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; http://www.aegisub.org/
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[V4+ Styles]
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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Comment: 0,0:01:04.04,0:01:06.04,Dialogue0,,0,0,0,,OP
Comment: 0,0:09:29.48,0:09:31.48,Dialogue1,,0,0,0,,Eyecatch
Comment: 0,0:22:35.00,0:22:37.00,Dialogue1,,0,0,0,,ED
Comment: 0,0:22:35.00,0:22:35.00,Dialogue1,,0,0,0,,ED
Comment: 0,0:01:04.04,0:01:06.04,Dialogue0,,0,0,0,,OP

Dialogue: 0,0:00:09.87,0:00:11.25,Dialogue1,,0,0,0,,Hey, Mr. Clown.
Dialogue: 0,0:00:11.25,0:00:12.96,Dialogue1,,0,0,0,,I’ve finished baking as well.
Dialogue: 0,0:00:12.96,0:00:14.00,Dialogue1,,0,0,0,,Oh my!
Dialogue: 0,0:00:14.00,0:00:15.96,Dialogue1,,0,0,0,,Your bread is wonderful!
Dialogue: 0,0:00:15.96,0:00:18.92,Dialogue1,,0,0,0,,Of course, the rose piercing the bread is beautiful...
Dialogue: 0,0:00:18.92,0:00:21.17,Dialogue1,,0,0,0,,but the bread itself looks delicious.
Dialogue: 0,0:00:21.51,0:00:25.68,Dialogue1,,0,0,0,,This is truly worthy of the first theme\Nof our clothing, food and shelter topic.
Dialogue: 0,0:00:25.68,0:00:28.72,Dialogue1,,0,0,0,,It’s a really artistic bread.
Dialogue: 0,0:00:39.36,0:00:42.02,Dialogue1,,0,0,0,,And in stark comparison... What is that?
Dialogue: 0,0:00:43.82,0:00:46.12,Dialogue0,,0,0,0,,There’s English bread, German bread, and French bread,
Dialogue: 0,0:00:46.12,0:00:48.08,Dialogue0,,0,0,0,,but Japan’s bread, {\i1}Japan{\i0}, does not exist.
Dialogue: 0,0:00:48.08,0:00:50.45,Dialogue0,,0,0,0,,In that case, there’s no choice but to create it.
Dialogue: 0,0:00:50.45,0:00:53.92,Dialogue0,,0,0,0,,This story is a serious, biographical ballad of a boy who possesses Solar Hands,
Dialogue: 0,0:00:53.92,0:00:59.04,Dialogue0,,0,0,0,,Azuma Kazuma, who will create a Japanese bread made by and for the Japanese people,
Dialogue: 0,0:00:59.05,0:01:02.76,Dialogue0,,0,0,0,,which can be presented to the world proudly.
Dialogue: 0,0:02:34.25,0:02:40.01,title,,0,0,0,,{\an1\fad(300,0)\pos(34.089,128.222)}Pierrot escorted away!?
Dialogue: 0,0:02:34.25,0:02:40.01,title,,0,0,0,,{\an9\fad(300,0)\pos(675,319.666)}The bread packed tightly with love!
Dialogue: 0,0:02:34.50,0:02:36.06,Dialogue1,,0,0,0,,Pierrot escorted away!?
Dialogue: 0,0:02:36.06,0:02:38.35,Dialogue1,,0,0,0,,The bread packed tightly with love!
Dialogue: 0,0:02:40.01,0:02:41.34,Dialogue1,,0,0,0,,Suwabara...
Dialogue: 0,0:02:41.34,0:02:44.68,Dialogue1,,0,0,0,,Far from being artistic, your bread is merely burnt black.
Dialogue: 0,0:02:44.68,0:02:47.01,Dialogue1,,0,0,0,,There’s no competition at all with this.
Dialogue: 0,0:02:47.02,0:02:51.06,Dialogue1,,0,0,0,,To think that a world-level clown\Nsuch as yourself couldn’t figure this out...
Dialogue: 0,0:02:54.82,0:02:56.86,Dialogue1,,0,0,0,,Don’t misunderstand.
Dialogue: 0,0:02:56.86,0:02:59.23,Dialogue1,,0,0,0,,All I said was that I was done with the baking.
Dialogue: 0,0:03:08.08,0:03:09.58,Dialogue1,,0,0,0,,This is...!
Dialogue: 0,0:03:13.00,0:03:14.08,Dialogue1,,0,0,0,,It’s a crown!
Dialogue: 0,0:03:14.42,0:03:15.67,Dialogue1,,0,0,0,,I see!
Dialogue: 0,0:03:15.67,0:03:17.09,Dialogue1,,0,0,0,,That’s what it was!
Dialogue: 0,0:03:17.55,0:03:18.71,Dialogue1,,0,0,0,,What do you mean?
Dialogue: 0,0:03:18.71,0:03:21.09,Dialogue1,,0,0,0,,Suwabara made two different doughs.
Dialogue: 0,0:03:21.76,0:03:24.22,Dialogue1,,0,0,0,,One of those was croissant dough.
Dialogue: 0,0:03:24.22,0:03:29.26,Dialogue1,,0,0,0,,The other was the dough for the pane di oro,\Nwhich forms the base of that crown.
Dialogue: 0,0:03:29.27,0:03:32.94,Dialogue1,,0,0,0,,Pane di oro originated in\NItaly and means “golden bread.”
Dialogue: 0,0:03:32.94,0:03:36.85,Dialogue1,,0,0,0,,The dough is yellow and goopy before baking,
Dialogue: 0,0:03:36.85,0:03:39.48,Dialogue1,,0,0,0,,since it uses more egg yolk than castella or brioche.
Dialogue: 0,0:03:39.48,0:03:42.11,Dialogue1,,0,0,0,,After baking, it becomes a golden color.
Dialogue: 0,0:03:42.74,0:03:46.66,Dialogue1,,0,0,0,,But, if you want to bake a soft\Nbread when the original dough is goopy,
Dialogue: 0,0:03:46.66,0:03:49.12,Dialogue1,,0,0,0,,you have to bake it in a mold.
Dialogue: 0,0:03:49.12,0:03:52.45,Dialogue1,,0,0,0,,And the surface that’s in\Ncontact with the mold will turn brown.
Dialogue: 0,0:03:53.37,0:03:55.12,Dialogue1,,0,0,0,,In order to protect against that,
Dialogue: 0,0:03:55.12,0:03:58.21,Dialogue1,,0,0,0,,he coated the inner surface of the\Nmold with a thin layer of croissant dough.
Dialogue: 0,0:03:58.21,0:04:05.05,Dialogue1,,0,0,0,,That’s kinda... similar to my\N{\i1}Japan{\i0} #43, the 324-layer croissant.
Dialogue: 0,0:04:05.05,0:04:07.26,Dialogue1,,0,0,0,,Yeah, the underlying principle is the same.
Dialogue: 0,0:04:07.76,0:04:12.18,Dialogue1,,0,0,0,,Moreover, in the case of this bread, since it’s delicate,
Dialogue: 0,0:04:12.18,0:04:15.23,Dialogue1,,0,0,0,,this allows him to take it out of\Nthe mold without destroying its shape.
Dialogue: 0,0:04:15.23,0:04:19.23,Dialogue1,,0,0,0,,But, when did he make the mold?
Dialogue: 0,0:04:19.23,0:04:23.19,Dialogue1,,30,30,0,,You remember that he’d been fighting with a \Nlog in the middle of the road some time back?
Dialogue: 0,0:04:23.19,0:04:27.08,Dialogue1,,0,0,0,,Oh, now that you mention it,\Nit was shaped like a crown.
Dialogue: 0,0:04:27.49,0:04:28.53,Dialogue1,,0,0,0,,That’s right.
Dialogue: 0,0:04:28.53,0:04:30.08,Dialogue1,,0,0,0,,That was the prototype for the mold.
Dialogue: 0,0:04:30.08,0:04:33.20,Dialogue1,,0,0,0,,After that, I had myself introduced\Nto a blacksmith at the Royal Palace.
Dialogue: 0,0:04:33.20,0:04:35.08,Dialogue1,,0,0,0,,And I made the mold myself.
Dialogue: 0,0:04:35.08,0:04:36.58,Dialogue1,,0,0,0,,By... By yourself?!
Dialogue: 0,0:04:36.58,0:04:40.79,Dialogue1,,0,0,0,,I’ve made a sword by myself.
Dialogue: 0,0:04:41.92,0:04:45.59,Dialogue1,,0,0,0,,Looks like I may have jumped to conclusions.
Dialogue: 0,0:04:46.59,0:04:48.14,Dialogue1,,0,0,0,,As long as you understand that.
Dialogue: 0,0:04:48.14,0:04:49.09,Dialogue1,,0,0,0,,But...
Dialogue: 0,0:04:49.10,0:04:52.01,Dialogue1,,0,0,0,,that’s not all there is to it!
Dialogue: 0,0:04:55.89,0:04:57.19,Dialogue1,,0,0,0,,That’s chocolate!
Dialogue: 0,0:04:57.19,0:04:59.98,Dialogue1,,0,0,0,,He’s outlining the fruit with chocolate!
Dialogue: 0,0:05:00.86,0:05:02.36,Dialogue1,,0,0,0,,That’s all it is and yet...
Dialogue: 0,0:05:02.36,0:05:04.82,Dialogue1,,0,0,0,,it looks like the fruit is floating!
Dialogue: 0,0:05:04.82,0:05:06.95,Dialogue1,,0,0,0,,But why do something like that...?
Dialogue: 0,0:05:06.95,0:05:11.20,Dialogue1,,0,0,0,,This time, his bread is completely yellow.
Dialogue: 0,0:05:11.20,0:05:13.77,Dialogue1,,0,0,0,,He must have thought that\Nwithout creating those shadows,
Dialogue: 0,0:05:13.77,0:05:16.96,Dialogue1,,0,0,0,,the shine of the fruit would be overpowered by the gold of the bread.
Dialogue: 0,0:05:16.96,0:05:20.71,Dialogue1,,0,0,0,,Both contestants have shown\Na wonderful set of strategies.
Dialogue: 0,0:05:21.17,0:05:25.22,Dialogue1,,0,0,0,,I can’t really judge their\Nquality now without tasting them.
Dialogue: 0,0:05:25.22,0:05:28.80,Dialogue1,,0,0,0,,So, since Monica’s bread was\Ncompleted first, I’ll start with her...
Dialogue: 0,0:05:28.80,0:05:30.18,Dialogue1,,0,0,0,,Uh, time out.
Dialogue: 0,0:05:30.18,0:05:34.43,Dialogue1,,0,0,0,,If Samurai Boy would prefer it, \NI don’t mind you sampling my bread later.
Dialogue: 0,0:05:34.43,0:05:35.69,Dialogue1,,0,0,0,,What?
Dialogue: 0,0:05:35.69,0:05:37.93,Dialogue2,,0,0,0,,Why say something like that?
Dialogue: 0,0:05:37.94,0:05:41.31,Dialogue2,,0,0,0,,No matter what the bread, it’s\Nmost delicious when freshly baked.
Dialogue: 0,0:05:41.31,0:05:42.69,Dialogue2,,0,0,0,,And she...
Dialogue: 0,0:05:42.69,0:05:43.98,Dialogue1,,0,0,0,,I smell something fishy!
Dialogue: 0,0:05:43.98,0:05:46.44,Dialogue1,,0,0,0,,Sample Naked Woman’s bread first, Pierrot!
Dialogue: 0,0:05:46.44,0:05:48.15,Dialogue1,,0,0,0,,Oh, don’t be like that.
Dialogue: 0,0:05:48.15,0:05:50.70,Dialogue1,,0,0,0,,You don’t need to hold back.\NThere’s no need to be distant.
Dialogue: 0,0:05:51.35,0:05:52.53,Dialogue1,,0,0,0,,Distant?!
Dialogue: 0,0:05:52.53,0:05:57.16,Dialogue1,,0,0,0,,I mean... in a way, we’ve\Nspent “naked time” together, right?
Dialogue: 0,0:06:00.12,0:06:02.54,Dialogue1,,0,0,0,,Don’t say things like that!
Dialogue: 0,0:06:02.54,0:06:04.67,Dialogue1,,0,0,0,,So what will you do, Suwabara?
Dialogue: 0,0:06:06.88,0:06:07.67,Dialogue1,,0,0,0,,Very well.
Dialogue: 0,0:06:07.67,0:06:09.09,Dialogue1,,0,0,0,,Sample mine first.
Dialogue: 0,0:06:09.09,0:06:10.18,Dialogue1,,0,0,0,,Okay then!
Dialogue: 0,0:06:10.18,0:06:11.43,Dialogue1,,0,0,0,,Then, getting right to it...
Dialogue: 0,0:06:11.43,0:06:13.43,Dialogue2,,0,0,0,,Something’s strange.
Dialogue: 0,0:06:13.81,0:06:15.85,Dialogue2,,0,0,0,,There’s no doubt that Naked Woman’s bread
Dialogue: 0,0:06:15.85,0:06:20.35,Dialogue2,,0,0,0,,has something to it that requires time.
Dialogue: 0,0:06:20.35,0:06:21.81,Dialogue2,,0,0,0,,But...
Dialogue: 0,0:06:21.81,0:06:26.82,Dialogue2,,0,0,0,,A true warrior must defeat his\Nopponent when they are at their strongest.
Dialogue: 0,0:06:26.82,0:06:30.58,Dialogue2,,0,0,0,,So, I will accept your challenge head on.
Dialogue: 0,0:06:30.58,0:06:35.58,Dialogue2,,30,30,0,,So, regret the fact that you permitted my pane di oro Kai to be eaten while it was still fresh.
Dialogue: 0,0:06:35.58,0:06:38.12,Dialogue1,,0,0,0,,Pi~errot.
Dialogue: 0,0:06:49.67,0:06:50.72,Dialogue1,,0,0,0,,A box?
Dialogue: 0,0:06:51.76,0:06:53.47,Dialogue1,,0,0,0,,That’s silly. It’s really obvious.
Dialogue: 0,0:06:53.47,0:06:54.43,Dialogue1,,0,0,0,,What is?
Dialogue: 0,0:06:54.80,0:06:57.35,Dialogue1,,0,0,0,,If you’re a person used to reactions, then...
Dialogue: 0,0:06:57.48,0:07:01.69,Artisan,,0,0,0,,{\fad(250,0)\bord2\fs40\c&H01E4FA&\pos(313.478,103)}Pane di oro
Dialogue: 0,0:06:58.06,0:07:01.69,Artisan,,0,0,0,,{\fad(250,0)\bord2\fs40\c&H00A7FE&\pos(320.4,173.222)}Pan di ora
Dialogue: 0,0:06:58.64,0:07:01.69,Artisan,,0,0,0,,{\fad(250,0)\bord2\fs40\c&H005FFE&\pos(316.445,245.222)}Pandora
Dialogue: 0,0:06:59.23,0:07:01.69,Artisan,,0,0,0,,{\fad(250,0)\bord2\fs40\c&H0411F6&\pos(411.378,379.444)}Pandora’s Box
Dialogue: 0,0:06:57.35,0:07:01.69,Dialogue1,,0,0,0,,Pane di oro... Pandora... Pandora’s Box. \NIt’s obvious where he’s going.
Dialogue: 0,0:07:02.10,0:07:05.69,Dialogue1,,0,0,0,,Also, it’s written in three languages that the box should absolutely not be opened.
Dialogue: 0,0:07:05.69,0:07:07.73,Dialogue1,,0,0,0,,What’s Pandora’s Box?
Dialogue: 0,0:07:07.73,0:07:09.20,Dialogue1,,0,0,0,,Don’t you know?
Dialogue: 0,0:07:09.20,0:07:13.61,Dialogue1,,0,0,0,,Long ago, God had locked all\Nthe world’s miseries into a box.
Dialogue: 0,0:07:13.61,0:07:16.70,Dialogue1,,0,0,0,,And he’d ordered that the box\Nshould not be opened at any cost.
Dialogue: 0,0:07:16.75,0:07:21.71,Miseries,,0,0,0,,{\t(\fscx44\fscy40)\fad(400,500)\an8\c&HC300EB&\move(346.111,355,346.111,275)}Miseries
Dialogue: 0,0:07:17.12,0:07:18.74,Dialogue1,,0,0,0,,What are miseries?
Dialogue: 0,0:07:18.74,0:07:21.29,Dialogue1,,0,0,0,,Geez, you don’t even know that?
Dialogue: 0,0:07:21.29,0:07:24.83,Dialogue1,,0,0,0,,It refers to the calamities and\Nmisfortunes that befall a person.
Dialogue: 0,0:07:24.83,0:07:30.22,Dialogue1,,0,0,0,,And, since a girl called Pandora broke the order and opened the box,
Dialogue: 0,0:07:30.22,0:07:33.76,Dialogue1,,0,0,0,,all the miseries were let out into the human world.
Dialogue: 0,0:07:33.76,0:07:35.47,Dialogue1,,0,0,0,,It’s a Greek myth.
Dialogue: 0,0:07:38.89,0:07:43.52,Dialogue1,,0,0,0,,So, if we open that, will those “miseries” things fly out at us?
Dialogue: 0,0:07:45.02,0:07:47.02,Dialogue1,,0,0,0,,Now that you mention it... That’s true...
Dialogue: 0,0:07:47.65,0:07:48.81,Dialogue1,,0,0,0,,Hey, Naked Woman.
Dialogue: 0,0:07:48.81,0:07:50.02,Dialogue1,,0,0,0,,Help me open this.
Dialogue: 0,0:07:50.02,0:07:51.27,Dialogue1,,0,0,0,,It’s pretty heavy.
Dialogue: 0,0:07:51.28,0:07:52.98,Dialogue1,,0,0,0,,My name is not Naked Woman.
Dialogue: 0,0:07:52.99,0:07:54.53,Dialogue1,,0,0,0,,It’s Monica. Monica.
Dialogue: 0,0:07:54.53,0:07:56.61,Dialogue1,,0,0,0,,Who cares about your name?!
Dialogue: 0,0:07:56.61,0:07:59.53,Dialogue1,,0,0,0,,Either way, unless we open this,\Nthe judging won’t go anywhere.
Dialogue: 0,0:07:59.53,0:08:01.04,Dialogue1,,0,0,0,,All right.
Dialogue: 0,0:08:01.04,0:08:03.04,Dialogue1,,0,0,0,,D-Don’t do that, Suwabara!
Dialogue: 0,0:08:03.04,0:08:05.04,Dialogue1,,0,0,0,,Heave-ho.
Dialogue: 0,0:08:14.76,0:08:16.51,Dialogue1,,0,0,0,,Th... This is...?
Dialogue: 0,0:08:18.39,0:08:21.52,Long Note 2,,0,0,0,,Note: yakusai ({\fs25\fnAXIS Std B\b1}厄災{\r}) = miseries; hakusai ({\fs25\fnAXIS Std B\b1}白菜{\r}) = Chinese cabbage
Dialogue: 0,0:08:18.39,0:08:19.51,Dialogue1,,0,0,0,,Chinese cabbage?
Dialogue: 0,0:08:21.52,0:08:25.98,Dialogue1,,0,0,0,,Chinese cabbages flew out from Pandora’s Box?
Dialogue: 0,0:08:31.61,0:08:33.74,Miseries,,0,0,0,,{\fad(100,0)\fs26\pos(221.512,263.889)\c&H03FE02&\3c&H131017&}Yakusai
Dialogue: 0,0:08:32.37,0:08:33.74,Miseries,,0,0,0,,{\fad(100,0)\fs26\c&H03FE02&\3c&H131017&\pos(221.512,344.778)}Hakusai
Dialogue: 0,0:08:35.24,0:08:38.24,Miseries,,0,0,0,,{\fad(250,0)\fs30\c&H01FDFF&\3c&H091117&\pos(205.689,60)}Miseries
Dialogue: 0,0:08:36.49,0:08:38.24,Miseries,,0,0,0,,{\fad(250,0)\fs30\c&H01FDFF&\3c&H091117&\pos(511.256,60)}Chinese Cabbage
Dialogue: 0,0:08:26.73,0:08:30.61,Dialogue1,,0,0,0,,Hakusai. Hakusai. Hakusai. Hakusai. Hakusai.
Dialogue: 0,0:08:30.61,0:08:31.40,Dialogue1,,0,0,0,,Yakusai.
Dialogue: 0,0:08:31.73,0:08:32.61,Dialogue1,,0,0,0,,Yakusai!
Dialogue: 0,0:08:34.03,0:08:37.45,Dialogue1,,0,0,0,,So, Chinese cabbages came out\Nfrom Pandora’s Box instead of miseries?!
Dialogue: 0,0:08:38.24,0:08:39.26,Dialogue1,,0,0,0,,Wanna eat?
Dialogue: 0,0:08:39.26,0:08:40.61,Dialogue1,,0,0,0,,{\an1}Would you like to eat?
Dialogue: 0,0:08:39.26,0:08:40.61,Dialogue1,,0,0,0,,{\an3}What are these?!
Dialogue: 0,0:08:40.12,0:08:42.25,Dialogue3,,0,0,0,,Miseries are upon us!
Dialogue: 0,0:08:44.54,0:08:46.29,Dialogue1,,0,0,0,,Buy some stock?
Dialogue: 0,0:08:46.29,0:08:48.30,Dialogue1,,0,0,0,,Let’s make some money.
Dialogue: 0,0:08:49.50,0:08:51.04,Dialogue1,,0,0,0,,Suwabara!
Dialogue: 0,0:08:51.04,0:08:54.75,Dialogue1,,0,0,0,,I believe that according to the legend, \Nafter all the miseries had been released,
Dialogue: 0,0:08:54.76,0:08:56.97,Dialogue1,,0,0,0,,Pandora found hope in the box in the end.
Dialogue: 0,0:08:56.97,0:08:59.77,Dialogue1,,0,0,0,,And thus, I believe that hope was left behind in the human world.
Dialogue: 0,0:09:01.14,0:09:05.10,Dialogue1,,0,0,0,,I’m sure that Pierrot is thinking-along the same lines.
Dialogue: 0,0:09:05.10,0:09:07.77,Dialogue1,,0,0,0,,Find that hope quickly!
Dialogue: 0,0:09:07.77,0:09:08.77,Dialogue1,,0,0,0,,Roger!
Dialogue: 0,0:09:10.48,0:09:11.48,Dialogue1,,0,0,0,,What’s wrong?
Dialogue: 0,0:09:11.48,0:09:12.48,Dialogue1,,0,0,0,,Hurry up.
Dialogue: 0,0:09:13.40,0:09:14.48,Dialogue1,,0,0,0,,This is...
Dialogue: 0,0:09:14.48,0:09:17.65,Dialogue1,,0,0,0,,I’m not sure if this is hope...
Dialogue: 0,0:09:17.65,0:09:21.53,Dialogue1,,0,0,0,,I think this is a burdock root.
Dialogue: 0,0:09:30.00,0:09:32.00,Dialogue1,,0,0,0,,Why is a burdock root...?
Dialogue: 0,0:09:32.25,0:09:37.01,Fermentation2,,0,0,0,,{\fsp1\4a&H00&\shad2\pos(92.244,46.111)\c&H05FBFE&\3c&H1981D9&}Gobou
Dialogue: 0,0:09:32.47,0:09:37.01,Fermentation2,,0,0,0,,{\fsp1\4a&H00&\shad2\c&H05FBFE&\3c&H1981D9&\pos(290.022,46.11)}Gobou
Dialogue: 0,0:09:32.67,0:09:37.01,Fermentation2,,0,0,0,,{\fsp1\4a&H00&\shad2\c&H05FBFE&\3c&H1981D9&\pos(493.733,46.11)}Gobou
Dialogue: 0,0:09:35.84,0:09:37.01,Fermentation2,,0,0,0,,{\fs40\fsp2\4a&H00&\shad2\c&H0202F9&\3c&HC8CAEF&\pos(479.888,325.223)}Kibou
Dialogue: 0,0:09:32.00,0:09:35.88,Dialogue1,,0,0,0,,{\q2}Gobou. Gobou. Gobou. Gobou. Gobou. Gobou.
Dialogue: 0,0:09:35.88,0:09:37.00,Dialogue1,,0,0,0,,Kibou?!
Dialogue: 0,0:09:37.01,0:09:41.64,Long Note 2,,0,0,0,,Note: gobou ({\fs25\fnAXIS Std B\b1}牛蒡{\r}) = burdock root; kibou ({\fs25\fnAXIS Std B\b1}希望{\r}) = hope
Dialogue: 0,0:09:37.30,0:09:38.51,Dialogue1,,0,0,0,,Kibou!
Dialogue: 0,0:09:38.51,0:09:41.63,Dialogue1,,0,0,0,,Geez, do something about this already.
Dialogue: 0,0:09:45.55,0:09:46.22,Dialogue1,,0,0,0,,Pierrot?!
Dialogue: 0,0:09:46.22,0:09:47.72,Dialogue1,,0,0,0,,It was you after all!
Dialogue: 0,0:09:58.48,0:10:02.20,Dialogue1,,0,0,0,,All the Chinese cabbages went back into the box.
Dialogue: 0,0:10:04.95,0:10:07.12,Dialogue1,,0,0,0,,Once you’re a world-level clown,
Dialogue: 0,0:10:07.12,0:10:11.59,Dialogue1,,0,0,0,,you have to learn to use various\Nwild beasts just as you use your limbs.
Dialogue: 0,0:10:11.59,0:10:15.59,Dialogue1,,0,0,0,,So, controlling a few\NChinese cabbages is a piece of cake.
Dialogue: 0,0:10:15.59,0:10:17.84,Dialogue1,,0,0,0,,Chinese cabbages are wild beasts, huh?
Dialogue: 0,0:10:17.84,0:10:22.60,Dialogue1,,0,0,0,,More importantly, how do all those Chinese cabbages fit into a box like that?
Dialogue: 0,0:10:23.02,0:10:26.83,Dialogue1,,0,0,0,,Nevertheless, Suwabara’s bread was amazing.
Dialogue: 0,0:10:26.83,0:10:28.73,Dialogue1,,0,0,0,,His strategy of using croissant dough on the surface,
Dialogue: 0,0:10:28.73,0:10:32.44,Dialogue1,,0,0,0,,thus ensuring that the inner dough\Nwould remain unburnt and golden...
Dialogue: 0,0:10:32.44,0:10:35.11,Dialogue1,,0,0,0,,Also, his strategy to create those shadows...
Dialogue: 0,0:10:35.11,0:10:37.28,Dialogue1,,0,0,0,,And his strategy regarding the fruit.
Dialogue: 0,0:10:37.28,0:10:40.12,Dialogue1,,0,0,0,,It was truly spectacular.
Dialogue: 0,0:10:40.53,0:10:42.62,Dialogue1,,0,0,0,,I believe that many of you must have noticed, but...
Dialogue: 0,0:10:42.62,0:10:48.12,Dialogue1,,0,0,0,,The fruits that Suwabara used\Nwere shining like jewels, right?
Dialogue: 0,0:10:48.13,0:10:49.63,Dialogue2,,0,0,0,,Now that he mentions it...
Dialogue: 0,0:10:49.63,0:10:53.63,Dialogue1,,0,0,0,,He used a special honey for that!
Dialogue: 0,0:10:54.01,0:10:55.38,Dialogue1,,0,0,0,,Right, Suwabara?
Dialogue: 0,0:10:55.38,0:10:57.51,Dialogue1,,0,0,0,,Impressive as always, Pierrot.
Dialogue: 0,0:10:57.51,0:10:59.51,Dialogue1,,0,0,0,,But, you’ve made one mistake.
Dialogue: 0,0:11:00.47,0:11:03.85,Dialogue1,,0,0,0,,The honey I used was not special.
Dialogue: 0,0:11:04.35,0:11:05.86,Dialogue1,,0,0,0,,It was just regular honey!
Dialogue: 0,0:11:05.86,0:11:07.06,Dialogue1,,0,0,0,,Huh?
Dialogue: 0,0:11:07.06,0:11:12.07,Dialogue1,,30,30,0,,After Being defeated by Azuma in the Pantasia newcomers’ battle, I began to create {\i1}Lupan{\i0}.
Dialogue: 0,0:11:12.07,0:11:14.73,Dialogue1,,0,0,0,,In order to steal breadmaking techniques from around the world,
Dialogue: 0,0:11:14.74,0:11:17.36,Dialogue1,,0,0,0,,I studied with all I had every day.
Dialogue: 0,0:11:20.99,0:11:22.78,Dialogue1,,0,0,0,,No! No! No!
Dialogue: 0,0:11:23.45,0:11:24.95,Dialogue1,,0,0,0,,Far from defeating Azuma,
Dialogue: 0,0:11:24.95,0:11:28.87,Dialogue1,,0,0,0,,I can’t even defeat strong people\Naround the world with just these techniques.
Dialogue: 0,0:11:28.87,0:11:29.79,Dialogue1,,0,0,0,,Kai!
Dialogue: 0,0:11:30.50,0:11:34.55,Dialogue1,,0,0,0,,This time, upon losing in your battle with\Nthe bread, you’re taking it out on the books?!
Dialogue: 0,0:11:34.96,0:11:37.84,Dialogue1,,0,0,0,,You even sliced the library card!
Dialogue: 0,0:11:37.84,0:11:40.55,Dialogue1,,0,0,0,,Hiromi-chan, the librarian, will get mad at me again.
Dialogue: 0,0:11:40.55,0:11:41.89,Dialogue1,,0,0,0,,Master.
Dialogue: 0,0:11:41.89,0:11:42.97,Dialogue1,,0,0,0,,Listen up, Kai.
Dialogue: 0,0:11:42.97,0:11:46.56,Dialogue1,,0,0,0,,I did tell you to steal bread techniques.
Dialogue: 0,0:11:46.56,0:11:50.35,Dialogue1,,0,0,0,,But, it’s not just techniques\Nrelating to bread that you must steal.
Dialogue: 0,0:11:51.07,0:11:54.57,Dialogue1,,0,0,0,,The true swordsman concerns himself with
Dialogue: 0,0:11:54.57,0:11:58.07,Dialogue1,,0,0,0,,the beauty of the sheath and the hilt, \Nin addition to that of the sword.
Dialogue: 0,0:11:58.45,0:12:00.53,Dialogue1,,0,0,0,,I believe that bread is the same.
Dialogue: 0,0:12:00.53,0:12:02.70,Dialogue1,,0,0,0,,In addition to bread, you must study more about
Dialogue: 0,0:12:02.70,0:12:07.95,Dialogue1,,0,0,0,,the processing of foods like fruit, hams and cheeses that go with it.
Dialogue: 0,0:12:07.96,0:12:11.00,Dialogue1,,0,0,0,,Only then will you be a true bread artisan, right?
Dialogue: 0,0:12:11.00,0:12:13.08,Dialogue1,,0,0,0,,The processing of foods?
Dialogue: 0,0:12:13.46,0:12:17.05,Dialogue1,,0,0,0,,Once he helped me realize that,\N I once again applied myself to study.
Dialogue: 0,0:12:17.05,0:12:18.59,Dialogue1,,0,0,0,,And I came across a certain book.
Dialogue: 0,0:12:18.59,0:12:20.43,Dialogue1,,0,0,0,,A German book.
Dialogue: 0,0:12:20.43,0:12:21.55,Dialogue2,,0,0,0,,German?
Dialogue: 0,0:12:21.55,0:12:23.72,Dialogue2,,0,0,0,,That’s my country!
Dialogue: 0,0:12:23.72,0:12:27.10,Dialogue1,,0,0,0,,That book had this written in it.
Dialogue: 0,0:12:27.10,0:12:30.06,Dialogue1,,0,0,0,,Germany has a custom of storing dry fruit in honey for
Dialogue: 0,0:12:30.06,0:12:33.35,Dialogue1,,0,0,0,,long periods of time at the end\Nof the year, and then eating them.
Dialogue: 0,0:12:33.36,0:12:37.32,Dialogue1,,0,0,0,,On doing that, the flavor\Nbecomes richer and very delicious.
Dialogue: 0,0:12:37.32,0:12:39.11,Dialogue1,,0,0,0,,W-Wait a moment.
Dialogue: 0,0:12:39.11,0:12:41.82,Dialogue1,,0,0,0,,It’s true that Germany has such a custom.
Dialogue: 0,0:12:41.82,0:12:44.24,Dialogue1,,0,0,0,,But the fruit doesn’t shine all that much.
Dialogue: 0,0:12:44.24,0:12:45.83,Dialogue1,,0,0,0,,That’s true.
Dialogue: 0,0:12:46.24,0:12:50.71,Dialogue1,,0,0,0,,But, I mixed already smashed fruit with honey,
Dialogue: 0,0:12:50.71,0:12:54.83,Dialogue1,,0,0,0,,added color to the honey\Nitself, and added even more fruit.
Dialogue: 0,0:12:54.84,0:12:58.00,Dialogue1,,0,0,0,,With this, the color of the fruit was deepened.
Dialogue: 0,0:12:58.01,0:13:03.84,Dialogue1,,0,0,0,,And thanks to the luster of the\Ncolored honey, the fruit shone like jewels.
Dialogue: 0,0:13:03.84,0:13:06.55,Dialogue1,,0,0,0,,After that, I just applied croissant\Ndough to the surface of the mold,
Dialogue: 0,0:13:06.56,0:13:08.68,Dialogue1,,0,0,0,,and attached the fruit on the inside.
Dialogue: 0,0:13:08.68,0:13:12.35,Dialogue1,,0,0,0,,In this way, I could arrange them in any manner I wanted.
Dialogue: 0,0:13:13.60,0:13:16.22,Dialogue2,,0,0,0,,I’ve eaten dry fruit preserved in honey
Dialogue: 0,0:13:16.22,0:13:20.65,Dialogue2,,0,0,0,,many a time with Mama and Papa at the year-end celebrations.
Dialogue: 0,0:13:21.40,0:13:24.66,Dialogue2,,0,0,0,,But, I never came up with such a strategy.
Dialogue: 0,0:13:25.57,0:13:28.58,Dialogue2,,0,0,0,,You’re pretty good, Samurai Boy.
Dialogue: 0,0:13:29.04,0:13:33.08,Dialogue2,,0,0,0,,But... it’s not like I don’t have a\Ngreat trick of my own up my sleeve.
Dialogue: 0,0:13:33.08,0:13:37.46,Dialogue1,,0,0,0,,But, that’s an amazing\Ntechnique Suwabara’s stolen there.
Dialogue: 0,0:13:37.46,0:13:38.59,Dialogue1,,0,0,0,,It’s amazing.
Dialogue: 0,0:13:38.59,0:13:41.63,Dialogue1,,0,0,0,,Our victory is a sure thing now.
Dialogue: 0,0:13:41.63,0:13:43.59,Dialogue1,,0,0,0,,No, we still don’t know who’ll win the match.
Dialogue: 0,0:13:43.59,0:13:46.59,Dialogue2,,0,0,0,,And what’s truly amazing is...
Dialogue: 0,0:13:46.60,0:13:50.10,Dialogue2,,0,0,0,,the fact that you haven’t\Nnoticed how far your wig has slipped.
Dialogue: 0,0:13:50.10,0:13:51.52,Dialogue1,,0,0,0,,All right.
Dialogue: 0,0:13:51.52,0:13:54.10,Dialogue1,,0,0,0,,I’ll start with sampling Monica’s bread now.
Dialogue: 0,0:13:54.85,0:13:55.60,Dialogue1,,0,0,0,,Oh?
Dialogue: 0,0:13:56.11,0:13:57.44,Dialogue1,,0,0,0,,This is...?
Dialogue: 0,0:13:57.44,0:13:59.61,Dialogue1,,0,0,0,,The flower has blossomed!!
Dialogue: 0,0:13:59.61,0:14:00.61,Dialogue1,,0,0,0,,What?!
Dialogue: 0,0:14:00.61,0:14:01.61,Dialogue1,,0,0,0,,What was that?!
Dialogue: 0,0:14:01.61,0:14:03.11,Dialogue1,,0,0,0,,H-How can that be?!
Dialogue: 0,0:14:03.11,0:14:04.53,Dialogue1,,0,0,0,,Monica, she...
Dialogue: 0,0:14:04.53,0:14:09.12,Dialogue1,,0,0,0,,By mixing a little starch syrup with the\Nsolution she used to glue the petals together,
Dialogue: 0,0:14:09.70,0:14:13.45,Dialogue1,,0,0,0,,she worked it so that the petals would bloom because of the heat and gravity.
Dialogue: 0,0:14:13.46,0:14:15.12,Dialogue1,,0,0,0,,Is that even possible?!
Dialogue: 0,0:14:15.12,0:14:16.25,Dialogue1,,0,0,0,,Yeah.
Dialogue: 0,0:14:16.25,0:14:19.17,Dialogue1,,0,0,0,,The temperature of this room,\Nthe heat given off by the dough,
Dialogue: 0,0:14:19.17,0:14:22.42,Dialogue1,,0,0,0,,the heat produced due to the illumination provided by the overhead lights...
Dialogue: 0,0:14:22.42,0:14:28.51,Dialogue1,,0,0,0,,When putting all three together, it’s\Npossible to soften the starch syrup portion.
Dialogue: 0,0:14:30.85,0:14:31.72,Dialogue1,,0,0,0,,But...
Dialogue: 0,0:14:31.72,0:14:34.68,Dialogue1,,0,0,0,,the risk of this technique failing is quite high.
Dialogue: 0,0:14:34.69,0:14:36.48,Dialogue1,,0,0,0,,Unless you have absolute confidence in yourself,
Dialogue: 0,0:14:36.48,0:14:40.11,Dialogue1,,0,0,0,,you can’t use such a laborious\Ntechnique in the all-important finals.
Dialogue: 0,0:14:40.11,0:14:42.90,Dialogue1,,0,0,0,,She’s fearsome. Monica Adenauer.
Dialogue: 0,0:14:42.90,0:14:45.65,Dialogue1,,0,0,0,,Just as expected of the patisserie world champion!
Dialogue: 0,0:14:42.90,0:14:43.61,Dialogue3,,0,0,0,,Bang.
Dialogue: 0,0:14:46.82,0:14:48.66,Dialogue1,,0,0,0,,That was sly!
Dialogue: 0,0:14:48.66,0:14:52.16,Dialogue1,,0,0,0,,Because you had this trick set up,\Nyou wanted me to go first, right?
Dialogue: 0,0:14:52.16,0:14:53.16,Dialogue1,,0,0,0,,Yep!
Dialogue: 0,0:14:54.25,0:14:55.50,Dialogue2,,0,0,0,,This woman...
Dialogue: 0,0:14:55.50,0:14:58.67,Dialogue2,,0,0,0,,It seems that she’s really not\Njust an ordinary naked woman.
Dialogue: 0,0:14:58.67,0:15:00.21,Dialogue2,,0,0,0,,Interesting.
Dialogue: 0,0:15:00.21,0:15:02.67,Dialogue2,,0,0,0,,Let’s see all that you have.
Dialogue: 0,0:15:02.67,0:15:05.97,Dialogue1,,0,0,0,,Oh, that was an amazing trick, Monica.
Dialogue: 0,0:15:05.97,0:15:10.18,Dialogue1,,0,0,0,,Also, even though quite some\Ntime has passed, this bread is still hot.
Dialogue: 0,0:15:10.51,0:15:13.64,Dialogue1,,0,0,0,,You have more tricks up your sleeve, don’t you?
Dialogue: 0,0:15:13.64,0:15:14.68,Dialogue1,,0,0,0,,Of course!
Dialogue: 0,0:15:14.98,0:15:17.19,Dialogue1,,0,0,0,,In fact, this is where the fun really starts.
Dialogue: 0,0:15:17.19,0:15:19.23,Dialogue1,,0,0,0,,Oh, I’m looking forward to that.
Dialogue: 0,0:15:19.23,0:15:20.69,Dialogue1,,0,0,0,,Then, right away, let’s...
Dialogue: 0,0:15:21.15,0:15:25.19,Dialogue2,,0,0,0,,I can’t call myself a top baker in the world yet.
Dialogue: 0,0:15:25.19,0:15:25.99,Dialogue2,,0,0,0,,But...
Dialogue: 0,0:15:25.99,0:15:30.45,Dialogue2,,0,0,0,,I believe that this bread should\Nat least do well at the world level.
Dialogue: 0,0:15:30.45,0:15:34.24,Dialogue2,,0,0,0,,After all, it’s packed with my mother’s love.
Dialogue: 0,0:15:40.13,0:15:42.04,Dialogue1,,0,0,0,,I... I don’t believe it!
Dialogue: 0,0:15:42.63,0:15:45.05,Dialogue1,,0,0,0,,It’s world-level unbelievable.
Dialogue: 0,0:15:45.46,0:15:50.05,Dialogue1,,0,0,0,,This is the first time I’ve ever\Neaten such a wonderful bread!
Dialogue: 0,0:15:50.18,0:15:51.80,Dialogue1,,0,0,0,,What?!
Dialogue: 0,0:15:51.80,0:15:56.39,Dialogue1,,0,0,0,,Operator, please connect this mic to the outside.
Dialogue: 0,0:15:56.39,0:15:58.48,Dialogue1,,0,0,0,,What number would you like to dial?
Dialogue: 0,0:15:58.48,0:16:00.02,Dialogue1,,0,0,0,,Number 17.
Dialogue: 0,0:16:01.52,0:16:05.53,Dialogue1,,0,0,0,,Huh? He seems to be telephoning someplace...
Dialogue: 0,0:16:05.53,0:16:08.57,Long Note 2,,0,0,0,,Note: The Japanese 110 is equivalent to the American 911, the emergency number.
Dialogue: 0,0:16:05.53,0:16:08.57,Dialogue1,,0,0,0,,Number 17 is equivalent to the Japanese 110.
Dialogue: 0,0:16:08.57,0:16:10.28,Dialogue1,,0,0,0,,In other words, it’s the police.
Dialogue: 0,0:16:10.28,0:16:11.53,Dialogue1,,0,0,0,,Police?!
Dialogue: 0,0:16:11.61,0:16:15.03,police3,,0,0,0,,{\an2\fad(300,0)\fsp1\pos(356.277,363.445)}Monaco Police
Dialogue: 0,0:16:12.07,0:16:13.78,Dialogue1,,0,0,0,,This is the Monaco Police Department.
Dialogue: 0,0:16:13.78,0:16:15.04,Dialogue1,,0,0,0,,Is something the matter?
Dialogue: 0,0:16:15.04,0:16:18.79,Dialogue1,,0,0,0,,You see, actually I’ve been agitating Chinese cabbages.
Dialogue: 0,0:16:23.30,0:16:25.04,Dialogue1,,0,0,0,,N-No way!
Dialogue: 0,0:16:26.84,0:16:30.55,Dialogue1,,0,0,0,,But, we’re right in the middle of\Nthe finals of a world tournament.
Dialogue: 0,0:16:30.55,0:16:33.05,Dialogue1,,0,0,0,,Old Man Pierrot has been arrested...
Dialogue: 0,0:16:33.05,0:16:35.05,Dialogue1,,0,0,0,,and has been escorted away.
Dialogue: 0,0:16:35.05,0:16:37.10,Dialogue1,,0,0,0,,He was escorted away.
Dialogue: 0,0:16:37.10,0:16:38.64,Dialogue1,,0,0,0,,Escorted away?!
Dialogue: 0,0:16:39.18,0:16:40.52,Dialogue1,,0,0,0,,I see!
Dialogue: 0,0:16:40.52,0:16:42.89,Dialogue1,,0,0,0,,Hey, what in the world is happening?!
Dialogue: 0,0:16:42.90,0:16:46.36,Dialogue1,,0,0,0,,What’s happened to the judging of my bread?!
Dialogue: 0,0:16:46.36,0:16:47.57,Dialogue1,,0,0,0,,Don’t panic.
Dialogue: 0,0:16:47.57,0:16:50.40,Dialogue1,,0,0,0,,He’s a world-level examiner.
Dialogue: 0,0:16:50.40,0:16:52.78,Dialogue1,,0,0,0,,I’m sure that his being\Nconvoyed away is part of some plan.
Dialogue: 0,0:16:52.78,0:16:56.49,Dialogue1,,0,0,0,,I’m sure that if we wait for a while,\Nthe judging will be carried out.
Dialogue: 0,0:16:56.49,0:16:58.28,Dialogue1,,0,0,0,,I wonder...
Dialogue: 0,0:16:58.28,0:17:02.12,Dialogue1,,0,0,0,,Pierrot has just been arrested for the\Ncrime of agitating the Chinese cabbages,
Dialogue: 0,0:17:02.12,0:17:06.79,Dialogue1,,0,0,0,,which goes against Monaco’s laws concerning prevention of public annoyance.
Dialogue: 0,0:17:07.42,0:17:08.67,Dialogue1,,0,0,0,,While it may be his first crime,
Dialogue: 0,0:17:08.67,0:17:10.46,Dialogue1,,0,0,0,,he won’t be coming back home today at the very least.
Dialogue: 0,0:17:10.46,0:17:11.80,Dialogue1,,0,0,0,,Huh?!
Dialogue: 0,0:17:11.80,0:17:14.30,Dialogue1,,0,0,0,,Then, what are we supposed to do?!
Dialogue: 0,0:17:14.30,0:17:16.30,Dialogue1,,0,0,0,,You have no choice but to go and visit him.
Dialogue: 0,0:17:16.72,0:17:17.80,Dialogue1,,0,0,0,,Visit him?
Dialogue: 0,0:17:19.56,0:17:22.81,Dialogue1,,0,0,0,,I’m sorry about having you come all the way here.
Dialogue: 0,0:17:22.81,0:17:25.48,Dialogue1,,0,0,0,,More importantly, please get on with the judging.
Dialogue: 0,0:17:25.48,0:17:26.31,Dialogue1,,0,0,0,,Yeah!
Dialogue: 0,0:17:26.81,0:17:31.19,Dialogue1,,0,0,0,,You haven’t assessed my bread at all after eating it!
Dialogue: 0,0:17:31.94,0:17:33.32,Dialogue1,,0,0,0,,Okiedokie.
Dialogue: 0,0:17:33.32,0:17:35.07,Dialogue1,,0,0,0,,Say, Kuro-yan...
Dialogue: 0,0:17:35.07,0:17:37.16,Dialogue1,,0,0,0,,Why don’t we go in as well?
Dialogue: 0,0:17:37.16,0:17:38.28,Dialogue1,,0,0,0,,Yeah.
Dialogue: 0,0:17:38.28,0:17:41.91,Dialogue1,,0,0,0,,I want to see the inside of a\Npolice station at least once.
Dialogue: 0,0:17:41.91,0:17:42.54,Dialogue1,,0,0,0,,No!
Dialogue: 0,0:17:42.87,0:17:44.08,Dialogue1,,0,0,0,,Why not?
Dialogue: 0,0:17:44.08,0:17:47.79,Dialogue1,,0,0,0,,You want to see your friend lose?
Dialogue: 0,0:17:50.09,0:17:52.05,Dialogue1,,0,0,0,,I lose?!
Dialogue: 0,0:17:52.05,0:17:54.63,Dialogue1,,0,0,0,,From times immemorial,
Dialogue: 0,0:17:54.63,0:17:58.26,Dialogue1,,0,0,0,,the combination of sour rye bread with sweet candy has been considered good.
Dialogue: 0,0:17:58.26,0:18:01.89,Dialogue1,,0,0,0,,Up until there, it’s pretty ordinary.
Dialogue: 0,0:18:01.89,0:18:06.73,Dialogue1,,0,0,0,,But, Monica’s bread had a trick to it\Nthat nobody could have imagined.
Dialogue: 0,0:18:06.73,0:18:08.06,Dialogue1,,0,0,0,,What do you mean?!
Dialogue: 0,0:18:08.06,0:18:12.02,Dialogue1,,0,0,0,,Here, look closely at the spot that I’ve bitten into.
Dialogue: 0,0:18:12.03,0:18:13.78,Dialogue1,,0,0,0,,The... The dough has...
Dialogue: 0,0:18:13.78,0:18:15.32,Dialogue1,,0,0,0,,Five layers you say?!
Dialogue: 0,0:18:15.32,0:18:16.32,Dialogue1,,0,0,0,,Yeah.
Dialogue: 0,0:18:16.32,0:18:18.05,Dialogue1,,0,0,0,,During the match,
Dialogue: 0,0:18:26.58,0:18:28.16,Fermentation2,,0,0,0,,{\fad(500,500)\4a&H00&\shad3\c&H0936FE&\3c&HE1F2FF&\4c&H54727B&\pos(60,187)}1
Dialogue: 0,0:18:26.58,0:18:28.16,Fermentation2,,0,0,0,,{\fad(500,500)\4a&H00&\shad3\c&H0936FE&\3c&HE1F2FF&\4c&H54727B&\pos(60,223)}2
Dialogue: 0,0:18:26.58,0:18:28.16,Fermentation2,,0,0,0,,{\fad(500,500)\4a&H00&\shad3\c&H0936FE&\3c&HE1F2FF&\4c&H54727B&\pos(60,260.333)}3
Dialogue: 0,0:18:26.58,0:18:28.16,Fermentation2,,0,0,0,,{\fad(500,500)\4a&H00&\shad3\c&H0936FE&\3c&HE1F2FF&\4c&H54727B&\pos(60,303)}4
Dialogue: 0,0:18:26.58,0:18:29.33,Fermentation2,,0,0,0,,{\fad(500,0)\4a&H00&\shad3\c&H0936FE&\3c&HE1F2FF&\4c&H54727B&\move(60,345,323.044,393,1000,1777)}5
Dialogue: 0,0:18:28.08,0:18:29.33,Fermentation2,,0,0,0,,{\fad(250,0)\4a&H00&\shad3\c&H0936FE&\3c&HE1F2FF&\4c&H54727B&\pos(357.656,393)}Layers
Dialogue: 0,0:18:18.05,0:18:22.33,Dialogue1,,0,0,0,,Monica had made five doughs with varying amounts of rye and wheat flour, right?
Dialogue: 0,0:18:22.87,0:18:25.54,Dialogue1,,0,0,0,,She probably glued those together with candy,
Dialogue: 0,0:18:25.54,0:18:29.33,Dialogue1,,0,0,0,,and piled them on top of each other like\Na sandwich to make a five-layered bread.
Dialogue: 0,0:18:29.71,0:18:32.30,Dialogue1,,0,0,0,,D-Don’t tell me that’s why Pierrot...
Dialogue: 0,0:18:32.30,0:18:34.17,Dialogue1,,0,0,0,,Yeah, there’s no doubt about it.
Dialogue: 0,0:18:34.17,0:18:35.34,Dialogue1,,0,0,0,,That’s why Pierrot...
Dialogue: 0,0:18:35.38,0:18:36.59,Fermentation2,,0,0,0,,{\fad(500,150)\fs50\bord0\an8\c&H00EEEE&}5 Layered
Dialogue: 0,0:18:38.68,0:18:39.80,Dialogue1,,0,0,0,,allowed himself to be convoyed!
Dialogue: 0,0:18:37.84,0:18:39.80,Fermentation2,,0,0,0,,{\3c&HFDFDFD&\fscx11\fscy10\t(0,750,\3c&H0D0B13&\fscx111\fscy100)\blur2\fsp1\bord3\fs50\an5\c&H2F2AFC&\pos(358.967,63)}Convoy
Dialogue: 0,0:18:35.34,0:18:39.80,Long Note 2,,0,0,0,,Note: gosou ({\fs25\fnAXIS Std B\b1}五層{\r}) = five-layered; gosou ({\fs25\fnAXIS Std B\b1}護送{\r}) = convoy
Dialogue: 0,0:18:40.64,0:18:42.10,Dialogue1,,0,0,0,,What an examiner!
Dialogue: 0,0:18:42.10,0:18:44.81,Dialogue1,,0,0,0,,To think that he’d get himself arrested for a reaction?!
Dialogue: 0,0:18:44.81,0:18:47.39,Dialogue1,,0,0,0,,I guess you would not understand this, but...
Dialogue: 0,0:18:47.39,0:18:49.77,Dialogue1,,0,0,0,,that’s the kind of person a judge is.
Dialogue: 0,0:18:49.77,0:18:51.56,Dialogue2,,0,0,0,,What kind of person is that?
Dialogue: 0,0:18:51.86,0:18:53.36,Dialogue1,,0,0,0,,Leaving that aside,
Dialogue: 0,0:18:53.36,0:18:57.65,Dialogue1,,0,0,0,,what’s so special about having\Nfive layers glued together by candy?
Dialogue: 0,0:18:57.65,0:18:59.16,Dialogue1,,0,0,0,,Yeah?
Dialogue: 0,0:18:59.16,0:19:00.87,Dialogue1,,0,0,0,,Well, firstly...
Dialogue: 0,0:19:00.87,0:19:01.57,Dialogue1,,0,0,0,,It’s heat retention.
Dialogue: 0,0:19:01.58,0:19:04.58,Dialogue1,,0,0,0,,Candy gets hot more easily than bread.
Dialogue: 0,0:19:05.08,0:19:08.50,Dialogue1,,0,0,0,,If candy is integrated inside, the heat\Nretention capacity of the bread is heightened.
Dialogue: 0,0:19:08.50,0:19:10.22,Dialogue1,,0,0,0,,And the bread won’t cool down,
Dialogue: 0,0:19:10.22,0:19:13.59,Dialogue1,,0,0,0,,even during the time it takes for the candy rose sculpture to bloom.
Dialogue: 0,0:19:13.59,0:19:15.80,Dialogue1,,0,0,0,,Also, in terms of the display...
Dialogue: 0,0:19:15.80,0:19:18.55,Dialogue1,,0,0,0,,The bread looks like the strata of the Earth.
Dialogue: 0,0:19:18.55,0:19:21.89,Dialogue1,,0,0,0,,And the candy within looks like ground water.
Dialogue: 0,0:19:21.89,0:19:26.60,Dialogue1,,0,0,0,,It looks like the rose really is\Nabsorbing water, which is just cute.
Dialogue: 0,0:19:27.31,0:19:28.56,Dialogue1,,0,0,0,,Wh... What does it taste like?
Dialogue: 0,0:19:28.56,0:19:30.60,Dialogue1,,0,0,0,,That’s just superb.
Dialogue: 0,0:19:30.94,0:19:34.98,Dialogue1,,0,0,0,,Hamburger buns are split at a ratio of 4:6, right?
Dialogue: 0,0:19:34.98,0:19:37.74,Dialogue1,,0,0,0,,I’ll explain it in more detail in\Nthe seed of knowledge section.
Dialogue: 0,0:19:38.74,0:19:41.11,Dialogue1,,0,0,0,,You’re going to leave it for the\Nseed of knowledge section again?
Dialogue: 0,0:19:41.11,0:19:46.20,Dialogue1,,0,0,0,,Monica also adjusted the appropriate ratios into the layers of the bread.
Dialogue: 0,0:19:46.62,0:19:50.12,Dialogue1,,0,0,0,,The five-layered bread has\Nbeen constructed as shown here.
Dialogue: 0,0:19:50.12,0:19:53.83,Dialogue1,,0,0,0,,By controlling the ratio of the rye flour,\Nwhich is heavier than wheat flour,
Dialogue: 0,0:19:53.84,0:19:56.76,Dialogue1,,0,0,0,,she has set up a miraculous balance here.
Dialogue: 0,0:19:56.76,0:20:00.76,Dialogue1,,0,0,0,,Also, she’s made the second layer\Nquite light, while the first layer is heavy.
Dialogue: 0,0:20:00.76,0:20:02.68,Dialogue1,,0,0,0,,This is probably the result\Nof testing various possibilities.
Dialogue: 0,0:20:03.30,0:20:05.40,Dialogue1,,0,0,0,,She probably figured that it would taste better
Dialogue: 0,0:20:05.40,0:20:09.52,Dialogue1,,0,0,0,,if the first layer was heavy, \Nas it would form the outer crust.
Dialogue: 0,0:20:12.60,0:20:14.94,Dialogue2,,0,0,0,,As expected of a world-level examiner.
Dialogue: 0,0:20:14.94,0:20:16.15,Dialogue2,,0,0,0,,That’s exactly right.
Dialogue: 0,0:20:16.15,0:20:19.65,Dialogue1,,0,0,0,,And no matter what, you\Njust don’t get tired of this bread.
Dialogue: 0,0:20:20.15,0:20:23.11,Dialogue1,,0,0,0,,After all, there are five different tastes to this bread.
Dialogue: 0,0:20:23.12,0:20:25.57,Dialogue1,,0,0,0,,You just don’t get tired of it.
Dialogue: 0,0:20:25.58,0:20:27.62,Dialogue1,,0,0,0,,I’m sorry, Suwabara.
Dialogue: 0,0:20:28.20,0:20:30.41,Dialogue1,,0,0,0,,Your bread was also wonderful, but...
Dialogue: 0,0:20:30.41,0:20:32.96,Dialogue1,,0,0,0,,This bread had a trick to it such that you never get sick of it.
Dialogue: 0,0:20:32.96,0:20:34.90,Dialogue1,,0,0,0,,It surpasses the strategy applied to your bread,
Dialogue: 0,0:20:34.90,0:20:37.84,Dialogue1,,0,0,0,,as it made me feel something like a deep love.
Dialogue: 0,0:20:39.21,0:20:40.84,Dialogue1,,0,0,0,,I’ve lost completely.
Dialogue: 0,0:20:40.84,0:20:42.68,Dialogue1,,0,0,0,,Oh stop that.
Dialogue: 0,0:20:42.68,0:20:44.39,Dialogue1,,0,0,0,,There’s no need to be depressed.
Dialogue: 0,0:20:44.39,0:20:46.10,Dialogue1,,0,0,0,,You’re a samurai, right?
Dialogue: 0,0:20:46.10,0:20:51.10,Dialogue1,,0,0,0,,Actually, it was my mother who\Ncame up with the idea of the five layers.
Dialogue: 0,0:20:51.77,0:20:54.65,Dialogue1,,0,0,0,,I was tired of eating the same thing every day,
Dialogue: 0,0:20:54.65,0:20:57.61,Dialogue1,,0,0,0,,and this was what she came up with\Nto make me eat nutritious food.
Dialogue: 0,0:20:57.61,0:21:00.11,Dialogue1,,0,0,0,,This is the fruit of my mother’s love.
Dialogue: 0,0:21:00.11,0:21:03.65,Dialogue1,,0,0,0,,So, my win this time is thanks to my mother.
Dialogue: 0,0:21:03.66,0:21:06.32,Dialogue1,,0,0,0,,I had no hope of winning with just my skill.
Dialogue: 0,0:21:06.70,0:21:08.62,Dialogue1,,0,0,0,,After fighting with you, I understood this.
Dialogue: 0,0:21:08.62,0:21:12.41,Dialogue1,,0,0,0,,As a baker, your skill is impressive.
Dialogue: 0,0:21:12.41,0:21:13.83,Dialogue1,,0,0,0,,So, you should be confident in that.
Dialogue: 0,0:21:15.25,0:21:16.79,Dialogue1,,0,0,0,,Doesn’t get any worse than this.
Dialogue: 0,0:21:16.79,0:21:18.84,Dialogue1,,0,0,0,,To think that I’m being comforted by a girl.
Dialogue: 0,0:21:19.55,0:21:21.34,Dialogue1,,0,0,0,,But, it’s the truth!
Dialogue: 0,0:21:22.97,0:21:25.89,Dialogue1,,0,0,0,,What? You don’t know what a handshake is?
Dialogue: 0,0:21:25.89,0:21:28.85,Dialogue1,,0,0,0,,I thought that a handshake was a universal custom.
Dialogue: 0,0:21:29.68,0:21:30.85,Dialogue1,,0,0,0,,But...
Dialogue: 0,0:21:31.30,0:21:35.85,Dialogue1,,0,0,0,,I just wish to engrave upon this hand\Nthat I fought with a marvelous artisan.
Dialogue: 0,0:21:36.65,0:21:38.15,Dialogue1,,0,0,0,,That’s not really necessary.
Dialogue: 0,0:21:39.02,0:21:41.32,Dialogue1,,0,0,0,,Just give me your hand already.
Dialogue: 0,0:21:45.36,0:21:47.11,Dialogue1,,0,0,0,,I guess this is pretty surprising, right?
Dialogue: 0,0:21:47.12,0:21:48.78,Dialogue1,,0,0,0,,These hands...
Dialogue: 0,0:21:48.78,0:21:54.21,Dialogue1,,0,0,0,,The hands of a candymaker, who tends to\Nmold candy melted at high temperatures...
Dialogue: 0,0:21:54.21,0:21:55.58,Dialogue1,,0,0,0,,are usually scarred.
Dialogue: 0,0:21:55.96,0:21:57.67,Dialogue1,,0,0,0,,B... Beautiful!
Dialogue: 0,0:21:57.67,0:22:00.09,Dialogue1,,0,0,0,,What beautiful hands!
Dialogue: 0,0:22:00.50,0:22:03.42,Dialogue1,,0,0,0,,These are truly the hands of a devoted artisan!
Dialogue: 0,0:22:03.42,0:22:07.13,Dialogue1,,0,0,0,,I’ve never seen a woman with such beautiful hands!
Dialogue: 0,0:22:07.14,0:22:08.09,Dialogue2,,0,0,0,,Huh?
Dialogue: 0,0:22:08.76,0:22:10.18,Dialogue2,,0,0,0,,You’re kidding, right?
Dialogue: 0,0:22:10.18,0:22:15.52,Dialogue2,,0,0,0,,You’re the first person to have\Nthought of my hands in that manner.
Dialogue: 0,0:22:16.17,0:22:17.99,Dialogue2,,0,0,0,,Samurai Boy...
Dialogue: 0,0:22:19.23,0:22:21.61,Dialogue1,,0,0,0,,I get the feeling that something may be starting here.
Dialogue: 0,0:22:21.61,0:22:22.98,Dialogue1,,0,0,0,,And I get the feeling...
Dialogue: 0,0:22:22.98,0:22:25.49,Dialogue1,,0,0,0,,that this is where visiting hours end.
Dialogue: 0,0:22:25.49,0:22:26.32,Dialogue1,,0,0,0,,Time’s up.
Dialogue: 0,0:22:26.32,0:22:26.99,Dialogue1,,0,0,0,,Let’s go.
Dialogue: 0,0:24:04.97,0:24:17.36,Next Episode,,0,0,0,,{\pos(579,41)}Next Episode
Dialogue: 0,0:24:04.98,0:24:05.99,Dialogue1,,0,0,0,,No way!
Dialogue: 0,0:24:05.99,0:24:08.28,Dialogue1,,0,0,0,,If I lose, then the Japanese team will lose!
Dialogue: 0,0:24:08.28,0:24:10.27,Dialogue1,,0,0,0,,I really just want to run away.
Dialogue: 0,0:24:10.27,0:24:11.35,Dialogue1,,0,0,0,,You dumb chicken!
Dialogue: 0,0:24:11.35,0:24:12.49,Dialogue1,,0,0,0,,M-Manager?!
Dialogue: 0,0:24:12.50,0:24:15.10,Dialogue1,,0,0,0,,We’ve arrived in Monaco, dumbass!
Dialogue: 0,0:24:15.10,0:24:16.46,Dialogue1,,0,0,0,,Next time, on Yakitate!! Japan,
Dialogue: 0,0:24:17.44,0:24:19.90,title,,0,0,0,,{\an1\fad(300,0)\pos(53.867,146)}Victory!!
Dialogue: 0,0:24:17.44,0:24:19.90,title,,0,0,0,,{\an9\fad(300,0)\pos(670,322.333)}Revolutionizing the bread industry!!
Dialogue: 0,0:24:16.46,0:24:17.21,Dialogue1,,0,0,0,,Victory!!
Dialogue: 0,0:24:17.21,0:24:18.83,Dialogue1,,0,0,0,,Revolutionizing the bread industry!
Dialogue: 0,0:24:18.84,0:24:19.90,Dialogue1,,0,0,0,,Be sure to watch.
Dialogue: 0,0:24:20.40,0:24:22.65,Dialogue1,,0,0,0,,Yakitate!! Seed of knowledge.
Dialogue: 0,0:24:29.40,0:24:31.67,ArtisanW,,0,0,0,,{\fad(350,0)\bord2\fs30\pos(357.111,337.333)\c&HF8FCFE&\3c&H955628&}This ratio is easy to eat{\fs5} {\fs30{\fnGeneris Sans W02 Heavy Italic}!
Dialogue: 0,0:24:24.42,0:24:31.67,ArtisanW,,0,0,0,,{\fad(550,0)\bord2\fs30\c&HE1FCFE&\3c&H045E7F&\pos(353.155,180.889)}Perfect ratio of thickness
Dialogue: 0,0:24:23.03,0:24:31.67,police3,,0,0,0,,{\fscx11\fscy10\t(0,320,\fscx111\fscy100)\fad(250,0)\fs35\an5\pos(360.233,79.888)\fnPolo\c&H3E8FF4&\3c&H25243B&}Hamburger Buns
Dialogue: 0,0:24:23.12,0:24:24.63,Dialogue1,,0,0,0,,Hamburger buns.
Dialogue: 0,0:24:24.63,0:24:26.55,Dialogue1,,0,0,0,,The perfect ratio of their thickness is 4:6.
Dialogue: 0,0:24:26.55,0:24:29.01,Dialogue1,,0,0,0,,The lower jaw of a human is stronger than the upper jaw.
Dialogue: 0,0:24:29.01,0:24:31.67,Dialogue1,,0,0,0,,So, if you make a sandwich\Nat this ratio, it’s easy to eat.
Dialogue: 0,0:24:32.22,0:24:34.14,Dialogue1,,0,0,0,,Oh?!
Dialogue: 0,0:22:35.87,0:22:41.21,ED Romaji,,0,0,0,,{\kf8}{\kf43}bo{\kf25}ku {\kf36}no {\kf44}te {\kf15}wo {\kf15}ni{\kf43}gi{\kf51}re{\kf40} {\kf18}i{\kf11}s{\kf29}sho {\kf35}ni {\kf41}mi{\kf32}nai{\kf48}kai{\kf0}
Dialogue: 0,0:22:35.87,0:22:41.21,ED English,,0,0,0,,Grab on to my hand. Would you like to see it together?
Dialogue: 0,0:22:41.50,0:22:45.38,ED Romaji,,0,0,0,,{\kf18}{\kf23}ke{\kf8}s{\kf8}shi{\kf17}te{\kf27}ra{\kf6}ku {\kf46}ja{\kf38}nai {\kf29}ga {\kf44}sai{\kf21}ko{\kf21}u {\kf11}no {\kf22}se{\kf49}kai{\kf0}
Dialogue: 0,0:22:41.50,0:22:45.38,ED English,,0,0,0,,By no means is it easy, but it’s the best kind of world.
Dialogue: 0,0:22:56.35,0:23:02.33,OP Romaji,,0,0,0,,{\kf24}{\kf38}sou{\kf35}zou{\kf24}shi{\kf21}te {\kf19}mi{\kf26}ta{\kf14}n{\kf47}da{\kf25} {\kf22}ji{\kf18}bu{\kf22}n {\kf34}de {\kf38}e{\kf22}ga{\kf16}i{\kf23}ta {\kf24}ra{\kf9}ku{\kf34}ga{\kf38}ki {\kf25}no
Dialogue: 0,0:22:56.35,0:23:02.33,ED English,,0,0,0,,I tried imagining it by standing on my future map
Dialogue: 0,0:23:02.33,0:23:07.87,OP Romaji,,0,0,0,,{\kf15}{\kf13}mi{\kf23}ra{\kf17}i {\kf17}no {\kf19}chi{\kf41}zu {\kf19}ni {\kf25}ta{\kf14}t{\kf42}te{\kf30} {\kf24}so{\kf16}shi{\kf18}te {\kf20}ki{\kf19}mi {\kf17}to {\kf19}wa{\kf20}ra{\kf17}e{\kf21}ru{\kf21}ka{\kf17}t{\kf28}te{\kf22}
Dialogue: 0,0:23:02.33,0:23:04.90,ED English,,0,0,0,,which I had doodled out,
Dialogue: 0,0:23:04.90,0:23:07.87,ED English,,0,0,0,,and wondered if you’d be laughing with me there.
Dialogue: 0,0:23:08.40,0:23:14.30,ED Romaji,,0,0,0,,{\kf28}{\kf21}ke{\kf16}n{\kf25}to{\kf10}u {\kf19}wa {\kf19}tsu{\kf19}i{\kf24}te{\kf16}n{\kf48}da{\kf26} {\kf13}a{\kf26}shi{\kf17}a{\kf38}to {\kf31}da{\kf25}ra{\kf30}ke {\kf43}no {\kf33}mi{\kf40}chi {\kf23}wo
Dialogue: 0,0:23:08.40,0:23:14.30,ED English,,0,0,0,,I’ve guessed it. That if I were to just follow along
Dialogue: 0,0:23:14.30,0:23:20.98,ED Romaji,,0,0,0,,{\kf19}{\kf19}ta{\kf40}da {\kf35}a{\kf20}ru{\kf17}i{\kf23}te{\kf19}ru{\kf10}n{\kf43}ja{\kf38} {\kf17}i{\kf21}tsu{\kf16}ma{\kf19}de{\kf15}mo {\kf39}ta{\kf18}do{\kf22}ri{\kf15}tsu{\kf33}ke{\kf32}ya{\kf12}shi{\kf38}na{\kf38}i{\kf17}n{\kf33}da{\kf0}
Dialogue: 0,0:23:14.30,0:23:20.98,ED English,,0,0,0,,this road already full of footprints, I’d never ever reach there.
Dialogue: 0,0:23:21.28,0:23:25.42,ED Romaji,,0,0,0,,{\kf15}{\kf15}so{\kf17}re {\kf23}ga {\kf57}i{\kf33}ya{\kf40}da {\kf27}to {\kf15}i{\kf103}u {\kf25}na{\kf44}ra{\kf0}
Dialogue: 0,0:23:21.28,0:23:25.42,ED English,,0,0,0,,And if I don’t like that...
Dialogue: 0,0:23:26.05,0:23:32.35,ED Romaji,,0,0,0,,{\kf23}{\kf25}he{\kf14}i{\kf28}on{\kf48} {\kf22}na{\kf14}n{\kf21}te {\kf40}a{\kf11}n{\kf24}ta{\kf17}i {\kf32}wa {\kf33}ko{\kf80}no {\kf24}sa{\kf13}i{\kf25} {\kf35}ya{\kf19}me{\kf22}ma{\kf30}shou{\kf30}ka
Dialogue: 0,0:23:26.05,0:23:29.18,ED English,,0,0,0,,I guess I should take this opportunity
Dialogue: 0,0:23:29.18,0:23:32.35,ED English,,0,0,0,,and stop seeking the peace that comes with security.
Dialogue: 0,0:23:32.52,0:23:38.06,ED Romaji,,0,0,0,,{\kf15}{\kf18}ka{\kf14}na{\kf41}wa{\kf23}na{\kf9}i{\kf7}t{\kf25}te {\kf20}a{\kf13}ki{\kf31}ra{\kf39}me{\kf26}ta{\kf18} {\kf15}yu{\kf21}me {\kf16}wo {\kf18}su{\kf20}te{\kf19}zu {\kf19}tsu{\kf23}mi{\kf30}a{\kf33}ge{\kf41}te
Dialogue: 0,0:23:32.52,0:23:35.36,ED English,,0,0,0,,I’ll pile up the dreams I thought couldn’t be fulfilled
Dialogue: 0,0:23:35.36,0:23:38.06,ED English,,0,0,0,,without throwing them away
Dialogue: 0,0:23:38.36,0:23:41.44,ED Romaji,,0,0,0,,{\kf11}{\kf13}mu{\kf25}cha {\kf12}de {\kf25}mu{\kf19}bo{\kf11}u {\kf45}na {\kf28}te{\kf13}p{\kf18}pe{\kf14}n {\kf42}ni {\kf16}a{\kf7}ru{\kf9}
Dialogue: 0,0:23:41.44,0:23:44.87,ED Romaji,,0,0,0,,{\kf7}{\kf15}yu{\kf25}me {\kf10}wo {\kf20}tsu{\kf25}ka{\kf13}mu {\kf25}i{\kf45}shi{\kf47}zu{\kf20}e {\kf17}ni {\kf55}na{\kf19}re{\kf0}
Dialogue: 0,0:23:38.36,0:23:41.44,ED English,,0,0,0,,and become the foundation stone for the dream
Dialogue: 0,0:23:41.44,0:23:44.87,ED English,,0,0,0,,that stands at the peak of the absurd and the reckless.
Dialogue: 0,0:23:44.87,0:23:50.17,ED Romaji,,0,0,0,,{\kf18}{\kf32}bo{\kf23}ku {\kf35}no {\kf46}te {\kf14}wo {\kf18}ni{\kf41}gi{\kf50}re{\kf43} {\kf24}i{\kf13}s{\kf20}sho {\kf32}ni {\kf40}mi{\kf18}na{\kf13}i{\kf50}kai
Dialogue: 0,0:23:44.87,0:23:50.17,ED English,,0,0,0,,Grab on to my hand. Would you like to see it together?
Dialogue: 0,0:23:50.47,0:23:54.31,ED Romaji,,0,0,0,,{\kf21}{\kf20}ke{\kf5}s{\kf10}shi{\kf19}te{\kf24}ra{\kf10}ku {\kf40}ja{\kf21}na{\kf17}i {\kf34}ga {\kf23}sa{\kf12}i{\kf23}ko{\kf19}u {\kf18}no {\kf18}se{\kf50}ka{\kf1}i{\kf0}
Dialogue: 0,0:23:50.47,0:23:54.31,ED English,,0,0,0,,By no means is it easy, but it’s the best kind of world.
Dialogue: 0,0:23:56.46,0:24:00.25,ED Romaji,,0,0,0,,{\kf14}{\kf24}ke{\kf7}s{\kf8}shi{\kf20}te{\kf24}ra{\kf10}ku {\kf33}ja{\kf25}na{\kf21}i {\kf31}ga {\kf25}sa{\kf18}i{\kf23}ko{\kf18}u {\kf17}no {\kf18}se{\kf43}ka{\kf0}i
Dialogue: 0,0:23:56.46,0:24:00.25,ED English,,0,0,0,,By no means is it easy, but it’s the best kind of world.
Dialogue: 0,0:01:21.31,0:01:24.64,title,,0,0,0,,{\shad0\an8\fad(200,0)\bord3\3c&H8E4111&\c&H00FEFD&\pos(260,334)}Yakitate!! {\c&H0000FF&}Japan
Dialogue: 0,0:01:21.31,0:01:24.64,TransBy,,0,0,0,,{\fad(200,0)\pos(538,360)}Translated by: Anime-Empire
Dialogue: 0,0:01:18.64,0:01:24.52,OP English,,0,0,0,,I swore to your shining eyes
Dialogue: 0,0:01:18.64,0:01:24.52,OP Romaji,,0,0,0,,{\kf18}{\kf41}ka{\kf21}ga{\kf36}ya{\kf43}ku {\kf45}ki{\kf34}mi {\kf44}no {\kf37}hi{\kf21}to{\kf63}mi {\kf24}ni{\kf26} {\kf45}chi{\kf39}ka{\kf21}t{\kf30}ta{\kf0}
Dialogue: 0,0:01:24.72,0:01:27.66,OP English,,0,0,0,,on an afternoon when the blue sky
Dialogue: 0,0:01:27.66,0:01:31.15,OP English,,0,0,0,,was visible through a small window
Dialogue: 0,0:01:24.72,0:01:31.15,OP Romaji,,0,0,0,,{\kf30}{\kf21}chi{\kf38}i{\kf25}sa{\kf32}na{\kf47} {\kf15}ma{\kf43}do {\kf20}ka{\kf25}ra{\kf16} {\kf17}a{\kf17}o{\kf25}zo{\kf39}ra {\kf21}ga {\kf40}mi{\kf39}e{\kf79}ta {\kf20}go{\kf33}go
Dialogue: 0,0:01:31.44,0:01:37.40,OP English,,0,0,0,,that I no longer wanted to run away.
Dialogue: 0,0:01:31.44,0:01:37.40,OP Romaji,,0,0,0,,{\kf20}{\kf39}ni{\kf22}ge{\kf40}ru {\kf37}ko{\kf40}to {\kf24}na{\kf19}n{\kf19}te{\kf21} {\kf33}mo{\kf17}u {\kf47}shi{\kf20}ta{\kf42}ku {\kf57}wa {\kf44}na{\kf17}i {\kf38}yo{\kf0}
Dialogue: 0,0:01:37.57,0:01:44.08,OP Romaji,,0,0,0,,{\kf22}{\kf24}se{\kf40}na{\kf23}ka {\kf27}ni {\kf29}{\kf19}a{\kf20}ta{\kf41}ta{\kf22}ka{\kf21}i {\kf20}{\kf20}te {\kf17}no {\kf21}hi{\kf40}ra {\kf21}o {\kf38}ka{\kf40}n{\kf23}ji{\kf60}te{\kf20}i{\kf43}ru{\kf0}
Dialogue: 0,0:01:37.57,0:01:44.08,OP English,,0,0,0,,I feel a warm hand upon my back.
Dialogue: 0,0:01:44.83,0:01:49.46,OP Romaji,,0,0,0,,{\kf17}{\kf24}ki{\kf28}zu{\kf31}tsu{\kf21}ku {\kf29}yo{\kf31}ri {\kf94}mo{\kf63} {\kf23}tsu{\kf32}ra{\kf26}i {\kf20}no {\kf24}wa
Dialogue: 0,0:01:44.83,0:01:49.46,OP English,,0,0,0,,The only thing more painful than getting hurt is...
Dialogue: 0,0:01:50.29,0:01:56.88,OP Romaji,,0,0,0,,{\kf14}{\kf29}a{\kf49}shi{\kf21}ta {\kf59}wo{\kf1} {\kf20}a{\kf21}ki{\kf41}ra{\kf21}me{\kf35}te{\kf22} {\kf23}ji{\kf18}bu{\kf20}n {\kf20}ni {\kf16}u{\kf19}so {\kf23}tsu{\kf19}ki{\kf22}tsu{\kf21}zu{\kf24}ke{\kf17}ru {\kf17}ko{\kf67}to{\kf0}
Dialogue: 0,0:01:50.29,0:01:56.88,OP English,,0,0,0,,giving up on tomorrow and continuing to lie to yourself.
Dialogue: 0,0:01:58.72,0:02:04.72,OP Romaji,,0,0,0,,{\kf10}{\kf19}da{\kf21}i{\kf22}ji {\kf37}na {\kf21}yu{\kf19}me {\kf21}wo {\kf20}hi{\kf33}to{\kf68}tsu{\kf18} {\kf20}ko{\kf39}ko{\kf23}ro {\kf38}ni {\kf32}i{\kf49}tsu{\kf42}de{\kf48}mo{\kf0}
Dialogue: 0,0:01:58.72,0:02:04.72,OP English,,0,0,0,,The one precious dream always held in your heart
Dialogue: 0,0:02:05.06,0:02:11.07,OP Romaji,,0,0,0,,{\kf8}{\kf37}shi{\kf31}n{\kf21}ji{\kf40}te{\kf37} {\kf33}ma{\kf25}mo{\kf25}t{\kf48}te{\kf30} {\kf41}no{\kf21}ri{\kf21}ko{\kf33}e{\kf26}te {\kf16}i{\kf89}ko{\kf19}u
Dialogue: 0,0:02:05.06,0:02:11.07,OP English,,0,0,0,,Let’s believe it, protect it, and overcome everything.
Dialogue: 0,0:02:11.27,0:02:17.57,OP Romaji,,0,0,0,,{\kf14}{\kf21}da{\kf19}i{\kf22}ji {\kf20}na {\kf39}yu{\kf21}me {\kf18}ga {\kf21}a{\kf19}ru {\kf39}ka{\kf61}ra {\kf21}{\kf21}mo{\kf20}t{\kf15}to {\kf24}tsu{\kf44}yo{\kf38}ku {\kf39}na{\kf41}re{\kf53}ru
Dialogue: 0,0:02:11.27,0:02:17.57,OP English,,0,0,0,,Because we have a precious dream, we can become stronger
Dialogue: 0,0:02:17.86,0:02:23.16,OP Romaji,,0,0,0,,{\kf16}{\kf34}o{\kf27}mo{\kf37}i{\kf21}{\kf17}e{\kf23}ga{\kf61}i{\kf39}ta{\kf21} {\kf20}mi{\kf20}ra{\kf29}i {\kf29}wo {\kf22}da{\kf23}ki{\kf34}shi{\kf23}me{\kf34}te
Dialogue: 0,0:02:17.86,0:02:23.16,OP English,,0,0,0,,holding on to the dream that we imagined and painted
Dialogue: 0,0:02:23.37,0:02:26.83,OP Romaji,,0,0,0,,{\fad(0,900)}{\kf5}{\kf20}ko{\kf18}re {\kf22}ka{\kf27}ra {\kf254}mo
Dialogue: 0,0:02:23.37,0:02:26.83,OP English,,0,0,0,,{\fad(0,900)}forevermore.