01:02.04,Marco-OPR,,0,0,0,,{\fad(0,100)\bord0\shad1\be0\pos(314,385)}saa shuppatsu da ima hi ga noboru
Dialogue: 0,0:00:57.81,0:01:02.04,Marco-OPR,,0,0,0,,{\fad(0,100)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(300,400,0.5,\1c&H8080FF&)\t(400,720,0.5,\1c&HFFFFFF&)}sa{\t(400,400,0.5,\1c&H8080FF&)\t(720,1130,0.5,\1c&HFFFFFF&)}a{\t(0,1,0.5,\1c&HCCCCFF)\t(1030,1130,0.5,\1c&H8080FF&)\t(1130,1350,0.5,\1c&HFFFFFF&)} shu{\t(1130,1130,0.5,\1c&H8080FF&)\t(1350,1460,0.5,\1c&HFFFFFF&)}p{\t(1350,1350,0.5,\1c&H8080FF&)\t(1460,1630,0.5,\1c&HFFFFFF&)}pa{\t(1460,1460,0.5,\1c&H8080FF&)\t(1630,1750,0.5,\1c&HFFFFFF&)}tsu{\t(0,1,0.5,\1c&HCCCCFF)\t(1650,1750,0.5,\1c&H8080FF&)\t(1750,2070,0.5,\1c&HFFFFFF&)} da{\t(0,1,0.5,\1c&HCCCCFF)\t(2320,2420,0.5,\1c&H8080FF&)\t(2420,2730,0.5,\1c&HFFFFFF&)} i{\t(2420,2420,0.5,\1c&H8080FF&)\t(2730,3000,0.5,\1c&HFFFFFF&)}ma{\t(0,1,0.5,\1c&HCCCCFF)\t(3150,3250,0.5,\1c&H8080FF&)\t(3250,3370,0.5,\1c&HFFFFFF&)} hi{\t(0,1,0.5,\1c&HCCCCFF)\t(3350,3370,0.5,\1c&H8080FF&)\t(3370,3440,0.5,\1c&HFFFFFF&)} ga{\t(0,1,0.5,\1c&HCCCCFF)\t(3400,3440,0.5,\1c&H8080FF&)\t(3440,3610,0.5,\1c&HFFFFFF&)} no{\t(3440,3440,0.5,\1c&H8080FF&)\t(3610,3730,0.5,\1c&HFFFFFF&)}bo{\t(3610,3610,0.5,\1c&H8080FF&)\t(3730,4220,0.5,\1c&HFFFFFF&)}ru
Dialogue: 0,0:00:57.81,0:01:02.04,Marco-OPR,,0,0,0,,{\fad(0,100)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(300,400,0.5,\1c&H8080FF&)\t(400,720,0.5,\1c&HFFFFFF&)}sa{\t(400,400,0.5,\1c&H8080FF&)\t(720,1130,0.5,\1c&HFFFFFF&)}a{\t(0,1,0.5,\1c&HCCCCFF)\t(1030,1130,0.5,\1c&H8080FF&)\t(1130,1350,0.5,\1c&HFFFFFF&)} shu{\t(1130,1130,0.5,\1c&H8080FF&)\t(1350,1460,0.5,\1c&HFFFFFF&)}p{\t(1350,1350,0.5,\1c&H8080FF&)\t(1460,1630,0.5,\1c&HFFFFFF&)}pa{\t(1460,1460,0.5,\1c&H8080FF&)\t(1630,1750,0.5,\1c&HFFFFFF&)}tsu{\t(0,1,0.5,\1c&HCCCCFF)\t(1650,1750,0.5,\1c&H8080FF&)\t(1750,2070,0.5,\1c&HFFFFFF&)} da{\t(0,1,0.5,\1c&HCCCCFF)\t(2320,2420,0.5,\1c&H8080FF&)\t(2420,2730,0.5,\1c&HFFFFFF&)} i{\t(2420,2420,0.5,\1c&H8080FF&)\t(2730,3000,0.5,\1c&HFFFFFF&)}ma{\t(0,1,0.5,\1c&HCCCCFF)\t(3150,3250,0.5,\1c&H8080FF&)\t(3250,3370,0.5,\1c&HFFFFFF&)} hi{\t(0,1,0.5,\1c&HCCCCFF)\t(3350,3370,0.5,\1c&H8080FF&)\t(3370,3440,0.5,\1c&HFFFFFF&)} ga{\t(0,1,0.5,\1c&HCCCCFF)\t(3400,3440,0.5,\1c&H8080FF&)\t(3440,3610,0.5,\1c&HFFFFFF&)} no{\t(3440,3440,0.5,\1c&H8080FF&)\t(3610,3730,0.5,\1c&HFFFFFF&)}bo{\t(3610,3610,0.5,\1c&H8080FF&)\t(3730,4220,0.5,\1c&HFFFFFF&)}ru
Dialogue: 0,0:00:57.81,0:01:02.04,Marco-OPE,,0,0,0,,{\fad(0,100)\bord0\shad1\be0\fsp2\pos(314,470)}It's time to go!  The sun is rising n{\fsp0}ow.
Dialogue: 0,0:00:57.81,0:01:02.04,Marco-OPE,,0,0,0,,{\fad(0,100)\bord0\shad0\be1\fsp2\pos(314,470)}It's time to go!  The sun is rising n{\fsp0}ow.
Dialogue: 0,0:01:00.41,0:01:03.45,Marco-JCOTitle,,0,0,0,,{\fad(40,0)\pos(353,122)}Camera Director
Dialogue: 0,0:01:00.41,0:01:03.45,Marco-JCOName,,0,0,0,,{\fad(40,0)\pos(380,144)}Kuroki Keishichi
Dialogue: 0,0:01:02.32,0:01:05.50,Marco-OPR,,0,0,0,,{\fad(0,20)\bord0\shad1\be0\pos(314,385)}kibou no hikari ryoute ni tsukami
Dialogue: 0,0:01:02.32,0:01:05.50,Marco-OPR,,0,0,0,,{\fad(0,20)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,200,0.5,\1c&H8080FF&)\t(200,340,0.5,\1c&HFFFFFF&)}ki{\t(200,200,0.5,\1c&H8080FF&)\t(340,480,0.5,\1c&HFFFFFF&)}bo{\t(340,340,0.5,\1c&H8080FF&)\t(480,590,0.5,\1c&HFFFFFF&)}u{\t(0,1,0.5,\1c&HCCCCFF)\t(550,590,0.5,\1c&H8080FF&)\t(590,730,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(680,730,0.5,\1c&H8080FF&)\t(730,870,0.5,\1c&HFFFFFF&)} hi{\t(730,730,0.5,\1c&H8080FF&)\t(870,960,0.5,\1c&HFFFFFF&)}ka{\t(870,870,0.5,\1c&H8080FF&)\t(960,1250,0.5,\1c&HFFFFFF&)}ri{\t(0,1,0.5,\1c&HCCCCFF)\t(1200,1250,0.5,\1c&H8080FF&)\t(1250,1420,0.5,\1c&HFFFFFF&)} ryo{\t(1250,1250,0.5,\1c&H8080FF&)\t(1420,1530,0.5,\1c&HFFFFFF&)}u{\t(1420,1420,0.5,\1c&H8080FF&)\t(1530,1620,0.5,\1c&HFFFFFF&)}te{\t(0,1,0.5,\1c&HCCCCFF)\t(1590,1620,0.5,\1c&H8080FF&)\t(1620,1760,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(1710,1760,0.5,\1c&H8080FF&)\t(1760,1980,0.5,\1c&HFFFFFF&)} tsu{\t(1760,1760,0.5,\1c&H8080FF&)\t(1980,2270,0.5,\1c&HFFFFFF&)}ka{\t(1980,1980,0.5,\1c&H8080FF&)\t(2270,3230,0.5,\1c&HFFFFFF&)}mi
Dialogue: 0,0:01:02.32,0:01:05.50,Marco-OPR,,0,0,0,,{\fad(0,20)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,200,0.5,\1c&H8080FF&)\t(200,340,0.5,\1c&HFFFFFF&)}ki{\t(200,200,0.5,\1c&H8080FF&)\t(340,480,0.5,\1c&HFFFFFF&)}bo{\t(340,340,0.5,\1c&H8080FF&)\t(480,590,0.5,\1c&HFFFFFF&)}u{\t(0,1,0.5,\1c&HCCCCFF)\t(550,590,0.5,\1c&H8080FF&)\t(590,730,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(680,730,0.5,\1c&H8080FF&)\t(730,870,0.5,\1c&HFFFFFF&)} hi{\t(730,730,0.5,\1c&H8080FF&)\t(870,960,0.5,\1c&HFFFFFF&)}ka{\t(870,870,0.5,\1c&H8080FF&)\t(960,1250,0.5,\1c&HFFFFFF&)}ri{\t(0,1,0.5,\1c&HCCCCFF)\t(1200,1250,0.5,\1c&H8080FF&)\t(1250,1420,0.5,\1c&HFFFFFF&)} ryo{\t(1250,1250,0.5,\1c&H8080FF&)\t(1420,1530,0.5,\1c&HFFFFFF&)}u{\t(1420,1420,0.5,\1c&H8080FF&)\t(1530,1620,0.5,\1c&HFFFFFF&)}te{\t(0,1,0.5,\1c&HCCCCFF)\t(1590,1620,0.5,\1c&H8080FF&)\t(1620,1760,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(1710,1760,0.5,\1c&H8080FF&)\t(1760,1980,0.5,\1c&HFFFFFF&)} tsu{\t(1760,1760,0.5,\1c&H8080FF&)\t(1980,2270,0.5,\1c&HFFFFFF&)}ka{\t(1980,1980,0.5,\1c&H8080FF&)\t(2270,3230,0.5,\1c&HFFFFFF&)}mi
Dialogue: 0,0:01:02.32,0:01:05.50,Marco-OPE,,0,0,0,,{\fad(0,20)\bord0\shad1\be0\fsp2\pos(314,470)}Grasp the light of hope with both hands.
Dialogue: 0,0:01:02.32,0:01:05.50,Marco-OPE,,0,0,0,,{\fad(0,20)\bord0\shad0\be1\fsp2\pos(314,470)}Grasp the light of hope with both hands.
Dialogue: 0,0:01:03.79,0:01:07.54,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(322,109)}Audio Director
Dialogue: 0,0:01:03.79,0:01:07.54,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(374,130)}Uragami Yasuo
Dialogue: 0,0:01:06.20,0:01:09.58,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}poncho ni yoake no kaze haramasete
Dialogue: 0,0:01:06.20,0:01:09.58,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(200,300,0.5,\1c&H8080FF&)\t(300,390,0.5,\1c&HFFFFFF&)}po{\t(300,300,0.5,\1c&H8080FF&)\t(390,550,0.5,\1c&HFFFFFF&)}n{\t(390,390,0.5,\1c&H8080FF&)\t(550,670,0.5,\1c&HFFFFFF&)}cho{\t(0,1,0.5,\1c&HCCCCFF)\t(620,670,0.5,\1c&H8080FF&)\t(670,810,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(770,810,0.5,\1c&H8080FF&)\t(810,950,0.5,\1c&HFFFFFF&)} yo{\t(810,950,0.5,\1c&H8080FF&)\t(950,1060,0.5,\1c&HFFFFFF&)}a{\t(950,950,0.5,\1c&H8080FF&)\t(1060,1150,0.5,\1c&HFFFFFF&)}ke{\t(0,1,0.5,\1c&HCCCCFF)\t(1120,1150,0.5,\1c&H8080FF&)\t(1150,1290,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(1250,1290,0.5,\1c&H8080FF&)\t(1290,1330,0.5,\1c&HFFFFFF&)} ka{\t(1290,1290,0.5,\1c&H8080FF&)\t(1330,1470,0.5,\1c&HFFFFFF&)}ze{\t(0,1,0.5,\1c&HCCCCFF)\t(1420,1470,0.5,\1c&H8080FF&)\t(1470,1560,0.5,\1c&HFFFFFF&)} ha{\t(1470,1470,0.5,\1c&H8080FF&)\t(1560,1700,0.5,\1c&HFFFFFF&)}ra{\t(1560,1560,0.5,\1c&H8080FF&)\t(1700,1890,0.5,\1c&HFFFFFF&)}ma{\t(1700,1700,0.5,\1c&H8080FF&)\t(1890,2230,0.5,\1c&HFFFFFF&)}se{\t(1890,1890,0.5,\1c&H8080FF&)\t(2230,3290,0.5,\1c&HFFFFFF&)}te
Dialogue: 0,0:01:06.20,0:01:09.58,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(200,300,0.5,\1c&H8080FF&)\t(300,390,0.5,\1c&HFFFFFF&)}po{\t(300,300,0.5,\1c&H8080FF&)\t(390,550,0.5,\1c&HFFFFFF&)}n{\t(390,390,0.5,\1c&H8080FF&)\t(550,670,0.5,\1c&HFFFFFF&)}cho{\t(0,1,0.5,\1c&HCCCCFF)\t(620,670,0.5,\1c&H8080FF&)\t(670,810,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(770,810,0.5,\1c&H8080FF&)\t(810,950,0.5,\1c&HFFFFFF&)} yo{\t(810,950,0.5,\1c&H8080FF&)\t(950,1060,0.5,\1c&HFFFFFF&)}a{\t(950,950,0.5,\1c&H8080FF&)\t(1060,1150,0.5,\1c&HFFFFFF&)}ke{\t(0,1,0.5,\1c&HCCCCFF)\t(1120,1150,0.5,\1c&H8080FF&)\t(1150,1290,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(1250,1290,0.5,\1c&H8080FF&)\t(1290,1330,0.5,\1c&HFFFFFF&)} ka{\t(1290,1290,0.5,\1c&H8080FF&)\t(1330,1470,0.5,\1c&HFFFFFF&)}ze{\t(0,1,0.5,\1c&HCCCCFF)\t(1420,1470,0.5,\1c&H8080FF&)\t(1470,1560,0.5,\1c&HFFFFFF&)} ha{\t(1470,1470,0.5,\1c&H8080FF&)\t(1560,1700,0.5,\1c&HFFFFFF&)}ra{\t(1560,1560,0.5,\1c&H8080FF&)\t(1700,1890,0.5,\1c&HFFFFFF&)}ma{\t(1700,1700,0.5,\1c&H8080FF&)\t(1890,2230,0.5,\1c&HFFFFFF&)}se{\t(1890,1890,0.5,\1c&H8080FF&)\t(2230,3290,0.5,\1c&HFFFFFF&)}te
Dialogue: 0,0:01:06.20,0:01:09.58,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp2\pos(314,470)}Catch the dawn breeze in your poncho.
Dialogue: 0,0:01:06.20,0:01:09.58,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp2\pos(314,470)}Catch the dawn breeze in your poncho.
Dialogue: 0,0:01:07.79,0:01:11.55,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(393,213)}Producers
Dialogue: 0,0:01:07.79,0:01:11.55,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(416,233)}Nakajima Junzou
Dialogue: 0,0:01:07.79,0:01:11.55,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(416,256)}Matsudo Takaji
Dialogue: 0,0:01:10.15,0:01:14.04,Marco-OPR,,0,0,0,,{\fad(0,40)\bord0\shad1\be0\pos(314,385)}kaasan no iru ano sora no shita
Dialogue: 0,0:01:10.15,0:01:14.04,Marco-OPR,,0,0,0,,{\fad(0,40)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(250,300,0.5,\1c&H8080FF&)\t(300,410,0.5,\1c&HFFFFFF&)}ka{\t(300,300,0.5,\1c&H8080FF&)\t(410,520,0.5,\1c&HFFFFFF&)}a{\t(410,410,0.5,\1c&H8080FF&)\t(520,730,0.5,\1c&HFFFFFF&)}sa{\t(520,520,0.5,\1c&H8080FF&)\t(730,1040,0.5,\1c&HFFFFFF&)}n{\t(0,1,0.5,\1c&HCCCCFF)\t(990,1040,0.5,\1c&H8080FF&)\t(1040,1350,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(1300,1350,0.5,\1c&H8080FF&)\t(1350,1560,0.5,\1c&HFFFFFF&)} i{\t(1350,1350,0.5,\1c&H8080FF&)\t(1560,2020,0.5,\1c&HFFFFFF&)}ru{\t(0,1,0.5,\1c&HCCCCFF)\t(2270,2370,0.5,\1c&H8080FF&)\t(2370,2480,0.5,\1c&HFFFFFF&)} a{\t(2370,2370,0.5,\1c&H8080FF&)\t(2480,2590,0.5,\1c&HFFFFFF&)}no{\t(0,1,0.5,\1c&HCCCCFF)\t(2540,2590,0.5,\1c&H8080FF&)\t(2590,2850,0.5,\1c&HFFFFFF&)} so{\t(2590,2590,0.5,\1c&H8080FF&)\t(2850,3060,0.5,\1c&HFFFFFF&)}ra{\t(0,1,0.5,\1c&HCCCCFF)\t(3010,3060,0.5,\1c&H8080FF&)\t(3060,3270,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(3230,3270,0.5,\1c&H8080FF&)\t(3270,3590,0.5,\1c&HFFFFFF&)} shi{\t(3270,3270,0.5,\1c&H8080FF&)\t(3590,3960,0.5,\1c&HFFFFFF&)}ta
Dialogue: 0,0:01:10.15,0:01:14.04,Marco-OPR,,0,0,0,,{\fad(0,40)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(250,300,0.5,\1c&H8080FF&)\t(300,410,0.5,\1c&HFFFFFF&)}ka{\t(300,300,0.5,\1c&H8080FF&)\t(410,520,0.5,\1c&HFFFFFF&)}a{\t(410,410,0.5,\1c&H8080FF&)\t(520,730,0.5,\1c&HFFFFFF&)}sa{\t(520,520,0.5,\1c&H8080FF&)\t(730,1040,0.5,\1c&HFFFFFF&)}n{\t(0,1,0.5,\1c&HCCCCFF)\t(990,1040,0.5,\1c&H8080FF&)\t(1040,1350,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(1300,1350,0.5,\1c&H8080FF&)\t(1350,1560,0.5,\1c&HFFFFFF&)} i{\t(1350,1350,0.5,\1c&H8080FF&)\t(1560,2020,0.5,\1c&HFFFFFF&)}ru{\t(0,1,0.5,\1c&HCCCCFF)\t(2270,2370,0.5,\1c&H8080FF&)\t(2370,2480,0.5,\1c&HFFFFFF&)} a{\t(2370,2370,0.5,\1c&H8080FF&)\t(2480,2590,0.5,\1c&HFFFFFF&)}no{\t(0,1,0.5,\1c&HCCCCFF)\t(2540,2590,0.5,\1c&H8080FF&)\t(2590,2850,0.5,\1c&HFFFFFF&)} so{\t(2590,2590,0.5,\1c&H8080FF&)\t(2850,3060,0.5,\1c&HFFFFFF&)}ra{\t(0,1,0.5,\1c&HCCCCFF)\t(3010,3060,0.5,\1c&H8080FF&)\t(3060,3270,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(3230,3270,0.5,\1c&H8080FF&)\t(3270,3590,0.5,\1c&HFFFFFF&)} shi{\t(3270,3270,0.5,\1c&H8080FF&)\t(3590,3960,0.5,\1c&HFFFFFF&)}ta
Dialogue: 0,0:01:10.15,0:01:14.04,Marco-OPE,,0,0,0,,{\fad(0,40)\bord0\shad1\be0\fsp2\pos(314,470)}Under that sky where your mother is
Dialogue: 0,0:01:10.15,0:01:14.04,Marco-OPE,,0,0,0,,{\fad(0,40)\bord0\shad0\be1\fsp2\pos(314,470)}Under that sky where your mother is
Dialogue: 0,0:01:14.30,0:01:21.51,Marco-OPR,,0,0,0,,{\fad(50,140)\bord0\shad1\be0\pos(314,385)}haruka na kita o mezase
Dialogue: 0,0:01:14.30,0:01:21.51,Marco-OPR,,0,0,0,,{\fad(50,140)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(100,150,0.5,\1c&H8080FF&)\t(150,380,0.5,\1c&HFFFFFF&)}ha{\t(150,150,0.5,\1c&H8080FF&)\t(380,1110,0.5,\1c&HFFFFFF&)}ru{\t(380,380,0.5,\1c&H8080FF&)\t(1110,1490,0.5,\1c&HFFFFFF&)}ka{\t(0,1,0.5,\1c&HCCCCFF)\t(1390,1490,0.5,\1c&H8080FF&)\t(1490,1920,0.5,\1c&HFFFFFF&)} na{\t(0,1,0.5,\1c&HCCCCFF)\t(1820,1920,0.5,\1c&H8080FF&)\t(1920,2250,0.5,\1c&HFFFFFF&)} ki{\t(1920,1920,0.5,\1c&H8080FF&)\t(2250,2580,0.5,\1c&HFFFFFF&)}ta{\t(0,1,0.5,\1c&HCCCCFF)\t(2480,2580,0.5,\1c&H8080FF&)\t(2580,3100,0.5,\1c&HFFFFFF&)} o{\t(0,1,0.5,\1c&HCCCCFF)\t(3400,3500,0.5,\1c&H8080FF&)\t(3500,3980,0.5,\1c&HFFFFFF&)} me{\t(3500,3500,0.5,\1c&H8080FF&)\t(3980,4460,0.5,\1c&HFFFFFF&)}za{\t(3980,3980,0.5,\1c&H8080FF&)\t(4460,7000,0.5,\1c&HFFFFFF&)}se
Dialogue: 0,0:01:14.30,0:01:21.51,Marco-OPR,,0,0,0,,{\fad(50,140)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(100,150,0.5,\1c&H8080FF&)\t(150,380,0.5,\1c&HFFFFFF&)}ha{\t(150,150,0.5,\1c&H8080FF&)\t(380,1110,0.5,\1c&HFFFFFF&)}ru{\t(380,380,0.5,\1c&H8080FF&)\t(1110,1490,0.5,\1c&HFFFFFF&)}ka{\t(0,1,0.5,\1c&HCCCCFF)\t(1390,1490,0.5,\1c&H8080FF&)\t(1490,1920,0.5,\1c&HFFFFFF&)} na{\t(0,1,0.5,\1c&HCCCCFF)\t(1820,1920,0.5,\1c&H8080FF&)\t(1920,2250,0.5,\1c&HFFFFFF&)} ki{\t(1920,1920,0.5,\1c&H8080FF&)\t(2250,2580,0.5,\1c&HFFFFFF&)}ta{\t(0,1,0.5,\1c&HCCCCFF)\t(2480,2580,0.5,\1c&H8080FF&)\t(2580,3100,0.5,\1c&HFFFFFF&)} o{\t(0,1,0.5,\1c&HCCCCFF)\t(3400,3500,0.5,\1c&H8080FF&)\t(3500,3980,0.5,\1c&HFFFFFF&)} me{\t(3500,3500,0.5,\1c&H8080FF&)\t(3980,4460,0.5,\1c&HFFFFFF&)}za{\t(3980,3980,0.5,\1c&H8080FF&)\t(4460,7000,0.5,\1c&HFFFFFF&)}se
Dialogue: 0,0:01:14.30,0:01:21.51,Marco-OPE,,0,0,0,,{\fad(50,140)\bord0\shad1\be0\fsp2\pos(314,470)}Head for the distant north.
Dialogue: 0,0:01:14.30,0:01:21.51,Marco-OPE,,0,0,0,,{\fad(50,140)\bord0\shad0\be1\fsp2\pos(314,470)}Head for the distant north.
Dialogue: 0,0:01:15.72,0:01:19.64,Marco-JCOName,,0,0,0,,{\fad(200,0)\an5\pos(319,147)}Directed by Takahata Isao
Dialogue: 0,0:01:19.99,0:01:24.31,Marco-JCOTitle,,0,0,0,,{\fad(0,900)\an5\pos(321,88)}Planning
Dialogue: 0,0:01:19.99,0:01:24.31,Marco-Present,,0,0,0,,{\fad(0,900)\an5\pos(321,110)}Nippon Animation
Dialogue: 0,0:01:23.61,0:24:36.09,Marco-EDR,,0,0,0,,
Dialogue: 0,0:01:26.91,0:01:30.36,Marco-EpisodeTitle,,0,0,0,,{\pos(320,320)\fad(0,426)}Goodbye, Fiolina
Dialogue: 0,0:01:26.91,0:01:30.36,Marco-JCOBroadcast,,0,0,0,,{\fad(0,426)}3000 Leagues in Search of Mother\NEpisode Thirteen\NBroadcast 28-Mar-1976
Dialogue: 0,0:01:32.98,0:01:36.99,Marco-Default,,0,0,0,,Sister, is it OK if I put my puppets in this trunk too?
Dialogue: 0,0:01:36.99,0:01:38.49,Marco-Default,,0,0,0,,Yes, sure.
Dialogue: 0,0:01:41.87,0:01:43.20,Marco-Default,,0,0,0,,Put the pieces in too, please.
Dialogue: 0,0:01:46.79,0:01:50.58,Marco-Default,,0,0,0,,The end of the dream in Genova will be tonight!
Dialogue: 0,0:01:50.58,0:01:53.23,Marco-Default,,0,0,0,,Tomorrow morning it's "Goodbye, Italy!"
Dialogue: 0,0:01:53.23,0:01:56.34,Marco-Default,,0,0,0,,And "Hello to the new dawn of Peppino Theater!"
Dialogue: 0,0:01:56.63,0:01:59.09,Marco-Default,,0,0,0,,Well, we don't have to cram in every piece of junk we own.
Dialogue: 0,0:02:02.47,0:02:04.43,Marco-Default,,0,0,0,,He's in a good mood.
Dialogue: 0,0:02:04.43,0:02:07.89,Marco-Default,,0,0,0,,His hopes are finally coming true, after all this time.
Dialogue: 0,0:02:08.27,0:02:09.65,Marco-Default,,0,0,0,,Yours too, right?
Dialogue: 0,0:02:12.77,0:02:13.65,Marco-Default,,0,0,0,,Fiolina.
Dialogue: 0,0:02:14.32,0:02:16.82,Marco-Default,,0,0,0,,When we get there, we'll buy a carriage first thing.
Dialogue: 0,0:02:17.86,0:02:18.90,Marco-Default,,0,0,0,,A carriage?
Dialogue: 0,0:02:18.90,0:02:19.66,Marco-Default,,0,0,0,,Yes.
Dialogue: 0,0:02:20.16,0:02:24.24,Marco-Default,,0,0,0,,We'll modify it and make it the Peppino mobile theater carriage.
Dialogue: 0,0:02:25.47,0:02:28.41,Marco-Default,,0,0,0,,We'll be so famous that not only city folk,
Dialogue: 0,0:02:28.41,0:02:33.86,Marco-Default,,0,0,0,,but even farmers will wish to enjoy the tasteful art of our Peppino Theater.
Dialogue: 0,0:02:41.06,0:02:42.80,Marco-Default,,0,0,0,,Your attention please!
Dialogue: 0,0:02:46.54,0:02:51.53,Marco-Default,,0,0,0,,I present to you the lovely star of our theater, who goes by the sweet name, Fiolina!
Dialogue: 0,0:02:52.04,0:02:57.90,Marco-Default,,0,0,0,,Accompanying her is the boast of Italy, the land of passion; the charming singer, Concetta!
Dialogue: 0,0:03:05.33,0:03:08.37,Marco-Default,,0,0,0,,We will now quickly raise the curtains!
Dialogue: 0,0:03:08.90,0:03:09.54,Marco-Default,,0,0,0,,Huh?
Dialogue: 0,0:03:16.36,0:03:20.71,Marco-InlineSongEnglish,,0,0,0,,My dream is riding the waves.
Dialogue: 0,0:03:16.36,0:03:20.71,Marco-InlineSongRomaji,,0,0,0,,{\k14}wa{\k10}ta{\k24}shi {\k70}no {\k14}yu{\k19}me {\k81}wa {\k20}na{\k62}mi {\k34}no {\k35}u{\k52}e
Dialogue: 0,0:03:21.00,0:03:25.48,Marco-InlineSongEnglish,,0,0,0,,And when I sing it's: Tralalala.
Dialogue: 0,0:03:21.00,0:03:25.48,Marco-InlineSongRomaji,,0,0,0,,{\k28}wa{\k27}ta{\k33}shi {\k32}ga {\k21}u{\k42}ta{\k28}e{\k14}ba {\k48}to{\k22}re{\k34}ri{\k26}ro{\k25}re{\k68}ron
Dialogue: 0,0:03:25.66,0:03:30.42,Marco-InlineSongEnglish,,0,0,0,,My dream is also riding waves.
Dialogue: 0,0:03:25.66,0:03:30.42,Marco-InlineSongRomaji,,0,0,0,,{\k25}oi{\k37}ra {\k72}no {\k11}yu{\k16}me {\k82}mo {\k35}na{\k57}mi {\k28}no {\k36}u{\k77}e
Dialogue: 0,0:03:30.48,0:03:34.84,Marco-InlineSongEnglish,,0,0,0,,But when I sing it's: glug and glug and sploosh!
Dialogue: 0,0:03:30.48,0:03:34.84,Marco-InlineSongRomaji,,0,0,0,,{\k36}o{\k23}i{\k16}ra {\k45}ga {\k22}u{\k23}ta{\k33}e{\k27}ba {\k31}do{\k30}bo{\k30}do{\k30}bo{\k37}bot{\k53}ton
Dialogue: 0,0:03:35.22,0:03:39.53,Marco-InlineSongEnglish,,0,0,0,,The land we saw in dreams is coming.
Dialogue: 0,0:03:35.22,0:03:39.53,Marco-InlineSongRomaji,,0,0,0,,{\k10}yu{\k15}me {\k32}mi{\k51}ta {\k14}ku{\k24}ni {\k71}ga {\k66}yat{\k53}te {\k38}ku{\k57}ru
Dialogue: 0,0:03:39.81,0:03:45.08,Marco-InlineSongEnglish,,0,0,0,,And we'll be getting there, anytime now!
Dialogue: 0,0:03:39.81,0:03:45.08,Marco-InlineSongRomaji,,0,0,0,,{\k38}mo{\k52}u {\k24}su{\k34}gu {\k26}so{\k37}ko {\k57}ni {\k44}yat{\k43}te {\k29}ku{\k143}ru
Dialogue: 0,0:03:49.85,0:03:51.08,Marco-Default,,0,0,0,,Emilio!
Dialogue: 0,0:03:51.43,0:03:52.44,Marco-Default,,0,0,0,,Were you waiting?
Dialogue: 0,0:03:52.44,0:03:53.58,Marco-Default,,0,0,0,,No, I just got here.
Dialogue: 0,0:03:54.12,0:03:55.54,Marco-Default,,0,0,0,,We have a problem.
Dialogue: 0,0:03:55.54,0:03:56.17,Marco-Default,,0,0,0,,Eh?
Dialogue: 0,0:03:57.34,0:04:00.13,Marco-Default,,0,0,0,,That Leonard guy disappeared.
Dialogue: 0,0:04:00.13,0:04:00.96,Marco-Default,,0,0,0,,Eh?!
Dialogue: 0,0:04:01.72,0:04:04.01,Marco-Default,,0,0,0,,Disappeared?  What do you mean?
Dialogue: 0,0:04:04.01,0:04:05.39,Marco-Default,,0,0,0,,We're supposed to meet him today, right?
Dialogue: 0,0:04:05.80,0:04:06.51,Marco-Default,,0,0,0,,Yes.
Dialogue: 0,0:04:06.51,0:04:10.31,Marco-Default,,0,0,0,,I got a little worried yesterday so I went to that bar...
Dialogue: 0,0:04:10.31,0:04:13.98,Marco-Default,,0,0,0,,They said that after that evening, nobody's seen Leonard.
Dialogue: 0,0:04:14.52,0:04:16.90,Marco-Default,,0,0,0,,I also looked for him around the harbor today.
Dialogue: 0,0:04:16.90,0:04:18.32,Marco-Default,,0,0,0,,And he wasn't anywhere?
Dialogue: 0,0:04:18.32,0:04:19.07,Marco-Default,,0,0,0,,Nope.
Dialogue: 0,0:04:19.61,0:04:22.99,Marco-Default,,0,0,0,,At the time I was cautious and only agreed to give him five lire, but...
Dialogue: 0,0:04:22.99,0:04:24.99,Marco-Default,,0,0,0,,So, the immigration ship...?
Dialogue: 0,0:04:25.67,0:04:28.89,Marco-Default,,0,0,0,,Marco, will you search for Leonard together with me?
Dialogue: 0,0:04:28.87,0:04:32.20,Marco-Default,,0,0,0,,We'll search all day and won't settle for anything less than all of it.
Dialogue: 0,0:04:32.20,0:04:33.62,Marco-Default,,0,0,0,,Yes, OK.
Dialogue: 0,0:04:33.62,0:04:34.29,Marco-Default,,0,0,0,,Let's go.
Dialogue: 0,0:04:38.42,0:04:40.92,Marco-Default,,0,0,0,,OK, all ready.
Dialogue: 0,0:04:41.26,0:04:44.13,Marco-Default,,0,0,0,,All that's left is for the four of us to board the ship tomorrow morning.
Dialogue: 0,0:04:44.13,0:04:46.93,Marco-Default,,0,0,0,,It will be five of us.
Dialogue: 0,0:04:46.93,0:04:47.93,Marco-Default,,0,0,0,,Fiolina.
Dialogue: 0,0:04:48.30,0:04:50.01,Marco-Default,,0,0,0,,Ah, it's sunset, Sister.
Dialogue: 0,0:04:50.01,0:04:51.43,Marco-Default,,0,0,0,,The sun is setting.
Dialogue: 0,0:04:51.97,0:04:52.93,Marco-Default,,0,0,0,,Look.
Dialogue: 0,0:04:57.52,0:05:00.65,Marco-Default,,0,0,0,,We'll cross the sea toward that sunset, right?
Dialogue: 0,0:05:06.45,0:05:09.45,Marco-Default,,0,0,0,,And Marco will get to see his mom.
Dialogue: 0,0:05:14.33,0:05:15.37,Marco-Default,,0,0,0,,Fiolina.
Dialogue: 0,0:05:15.37,0:05:20.75,Marco-Default,,0,0,0,,It's not sure yet that Marco will come with us.
Dialogue: 0,0:05:23.51,0:05:25.92,Marco-Default,,0,0,0,,Marco said he'll definitely come with us.
Dialogue: 0,0:05:26.26,0:05:28.30,Marco-Default,,0,0,0,,That his dad will surely let him go.
Dialogue: 0,0:05:29.64,0:05:30.76,Marco-Default,,0,0,0,,I hope he can, but...
Dialogue: 0,0:05:32.22,0:05:33.39,Marco-Default,,0,0,0,,Sister.
Dialogue: 0,0:05:33.89,0:05:35.35,Marco-Default,,0,0,0,,Listen, Fiolina.
Dialogue: 0,0:05:35.35,0:05:40.15,Marco-Default,,0,0,0,,If you wanted to go to Argentina by yourself, do you think Dad would allow you to go right away?
Dialogue: 0,0:05:41.15,0:05:43.90,Marco-Default,,0,0,0,,Not just you.  I'm the same...
Dialogue: 0,0:05:43.90,0:05:45.90,Marco-Default,,0,0,0,,Marco's not going by himself.
Dialogue: 0,0:05:48.32,0:05:50.87,Marco-Default,,0,0,0,,It's different than going to Rome or Milan.
Dialogue: 0,0:05:51.37,0:05:54.62,Marco-Default,,0,0,0,,A land far, far away, across the Mediterranean and Atlantic...
Dialogue: 0,0:05:59.39,0:06:05.28,Marco-Default,,0,0,0,,Even though we try hard to forget, we still get reminded of our mother.
Dialogue: 0,0:06:05.96,0:06:09.16,Marco-Default,,0,0,0,,I can perfectly understand Marco's feelings of wanting to see his dear mother.
Dialogue: 0,0:06:09.76,0:06:11.55,Marco-Default,,0,0,0,,That's why, Fiolina...
Dialogue: 0,0:06:12.26,0:06:19.24,Marco-Default,,0,0,0,,if by any chance Marco doesn't get to go, we have to cheer him up.  We need to tell him not to be sad.
Dialogue: 0,0:06:19.23,0:06:21.40,Marco-Default,,0,0,0,,That his mother is probably OK.
Dialogue: 0,0:06:21.42,0:06:26.94,Marco-Default,,0,0,0,,But... but Marco will come with us.
Dialogue: 0,0:06:29.20,0:06:30.57,Marco-Default,,0,0,0,,Fiolina.
Dialogue: 0,0:07:07.36,0:07:09.19,Marco-Default,,0,0,0,,Has Leonard come here yet?
Dialogue: 0,0:07:09.19,0:07:10.49,Marco-Default,,0,0,0,,Not yet.
Dialogue: 0,0:07:10.86,0:07:12.91,Marco-Default,,0,0,0,,We're supposed to meet him here tonight.
Dialogue: 0,0:07:12.91,0:07:18.50,Marco-Default,,0,0,0,,You told me that earlier, but that Leonard or whoever is not one of my regular customers.
Dialogue: 0,0:07:22.46,0:07:24.63,Marco-Default,,0,0,0,,Do you know where we can find him?
Dialogue: 0,0:07:24.63,0:07:25.50,Marco-Default,,0,0,0,,No.
Dialogue: 0,0:07:26.50,0:07:28.67,Marco-Default,,0,0,0,,What a cute monkey.
Dialogue: 0,0:07:29.51,0:07:31.01,Marco-Default,,0,0,0,,Do you know where he lives?
Dialogue: 0,0:07:31.84,0:07:35.35,Marco-Default,,0,0,0,,I think he might have said something about West 2nd Street.
Dialogue: 0,0:07:35.35,0:07:36.39,Marco-Default,,0,0,0,,West 2nd Street?
Dialogue: 0,0:07:36.76,0:07:38.89,Marco-Default,,0,0,0,,It's not a place for children to go.
Dialogue: 0,0:07:38.89,0:07:40.39,Marco-Default,,0,0,0,,Do you know where on 2nd Street?
Dialogue: 0,0:07:40.39,0:07:41.94,Marco-Default,,0,0,0,,I don't know.
Dialogue: 0,0:07:45.36,0:07:47.15,Marco-Default,,0,0,0,,Mister, what's wrong?
Dialogue: 0,0:07:47.15,0:07:48.23,Marco-Default,,0,0,0,,Are you OK?
Dialogue: 0,0:07:48.23,0:07:49.36,Marco-Default,,0,0,0,,Again?
Dialogue: 0,0:07:49.36,0:07:51.19,Marco-Default,,0,0,0,,I'm tired of dealing with him.
Dialogue: 0,0:07:54.16,0:07:55.66,Marco-Default,,0,0,0,,Hey, give me a hand.
Dialogue: 0,0:08:10.76,0:08:13.26,Marco-Default,,0,0,0,,It happens every time he gets drunk here.
Dialogue: 0,0:08:13.26,0:08:16.85,Marco-Default,,0,0,0,,Thanks. You should go home already.
Dialogue: 0,0:08:18.97,0:08:20.02,Marco-Default,,0,0,0,,2nd Street...
Dialogue: 0,0:08:20.47,0:08:21.64,Marco-Default,,0,0,0,,Let's go there.
Dialogue: 0,0:08:21.66,0:08:23.14,Marco-Default,,0,0,0,,What about this person?
Dialogue: 0,0:08:23.14,0:08:25.19,Marco-Default,,0,0,0,,What about him?  Just leave him here.
Dialogue: 0,0:08:25.52,0:08:27.77,Marco-Default,,0,0,0,,But if he sleeps here...
Dialogue: 0,0:08:27.77,0:08:29.57,Marco-Default,,0,0,0,,We don't have time, Marco.
Dialogue: 0,0:08:29.57,0:08:30.28,Marco-Default,,0,0,0,,But...
Dialogue: 0,0:08:30.28,0:08:32.69,Marco-Default,,0,0,0,,You can't board the ship if we don't find Leonard.
Dialogue: 0,0:08:32.69,0:08:33.57,Marco-Default,,0,0,0,,Let's hurry.
Dialogue: 0,0:08:34.03,0:08:34.82,Marco-Default,,0,0,0,,OK.
Dialogue: 0,0:08:36.26,0:08:37.85,Marco-Default,,0,0,0,,Boys.
Dialogue: 0,0:08:40.12,0:08:43.66,Marco-Default,,0,0,0,,The man you're looking for, you said his name was something like Leonard?
Dialogue: 0,0:08:44.12,0:08:45.54,Marco-Default,,0,0,0,,Do you know him, mister?
Dialogue: 0,0:08:45.79,0:08:48.84,Marco-Default,,0,0,0,,I'm sorry, but will you take me with you?
Dialogue: 0,0:08:48.84,0:08:50.84,Marco-Default,,0,0,0,,I live on 2nd Street.
Dialogue: 0,0:08:50.84,0:08:52.21,Marco-Default,,0,0,0,,Then you know him, right?
Dialogue: 0,0:08:52.84,0:08:54.84,Marco-Default,,0,0,0,,Help me up.
Dialogue: 0,0:08:54.84,0:08:55.88,Marco-Default,,0,0,0,,Help me, Emilio.
Dialogue: 0,0:08:58.60,0:09:00.76,Marco-Default,,0,0,0,,OK, let's go.
Dialogue: 0,0:09:14.11,0:09:15.95,Marco-Default,,0,0,0,,How dare you interrupt my business!
Dialogue: 0,0:09:15.95,0:09:18.45,Marco-Default,,0,0,0,,What?!  You're the one who snatched him!
Dialogue: 0,0:09:18.45,0:09:19.45,Marco-Default,,0,0,0,,You slut!
Dialogue: 0,0:09:18.70,0:09:20.03,Marco-SameTime,,0,0,0,,Shut up!
Dialogue: 0,0:09:20.03,0:09:20.95,Marco-Default,,0,0,0,,What?!
Dialogue: 0,0:09:23.75,0:09:25.29,Marco-Default,,0,0,0,,Stupid woman!
Dialogue: 0,0:09:27.87,0:09:29.83,Marco-Default,,0,0,0,,This is 2nd Street.
Dialogue: 0,0:09:29.83,0:09:31.96,Marco-Default,,0,0,0,,A place full of losers.
Dialogue: 0,0:09:31.96,0:09:35.13,Marco-Default,,0,0,0,,Even the sun doesn't want to shine on us.
Dialogue: 0,0:09:35.13,0:09:36.88,Marco-Default,,0,0,0,,Where is Leonard's house?
Dialogue: 0,0:09:36.88,0:09:38.68,Marco-Default,,0,0,0,,Right up here.
Dialogue: 0,0:09:46.60,0:09:48.40,Marco-Default,,0,0,0,,I'll be fine from here.
Dialogue: 0,0:09:48.40,0:09:50.40,Marco-Default,,0,0,0,,Thanks for everything.
Dialogue: 0,0:09:50.42,0:09:52.56,Marco-Default,,0,0,0,,Where is Leonard's house?!
Dialogue: 0,0:09:53.44,0:09:56.36,Marco-Default,,0,0,0,,It's the one at the end of the street, third floor.
Dialogue: 0,0:09:56.36,0:10:00.99,Marco-Default,,0,0,0,,Can you see the one with the lit window? That's Leonard's house.
Dialogue: 0,0:10:01.37,0:10:02.78,Marco-Default,,0,0,0,,Well, see you around.
Dialogue: 0,0:10:04.91,0:10:06.33,Marco-Default,,0,0,0,,Thanks, mister.
Dialogue: 0,0:10:06.33,0:10:07.41,Marco-Default,,0,0,0,,Let's go, Marco.
Dialogue: 0,0:10:16.59,0:10:17.34,Marco-Default,,0,0,0,,Here.
Dialogue: 0,0:10:23.56,0:10:24.39,Marco-Default,,0,0,0,,Who is it?
Dialogue: 0,0:10:25.10,0:10:26.14,Marco-Default,,0,0,0,,Good evening.
Dialogue: 0,0:10:26.14,0:10:27.39,Marco-Default,,0,0,0,,Is Leonard here?
Dialogue: 0,0:10:28.06,0:10:29.23,Marco-Default,,0,0,0,,Leonard?
Dialogue: 0,0:10:29.23,0:10:30.94,Marco-Default,,0,0,0,,I was told he lives here.
Dialogue: 0,0:10:30.94,0:10:33.77,Marco-Default,,0,0,0,,What are you talking about?
Dialogue: 0,0:10:33.77,0:10:34.98,Marco-Default,,0,0,0,,We're in a hurry.
Dialogue: 0,0:10:34.98,0:10:37.78,Marco-Default,,0,0,0,,We urgently need to know what's going on with what we discussed with Leonard.
Dialogue: 0,0:10:38.03,0:10:39.99,Marco-Default,,0,0,0,,Don't pull pranks on me.
Dialogue: 0,0:10:39.99,0:10:45.54,Marco-Default,,0,0,0,,I don't know if there is even anyone by that name in this neighborhood.
Dialogue: 0,0:10:45.54,0:10:48.87,Marco-Default,,0,0,0,,But a man who lives close by said that this is Leonard's house.
Dialogue: 0,0:10:48.87,0:10:50.04,Marco-Default,,0,0,0,,I don't know what you're talking about.
Dialogue: 0,0:10:50.04,0:10:53.46,Marco-Default,,0,0,0,,This is my house and I live here alone.
Dialogue: 0,0:10:53.46,0:10:54.13,Marco-Default,,0,0,0,,Amedio?
Dialogue: 0,0:10:54.13,0:10:56.05,Marco-SameTime,,0,0,0,,Where are you going, little monkey?
Dialogue: 0,0:10:57.17,0:10:58.76,Marco-Default,,0,0,0,,Amedio, come here!
Dialogue: 0,0:11:01.47,0:11:02.39,Marco-Default,,0,0,0,,Sorry.
Dialogue: 0,0:11:02.64,0:11:04.22,Marco-Default,,0,0,0,,Goodbye.
Dialogue: 0,0:11:04.51,0:11:05.89,Marco-Default,,0,0,0,,That drunk bastard.
Dialogue: 0,0:11:05.89,0:11:08.39,Marco-Default,,0,0,0,,He tricked us even after we helped him get all the way here.
Dialogue: 0,0:11:08.39,0:11:11.14,Marco-Default,,0,0,0,,He didn't seem like that kind of person to me.
Dialogue: 0,0:11:11.35,0:11:14.11,Marco-Default,,0,0,0,,I told you not to help that drunkard.
Dialogue: 0,0:11:14.11,0:11:15.11,Marco-Default,,0,0,0,,Emilio.
Dialogue: 0,0:11:15.48,0:11:17.65,Marco-Default,,0,0,0,,We can't waste our time here.
Dialogue: 0,0:11:17.65,0:11:19.28,Marco-Default,,0,0,0,,We're running out of time, Marco.
Dialogue: 0,0:11:19.28,0:11:20.99,Marco-Default,,0,0,0,,Let's look around the harbor.
Dialogue: 0,0:11:20.99,0:11:22.16,Marco-Default,,0,0,0,,Do you have any idea where he could be?
Dialogue: 0,0:11:22.16,0:11:23.95,Marco-Default,,0,0,0,,No, but we'll look!
Dialogue: 0,0:11:25.33,0:11:27.41,Marco-Default,,0,0,0,,Wait for me, Emilio!
Dialogue: 0,0:11:28.87,0:11:30.16,Marco-Default,,0,0,0,,It went well.
Dialogue: 0,0:11:30.71,0:11:33.54,Marco-Default,,0,0,0,,Good thing I came here to have a chat.
Dialogue: 0,0:11:33.54,0:11:37.17,Marco-Default,,0,0,0,,I was scared for a second when that monkey busted in here.
Dialogue: 0,0:11:39.59,0:11:41.76,Marco-Default,,0,0,0,,How about thanking me?
Dialogue: 0,0:11:42.01,0:11:44.05,Marco-Default,,0,0,0,,Meh, so greedy.
Dialogue: 0,0:11:44.05,0:11:45.64,Marco-Default,,0,0,0,,I don't want change.
Dialogue: 0,0:11:48.10,0:11:49.97,Marco-Default,,0,0,0,,Greedy old lady.
Dialogue: 0,0:11:49.97,0:11:51.23,Marco-Default,,0,0,0,,What about you?
Dialogue: 0,0:11:51.23,0:11:53.69,Marco-Default,,0,0,0,,How much worse are you going to get?
Dialogue: 0,0:11:53.68,0:11:55.56,Marco-Default,,0,0,0,,Tricking even young children like them.
Dialogue: 0,0:11:55.56,0:11:57.19,Marco-Default,,0,0,0,,If you think that was bad,
Dialogue: 0,0:11:58.32,0:12:00.99,Marco-Default,,0,0,0,,wait until tomorrow morning when I'll be getting 20 lire.
Dialogue: 0,0:12:03.57,0:12:05.03,Marco-Default,,0,0,0,,Emilio!
Dialogue: 0,0:12:13.42,0:12:14.62,Marco-Default,,0,0,0,,He's late.
Dialogue: 0,0:12:14.62,0:12:16.58,Marco-Default,,0,0,0,,He's late, Marco Rossi...
Dialogue: 0,0:12:16.58,0:12:19.30,Marco-Default,,0,0,0,,My stomach is grumbling...
Dialogue: 0,0:12:19.30,0:12:22.59,Marco-Default,,0,0,0,,Oh, Fiolina, how about you take a walk and invite him here?
Dialogue: 0,0:12:24.84,0:12:26.26,Marco-Default,,0,0,0,,I'll go.
Dialogue: 0,0:12:26.80,0:12:27.47,Marco-Default,,0,0,0,,Sister.
Dialogue: 0,0:12:27.93,0:12:29.43,Marco-Default,,0,0,0,,OK.  Please do.
Dialogue: 0,0:12:31.02,0:12:33.23,Marco-Default,,0,0,0,,If Marco doesn't come, you'll give up, right?
Dialogue: 0,0:12:33.64,0:12:38.73,Marco-Default,,0,0,0,,Even if he can't come with us, we can see his mother for him.
Dialogue: 0,0:12:39.40,0:12:44.11,Marco-Default,,0,0,0,,If she's in trouble, it will be our turn to help.
Dialogue: 0,0:12:44.11,0:12:45.86,Marco-Default,,0,0,0,,Do you understand, Fiolina?
Dialogue: 0,0:12:49.24,0:12:51.58,Marco-Default,,0,0,0,,Eh?  Leonard was in that room?
Dialogue: 0,0:12:51.58,0:12:52.62,Marco-Default,,0,0,0,,I'm sure of it.
Dialogue: 0,0:12:52.62,0:12:56.92,Marco-Default,,0,0,0,,But a second ago you were so angry that the old man tricked us.
Dialogue: 0,0:12:56.92,0:12:59.59,Marco-Default,,0,0,0,,I was loud on purpose so that he'd hear us from inside the room.
Dialogue: 0,0:12:59.59,0:13:01.76,Marco-Default,,0,0,0,,Then we're being tricked by Leonard?
Dialogue: 0,0:13:01.76,0:13:02.30,Marco-Default,,0,0,0,,Shh...
Dialogue: 0,0:13:37.79,0:13:39.13,Marco-Default,,0,0,0,,Concetta-san?
Dialogue: 0,0:13:39.38,0:13:40.67,Marco-Default,,0,0,0,,I'm Fiolina's older sister.
Dialogue: 0,0:13:40.67,0:13:41.59,Marco-Default,,0,0,0,,Fio...
Dialogue: 0,0:13:41.59,0:13:43.88,Marco-Default,,0,0,0,,Oh!  Marco's friend who helps him all the time.
Dialogue: 0,0:13:44.17,0:13:47.34,Marco-Default,,0,0,0,,No, we're the ones that have him help us all the time.
Dialogue: 0,0:13:47.59,0:13:49.34,Marco-Default,,0,0,0,,I heard you're going to Argentina?
Dialogue: 0,0:13:49.84,0:13:51.93,Marco-Default,,0,0,0,,Yes, tomorrow morning.
Dialogue: 0,0:13:52.43,0:13:54.68,Marco-Default,,0,0,0,,Marco was jealous.
Dialogue: 0,0:13:54.69,0:13:57.56,Marco-Default,,0,0,0,,More like, he was really upset that he has to separate from his friends
Dialogue: 0,0:13:57.77,0:14:01.00,Marco-Default,,0,0,0,,so soon after you became friends.
Dialogue: 0,0:14:01.56,0:14:06.99,Marco-Default,,0,0,0,,It's nine o'clock already and I have no idea where he is.
Dialogue: 0,0:14:07.36,0:14:08.70,Marco-Default,,0,0,0,,Is that so?
Dialogue: 0,0:14:08.70,0:14:11.37,Marco-Default,,0,0,0,,I'm sure he'll be there to see you off.
Dialogue: 0,0:14:11.78,0:14:16.79,Marco-Default,,0,0,0,,Umm...  Once we get there, we definitely plan to visit Marco's mother.
Dialogue: 0,0:14:17.21,0:14:19.71,Marco-Default,,0,0,0,,You'll visit Anna?
Dialogue: 0,0:14:19.71,0:14:21.17,Marco-Default,,0,0,0,,Yes.  Definitely.
Dialogue: 0,0:14:28.93,0:14:29.84,Marco-Default,,0,0,0,,He turned the lights off.
Dialogue: 0,0:14:29.84,0:14:31.89,Marco-Default,,0,0,0,,Bastard.  Is he going to sleep?
Dialogue: 0,0:14:32.30,0:14:33.18,Marco-Default,,0,0,0,,What should we do?
Dialogue: 0,0:14:37.60,0:14:38.89,Marco-Default,,0,0,0,,Shh.  Shh.
Dialogue: 0,0:14:38.89,0:14:41.10,Marco-Default,,0,0,0,,Go away!  Go away already!
Dialogue: 0,0:14:45.07,0:14:46.15,Marco-Default,,0,0,0,,Amedio!
Dialogue: 0,0:14:54.12,0:14:54.95,Marco-Default,,0,0,0,,This is bad.
Dialogue: 0,0:15:04.00,0:15:04.75,Marco-Default,,0,0,0,,Leonard!
Dialogue: 0,0:15:07.55,0:15:09.17,Marco-Default,,0,0,0,,Oh, it's you.
Dialogue: 0,0:15:09.17,0:15:10.38,Marco-Default,,0,0,0,,Why are you here?
Dialogue: 0,0:15:10.72,0:15:13.22,Marco-Default,,0,0,0,,We had the feeling we'd never see you again.
Dialogue: 0,0:15:14.30,0:15:15.89,Marco-Default,,0,0,0,,You have nothing to worry about.
Dialogue: 0,0:15:16.26,0:15:18.35,Marco-Default,,0,0,0,,It was pretty hard.
Dialogue: 0,0:15:18.35,0:15:21.64,Marco-Default,,0,0,0,,They said it was impossible but I managed to convince them to let you in somehow.
Dialogue: 0,0:15:21.64,0:15:22.98,Marco-Default,,0,0,0,,Oh, really?
Dialogue: 0,0:15:22.98,0:15:25.82,Marco-Default,,0,0,0,,Of course.  But I need 20 lire.
Dialogue: 0,0:15:26.19,0:15:27.32,Marco-Default,,0,0,0,,You have it, right?
Dialogue: 0,0:15:28.44,0:15:29.90,Marco-Default,,0,0,0,,Yes, but...
Dialogue: 0,0:15:29.90,0:15:31.53,Marco-Default,,0,0,0,,We won't be fooled by you anymore!
Dialogue: 0,0:15:31.53,0:15:32.36,Marco-Default,,0,0,0,,Emilio.
Dialogue: 0,0:15:32.36,0:15:33.62,Marco-Default,,0,0,0,,Give back the 5 lire!
Dialogue: 0,0:15:33.62,0:15:35.33,Marco-Default,,0,0,0,,Don't be stupid.
Dialogue: 0,0:15:35.33,0:15:39.00,Marco-Default,,0,0,0,,With 20 more lire, you'll be on that immigration ship tomorrow.
Dialogue: 0,0:15:39.29,0:15:40.75,Marco-Default,,0,0,0,,I said give it back!
Dialogue: 0,0:15:40.75,0:15:42.00,Marco-Default,,0,0,0,,Wait, Emilio!
Dialogue: 0,0:15:42.87,0:15:44.46,Marco-Default,,0,0,0,,I said give it back!
Dialogue: 0,0:15:44.46,0:15:45.71,Marco-Default,,0,0,0,,Emilio!
Dialogue: 0,0:15:45.71,0:15:46.92,Marco-Default,,0,0,0,,Hey!
Dialogue: 0,0:15:46.92,0:15:48.21,Marco-Default,,0,0,0,,What are you doing?
Dialogue: 0,0:15:48.80,0:15:49.46,Marco-Default,,0,0,0,,Emilio!
Dialogue: 0,0:15:50.09,0:15:51.51,Marco-Default,,0,0,0,,Marco, step back.
Dialogue: 0,0:15:51.51,0:15:53.47,Marco-Default,,0,0,0,,I'll take care of him.
Dialogue: 0,0:15:54.18,0:15:57.26,Marco-Default,,0,0,0,,I was being nice since you're kids and this is how you treat me?
Dialogue: 0,0:15:57.26,0:16:00.10,Marco-Default,,0,0,0,,You never planned on putting him on that ship in the first place!
Dialogue: 0,0:16:00.10,0:16:00.93,Marco-Default,,0,0,0,,That's right.
Dialogue: 0,0:16:01.18,0:16:02.85,Marco-Default,,0,0,0,,What?!
Dialogue: 0,0:16:10.94,0:16:12.15,Marco-Default,,0,0,0,,Emilio!
Dialogue: 0,0:16:21.79,0:16:22.50,Marco-Default,,0,0,0,,Don't run away!
Dialogue: 0,0:16:32.84,0:16:34.63,Marco-Default,,0,0,0,,Someone, help!
Dialogue: 0,0:16:37.35,0:16:40.77,Marco-Default,,0,0,0,,I'll give you back the money!
Dialogue: 0,0:16:40.93,0:16:41.68,Marco-Default,,0,0,0,,Where is it?
Dialogue: 0,0:16:42.43,0:16:44.19,Marco-Default,,0,0,0,,My left pocket.
Dialogue: 0,0:16:44.19,0:16:45.65,Marco-Default,,0,0,0,,Marco, check his pocket.
Dialogue: 0,0:16:45.65,0:16:46.31,Marco-Default,,0,0,0,,OK.
Dialogue: 0,0:16:47.19,0:16:50.57,Marco-Default,,0,0,0,,That's all I have left right now.
Dialogue: 0,0:16:50.98,0:16:53.03,Marco-Default,,0,0,0,,I'll give you back the rest later.
Dialogue: 0,0:16:53.03,0:16:54.20,Marco-Default,,0,0,0,,OK.  Let's go.
Dialogue: 0,0:17:09.34,0:17:10.31,Marco-Default,,0,0,0,,He's late.
Dialogue: 0,0:17:14.38,0:17:15.76,Marco-Default,,0,0,0,,I'm sorry, Marco.
Dialogue: 0,0:17:15.76,0:17:22.02,Marco-Default,,0,0,0,,It's OK.  Even if I can't go with Peppino-san, I'll save up money and go alone...
Dialogue: 0,0:17:22.02,0:17:22.97,Marco-Default,,0,0,0,,Marco...
Dialogue: 0,0:17:23.22,0:17:24.48,Marco-Default,,0,0,0,,Thank you, Emilio.
Dialogue: 0,0:17:24.48,0:17:25.73,Marco-Default,,0,0,0,,I won't give up over this.
Dialogue: 0,0:17:26.98,0:17:27.98,Marco-Default,,0,0,0,,Oh yeah!
Dialogue: 0,0:17:28.27,0:17:31.19,Marco-Default,,0,0,0,,I almost forgot that my uncle works at the immigration office!
Dialogue: 0,0:17:32.11,0:17:33.19,Marco-Default,,0,0,0,,At the immigration office?
Dialogue: 0,0:17:33.48,0:17:36.57,Marco-Default,,0,0,0,,He's just a handyman,\Nbut it's worth a shot!
Dialogue: 0,0:17:37.03,0:17:39.74,Marco-Default,,0,0,0,,I'll go there tomorrow morning and ask him, Marco.
Dialogue: 0,0:17:39.74,0:17:42.20,Marco-Default,,0,0,0,,But tomorrow is Sunday...
Dialogue: 0,0:17:46.54,0:17:48.79,Marco-Default,,0,0,0,,I won't be able to go this time.
Dialogue: 0,0:17:48.78,0:17:52.27,Marco-Default,,0,0,0,,So what if it's Sunday? Let's keep\Nour hopes up, this isn't over yet. 
Dialogue: 0,0:17:53.44,0:17:54.91,Marco-Default,,0,0,0,,Thank you, Emilio.
Dialogue: 0,0:17:55.97,0:17:58.76,Marco-Default,,0,0,0,,Marco.  Tomorrow morning I'll come get you.
Dialogue: 0,0:17:58.76,0:17:59.51,Marco-Default,,0,0,0,,OK.
Dialogue: 0,0:18:14.40,0:18:16.61,Marco-Default,,0,0,0,,Marco, where were you?
Dialogue: 0,0:18:16.61,0:18:18.95,Marco-Default,,0,0,0,,I was thinking of going to look for you, since it's so late.
Dialogue: 0,0:18:18.95,0:18:20.07,Marco-Default,,0,0,0,,I'm sorry.
Dialogue: 0,0:18:20.07,0:18:22.99,Marco-Default,,0,0,0,,I was looking at ships in the harbor and didn't notice the time.
Dialogue: 0,0:18:23.41,0:18:25.12,Marco-Default,,0,0,0,,I saw Concetta-san.
Dialogue: 0,0:18:25.37,0:18:26.66,Marco-Default,,0,0,0,,She came here to say hello.
Dialogue: 0,0:18:28.62,0:18:31.21,Marco-Default,,0,0,0,,She said she can deliver our letters to Mom.
Dialogue: 0,0:18:32.00,0:18:35.92,Marco-Default,,0,0,0,,I'm sure they'll make the situation clear.
Dialogue: 0,0:18:36.51,0:18:38.97,Marco-Default,,0,0,0,,You're going to see them off tomorrow, right?
Dialogue: 0,0:18:38.97,0:18:40.43,Marco-Default,,0,0,0,,There's no school tomorrow.
Dialogue: 0,0:18:40.84,0:18:41.59,Marco-Default,,0,0,0,,Yeah.
Dialogue: 0,0:18:42.05,0:18:45.31,Marco-Default,,0,0,0,,You're going to write a letter to Mom too, right?
Dialogue: 0,0:18:45.77,0:18:48.85,Marco-Default,,0,0,0,,Unfortunately, I have to work tomorrow...
Dialogue: 0,0:18:49.48,0:18:53.36,Marco-Default,,0,0,0,,I'm tired, so I'll wake up early and write a letter.
Dialogue: 0,0:18:58.34,0:19:00.02,Marco-Default,,0,0,0,,A letter saying "Sorry, Mom."
Dialogue: 0,0:19:41.65,0:19:42.73,Marco-Default,,0,0,0,,Mom...
Dialogue: 0,0:19:42.73,0:19:45.08,Marco-Default,,0,0,0,,Mom... Mom... Mom... Mom...
Dialogue: 0,0:20:09.22,0:20:10.89,Marco-Default,,0,0,0,,No way, Emilio.
Dialogue: 0,0:20:10.89,0:20:13.44,Marco-Default,,0,0,0,,I'm just a handyman.
Dialogue: 0,0:20:13.44,0:20:16.94,Marco-Default,,0,0,0,,I have no say in the decisions of my bosses.
Dialogue: 0,0:20:17.27,0:20:19.23,Marco-Default,,0,0,0,,Besides, today is Sunday.
Dialogue: 0,0:20:19.86,0:20:21.40,Marco-Default,,0,0,0,,I promised him already.
Dialogue: 0,0:20:21.82,0:20:24.24,Marco-Default,,0,0,0,,I told him I'd definitely help him board the ship.
Dialogue: 0,0:20:24.24,0:20:25.53,Marco-Default,,0,0,0,,It's a man's promise.
Dialogue: 0,0:20:25.53,0:20:27.24,Marco-Default,,0,0,0,,I'm telling you, there's no way.
Dialogue: 0,0:20:28.12,0:20:31.66,Marco-Default,,0,0,0,,Besides, a kid that young can't possibly go to Argentina by himself...
Dialogue: 0,0:20:31.66,0:20:34.79,Marco-Default,,0,0,0,,Come on, Uncle Luciano.
Dialogue: 0,0:20:34.79,0:20:35.54,Marco-Default,,0,0,0,,I'll owe you one.
Dialogue: 0,0:20:35.54,0:20:38.59,Marco-Default,,0,0,0,,You can do something if it's just one kid...
Dialogue: 0,0:20:38.59,0:20:40.71,Marco-Default,,0,0,0,,Please, Uncle Luciano...
Dialogue: 0,0:20:40.71,0:20:41.26,Marco-Default,,0,0,0,,Marco!
Dialogue: 0,0:20:46.72,0:20:47.89,Marco-Default,,0,0,0,,Fiolina.
Dialogue: 0,0:21:00.73,0:21:05.11,Marco-Default,,0,0,0,,This last look at Genova reminds me that Genova is special too.
Dialogue: 0,0:21:05.11,0:21:09.62,Marco-Default,,0,0,0,,The red walls, the green windows, and the olive smell in the wind.
Dialogue: 0,0:21:11.45,0:21:14.29,Marco-Default,,0,0,0,,Marco didn't come...
Dialogue: 0,0:21:16.58,0:21:22.13,Marco-Default,,0,0,0,,It must be hard for him to see us off from the same wharf that he had to see his mother off.
Dialogue: 0,0:21:25.42,0:21:27.01,Marco-Default,,0,0,0,,Shall we go to our cabin?
Dialogue: 0,0:21:36.19,0:21:37.35,Marco-Default,,0,0,0,,Marco!
Dialogue: 0,0:21:38.90,0:21:41.02,Marco-Default,,0,0,0,,Marco!  Marco!
Dialogue: 0,0:21:41.44,0:21:42.36,Marco-Default,,0,0,0,,Marco!
Dialogue: 0,0:21:42.36,0:21:43.57,Marco-Default,,0,0,0,,Fiolina!
Dialogue: 0,0:21:44.44,0:21:45.11,Marco-Default,,0,0,0,,Marco!
Dialogue: 0,0:21:46.13,0:21:48.87,Marco-Default,,0,0,0,,I'll come too, right after you!
Dialogue: 0,0:21:48.86,0:21:53.16,Marco-Default,,0,0,0,,Tell my mother I miss her!  Tell her that!
Dialogue: 0,0:22:04.53,0:22:06.32,Marco-Default,,0,0,0,,Go there, Amedio.  Take this.
Dialogue: 0,0:22:08.54,0:22:11.18,Marco-Default,,0,0,0,,Now, Amedio...  Go to Fiolina.
Dialogue: 0,0:22:21.36,0:22:22.57,Marco-Default,,0,0,0,,Amedio.
Dialogue: 0,0:22:24.36,0:22:27.15,Marco-Default,,0,0,0,,Take Amedio to my mom!
Dialogue: 0,0:22:27.77,0:22:31.54,Marco-Default,,0,0,0,,Tell her to take care of him as if it were me!
Dialogue: 0,0:22:31.54,0:22:32.98,Marco-Default,,0,0,0,,Tell her!
Dialogue: 0,0:22:32.98,0:22:34.41,Marco-Default,,0,0,0,,Amedio, huh?  That's great.
Dialogue: 0,0:22:34.58,0:22:35.54,Marco-Default,,0,0,0,,Amedio.
Dialogue: 0,0:22:35.54,0:22:37.29,Marco-Default,,0,0,0,,Count on us, Marco!
Dialogue: 0,0:22:37.29,0:22:39.16,Marco-Default,,0,0,0,,The letter and Amedio—
Dialogue: 0,0:22:52.85,0:22:54.06,Marco-Default,,0,0,0,,Amedio!
Dialogue: 0,0:22:58.60,0:22:59.66,Marco-Default,,0,0,0,,Amedio!
Dialogue: 0,0:23:02.19,0:23:03.94,Marco-Default,,0,0,0,,Amedio!
Dialogue: 0,0:23:05.57,0:23:07.71,Marco-Default,,0,0,0,,Goodbye, Marco!
Dialogue: 0,0:23:07.71,0:23:11.24,Marco-Default,,0,0,0,,Amedio...  Amedio wants to be with you!
Dialogue: 0,0:23:11.51,0:23:12.57,Marco-Default,,0,0,0,,Fiolina!
Dialogue: 0,0:23:14.91,0:23:16.78,Marco-Default,,0,0,0,,Marco!
Dialogue: 0,0:23:24.16,0:23:25.39,Marco-Default,,0,0,0,,Goodbye!
Dialogue: 0,0:23:25.39,0:23:27.89,Marco-Default,,0,0,0,,Take care, Marco!
Dialogue: 0,0:23:29.66,0:23:30.98,Marco-Default,,0,0,0,,Goodbye!
Dialogue: 0,0:23:30.98,0:23:33.78,Marco-Default,,0,0,0,,Goodbye, Fiolina!
Dialogue: 0,0:23:59.11,0:24:04.32,Marco-Narrator,,0,0,0,,Marco saw the liner from Argentina arrive at the harbor and ran there.
Dialogue: 0,0:24:04.73,0:24:08.17,Marco-Narrator,,0,0,0,,But his mother's letter wasn't there again.
Dialogue: 0,0:24:08.76,0:24:11.23,Marco-Narrator,,0,0,0,,Marco was getting more and more worried.
Dialogue: 0,0:24:11.68,0:24:17.49,Marco-Narrator,,0,0,0,,And then Marco met Rocky, a sailor on a ship named Folgore that goes to Brazil.
Dialogue: 0,0:24:18.06,0:24:23.20,Marco-Narrator,,0,0,0,,As Rocky showed him around the ship and told him about how people travel in secrecy,
Dialogue: 0,0:24:23.20,0:24:25.31,Marco-Narrator,,0,0,0,,Marco made a decision.
Dialogue: 0,0:24:25.78,0:24:29.73,Marco-Narrator,,0,0,0,,Next time on 3000 Leagues in Search of Mother, "Marco's Decision."
Dialogue: 0,0:24:29.73,0:24:31.09,Marco-Narrator,,0,0,0,,Look forward to it.
Dialogue: 0,0:24:35.72,0:24:39.80,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\be1\pos(378,159)}Art Continuity (Storyboard)
Dialogue: 0,0:24:35.72,0:24:39.80,Marco-JCOName,,0,0,0,,{\fad(0,0)\be1\pos(399,180)}Kuroda Yoshio
Dialogue: 0,0:24:36.89,0:24:39.99,Marco-EDR,,0,0,0,,{\fad(0,100)\pos(314,385)\be0}kaasan ohayou
Dialogue: 0,0:24:36.89,0:24:39.99,Marco-EDE,,0,0,0,,{\fad(0,100)\pos(314,470)\bord0\shad1\be0\fsp1\pos(314,470)}Good Morning, Mother
Dialogue: 0,0:24:40.62,0:24:43.71,Marco-EDR,,0,0,0,,{\fad(0,30)\bord0\shad1\pos(314,385)}asa, boku o
Dialogue: 0,0:24:40.62,0:24:43.71,Marco-EDR,,0,0,0,,{\fad(0,30)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(280,380,\1c&H0000FF&)\t(380,480,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(480,960,\1c&H0000FF&)\t(960,1450,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)}, {\t(0,1,\1c&HFFFFFF&)\t(1450,1810,\1c&H0000FF&)\t(1810,2170,\1c&HFFFFFF&)}bo{\t(0,1,\1c&HFFFFFF&)\t(2170,2310,\1c&H0000FF&)\t(2310,2540,\1c&HFFFFFF&)}ku {\t(0,1,\1c&HFFFFFF&)\t(2540,2840,\1c&H0000FF&)\t(2840,3140,\1c&HFFFFFF&)}o
Dialogue: 0,0:24:40.62,0:24:48.13,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}This morning I was awoken by Mr. Sun.
Dialogue: 0,0:24:40.62,0:24:48.13,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}This morning I was awoken by Mr. Sun.
Dialogue: 0,0:24:44.63,0:24:48.13,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}okoshita ohisama ga
Dialogue: 0,0:24:44.63,0:24:48.13,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(0,190,\1c&H0000FF&)\t(190,390,\1c&HFFFFFF&)}o{\t(0,1,\1c&HFFFFFF&)\t(390,680,\1c&H0000FF&)\t(680,970,\1c&HFFFFFF&)}ko{\t(0,1,\1c&HFFFFFF&)\t(970,1180,\1c&H0000FF&)\t(1180,1390,\1c&HFFFFFF&)}shi{\t(0,1,\1c&HFFFFFF&)\t(1390,1550,\1c&H0000FF&)\t(1550,1720,\1c&HFFFFFF&)}ta{\t(0,1,\1c&HFFFFFF&)\t(1720,1860,\1c&H0000FF&)\t(1860,2010,\1c&HFFFFFF&)} o{\t(0,1,\1c&HFFFFFF&)\t(2010,2220,\1c&H0000FF&)\t(2220,2390,\1c&HFFFFFF&)}hi{\t(0,1,\1c&HFFFFFF&)\t(2390,2650,\1c&H0000FF&)\t(2650,2920,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)\t(2920,3110,\1c&H0000FF&)\t(3110,3330,\1c&HFFFFFF&)}ma{\t(0,1,\1c&HFFFFFF&)\t(3330,3450,\1c&H0000FF&)\t(3450,3570,\1c&HFFFFFF&)} ga
Dialogue: 0,0:24:45.23,0:24:48.83,Marco-JCE,,0,0,0,,{\fad(0,0)\pos(217,65)}Theme Song
Dialogue: 0,0:24:45.23,0:24:48.83,Marco-JCE2,,0,0,0,,{\fad(0,0)\pos(209,109)}Marco of the Grasslands
Dialogue: 0,0:24:45.23,0:24:48.83,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(106,158)}Lyrics
Dialogue: 0,0:24:45.23,0:24:48.83,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(178,155)}Fukazawa Kazuo
Dialogue: 0,0:24:45.23,0:24:48.83,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(106,200)}Music
Dialogue: 0,0:24:45.23,0:24:48.83,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(178,199)}Sakata Kouichi
Dialogue: 0,0:24:45.23,0:24:48.83,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(105,243)}Vocals
Dialogue: 0,0:24:45.23,0:24:48.83,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(177,241)}Ohsugi Kumiko
Dialogue: 0,0:24:48.40,0:24:51.62,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}hora, mou maue
Dialogue: 0,0:24:48.40,0:24:51.62,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(200,340,\1c&H0000FF&)\t(340,490,\1c&HFFFFFF&)}ho{\t(0,1,\1c&HFFFFFF&)\t(490,770,\1c&H0000FF&)\t(770,1060,\1c&HFFFFFF&)}ra{\t(0,1,\1c&HFFFFFF&)},{\t(0,1,\1c&HFFFFFF&)\t(1060,1250,\1c&H0000FF&)\t(1250,1450,\1c&HFFFFFF&)} mo{\t(0,1,\1c&HFFFFFF&)\t(1450,1730,\1c&H0000FF&)\t(1730,2010,\1c&HFFFFFF&)}u{\t(0,1,\1c&HFFFFFF&)\t(2010,2130,\1c&H0000FF&)\t(2130,2250,\1c&HFFFFFF&)} ma{\t(0,1,\1c&HFFFFFF&)\t(2250,2350,\1c&H0000FF&)\t(2350,2460,\1c&HFFFFFF&)}u{\t(0,1,\1c&HFFFFFF&)\t(2460,2850,\1c&H0000FF&)\t(2850,3250,\1c&HFFFFFF&)}e
Dialogue: 0,0:24:48.40,0:24:51.62,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}Look, he's already overhead.
Dialogue: 0,0:24:48.40,0:24:51.62,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}Look, he's already overhead.
Dialogue: 0,0:24:49.15,0:24:52.62,Marco-JCE,,0,0,0,,{\fad(0,0)\pos(442,86)}Voice Actors
Dialogue: 0,0:24:49.15,0:24:52.62,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(416,140)}Marco:  Matsuo Yoshiko
Dialogue: 0,0:24:49.15,0:24:52.62,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(440,203)}Pietro:  Kawakubo Kiyoshi
Dialogue: 0,0:24:49.15,0:24:52.62,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(486,270)}Fiolina:\NNobusawa Mieko
Dialogue: 0,0:24:52.32,0:24:55.87,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}ima kaasan o
Dialogue: 0,0:24:52.32,0:24:55.87,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(0,170,\1c&H0000FF&)\t(170,350,\1c&HFFFFFF&)}i{\t(0,1,\1c&HFFFFFF&)\t(350,680,\1c&H0000FF&)\t(660,970,\1c&HFFFFFF&)}ma{\t(0,1,\1c&HFFFFFF&)\t(970,1180,\1c&H0000FF&)\t(1180,1390,\1c&HFFFFFF&)} ka{\t(0,1,\1c&HFFFFFF&)\t(1390,1660,\1c&H0000FF&)\t(1660,1940,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(1940,2170,\1c&H0000FF&)\t(2170,2410,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)\t(2410,2780,\1c&H0000FF&)\t(2780,3160,\1c&HFFFFFF&)}n{\t(0,1,\1c&HFFFFFF&)\t(3160,3370,\1c&H0000FF&)\t(3370,3590,\1c&HFFFFFF&)} o
Dialogue: 0,0:24:52.32,0:24:59.32,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}Now he's waking up my mother.
Dialogue: 0,0:24:52.32,0:24:59.32,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}Now he's waking up my mother.
Dialogue: 0,0:24:52.90,0:24:56.37,Marco-JCE,,0,0,0,,{\fad(0,0)\pos(441,72)}Voice Actors
Dialogue: 0,0:24:52.90,0:24:56.37,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(459,129)}Peppino:  Nagai Ichirou
Dialogue: 0,0:24:52.90,0:24:56.37,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(483,195)}Concetta:\NOhara Noriko
Dialogue: 0,0:24:52.90,0:24:56.37,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(439,262)}Emilio:  Komamura Kuriko
Dialogue: 0,0:24:52.90,0:24:56.37,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(480,325)}Julietta:\NChijimatsu Sachiko
Dialogue: 0,0:24:56.11,0:24:59.32,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(311,385)}okoshiteru n da
Dialogue: 0,0:24:56.11,0:24:59.32,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(311,385)\t(0,1,\1c&HFFFFFF&)\t(100,250,\1c&H0000FF&)\t(250,400,\1c&HFFFFFF&)}o{\t(0,1,\1c&HFFFFFF&)\t(400,710,\1c&H0000FF&)\t(710,1020,\1c&HFFFFFF&)}ko{\t(0,1,\1c&HFFFFFF&)\t(1020,1220,\1c&H0000FF&)\t(1220,1420,\1c&HFFFFFF&)}shi{\t(0,1,\1c&HFFFFFF&)\t(1420,1700,\1c&H0000FF&)\t(1700,1990,\1c&HFFFFFF&)}te{\t(0,1,\1c&HFFFFFF&)\t(1990,2120,\1c&H0000FF&)\t(2120,2260,\1c&HFFFFFF&)}ru{\t(0,1,\1c&HFFFFFF&)\t(2260,2330,\1c&H0000FF&)\t(2330,2410,\1c&HFFFFFF&)} n{\t(0,1,\1c&HFFFFFF&)\t(2410,2860,\1c&H0000FF&)\t(2860,3310,\1c&HFFFFFF&)} da
Dialogue: 0,0:24:56.66,0:25:00.21,Marco-JCE,,0,0,0,,{\fad(0,0)\pos(442,71)}Voice Actors
Dialogue: 0,0:24:56.66,0:25:00.21,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\fscx95\pos(525,133)}Nunami Terue
Dialogue: 0,0:24:56.66,0:25:00.21,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(525,172)}Naya Rokurou
Dialogue: 0,0:24:56.66,0:25:00.21,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(525,206)}Ogata Kenichi
Dialogue: 0,0:24:56.66,0:25:00.21,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(525,246)}Mine Eken
Dialogue: 0,0:24:56.66,0:25:00.21,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\fscx90\pos(525,281)}Tsukase Noriko
Dialogue: 0,0:24:56.66,0:25:00.21,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\fscx100\pos(525,317)}Chiba Junji
Dialogue: 0,0:24:59.81,0:25:03.44,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(313,385)}haruka na kuni no
Dialogue: 0,0:24:59.81,0:25:03.44,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(313,385)\t(0,1,\1c&HFFFFFF&)\t(200,370,\1c&H0000FF&)\t(370,550,\1c&HFFFFFF&)}ha{\t(0,1,\1c&HFFFFFF&)\t(550,820,\1c&H0000FF&)\t(820,1110,\1c&HFFFFFF&)}ru{\t(0,1,\1c&HFFFFFF&)\t(1110,1300,\1c&H0000FF&)\t(1300,1500,\1c&HFFFFFF&)}ka{\t(0,1,\1c&HFFFFFF&)\t(1500,1800,\1c&H0000FF&)\t(1800,2100,\1c&HFFFFFF&)} na{\t(0,1,\1c&HFFFFFF&)\t(2100,2270,\1c&H0000FF&)\t(2270,2450,\1c&HFFFFFF&)} ku{\t(0,1,\1c&HFFFFFF&)\t(2450,2920,\1c&H0000FF&)\t(2920,3400,\1c&HFFFFFF&)}ni{\t(0,1,\1c&HFFFFFF&)\t(3400,3540,\1c&H0000FF&)\t(3540,3690,\1c&HFFFFFF&)} no
Dialogue: 0,0:24:59.81,0:25:07.16,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}In her faraway country he's rising in the sky.
Dialogue: 0,0:24:59.81,0:25:07.16,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}In her faraway country he's rising in the sky.
Dialogue: 0,0:25:00.54,0:25:04.01,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(457,125)}Animation
Dialogue: 0,0:25:00.54,0:25:04.01,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(570,155)}OH\NProduction
Dialogue: 0,0:25:00.54,0:25:04.01,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(584,185)}Murata\NKouichi
Dialogue: 0,0:25:00.54,0:25:04.01,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(584,218)\fscx92}Mitsukawa\NKoushin
Dialogue: 0,0:25:00.54,0:25:04.01,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(584,254)}Tannai\NTsukasa
Dialogue: 0,0:25:00.54,0:25:04.01,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(584,292)}Manabe\NJouji
Dialogue: 0,0:25:03.70,0:25:07.16,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}sora ni nobotte
Dialogue: 0,0:25:03.70,0:25:07.16,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(150,320,\1c&H0000FF&)\t(320,510,\1c&HFFFFFF&)}so{\t(0,1,\1c&HFFFFFF&)\t(510,810,\1c&H0000FF&)\t(810,1120,\1c&HFFFFFF&)}ra{\t(0,1,\1c&HFFFFFF&)\t(1120,1300,\1c&H0000FF&)\t(1300,1480,\1c&HFFFFFF&)} ni{\t(0,1,\1c&HFFFFFF&)\t(1480,1660,\1c&H0000FF&)\t(1660,1840,\1c&HFFFFFF&)} no{\t(0,1,\1c&HFFFFFF&)\t(1840,1990,\1c&H0000FF&)\t(1990,2150,\1c&HFFFFFF&)}bo{\t(0,1,\1c&HFFFFFF&)\t(2150,2280,\1c&H0000FF&)\t(2280,2420,\1c&HFFFFFF&)}t{\t(0,1,\1c&HFFFFFF&)\t(2420,2970,\1c&H0000FF&)\t(2970,3520,\1c&HFFFFFF&)}te
Dialogue: 0,0:25:04.25,0:25:07.97,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(459,122)}Animation
Dialogue: 0,0:25:04.25,0:25:07.97,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\fscx95\pos(579,155)}Shinohara\NMasako
Dialogue: 0,0:25:04.25,0:25:07.97,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\fscx95\pos(579,188)}Kouta\NFumio{probably}
Dialogue: 0,0:25:04.25,0:25:07.97,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(532,251)}Motion Check
Dialogue: 0,0:25:04.25,0:25:07.97,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(579,281)}Takano\NNoboru
Dialogue: 0,0:25:04.25,0:25:07.97,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\fscx95\pos(579,316)}Tomisawa\NNobuo
Dialogue: 0,0:25:07.83,0:25:11.17,Marco-EDR,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\pos(314,385)}kaasan ohayou
Dialogue: 0,0:25:07.83,0:25:11.17,Marco-EDR,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(250,590,\1c&H0000FF&)\t(590,940,\1c&HFFFFFF&)}ka{\t(0,1,\1c&HFFFFFF&)\t(940,1070,\1c&H0000FF&)\t(1070,1200,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(1200,1370,\1c&H0000FF&)\t(1370,1540,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)\t(1540,1670,\1c&H0000FF&)\t(1670,1800,\1c&HFFFFFF&)}n{\t(0,1,\1c&HFFFFFF&)\t(2100,2280,\1c&H0000FF&)\t(2280,2460,\1c&HFFFFFF&)} o{\t(0,1,\1c&HFFFFFF&)\t(2460,2600,\1c&H0000FF&)\t(2600,2750,\1c&HFFFFFF&)}ha{\t(0,1,\1c&HFFFFFF&)\t(2750,2890,\1c&H0000FF&)\t(2890,3040,\1c&HFFFFFF&)}yo{\t(0,1,\1c&HFFFFFF&)\t(3040,3220,\1c&H0000FF&)\t(3220,3410,\1c&HFFFFFF&)}u
Dialogue: 0,0:25:07.83,0:25:11.17,Marco-EDE,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\fsp1\pos(314,470)}Good Morning, Mother
Dialogue: 0,0:25:07.83,0:25:11.17,Marco-EDE,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\fsp1\pos(314,470)}Good Morning, Mother
Dialogue: 0,0:25:08.21,0:25:11.81,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(157,79)}Backgrounds
Dialogue: 0,0:25:08.21,0:25:11.81,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(110,118)}Nishi Yoshikuni
Dialogue: 0,0:25:08.21,0:25:11.81,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(110,154)}Nishihara Shigeo
Dialogue: 0,0:25:08.21,0:25:11.81,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(110,189)}Ishibashi Kenichi
Dialogue: 0,0:25:08.21,0:25:11.81,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(157,252)}Coloring
Dialogue: 0,0:25:08.21,0:25:11.81,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(110,282)}Studio Robin
Dialogue: 0,0:25:11.40,0:25:15.07,Marco-EDR,,0,0,0,,{\fad(30,60)\bord0\shad1\be0\pos(314,385)}bonjoruno miamaadore
Dialogue: 0,0:25:11.40,0:25:15.07,Marco-EDR,,0,0,0,,{\fad(30,60)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(100,190,\1c&H0000FF&)\t(190,290,\1c&HFFFFFF&)}bo{\t(0,1,\1c&HFFFFFF&)\t(290,370,\1c&H0000FF&)\t(370,450,\1c&HFFFFFF&)}n{\t(0,1,\1c&HFFFFFF&)\t(450,540,\1c&H0000FF&)\t(540,640,\1c&HFFFFFF&)}jo{\t(0,1,\1c&HFFFFFF&)\t(640,710,\1c&H0000FF&)\t(710,780,\1c&HFFFFFF&)}ru{\t(0,1,\1c&HFFFFFF&)\t(780,920,\1c&H0000FF&)\t(920,1070,\1c&HFFFFFF&)}no{\t(0,1,\1c&HFFFFFF&)\t(1070,1140,\1c&H0000FF&)\t(1140,1210,\1c&HFFFFFF&)} mi{\t(0,1,\1c&HFFFFFF&)\t(1210,1310,\1c&H0000FF&)\t(1310,1420,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(1420,1850,\1c&H0000FF&)\t(1850,2290,\1c&HFFFFFF&)}maa{\t(0,1,\1c&HFFFFFF&)\t(2290,2410,\1c&H0000FF&)\t(2410,2530,\1c&HFFFFFF&)}do{\t(0,1,\1c&HFFFFFF&)\t(2530,3100,\1c&H0000FF&)\t(3100,3670,\1c&HFFFFFF&)}re
Dialogue: 0,0:25:11.40,0:25:15.07,Marco-EDE,,0,0,0,,{\fad(30,60)\bord0\shad1\be0\fsp1\pos(314,470)}Buon giorno, mia madre.
Dialogue: 0,0:25:11.40,0:25:15.07,Marco-EDE,,0,0,0,,{\fad(30,60)\bord0\shad0\be1\fsp1\pos(314,470)}Buon giorno, mia madre.
Dialogue: 0,0:25:12.05,0:25:15.69,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(211,98)}Final Check
Dialogue: 0,0:25:12.05,0:25:15.69,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(118,132)}Yasuda Michiyo
Dialogue: 0,0:25:12.05,0:25:15.69,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(209,187)}Production Assistant
Dialogue: 0,0:25:12.05,0:25:15.69,Marco-JCE2,,0,0,0,,{\fad(0,0)\an6\pos(118,228)}Yokota Kazuyoshi {横田和善}
Dialogue: 0,0:25:15.30,0:25:18.48,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}aitai na
Dialogue: 0,0:25:15.30,0:25:18.48,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(200,370,\1c&H0000FF&)\t(370,540,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(540,980,\1c&H0000FF&)\t(980,1430,\1c&HFFFFFF&)}i{\t(0,1,\1c&HFFFFFF&)\t(1430,1740,\1c&H0000FF&)\t(1740,2060,\1c&HFFFFFF&)}ta{\t(0,1,\1c&HFFFFFF&)\t(2060,2230,\1c&H0000FF&)\t(2230,2400,\1c&HFFFFFF&)}i{\t(0,1,\1c&HFFFFFF&)\t(2400,2840,\1c&H0000FF&)\t(2840,3240,\1c&HFFFFFF&)} na
Dialogue: 0,0:25:15.30,0:25:18.48,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}I miss you...
Dialogue: 0,0:25:15.30,0:25:18.48,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}I miss you...
Dialogue: 0,0:25:16.01,0:25:19.61,Marco-JCEW,,0,0,0,,{\fad(0,0)\an4\pos(172,57)}Photography
Dialogue: 0,0:25:16.01,0:25:19.61,Marco-JCE2W,,0,0,0,,{\fad(0,0)\an6\pos(115,94)}Transarts
Dialogue: 0,0:25:16.01,0:25:19.61,Marco-JCE2W,,0,0,0,,{\fad(0,0)\an6\pos(115,135)}Kumase Tetsurou
Dialogue: 0,0:25:16.01,0:25:19.61,Marco-JCE2W,,0,0,0,,{\fad(0,0)\an6\pos(115,178)}Hagiwara Tooru {萩原亨}
Dialogue: 0,0:25:16.01,0:25:19.61,Marco-JCEW,,0,0,0,,{\fad(0,0)\an4\pos(172,226)}Editing
Dialogue: 0,0:25:16.01,0:25:19.61,Marco-JCE2W,,0,0,0,,{\fad(0,0)\an6\pos(115,263)}Seyama Takeshi
Dialogue: 0,0:25:16.01,0:25:19.61,Marco-JCEW,,0,0,0,,{\fad(0,0)\an4\pos(172,312)}Development
Dialogue: 0,0:25:16.01,0:25:19.61,Marco-JCE2W,,0,0,0,,{\fad(0,0)\an6\pos(112,348)}Toyo\NDevelopment Co.
Dialogue: 0,0:25:19.14,0:25:22.74,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}daisuki na kaasan
Dialogue: 0,0:25:19.14,0:25:22.74,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(200,640,\1c&H0000FF&)\t(640,1080,\1c&HFFFFFF&)}da{\t(0,1,\1c&HFFFFFF&)\t(1080,1260,\1c&H0000FF&)\t(1260,1450,\1c&HFFFFFF&)}i{\t(0,1,\1c&HFFFFFF&)\t(1450,1590,\1c&H0000FF&)\t(1590,1730,\1c&HFFFFFF&)}su{\t(0,1,\1c&HFFFFFF&)\t(1730,1920,\1c&H0000FF&)\t(1920,2110,\1c&HFFFFFF&)}ki{\t(0,1,\1c&HFFFFFF&)\t(2110,2250,\1c&H0000FF&)\t(2250,2390,\1c&HFFFFFF&)} na{\t(0,1,\1c&HFFFFFF&)\t(2390,2700,\1c&H0000FF&)\t(2700,3020,\1c&HFFFFFF&)} ka{\t(0,1,\1c&HFFFFFF&)\t(3020,3180,\1c&H0000FF&)\t(3180,3340,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(3340,3430,\1c&H0000FF&)\t(3430,3520,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)\t(3520,3610,\1c&H0000FF&)\t(3610,3700,\1c&HFFFFFF&)}n
Dialogue: 0,0:25:19.14,0:25:22.74,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}Mother whom I love dearly.
Dialogue: 0,0:25:19.14,0:25:22.74,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}Mother whom I love dearly.
Dialogue: 0,0:25:19.89,0:25:23.28,Marco-JCEW,,0,0,0,,{\fad(0,0)\an4\pos(158,110)}Sound Effects
Dialogue: 0,0:25:19.89,0:25:23.28,Marco-JCE2W,,0,0,0,,{\fad(0,0)\an6\pos(110,144)}Ishida Sound
Dialogue: 0,0:25:19.89,0:25:23.28,Marco-JCE2W,,0,0,0,,{\fad(0,0)\an6\pos(115,176)}Matsuda Akihiko
Dialogue: 0,0:25:19.89,0:25:23.28,Marco-JCEW,,0,0,0,,{\fad(0,0)\an4\pos(158,208)}Sound Adjustment
Dialogue: 0,0:25:19.89,0:25:23.28,Marco-JCE2W,,0,0,0,,{\fad(0,0)\an6\pos(112,240)\fscx90}Nakatogawa Tsuguo
Dialogue: 0,0:25:19.89,0:25:23.28,Marco-JCEW,,0,0,0,,{\fad(0,0)\an4\pos(158,274)}Support
Dialogue: 0,0:25:19.89,0:25:23.28,Marco-JCE2W,,0,0,0,,{\fad(0,0)\an6\pos(112,306)}Taihei Studio
Dialogue: 0,0:25:22.96,0:25:26.53,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}ano, kumo ni nori
Dialogue: 0,0:25:22.96,0:25:26.53,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(150,300,\1c&H0000FF&)\t(300,460,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(460,770,\1c&H0000FF&)\t(770,1090,\1c&HFFFFFF&)}no{\t(0,1,\1c&HFFFFFF&)},{\t(1090,1230,\1c&H0000FF&)\t(1230,1380,\1c&HFFFFFF&)} ku{\t(0,1,\1c&HFFFFFF&)\t(1380,1550,\1c&H0000FF&)\t(1550,1720,\1c&HFFFFFF&)}mo{\t(0,1,\1c&HFFFFFF&)\t(1720,1860,\1c&H0000FF&)\t(1860,2010,\1c&HFFFFFF&)} ni{\t(0,1,\1c&HFFFFFF&)\t(2010,2220,\1c&H0000FF&)\t(2220,2400,\1c&HFFFFFF&)} no{\t(0,1,\1c&HFFFFFF&)\t(2400,3010,\1c&H0000FF&)\t(3010,3630,\1c&HFFFFFF&)}ri
Dialogue: 0,0:25:22.96,0:25:26.53,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}I know, I'll ride on a cloud.
Dialogue: 0,0:25:22.96,0:25:26.53,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}I know, I'll ride on a cloud.
Dialogue: 0,0:25:23.52,0:25:27.41,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\fscx98\pos(516,74)}Production Desk
Dialogue: 0,0:25:23.52,0:25:27.41,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\pos(578,108)}Endou\NSakae
Dialogue: 0,0:25:23.52,0:25:27.41,Marco-JCE,,0,0,0,,{\fad(0,0)\an4\pos(501,143)}Production Chief
Dialogue: 0,0:25:23.52,0:25:27.41,Marco-JCE2,,0,0,0,,{\fad(0,0)\an4\fscx98\pos(578,176)}Takasuna\NYoshimi {高砂克己}{THIS IS JUST A GUESS, I HAVE NO IDEA}
Dialogue: 0,0:25:26.81,0:25:30.38,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}oozora nanka
Dialogue: 0,0:25:26.81,0:25:30.38,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(100,260,\1c&H0000FF&)\t(260,430,\1c&HFFFFFF&)}o{\t(0,1,\1c&HFFFFFF&)\t(430,770,\1c&H0000FF&)\t(770,1110,\1c&HFFFFFF&)}o{\t(0,1,\1c&HFFFFFF&)\t(1110,1250,\1c&H0000FF&)\t(1250,1400,\1c&HFFFFFF&)}zo{\t(0,1,\1c&HFFFFFF&)\t(1400,1690,\1c&H0000FF&)\t(1690,1990,\1c&HFFFFFF&)}ra{\t(0,1,\1c&HFFFFFF&)\t(1990,2180,\1c&H0000FF&)\t(2180,2380,\1c&HFFFFFF&)} na{\t(0,1,\1c&HFFFFFF&)\t(2380,2790,\1c&H0000FF&)\t(2790,3210,\1c&HFFFFFF&)}n{\t(0,1,\1c&HFFFFFF&)\t(3210,3420,\1c&H0000FF&)\t(3420,3640,\1c&HFFFFFF&)}ka
Dialogue: 0,0:25:26.81,0:25:34.21,Marco-EDE,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\fsp1\pos(314,470)}I'll cross the heavens in a single bound.
Dialogue: 0,0:25:26.81,0:25:34.21,Marco-EDE,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\fsp1\pos(314,470)}I'll cross the heavens in a single bound.
Dialogue: 0,0:25:27.79,0:25:34.80,FansubCredits,,0,0,0,,{\fad(0,0)\pos(615,26)\pos(712,70)\fs20}A C1Anime / Live-eviL Fansub
Dialogue: 0,0:25:27.79,0:25:34.80,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,55)}Translation:  {\fnCassia\fs20}Meiko
Dialogue: 0,0:25:27.79,0:25:34.80,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,75)}Check:  {\fnCassia\fs20}Prince{\fs10} {\fs20}Trom
Dialogue: 0,0:25:27.79,0:25:34.80,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,95)}Timing:  {\fnCassia\fs20}Tilgare, PlasticYakuza
Dialogue: 0,0:25:27.79,0:25:34.80,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,115)}Editing:  {\fnCassia\fs20}Tilgare
Dialogue: 0,0:25:27.79,0:25:34.80,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,135)}Typesetting & Karaoke:  {\fnCassia\fs20}Teppei
Dialogue: 0,0:25:27.79,0:25:34.80,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,155)}Raws:  {\fnCassia\fs20}Athanor
Dialogue: 0,0:25:27.79,0:25:34.80,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,175)}Encoding:  {\fnCassia\fs20}Eternal_Blizzard
Dialogue: 0,0:25:27.79,0:25:34.80,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,195)}QC:  {\fnCassia\fs20}Live-eviL QC
Dialogue: 0,0:25:30.65,0:25:34.21,Marco-EDR,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\pos(314,385)}hitomatagi
Dialogue: 0,0:25:30.65,0:25:34.21,Marco-EDR,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(150,310,\1c&H0000FF&)\t(310,470,\1c&HFFFFFF&)}hi{\t(0,1,\1c&HFFFFFF&)\t(470,930,\1c&H0000FF&)\t(930,1390,\1c&HFFFFFF&)}to{\t(0,1,\1c&HFFFFFF&)\t(1390,1700,\1c&H0000FF&)\t(1700,2010,\1c&HFFFFFF&)}ma{\t(0,1,\1c&HFFFFFF&)\t(2010,2190,\1c&H0000FF&)\t(2190,2380,\1c&HFFFFFF&)}ta{\t(0,1,\1c&HFFFFFF&)\t(2380,2990,\1c&H0000FF&)\t(2990,3600,\1c&HFFFFFF&)}gi
Dialogue: 0,0:25:34.43,0:25:38.14,Marco-EDR,,0,0,0,,{\fad(0,100)\bord0\shad1\be0\pos(314,385)}tobikomitai n da
Dialogue: 0,0:25:34.43,0:25:38.14,Marco-EDR,,0,0,0,,{\fad(0,100)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(150,290,\1c&H0000FF&)\t(290,430,\1c&HFFFFFF&)}to{\t(0,1,\1c&HFFFFFF&)\t(430,740,\1c&H0000FF&)\t(740,1060,\1c&HFFFFFF&)}bi{\t(0,1,\1c&HFFFFFF&)\t(1060,1220,\1c&H0000FF&)\t(1220,1390,\1c&HFFFFFF&)}ko{\t(0,1,\1c&HFFFFFF&)\t(1390,1680,\1c&H0000FF&)\t(1680,1970,\1c&HFFFFFF&)}mi{\t(0,1,\1c&HFFFFFF&)\t(1970,2180,\1c&H0000FF&)\t(2180,2400,\1c&HFFFFFF&)}ta{\t(0,1,\1c&HFFFFFF&)\t(2400,2700,\1c&H0000FF&)\t(2700,3000,\1c&HFFFFFF&)}i{\t(0,1,\1c&HFFFFFF&)\t(3000,3170,\1c&H0000FF&)\t(3170,3350,\1c&HFFFFFF&)} n{\t(0,1,\1c&HFFFFFF&)\t(3350,3520,\1c&H0000FF&)\t(3520,3700,\1c&HFFFFFF&)} da
Dialogue: 0,0:25:34.43,0:25:38.14,Marco-EDE,,0,0,0,,{\fad(0,100)\bord0\shad1\be0\fsp1\pos(314,470)}Because I want to plunge
Dialogue: 0,0:25:34.43,0:25:38.14,Marco-EDE,,0,0,0,,{\fad(0,100)\bord0\shad0\be1\fsp1\pos(314,470)}Because I want to plunge
Dialogue: 0,0:25:38.28,0:25:42.55,Marco-EDR,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\pos(314,385)}kaasan no mune ni
Dialogue: 0,0:25:38.28,0:25:42.55,Marco-EDR,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(150,200,\1c&H0000FF&)\t(200,260,\1c&HFFFFFF&)}ka{\t(0,1,\1c&HFFFFFF&)\t(260,340,\1c&H0000FF&)\t(340,420,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(420,620,\1c&H0000FF&)\t(620,830,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)\t(830,930,\1c&H0000FF&)\t(930,1040,\1c&HFFFFFF&)}n{\t(0,1,\1c&HFFFFFF&)\t(1040,1220,\1c&H0000FF&)\t(1220,1400,\1c&HFFFFFF&)} no{\t(0,1,\1c&HFFFFFF&)\t(1400,1730,\1c&H0000FF&)\t(1730,2060,\1c&HFFFFFF&)} mu{\t(0,1,\1c&HFFFFFF&)\t(2060,2240,\1c&H0000FF&)\t(2240,2420,\1c&HFFFFFF&)}ne{\t(0,1,\1c&HFFFFFF&)\t(2420,3350,\1c&H0000FF&)\t(3350,4290,\1c&HFFFFFF&)} ni
Dialogue: 0,0:25:38.28,0:25:42.55,Marco-EDE,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\fsp1\pos(314,470)}Into my mother's arms.
Dialogue: 0,0:25:38.28,0:25:42.55,Marco-EDE,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\fsp1\pos(314,470)}Into my mother's arms.
Dialogue: 0,0:25:41.24,0:25:46.60,Marco-JCOTitle,,0,0,0,,{\fad(0,300)\an5\be1\pos(179,37)}A presentation of
Dialogue: 0,0:25:41.24,0:25:46.60,Marco-Present,,0,0,0,,{\fad(0,300)\an5\be0\shad1\pos(176,213)}Nippon Animation
Dialogue: 0,0:25:41.24,0:25:46.60,Marco-Present,,0,0,0,,{\fad(0,300)\an5\be0\shad1\pos(176,244)}Fuji Television
Dialogue: 0,0:25:41.24,0:25:46.60,Marco-JCE2,,0,0,0,,{\fad(0,300)\an5\be0\shad1\fs13\pos(205,264)}Bessho Kouji