[Script Info]
; Script generated by Aegisub 2.1.9
; http://www.aegisub.org/
Title: Default Aegisub file
ScriptType: v4.00+
PlayResX: 712
PlayResY: 480
PlayDepth: 16
Timer: 100,0000
WrapStyle: 0
Video File: crf16\ep23.mkv
Video Aspect Ratio: 1
Video Zoom: 11
Video Position: 4529
Last Style Storage: futakoi
Audio File: ?video
Collisions: Normal
ScaledBorderAndShadow: no


[V4+ Styles]
Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding
Style: Dialogue1,Palatino Sans Inf mod,32,&H00DCEDF8,&H0000FFFF,&H00071A28,&H80071A28,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,55,55,25,1
Style: Dialogue2,Palatino Sans Inf mod,32,&H00CCF6DF,&H0000FFFF,&H00072816,&H80072816,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,55,55,25,1
Style: Dialogue3,Palatino Sans Inf mod,32,&H00B2C4F5,&H0000FFFF,&H00050F2A,&H80050F2A,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,25,25,25,1
Style: Dialogue0,Palatino Sans mod,33,&H00FFFFFF,&H0000FFFF,&H00180000,&H80000000,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,55,55,25,1
Style: OP Romaji,Dom Casual Std,31,&H008ECCF6,&H00FFFFFF,&H0060320F,&H80000000,-1,0,0,0,111,100,0,0,1,1.8,0,8,25,25,16,1
Style: OP English,HelveticaRounded LT BoldCn,30,&H00FFFFFF,&H0000FFFF,&H00180000,&H80000000,0,0,0,0,111,100,0,0,1,1,1,2,25,25,17,1
Style: ED English,One Stroke Script Std,31,&H00FFFFFF,&H0000FFFF,&H005B5B5B,&H80000000,0,0,0,0,111,100,0,0,1,2,0,2,15,15,20,1
Style: ED Romaji,One Stroke Script Std,30,&H00FFFFFF,&H00B4B4B4,&H00290000,&H80000000,-1,0,0,0,111,100,0,0,1,1.8,0,8,15,15,11,1
Style: title,HelveticaRounded LT Black,40,&H000073F0,&H0000FFFF,&H00EBF6FF,&H80071A28,-1,0,0,0,111,100,0,0,1,3,2,2,55,55,21,1
Style: Next Episode,HelveticaRounded LT BoldCn,28,&H00B0FAF0,&H0000FFFF,&H00040B0E,&H80071A28,0,0,0,0,111,100,0.5,0,1,2.1,0,2,55,55,21,1
Style: TransBy,HelveticaRounded LT BoldCn,20,&H00989898,&H0000FFFF,&H005B5B5B,&H80000000,0,0,0,0,111,100,0,0,1,0,0,8,15,15,14,1
Style: Long Note 2,LTPisa Headline,23,&H00FFFFFF,&H000000FF,&H00000000,&H80000000,0,0,0,0,111,100,0,0,1,2,1,8,15,15,20,1
Style: Fermentation2,Helvetica LT Black,32,&H00FFFFFF,&H0000FFFF,&H00000000,&H80000000,0,0,0,0,111,100,0,0,1,2,1,1,25,25,17,1
Style: RAS,Generis Sans W02 Bold,33,&H00673B25,&H0000FFFF,&H00101010,&H80000000,0,0,0,0,111,100,0,0,1,0,0,2,25,25,17,1
Style: ArtisanV,Agilita W02 Bold,18,&H00000000,&H0000FFFF,&H00393939,&H80000000,0,0,0,0,100,111,0,0,1,0,0,2,25,25,17,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Comment: 0,0:01:48.00,0:01:50.00,Dialogue0,,0000,0000,0000,,OP
Comment: 0,0:13:16.10,0:13:18.10,Dialogue1,,0000,0000,0000,,Eyecatch
Comment: 0,0:22:34.95,0:22:36.95,Dialogue2,,0000,0000,0000,,ED
Comment: 0,0:24:04.96,0:24:15.43,Next Episode,,0000,0000,0000,,Next Episode Preview translated by Zalis
Comment: 0,0:24:16.11,0:24:18.56,title,,0000,0000,0000,,The Meister, Taking Wing!! Who is to Win!?
Comment: 0,0:24:20.77,0:24:22.77,Dialogue1,,0000,0000,0000,,
Comment: 0,0:22:34.95,0:22:37.91,ED English,,0000,0000,0000,,ED
Comment: 0,0:01:48.00,0:01:50.00,OP English,,0000,0000,0000,,OP

Dialogue: 0,0:00:03.48,0:00:05.61,Dialogue1,,0000,0000,0000,,T-This church is...
Dialogue: 0,0:00:06.23,0:00:08.78,Dialogue1,,0000,0000,0000,,This weird twining of the ivy...
Dialogue: 0,0:00:08.78,0:00:10.73,Dialogue1,,0000,0000,0000,,It looks just like Manager’s head!
Dialogue: 0,0:00:11.74,0:00:15.70,Dialogue1,,0000,0000,0000,,That’s the place that led to\Nyou getting that hair style, right?
Dialogue: 0,0:00:17.54,0:00:19.29,Dialogue1,,0000,0000,0000,,Those words of Tsukino...
Dialogue: 0,0:00:19.87,0:00:22.87,Dialogue1,,0000,0000,0000,,It might just be that there’s some sort of
Dialogue: 0,0:00:22.87,0:00:26.73,Dialogue1,,0000,0000,0000,,weird karma between Manager and this church.
Dialogue: 0,0:00:27.30,0:00:28.50,Dialogue1,,0000,0000,0000,,Hello.
Dialogue: 0,0:00:30.22,0:00:33.51,Dialogue1,,0000,0000,0000,,Do you have any business with St. Andrew’s Church?
Dialogue: 0,0:00:33.51,0:00:35.76,Dialogue1,,0000,0000,0000,,Umm... No, I...
Dialogue: 0,0:00:35.76,0:00:37.56,Dialogue1,,0000,0000,0000,,Well, well, well, well, well...
Dialogue: 0,0:00:37.56,0:00:38.89,Dialogue1,,0000,0000,0000,,Let’s not stand here talking.
Dialogue: 0,0:00:38.89,0:00:40.10,Dialogue1,,0000,0000,0000,,Come on inside. Come on.
Dialogue: 0,0:00:40.10,0:00:41.85,Dialogue1,,0000,0000,0000,,Come, come, come, come in.
Dialogue: 0,0:00:41.85,0:00:42.89,Dialogue1,,0000,0000,0000,,P-P-Please wait.
Dialogue: 0,0:00:43.73,0:00:45.23,Dialogue1,,0000,0000,0000,,You find something unsatisfactory?
Dialogue: 0,0:00:45.23,0:00:48.32,Dialogue1,,0000,0000,0000,,No, it’s not unsatisfactory, but...
Dialogue: 0,0:00:48.98,0:00:52.24,Dialogue1,,0000,0000,0000,,I did come in search of this place, but...
Dialogue: 0,0:00:52.95,0:00:55.24,Dialogue1,,0000,0000,0000,,After seeing such a strangely shaped church,
Dialogue: 0,0:00:55.24,0:00:57.45,Dialogue1,,0000,0000,0000,,I’ve begun to question whether or\Nnot coming here was really a good idea.
Dialogue: 0,0:00:57.45,0:00:58.95,Dialogue1,,0000,0000,0000,,Attention!
Dialogue: 0,0:01:00.25,0:01:03.33,Dialogue1,,0000,0000,0000,,Be not deceived by what the eyes perceive.
Dialogue: 0,0:01:03.96,0:01:08.80,Dialogue1,,0000,0000,0000,,While this church may appear to be\Nof a suspicious nature in your eyes,
Dialogue: 0,0:01:08.80,0:01:12.34,Dialogue1,,0000,0000,0000,,that is only because there is a devil twisting
Dialogue: 0,0:01:12.34,0:01:15.05,Dialogue1,,0000,0000,0000,,its appearance nested within your heart.
Dialogue: 0,0:01:15.59,0:01:18.64,Dialogue1,,0000,0000,0000,,What? I don’t understand what you’re saying at all.
Dialogue: 0,0:01:19.35,0:01:20.64,Dialogue1,,0000,0000,0000,,Well, well, well, well...
Dialogue: 0,0:01:20.64,0:01:24.02,Dialogue1,,0000,0000,0000,,That and this, and everything\Nwill be explained inside at leisure.
Dialogue: 0,0:01:23.31,0:01:25.98,Dialogue3,,0000,0000,0000,,W-Wait. Umm...
Dialogue: 0,0:01:28.15,0:01:30.40,Dialogue0,,0000,0000,0000,,There’s English bread, German bread, and French bread,
Dialogue: 0,0:01:30.40,0:01:32.32,Dialogue0,,0000,0000,0000,,but Japan’s bread, {\i1}Japan{\i0}, does not exist.
Dialogue: 0,0:01:32.32,0:01:34.65,Dialogue0,,0000,0000,0000,,In that case, there’s no choice but to create it.
Dialogue: 0,0:01:34.65,0:01:38.06,Dialogue0,,0000,0000,0000,,This story is a serious, biographical ballad of a boy who possesses Solar Hands,
Dialogue: 0,0:01:38.06,0:01:43.29,Dialogue0,,0000,0000,0000,,Azuma Kazuma, who will create a Japanese bread made by and for the Japanese people,
Dialogue: 0,0:01:43.29,0:01:47.13,Dialogue0,,0000,0000,0000,,which can be presented to the world proudly.
Dialogue: 0,0:03:18.17,0:03:23.93,title,,0000,0000,0000,,{\fad(200,0)\pos(249,134)}The sticky showdown!!
Dialogue: 0,0:03:18.17,0:03:23.93,title,,0000,0000,0000,,{\an9\fad(200,0)\pos(676,319)}Azuma Kazuma vs Kanmuri Shigeru!
Dialogue: 0,0:03:19.05,0:03:20.51,Dialogue1,,0000,0000,0000,,The sticky showdown!!
Dialogue: 0,0:03:20.51,0:03:23.31,Dialogue1,,0000,0000,0000,,Azuma Kazuma vs Kanmuri Shigeru!
Dialogue: 0,0:03:26.00,0:03:28.68,Dialogue1,,0000,0000,0000,,Wh-Why are you locking the door?
Dialogue: 0,0:03:38.19,0:03:40.28,Dialogue1,,0000,0000,0000,,Okay. With this, we can relax.
Dialogue: 0,0:03:40.28,0:03:43.07,Dialogue1,,0000,0000,0000,,Wh-What do you mean relax?
Dialogue: 0,0:03:43.07,0:03:46.08,Dialogue1,,0000,0000,0000,,It’s even more suspicious\Nthan before. Now it’s even scary!
Dialogue: 0,0:03:46.08,0:03:47.20,Dialogue1,,0000,0000,0000,,No, no, no, no, no.
Dialogue: 0,0:03:47.20,0:03:50.79,Dialogue1,,0000,0000,0000,,I just wonder how many years\Nit’s been since a believer came here.
Dialogue: 0,0:03:50.79,0:03:51.96,Dialogue1,,0000,0000,0000,,O Lord!
Dialogue: 0,0:03:51.96,0:03:53.04,Dialogue1,,0000,0000,0000,,I thank thee.
Dialogue: 0,0:03:53.04,0:03:55.29,Dialogue1,,0000,0000,0000,,Exactly when did she decide I was a believer?
Dialogue: 0,0:03:55.29,0:03:57.55,Dialogue1,,0000,0000,0000,,Come, my lost lamb.
Dialogue: 0,0:03:57.55,0:03:59.47,Dialogue1,,0000,0000,0000,,There’s no need to be afraid any more.
Dialogue: 0,0:03:59.47,0:04:02.84,Dialogue1,,0000,0000,0000,,You’re the one making me lost and afraid!
Dialogue: 0,0:04:02.84,0:04:05.26,Dialogue1,,0000,0000,0000,,The Lord will encompass everything about you.
Dialogue: 0,0:04:05.76,0:04:07.39,Dialogue1,,0000,0000,0000,,No...
Dialogue: 0,0:04:07.39,0:04:10.69,Dialogue1,,0000,0000,0000,,Well, I don’t really care about God and such things.
Dialogue: 0,0:04:10.69,0:04:11.77,Dialogue1,,0000,0000,0000,,Well, well, well, well.
Dialogue: 0,0:04:11.77,0:04:13.90,Dialogue1,,0000,0000,0000,,There’s no need to be ashamed of your piety.
Dialogue: 0,0:04:13.90,0:04:15.82,Dialogue1,,0000,0000,0000,,You must be honest to your heart.
Dialogue: 0,0:04:15.82,0:04:19.02,Dialogue1,,0000,0000,0000,,For now, let’s start with a confession, shall we?
Dialogue: 0,0:04:19.61,0:04:21.40,Dialogue1,,0000,0000,0000,,I don’t need it!
Dialogue: 0,0:04:21.40,0:04:23.58,Dialogue1,,0000,0000,0000,,Even without that, I will...
Dialogue: 0,0:04:22.74,0:04:24.53,Dialogue3,,0000,0000,0000,,Yes, yes, yes, yes, yes, yes.
Dialogue: 0,0:04:28.95,0:04:30.50,Dialogue1,,0000,0000,0000,,W-Wait!
Dialogue: 0,0:04:30.50,0:04:31.79,Dialogue1,,0000,0000,0000,,Hey! What are you doing?!
Dialogue: 0,0:04:31.79,0:04:33.88,Dialogue1,,0000,0000,0000,,All right. Now...
Dialogue: 0,0:04:33.88,0:04:36.50,Dialogue1,,0000,0000,0000,,confess all your sins to date.
Dialogue: 0,0:04:37.55,0:04:40.00,Dialogue1,,0000,0000,0000,,Wh-What’s with this turn of events...?
Dialogue: 0,0:04:40.67,0:04:44.02,Dialogue1,,0000,0000,0000,,Be not afraid of confessing your sins.
Dialogue: 0,0:04:45.18,0:04:48.39,Dialogue1,,0000,0000,0000,,Should you truly repent within your heart,
Dialogue: 0,0:04:48.39,0:04:52.77,Dialogue1,,0000,0000,0000,,the Lord will forgive this, and that, and even those...
Dialogue: 0,0:04:52.77,0:04:56.52,Dialogue1,,0000,0000,0000,,He will forgive all your sins.
Dialogue: 0,0:04:57.15,0:04:59.32,Dialogue1,,0000,0000,0000,,Oh, is that so?
Dialogue: 0,0:04:59.32,0:05:02.03,Dialogue1,,0000,0000,0000,,But, I haven’t committed any particular sin...
Dialogue: 0,0:05:05.74,0:05:09.13,Dialogue1,,0000,0000,0000,,As I thought. You have indeed committed some sin.
Dialogue: 0,0:05:11.25,0:05:14.00,Dialogue1,,0000,0000,0000,,But, there is no need to fear.
Dialogue: 0,0:05:14.00,0:05:16.71,Dialogue1,,0000,0000,0000,,Humans are sinful beings by nature.
Dialogue: 0,0:05:16.71,0:05:19.17,Dialogue1,,0000,0000,0000,,Gather your courage and confess.
Dialogue: 0,0:05:19.17,0:05:22.01,Dialogue1,,0000,0000,0000,,The Lord will forgive you for sure.
Dialogue: 0,0:05:22.51,0:05:26.01,Dialogue2,,0000,0000,0000,,I don’t really believe in God, but...
Dialogue: 0,0:05:26.01,0:05:30.01,Dialogue2,,0000,0000,0000,,If I confess about that time, I might feel a little better.
Dialogue: 0,0:05:31.77,0:05:32.39,Dialogue1,,0000,0000,0000,,Hey.
Dialogue: 0,0:05:34.98,0:05:37.81,Dialogue2,,0000,0000,0000,,Success! Rolling pin slip plan, bingo!
Dialogue: 0,0:05:40.86,0:05:44.57,Dialogue1,,0000,0000,0000,,I stepped on something and fell.
Dialogue: 0,0:05:46.45,0:05:48.58,Dialogue1,,0000,0000,0000,,I’m begging you, it’s my life’s request.
Dialogue: 0,0:05:48.58,0:05:51.54,Dialogue1,,0000,0000,0000,,If I cannot remain after this exam, I...
Dialogue: 0,0:05:51.95,0:05:53.24,Dialogue1,,0000,0000,0000,,My little brother and sister...
Dialogue: 0,0:05:56.88,0:05:57.88,Dialogue2,,0000,0000,0000,,Is this guy a moron?
Dialogue: 0,0:05:57.88,0:06:00.33,Dialogue1,,0000,0000,0000,,Number 34, Kawachi-kun.
Dialogue: 0,0:06:00.80,0:06:05.09,Dialogue1,,0000,0000,0000,,I have decided to recruit you\Nto Pantasia’s main Tokyo store.
Dialogue: 0,0:06:05.59,0:06:06.97,Dialogue1,,0000,0000,0000,,Oh...
Dialogue: 0,0:06:06.97,0:06:07.72,Dialogue1,,0000,0000,0000,,U-Um...
Dialogue: 0,0:06:10.81,0:06:15.02,Dialogue1,,0000,0000,0000,,Actually... When I took the\NPantasia recruitment exam...
Dialogue: 0,0:06:18.10,0:06:19.35,Dialogue1,,0000,0000,0000,,What was that?!
Dialogue: 0,0:06:19.98,0:06:23.15,Dialogue1,,0000,0000,0000,,While it may have been for your family,\Nwhen you took the exam for that bakery,
Dialogue: 0,0:06:23.15,0:06:25.15,Dialogue1,,0000,0000,0000,,in order to flunk a person \Nnamed Azuma-san,
Dialogue: 0,0:06:25.15,0:06:28.78,Dialogue1,,0000,0000,0000,,on top of stepping on and destroying some {\i1}Japan{\i0} #56,
Dialogue: 0,0:06:28.78,0:06:32.24,Dialogue1,,0000,0000,0000,,you deceived that naive Azuma person and
Dialogue: 0,0:06:32.24,0:06:35.10,Dialogue1,,0000,0000,0000,,passed his achievement off as your own?!
Dialogue: 0,0:06:35.10,0:06:36.25,Dialogue1,,0000,0000,0000,,Ye... Yeah.
Dialogue: 0,0:06:36.25,0:06:37.46,Dialogue1,,0000,0000,0000,,And on top of that,
Dialogue: 0,0:06:37.46,0:06:40.96,Dialogue1,,0000,0000,0000,,you’re saying that you’re having this\Nperson take your revenge for you?!
Dialogue: 0,0:06:40.96,0:06:42.92,Dialogue1,,0000,0000,0000,,Uh. Yeah.
Dialogue: 0,0:06:43.34,0:06:44.59,Dialogue1,,0000,0000,0000,,And on TOP of that,
Dialogue: 0,0:06:44.59,0:06:48.01,Dialogue1,,0000,0000,0000,,even though you’re not a believer, you\Ndeceived me and received a confessional.
Dialogue: 0,0:06:48.01,0:06:51.43,Dialogue1,,0000,0000,0000,,And in addition, you come here to ask for
Dialogue: 0,0:06:51.43,0:06:55.04,Dialogue1,,0000,0000,0000,,the Church’s help as you cannot\Nwin with your own skill. Preposterous!
Dialogue: 0,0:06:56.39,0:06:59.00,Dialogue1,,0000,0000,0000,,The verdict is that you are the dregs of humanity.
Dialogue: 0,0:06:59.00,0:06:59.69,Dialogue1,,0000,0000,0000,,The dregs?
Dialogue: 0,0:06:59.69,0:07:02.44,Dialogue1,,0000,0000,0000,,Even the Lord would not be able to forgive this...
Dialogue: 0,0:07:02.44,0:07:04.15,Dialogue1,,0000,0000,0000,,You pig.
Dialogue: 0,0:07:04.15,0:07:06.49,Dialogue1,,0000,0000,0000,,P-Pig...?
Dialogue: 0,0:07:06.49,0:07:08.45,Dialogue1,,0000,0000,0000,,I’m on the same level as Umino Katsuo?
Dialogue: 0,0:07:14.83,0:07:18.16,Dialogue1,,0000,0000,0000,,But, earlier you said that the\NLord would forgive anything!
Dialogue: 0,0:07:18.16,0:07:21.12,Dialogue1,,0000,0000,0000,,Moreover, I had no intentions of deceiving you!
Dialogue: 0,0:07:21.88,0:07:25.47,Dialogue1,,0000,0000,0000,,You mistook me for a believer all by yourself!
Dialogue: 0,0:07:28.68,0:07:29.68,Dialogue1,,0000,0000,0000,,But then...
Dialogue: 0,0:07:29.68,0:07:32.93,Dialogue1,,0000,0000,0000,,if you were to lose \Nin the third place match,
Dialogue: 0,0:07:32.93,0:07:37.72,Dialogue1,,0000,0000,0000,,it’s also a fact that Yukino, an even greater villain than you, will have taken a lead.
Dialogue: 0,0:07:39.64,0:07:41.35,Dialogue1,,0000,0000,0000,,It can’t be helped.
Dialogue: 0,0:07:41.35,0:07:42.65,Dialogue1,,0000,0000,0000,,I will cooperate with you.
Dialogue: 0,0:07:43.27,0:07:44.94,Dialogue1,,0000,0000,0000,,Re-Really?
Dialogue: 0,0:07:44.94,0:07:46.27,Dialogue1,,0000,0000,0000,,In that case, let’s get the Father...
Dialogue: 0,0:07:46.27,0:07:47.78,Dialogue1,,0000,0000,0000,,Ah, about that...
Dialogue: 0,0:07:47.78,0:07:49.90,Dialogue1,,0000,0000,0000,,I have to refuse your request.
Dialogue: 0,0:07:49.90,0:07:52.28,Dialogue1,,0000,0000,0000,,Father Graham, whom you \Nwished to see, is...
Dialogue: 0,0:07:54.45,0:07:56.96,Dialogue1,,0000,0000,0000,,no longer in this world.
Dialogue: 0,0:07:57.70,0:07:59.41,Dialogue1,,0000,0000,0000,,He has risen to the heavens.
Dialogue: 0,0:07:59.41,0:08:01.88,Dialogue1,,0000,0000,0000,,Wh... What?!
Dialogue: 0,0:08:09.51,0:08:12.72,Dialogue1,,0000,0000,0000,,So, what in the world are you going to do, Azuma-san?
Dialogue: 0,0:08:13.43,0:08:16.06,Dialogue1,,0000,0000,0000,,With the petalite board \Nhaving disappeared...
Dialogue: 0,0:08:16.06,0:08:19.18,Dialogue1,,0000,0000,0000,,won’t it be an obstacle for\Nbaking the bread in the finals?
Dialogue: 0,0:08:20.02,0:08:22.56,Dialogue1,,0000,0000,0000,,No. Actually, this may have been\N for the best.
Dialogue: 0,0:08:22.56,0:08:23.48,Dialogue1,,0000,0000,0000,,What?
Dialogue: 0,0:08:23.98,0:08:26.73,Dialogue1,,0000,0000,0000,,Actually, that board was my second one.
Dialogue: 0,0:08:28.19,0:08:30.95,Dialogue1,,0000,0000,0000,,When I first had a board made...
Dialogue: 0,0:08:30.95,0:08:33.83,Dialogue1,,0000,0000,0000,,Delicious!!
Dialogue: 0,0:08:33.83,0:08:37.33,Dialogue1,,0000,0000,0000,,This is a truly delicious bread, Kazuma!
Dialogue: 0,0:08:37.33,0:08:41.17,Dialogue1,,0000,0000,0000,,I went to heaven and was\Nhaving fun there with the ladies!
Dialogue: 0,0:08:41.17,0:08:42.20,Dialogue1,,0000,0000,0000,,Really. This is delicious.
Dialogue: 0,0:08:44.38,0:08:46.84,Dialogue1,,0000,0000,0000,,I must thank Umasaburou as well.
Dialogue: 0,0:08:46.84,0:08:47.42,Dialogue1,,0000,0000,0000,,Yeah!
Dialogue: 0,0:08:48.13,0:08:53.18,Dialogue1,,0000,0000,0000,,As long as I have this board, \NI can make a delicious {\i1}Japan{\i0} anytime.
Dialogue: 0,0:08:53.18,0:08:54.14,Dialogue1,,0000,0000,0000,,Yeah.
Dialogue: 0,0:08:54.14,0:08:56.56,Dialogue1,,0000,0000,0000,,At that time, I really thought so,
Dialogue: 0,0:08:56.56,0:08:58.10,Dialogue1,,0000,0000,0000,,and got caught up in the moment.
Dialogue: 0,0:08:58.10,0:09:03.35,Dialogue1,,0000,0000,0000,,I depended on the board to\Nmake {\i1}Japan{\i0} #44 day after day.
Dialogue: 0,0:09:04.02,0:09:06.19,Dialogue1,,0000,0000,0000,,How is it? Is it good Grandpa?
Dialogue: 0,0:09:06.19,0:09:07.97,Dialogue1,,0000,0000,0000,,It’s good, but...
Dialogue: 0,0:09:08.40,0:09:10.19,Dialogue1,,0000,0000,0000,,But... everyone was...
Dialogue: 0,0:09:10.78,0:09:13.78,Dialogue1,,0000,0000,0000,,I’m beginning to get tired of having this everyday.
Dialogue: 0,0:09:13.78,0:09:17.20,Dialogue1,,0000,0000,0000,,Won’t you make #43 once in a while?
Dialogue: 0,0:09:17.20,0:09:19.37,Dialogue1,,0000,0000,0000,,No... No way!
Dialogue: 0,0:09:22.62,0:09:25.17,Dialogue1,,0000,0000,0000,,At that time, I realized it.
Dialogue: 0,0:09:25.75,0:09:29.21,Dialogue1,,0000,0000,0000,,No matter how delicious something is,\Nyou get sick of it if you eat it every day.
Dialogue: 0,0:09:30.63,0:09:36.26,Dialogue1,,0000,0000,0000,,So, I have to come up with various\Ntricks, and make all kinds of breads. Right?
Dialogue: 0,0:09:37.97,0:09:40.68,Dialogue1,,0000,0000,0000,,I don’t think Dave or Kuroyanagi
Dialogue: 0,0:09:40.68,0:09:44.62,Dialogue1,,0000,0000,0000,,would go to heaven again if they were to eat it either.
Dialogue: 0,0:09:44.62,0:09:45.48,Dialogue1,,0000,0000,0000,,So...
Dialogue: 0,0:09:46.11,0:09:48.97,Dialogue1,,0000,0000,0000,,So, I’ll make a new bread again.
Dialogue: 0,0:09:49.78,0:09:52.73,Dialogue1,,0000,0000,0000,,The new {\i1}Japan{\i0} #60!
Dialogue: 0,0:09:54.78,0:09:56.99,Dialogue1,,0000,0000,0000,,And we take on the finals with that!
Dialogue: 0,0:10:06.08,0:10:08.71,Dialogue1,,0000,0000,0000,,You seem to be doing\Nsomething awesome there, aren’t you?
Dialogue: 0,0:10:09.55,0:10:11.72,Dialogue1,,0000,0000,0000,,You developing some kind of chemical weapon?
Dialogue: 0,0:10:11.72,0:10:12.93,Dialogue1,,0000,0000,0000,,Of course not.
Dialogue: 0,0:10:13.80,0:10:15.89,Dialogue1,,0000,0000,0000,,Taiensei reinforcing yeast.
Dialogue: 0,0:10:15.89,0:10:17.80,Dialogue1,,0000,0000,0000,,It’s the Kaiyou yeast RAS.
Dialogue: 0,0:10:20.22,0:10:23.06,Dialogue1,,0000,0000,0000,,Taiensei? RAS?
Dialogue: 0,0:10:23.06,0:10:23.76,Dialogue1,,0000,0000,0000,,What’s that?
Dialogue: 0,0:10:25.40,0:10:29.07,Dialogue1,,0000,0000,0000,,Salt is extremely important in adding taste to all food,
Dialogue: 0,0:10:29.07,0:10:30.77,Dialogue1,,0000,0000,0000,,including bread.
Dialogue: 0,0:10:31.61,0:10:34.20,Dialogue1,,0000,0000,0000,,But, the yeast used regularly for bread,
Dialogue: 0,0:10:34.20,0:10:38.28,Dialogue1,,0000,0000,0000,,Saccharomyces cerevisiae,\Nhas a very low endurance to salt.
Dialogue: 0,0:10:38.78,0:10:40.66,Dialogue1,,0000,0000,0000,,That is, it’s weak against salt content.
Dialogue: 0,0:10:40.66,0:10:45.29,Dialogue1,,0000,0000,0000,,When you add salt to the dough, it\Ncan no longer work to its full capacity.
Dialogue: 0,0:10:45.62,0:10:49.21,Dialogue1,,0000,0000,0000,,But, this new Kaiyou yeast, RAS,
Dialogue: 0,0:10:49.21,0:10:51.29,Dialogue1,,0000,0000,0000,,has resilience against salt.
Dialogue: 0,0:10:52.04,0:11:02.30,RAS,,0000,0000,0000,,{\an1\pos(287,126)}Resilience
Dialogue: 0,0:10:51.96,0:11:02.30,RAS,,0000,0000,0000,,{\an1\pos(287,195)}Against
Dialogue: 0,0:10:51.79,0:10:51.88,RAS,,0000,0000,0000,,{\an1\pos(287,269)\clip(m 320 265 l 324 249 326 232 390 231 385 274)}Salt
Dialogue: 0,0:10:51.79,0:10:51.88,RAS,,0000,0000,0000,,{\an1\pos(287,195)\clip(m 333 194 l 336 170 335 157 368 159 371 173 373 192)}Against
Dialogue: 0,0:10:51.79,0:10:51.88,RAS,,0000,0000,0000,,{\an1\pos(287,126)\clip(m 339 88 l 339 108 339 129 370 133 368 115 367 100 364 89)}Resilience
Dialogue: 0,0:10:51.88,0:10:51.96,RAS,,0000,0000,0000,,{\an1\pos(287,195)\clip(m 304 197 l 310 176 314 160 386 156 389 170 393 197)}Against
Dialogue: 0,0:10:51.88,0:10:51.96,RAS,,0000,0000,0000,,{\an1\pos(287,126)\clip(m 319 87 l 316 107 316 134 386 132 383 116 382 99 381 87)}Resilience
Dialogue: 0,0:10:51.96,0:10:52.04,RAS,,0000,0000,0000,,{\an1\pos(287,126)\clip(m 299 92 l 295 110 292 134 409 135 408 119 405 101 381 87)}Resilience
Dialogue: 0,0:10:51.88,0:11:02.30,RAS,,0000,0000,0000,,{\an1\pos(287,269)}Salt
Dialogue: 0,0:11:02.30,0:11:09.02,RAS,,0000,0000,0000,,{\fs30\c&H673B25&\an1\pos(226,191)}Resilience against salt
Dialogue: 0,0:10:54.09,0:10:56.22,Dialogue1,,0000,0000,0000,,As these yeasts were living in sea water,
Dialogue: 0,0:10:56.22,0:11:01.85,Dialogue1,,0000,0000,0000,,they’re relatively resistant to salt.
Dialogue: 0,0:11:01.85,0:11:03.56,Dialogue1,,0000,0000,0000,,And by further reinforcing this characteristic,
Dialogue: 0,0:11:02.31,0:11:09.02,Long Note 2,,0000,0000,0000,,Note: “Tai” refers to resilience, “en” refers to salt and “sei” refers to nature. So, Taiensei = resilience against salt.
Dialogue: 0,0:11:03.56,0:11:06.90,Dialogue1,,0000,0000,0000,,we have improved the bread yeast so that it can work to 100% capacity,
Dialogue: 0,0:11:06.90,0:11:09.02,Dialogue1,,0000,0000,0000,,even if you add salt to the dough.\NAnd that’s what it is.
Dialogue: 0,0:11:11.02,0:11:12.10,Dialogue2,,0000,0000,0000,,Uh, she’s not there.
Dialogue: 0,0:11:16.24,0:11:18.32,Dialogue1,,0000,0000,0000,,Sounds boring.
Dialogue: 0,0:11:18.32,0:11:19.49,Dialogue1,,0000,0000,0000,,Are you going to continue?
Dialogue: 0,0:11:19.49,0:11:21.49,Dialogue1,,0000,0000,0000,,Uh, no.
Dialogue: 0,0:11:21.99,0:11:25.33,Dialogue2,,0000,0000,0000,,I explained only because you asked.
Dialogue: 0,0:11:25.33,0:11:26.50,Dialogue2,,0000,0000,0000,,You sow!
Dialogue: 0,0:11:27.17,0:11:29.25,Dialogue2,,0000,0000,0000,,Oh, whatever.
Dialogue: 0,0:11:29.25,0:11:32.04,Dialogue2,,0000,0000,0000,,Explaining anything more\Nthan this to an amateur is no use.
Dialogue: 0,0:11:32.04,0:11:34.50,Long Note 2,,0000,0000,0000,,Note: “Inu ni nenbutsu neko ni kona” ({\fs25\fnAXIS Std B\b1}犬に念仏 猫に小判{\r}) literally means saying prayers to a dog or casting gold before a cat. Both refer to how useless it is. Doing either is a big waste of resources.
Dialogue: 0,0:11:32.04,0:11:34.50,Dialogue2,,0000,0000,0000,,It would be like casting pearls before swine.
Dialogue: 0,0:11:35.34,0:11:36.80,Dialogue2,,0000,0000,0000,,Either way,
Dialogue: 0,0:11:36.80,0:11:41.47,Dialogue2,,0000,0000,0000,,if we were to give bread the ability to\Nferment and absorb water to 100% capacity,
Dialogue: 0,0:11:41.47,0:11:44.02,Dialogue2,,0000,0000,0000,,we would be able to create a dough with
Dialogue: 0,0:11:44.02,0:11:48.69,Dialogue2,,0000,0000,0000,,supreme elasticity and strength for the first time.
Dialogue: 0,0:11:48.69,0:11:52.52,Long Note 2,,0000,0000,0000,,Note: Mochi ({\fs25\fnAXIS Std B\b1}餅{\r}) refers to sticky rice cakes. Therefore, the mochi-mochi consistency refers to a sticky consistency like that of a mochi.
Dialogue: 0,0:11:48.69,0:11:52.52,Dialogue2,,0000,0000,0000,,A dough with the sticky\Nconsistency that the Japanese really like.
Dialogue: 0,0:11:55.24,0:12:00.50,Dialogue2,,0000,0000,0000,,Azuma-kun’s petalite board or my Kaiyou yeast RAS.
Dialogue: 0,0:12:01.12,0:12:04.16,Dialogue2,,0000,0000,0000,,Let’s see which one is superior at the finals.
Dialogue: 0,0:12:05.00,0:12:07.25,Dialogue1,,0000,0000,0000,,Aaah, so busy, so busy!
Dialogue: 0,0:12:07.25,0:12:09.75,Dialogue1,,0000,0000,0000,,Manager has gone off somewhere as usual.
Dialogue: 0,0:12:09.75,0:12:12.38,Dialogue1,,0000,0000,0000,,In addition, Kawachi-kun has gone off\Nfor confession at some church somewhere.
Dialogue: 0,0:12:13.09,0:12:16.34,Dialogue1,,0000,0000,0000,,Azuma-kun is busy with\Nresearch for a bread for the finals.
Dialogue: 0,0:12:16.34,0:12:20.13,Dialogue1,,0000,0000,0000,,And to top it off, Tsukino-san is\Nconstantly by Azuma-kun’s side.
Dialogue: 0,0:12:21.43,0:12:22.60,Dialogue1,,0000,0000,0000,,It’s truly tragic!
Dialogue: 0,0:12:22.60,0:12:24.89,Dialogue1,,0000,0000,0000,,Tsukino-san with Azuma-kun...
Dialogue: 0,0:12:28.14,0:12:30.14,Dialogue1,,0000,0000,0000,,No! Please! Please stop.
Dialogue: 0,0:12:30.14,0:12:32.18,Dialogue1,,0000,0000,0000,,It’s all right this way.
Dialogue: 0,0:12:33.15,0:12:33.89,Dialogue1,,0000,0000,0000,,A-Azuma!
Dialogue: 0,0:12:34.32,0:12:36.15,Dialogue1,,0000,0000,0000,,Stop. Please stop.
Dialogue: 0,0:12:37.31,0:12:38.53,Dialogue1,,0000,0000,0000,,It’s all right.
Dialogue: 0,0:12:38.53,0:12:39.78,Dialogue1,,0000,0000,0000,,It’s all right this way.
Dialogue: 0,0:12:40.41,0:12:41.53,Dialogue1,,0000,0000,0000,,No!!
Dialogue: 0,0:12:42.57,0:12:45.53,Dialogue1,,0000,0000,0000,,What are you doing, Azuma-kun?!
Dialogue: 0,0:12:45.95,0:12:50.17,Dialogue1,,0000,0000,0000,,If you do that, the bread will... The bread will...
Dialogue: 0,0:12:51.83,0:12:54.54,Dialogue1,,0000,0000,0000,,What are you doing? To my Tsukino-san?
Dialogue: 0,0:12:54.54,0:12:55.92,Dialogue1,,0000,0000,0000,,It’s all right.
Dialogue: 0,0:12:55.92,0:12:57.46,Dialogue1,,0000,0000,0000,,It’s all right this way.
Dialogue: 0,0:12:57.46,0:12:59.96,Dialogue1,,0000,0000,0000,,This is how we’ll make {\i1}Japan{\i0} #60.
Dialogue: 0,0:13:00.55,0:13:03.41,Dialogue1,,0000,0000,0000,,How we’ll make {\i1}Japan{\i0} #60...?
Dialogue: 0,0:13:03.42,0:13:04.72,Dialogue1,,0000,0000,0000,,Yeah.
Dialogue: 0,0:13:04.72,0:13:08.06,Dialogue1,,0000,0000,0000,,{\i1}Japan{\i0} #60 will be a sticky bread.
Dialogue: 0,0:13:08.06,0:13:09.98,Dialogue1,,0000,0000,0000,,A sticky bread...?
Dialogue: 0,0:13:30.33,0:13:33.00,Dialogue1,,0000,0000,0000,,All right. In 30 minutes, at 10:00 a.m.,
Dialogue: 0,0:13:33.00,0:13:37.00,Dialogue1,,0000,0000,0000,,the finals of the 39th\NPantasia Newcomers’ Battle will begin!
Dialogue: 0,0:13:38.34,0:13:41.21,Dialogue1,,0000,0000,0000,,From the Shinjuku Central Branch,\N Kanmuri Shigeru!
Dialogue: 0,0:13:41.88,0:13:44.51,Dialogue1,,0000,0000,0000,,From the Southern Tokyo Branch, \NAzuma Kazuma!
Dialogue: 0,0:13:45.93,0:13:47.72,Dialogue1,,0000,0000,0000,,Combatants, begin your preparations.
Dialogue: 0,0:13:52.10,0:13:53.47,Dialogue1,,0000,0000,0000,,Good luck to both of you!
Dialogue: 0,0:13:54.06,0:13:55.73,Dialogue1,,0000,0000,0000,,Make a good bread!
Dialogue: 0,0:14:08.45,0:14:10.82,Fermentation2,,0000,0000,0000,,{\shad0\fs30\bord1\c&HDFE1E3&\3c&H3B3D3F&\move(11,120,113,120)}Bread delicious enough to die for
Dialogue: 0,0:14:08.45,0:14:10.82,ArtisanV,,0000,0000,0000,,{\an1\frz270\move(551,109,654,109)}Examiner Kuroyanagi loses consciousness
Dialogue: 0,0:14:08.45,0:14:10.82,ArtisanV,,0000,0000,0000,,{\an1\frz270\move(446,164,549,164)\c&H303436&}Judge Dave also swoons
Dialogue: 0,0:14:08.45,0:14:10.82,ArtisanV,,0000,0000,0000,,{\an1\frz270\move(653,85,756,85)}The Bread Industry Promotional Newspaper
Dialogue: 0,0:13:59.48,0:14:01.44,Dialogue1,,0000,0000,0000,,There’s a lot of people...
Dialogue: 0,0:14:01.44,0:14:04.19,Dialogue1,,0000,0000,0000,,It’s true that every year the\Nfinals draw a big crowd, but...
Dialogue: 0,0:14:04.19,0:14:05.69,Dialogue1,,0000,0000,0000,,to think that it would be so many...
Dialogue: 0,0:14:06.86,0:14:08.45,Dialogue1,,0000,0000,0000,,This is the reason.
Dialogue: 0,0:14:11.20,0:14:14.41,Dialogue1,,0000,0000,0000,,Reporters who came to the\Nsemifinals put it into an article.
Dialogue: 0,0:14:14.41,0:14:18.83,Dialogue1,,0000,0000,0000,,It’s human nature to want to come see\Na bread that’s delicious enough to die for.
Dialogue: 0,0:14:20.05,0:14:21.80,Dialogue1,,0000,0000,0000,,That may be true...
Dialogue: 0,0:14:21.80,0:14:25.05,Dialogue1,,0000,0000,0000,,but, Azuma-san no longer has that board.
Dialogue: 0,0:14:25.84,0:14:29.26,Dialogue1,,0000,0000,0000,,Should he completely betray the audience’s hopes,
Dialogue: 0,0:14:29.26,0:14:31.39,Dialogue1,,0000,0000,0000,,it’ll be a repeat of what happened with Kawachi, huh?
Dialogue: 0,0:14:31.39,0:14:32.05,Dialogue1,,0000,0000,0000,,Yes.
Dialogue: 0,0:14:32.56,0:14:36.90,Dialogue1,,0000,0000,0000,,In Kawachi’s case, it was because of\Nsomeone’s interference and manipulation.
Dialogue: 0,0:14:36.90,0:14:40.31,Dialogue1,,0000,0000,0000,,If he’d been able to show his skills, he should have been able to make a decent bread.
Dialogue: 0,0:14:43.11,0:14:46.20,Dialogue1,,0000,0000,0000,,Anyway, there’s nothing more we can do.
Dialogue: 0,0:14:46.20,0:14:49.33,Dialogue1,,0000,0000,0000,,He seems to have thought something up.
Dialogue: 0,0:14:50.58,0:14:52.45,Dialogue1,,0000,0000,0000,,For now, we have to just believe in him.
Dialogue: 0,0:14:53.16,0:14:54.00,Dialogue1,,0000,0000,0000,,Yes.
Dialogue: 0,0:14:55.96,0:14:56.79,Dialogue1,,0000,0000,0000,,Yo.
Dialogue: 0,0:14:56.79,0:15:01.00,Dialogue1,,0000,0000,0000,,From that expression, it appears you\Nhave nothing to worry about, Azuma-kun?
Dialogue: 0,0:15:01.54,0:15:02.75,Dialogue1,,0000,0000,0000,,Is that so?
Dialogue: 0,0:15:03.25,0:15:06.21,Dialogue1,,0000,0000,0000,,Is it because of that famous board\Nof yours? That composure of yours...
Dialogue: 0,0:15:06.97,0:15:08.26,Dialogue1,,0000,0000,0000,,My famous board?
Dialogue: 0,0:15:08.26,0:15:10.47,Dialogue1,,0000,0000,0000,,You don’t have to pretend.
Dialogue: 0,0:15:11.18,0:15:16.27,Dialogue1,,0000,0000,0000,,The board you used to make the bread\Nthat sent Kuroyanagi-senpai to heaven.
Dialogue: 0,0:15:16.27,0:15:17.98,Dialogue1,,0000,0000,0000,,Ah. That...
Dialogue: 0,0:15:17.98,0:15:19.98,Dialogue1,,0000,0000,0000,,I’m not going to use that in the finals.
Dialogue: 0,0:15:20.94,0:15:23.07,Dialogue1,,0000,0000,0000,,No, I can’t use it.
Dialogue: 0,0:15:23.07,0:15:24.19,Dialogue1,,0000,0000,0000,,Because it disappeared.
Dialogue: 0,0:15:25.90,0:15:27.65,Dialogue1,,0000,0000,0000,,It disappeared?
Dialogue: 0,0:15:27.65,0:15:28.78,Dialogue1,,0000,0000,0000,,Yeah.
Dialogue: 0,0:15:28.78,0:15:30.03,Dialogue1,,0000,0000,0000,,After the semifinals,
Dialogue: 0,0:15:30.03,0:15:33.58,Dialogue1,,0000,0000,0000,,when I realized that I’d forgotten the\Nboard in the oven, I returned to pick it up.
Dialogue: 0,0:15:33.58,0:15:36.62,Dialogue1,,0000,0000,0000,,But, at that time, it was no longer...
Dialogue: 0,0:15:37.46,0:15:40.12,Dialogue1,,0000,0000,0000,,That was pretty careless of you.
Dialogue: 0,0:15:40.54,0:15:41.46,Dialogue2,,0000,0000,0000,,It can’t be!
Dialogue: 0,0:15:41.46,0:15:44.17,Dialogue2,,0000,0000,0000,,I told her so much not to interfere with the finals, yet...
Dialogue: 0,0:15:44.17,0:15:45.72,Dialogue2,,0000,0000,0000,,That woman!
Dialogue: 0,0:15:47.18,0:15:50.51,Dialogue1,,0000,0000,0000,,Oh, calling me pretty.\N Gee, you’re really good.
Dialogue: 0,0:15:50.51,0:15:52.88,Dialogue1,,0000,0000,0000,,To catch an ordinary girl like myself...
Dialogue: 0,0:15:52.88,0:15:54.89,Dialogue1,,0000,0000,0000,,Are you done talking?
Dialogue: 0,0:15:55.39,0:16:00.81,Dialogue1,,0000,0000,0000,,Anyway, a tall woman took\Nthat board away somewhere.
Dialogue: 0,0:16:00.81,0:16:02.89,Dialogue1,,0000,0000,0000,,That’s why it disappeared. That’s all.
Dialogue: 0,0:16:03.61,0:16:05.73,Dialogue1,,0000,0000,0000,,We have nothing more\N to discuss with you.
Dialogue: 0,0:16:05.73,0:16:07.58,Dialogue1,,0000,0000,0000,,Let’s go, Azuma-san.
Dialogue: 0,0:16:09.11,0:16:11.49,Dialogue1,,0000,0000,0000,,Oh well. The culprit is probably my boss.
Dialogue: 0,0:16:13.53,0:16:16.24,Dialogue1,,0000,0000,0000,,After all, that’s the only thing we can think of, right?
Dialogue: 0,0:16:17.95,0:16:21.46,Dialogue1,,0000,0000,0000,,I told her not to interfere, but...
Dialogue: 0,0:16:21.92,0:16:22.67,Dialogue1,,0000,0000,0000,,Is it all right?
Dialogue: 0,0:16:22.67,0:16:24.93,Dialogue1,,0000,0000,0000,,For you to make such a thoughtless statement?
Dialogue: 0,0:16:25.75,0:16:30.71,Dialogue1,,0000,0000,0000,,I’m not hanging around with\Nthat woman because I like it.
Dialogue: 0,0:16:33.18,0:16:34.60,Dialogue1,,0000,0000,0000,,Well then, Azuma-kun.
Dialogue: 0,0:16:34.60,0:16:37.43,Dialogue1,,0000,0000,0000,,Sadly, that board has disappeared.
Dialogue: 0,0:16:38.18,0:16:39.85,Dialogue1,,0000,0000,0000,,And yet, you’re very composed.
Dialogue: 0,0:16:39.85,0:16:41.43,Dialogue1,,0000,0000,0000,,Do you have some sort of secret plan?
Dialogue: 0,0:16:42.02,0:16:43.44,Dialogue1,,0000,0000,0000,,Of course.
Dialogue: 0,0:16:43.44,0:16:48.40,Dialogue1,,0000,0000,0000,,Even if I can’t make {\i1}Japan{\i0} #44, \NI still have {\i1}Japan{\i0} #60.
Dialogue: 0,0:16:48.40,0:16:49.82,Dialogue1,,0000,0000,0000,,I won’t lose to you.
Dialogue: 0,0:16:51.32,0:16:53.49,Dialogue1,,0000,0000,0000,,I feel reassured after hearing that.
Dialogue: 0,0:16:53.49,0:16:55.28,Dialogue1,,0000,0000,0000,,I’ll go with all I have as well.
Dialogue: 0,0:16:55.28,0:16:57.28,Dialogue1,,0000,0000,0000,,Let’s both do our best.
Dialogue: 0,0:16:57.58,0:16:58.33,Dialogue1,,0000,0000,0000,,All right!
Dialogue: 0,0:17:03.04,0:17:04.50,Dialogue2,,0000,0000,0000,,Just as you’d expect from the man who’s supposed
Dialogue: 0,0:17:04.50,0:17:07.50,Dialogue2,,0000,0000,0000,,to have made a bread delicious enough to die for.
Dialogue: 0,0:17:07.50,0:17:11.09,Dialogue2,,0000,0000,0000,,He doesn’t even quiver at losing his board.\NThat’s some amazing confidence.
Dialogue: 0,0:17:11.80,0:17:16.97,Dialogue2,,0000,0000,0000,,But... that weird name {\i1}Japan{\i0}.\NI wonder if it means Japan’s bread...
Dialogue: 0,0:17:16.97,0:17:19.35,Dialogue2,,0000,0000,0000,,I’ll ask him after the match is over.
Dialogue: 0,0:17:23.48,0:17:26.23,Dialogue1,,0000,0000,0000,,What were you talking about with the cockroaches?
Dialogue: 0,0:17:26.82,0:17:28.98,Dialogue1,,0000,0000,0000,,A little talk about the nature of society.
Dialogue: 0,0:17:29.48,0:17:31.44,Dialogue2,,0000,0000,0000,,The only cockroach here is you.
Dialogue: 0,0:17:33.24,0:17:34.41,Dialogue1,,0000,0000,0000,,Oh yeah.
Dialogue: 0,0:17:34.41,0:17:38.16,Dialogue1,,0000,0000,0000,,I’ve placed a demolition team on standby\Nat your research facility.
Dialogue: 0,0:17:38.16,0:17:39.74,Dialogue1,,0000,0000,0000,,A bomb?!
Dialogue: 0,0:17:40.12,0:17:41.96,Dialogue1,,0000,0000,0000,,It’s insurance!
Dialogue: 0,0:17:41.96,0:17:43.54,Dialogue1,,0000,0000,0000,,In case you lose, of course.
Dialogue: 0,0:17:43.54,0:17:45.75,Dialogue1,,0000,0000,0000,,And should you betray me,\Nyou know what will happen...
Dialogue: 0,0:17:45.75,0:17:47.25,Dialogue1,,0000,0000,0000,,You understand, right?
Dialogue: 0,0:17:47.88,0:17:49.71,Dialogue2,,0000,0000,0000,,In addition to the yeast,
Dialogue: 0,0:17:49.71,0:17:54.97,Dialogue2,,0000,0000,0000,,all my research data, second only to\Nmy life in importance, is collected there.
Dialogue: 0,0:17:55.59,0:17:57.98,Dialogue2,,0000,0000,0000,,No matter what, she’s not\Ngoing to allow me to go against her.
Dialogue: 0,0:17:58.43,0:17:59.72,Dialogue2,,0000,0000,0000,,This sow!
Dialogue: 0,0:18:00.47,0:18:04.47,Dialogue1,,0000,0000,0000,,Should I transmit a certain\Ncode from this cell phone... Boom!
Dialogue: 0,0:18:05.10,0:18:06.43,Dialogue1,,0000,0000,0000,,Bomb voyage.
Dialogue: 0,0:18:11.86,0:18:13.48,Dialogue1,,0000,0000,0000,,Hey, Manager.
Dialogue: 0,0:18:14.15,0:18:17.53,Dialogue1,,0000,0000,0000,,Why is he on the side of someone that he doesn’t like?
Dialogue: 0,0:18:18.58,0:18:19.49,Dialogue1,,0000,0000,0000,,Probably the money.
Dialogue: 0,0:18:20.12,0:18:21.29,Dialogue1,,0000,0000,0000,,Money?
Dialogue: 0,0:18:21.29,0:18:24.71,Dialogue1,,0000,0000,0000,,Yeast, wheat flour and chemical seasoning.
Dialogue: 0,0:18:24.71,0:18:26.25,Dialogue1,,0000,0000,0000,,While the bread may disappear in one bite,
Dialogue: 0,0:18:26.25,0:18:29.50,Dialogue1,,0000,0000,0000,,a great deal of funding is\Nrequired for scientific research.
Dialogue: 0,0:18:29.50,0:18:32.75,Dialogue1,,0000,0000,0000,,And an individual can’t come up\Nwith that kind of funding by himself.
Dialogue: 0,0:18:33.30,0:18:35.81,Dialogue1,,0000,0000,0000,,Research scientists have it pretty hard, huh?
Dialogue: 0,0:18:39.51,0:18:42.60,Dialogue2,,0000,0000,0000,,Come to think of it, you were also like that in the past,
Dialogue: 0,0:18:42.60,0:18:43.89,Dialogue2,,0000,0000,0000,,Kuroyanagi...
Dialogue: 0,0:18:44.89,0:18:47.57,Dialogue1,,0000,0000,0000,,Kuroyanagi-san. It’s almost 10:00 a.m.
Dialogue: 0,0:18:48.90,0:18:49.69,Dialogue1,,0000,0000,0000,,Very well.
Dialogue: 0,0:18:49.69,0:18:53.90,Dialogue1,,0000,0000,0000,,We now begin the finals of the\N39th Pantasia Newcomers’ Battle.
Dialogue: 0,0:18:53.90,0:18:55.23,Dialogue1,,0000,0000,0000,,Both of you, step to the counter.
Dialogue: 0,0:19:01.95,0:19:03.54,Dialogue1,,0000,0000,0000,,Begin the finals!
Dialogue: 0,0:19:12.71,0:19:14.17,Dialogue2,,0000,0000,0000,,Azuma-kun.
Dialogue: 0,0:19:14.17,0:19:15.88,Dialogue2,,0000,0000,0000,,I have nothing against you, but...
Dialogue: 0,0:19:15.88,0:19:17.97,Dialogue2,,0000,0000,0000,,I can’t afford to lose either.
Dialogue: 0,0:19:17.97,0:19:19.38,Dialogue2,,0000,0000,0000,,I’m going to win.
Dialogue: 0,0:19:21.68,0:19:27.68,Long Note 2,,0000,0000,0000,,Note: Pan au rustique: A country style white bread with a thick crust.
Dialogue: 0,0:19:21.68,0:19:27.68,Dialogue2,,0000,0000,0000,,With the pan au rustique created with these\NSolar Hands and the Kaiyou yeast RAS.
Dialogue: 0,0:19:32.48,0:19:33.19,Dialogue1,,0000,0000,0000,,That’s absurd!
Dialogue: 0,0:19:33.19,0:19:34.98,Dialogue1,,0000,0000,0000,,That’s too much water for the amount of flour in there.
Dialogue: 0,0:19:34.98,0:19:36.38,Dialogue2,,0000,0000,0000,,It’s not just that.
Dialogue: 0,0:19:36.38,0:19:37.48,Dialogue2,,0000,0000,0000,,This is sea water.
Dialogue: 0,0:19:38.24,0:19:43.41,Long Note 2,,0000,0000,0000,,Note: Kaiyoushinsousui ({\fs25\fnAXIS Std B\b1}海洋深層水{\r}) refers to ocean water drawn from a great depth.
Dialogue: 0,0:19:38.24,0:19:43.41,Dialogue2,,0000,0000,0000,,It’s Kaiyoushinsousui, a mineral rich\Nwater drawn from a depth of greater
Dialogue: 0,0:19:43.41,0:19:46.12,Dialogue2,,0000,0000,0000,,than 350 meters in the Pacific Ocean.
Dialogue: 0,0:19:46.12,0:19:51.21,Dialogue2,,0000,0000,0000,,The salt content of this sea water would\Nnormally reduce the efficiency of yeast.
Dialogue: 0,0:19:51.21,0:19:54.71,Dialogue2,,0000,0000,0000,,But, the RAS, which is resilient to salt,
Dialogue: 0,0:19:54.71,0:19:57.50,Dialogue2,,0000,0000,0000,,won’t care about this absurd amount of water.
Dialogue: 0,0:19:58.43,0:20:01.93,Dialogue2,,0000,0000,0000,,And, this salt-rich water will bestow upon bread
Dialogue: 0,0:20:01.93,0:20:07.51,Dialogue2,,0000,0000,0000,,the moist, sticky, spongy\Nconsistency that the Japanese love.
Dialogue: 0,0:20:08.02,0:20:10.69,Dialogue2,,0000,0000,0000,,It’s physically impossible to create a\Ndough of this level using other techniques.
Dialogue: 0,0:20:10.69,0:20:14.77,Dialogue2,,0000,0000,0000,,No matter how much you struggle,\Nyou have no chance of winning this...
Dialogue: 0,0:20:17.86,0:20:19.11,Dialogue1,,0000,0000,0000,,What’s he doing?!
Dialogue: 0,0:20:19.11,0:20:21.11,Dialogue1,,0000,0000,0000,,It’s not just that the water is too much!
Dialogue: 0,0:20:21.66,0:20:24.11,Dialogue1,,0000,0000,0000,,He’s washing the dough he’s kneaded with water.
Dialogue: 0,0:20:24.53,0:20:25.95,Dialogue2,,0000,0000,0000,,N-No way!
Dialogue: 0,0:20:25.95,0:20:30.58,Dialogue2,,0000,0000,0000,,If you do that, the starch of the\Ndough will dissolve and it will break up.
Dialogue: 0,0:20:31.04,0:20:32.13,Dialogue2,,0000,0000,0000,,Azuma-kun...
Dialogue: 0,0:20:32.13,0:20:35.58,Dialogue2,,0000,0000,0000,,Your earlier confidence. Was that a bluff?
Dialogue: 0,0:20:37.67,0:20:39.22,Dialogue1,,0000,0000,0000,,But, wait.
Dialogue: 0,0:20:39.22,0:20:42.97,Dialogue1,,0000,0000,0000,,I don’t think that {\i1}Japan{\i0} #44\N was made like that.
Dialogue: 0,0:20:42.97,0:20:45.43,Dialogue1,,0000,0000,0000,,So, what in the world is he making?
Dialogue: 0,0:20:45.43,0:20:49.27,Dialogue1,,0000,0000,0000,,He wouldn’t be making fun of us, \Nwould he?
Dialogue: 0,0:20:49.27,0:20:53.14,Dialogue1,,0030,0030,0000,,Or maybe he’s unwilling to make the bread to die for, saying it’s a trade secret or something?
Dialogue: 0,0:20:53.61,0:20:55.11,Dialogue1,,0000,0000,0000,,Don’t mess with us, brat!
Dialogue: 0,0:20:55.11,0:20:58.36,Dialogue1,,0000,0000,0000,,We’ve come here to see your {\i1}Japan{\i0} #44 dammit!
Dialogue: 0,0:20:58.86,0:21:01.74,Dialogue1,,0000,0000,0000,,We don’t want to see you playing\Nat washing some bread!
Dialogue: 0,0:21:01.74,0:21:03.21,Dialogue1,,0000,0000,0000,,Yeah. Yeah!
Dialogue: 0,0:21:06.53,0:21:07.95,Dialogue1,,0000,0000,0000,,Manager.
Dialogue: 0,0:21:08.49,0:21:10.45,Dialogue1,,0000,0000,0000,,It’s turned into the situation we feared after all.
Dialogue: 0,0:21:14.21,0:21:17.13,Dialogue1,,0000,0000,0000,,E-Everyone in the audience,\Ncalm down!
Dialogue: 0,0:21:17.13,0:21:18.21,Dialogue1,,0000,0000,0000,,Please calm down!
Dialogue: 0,0:21:18.59,0:21:19.84,Dialogue1,,0000,0000,0000,,Yeah!
Dialogue: 0,0:21:19.84,0:21:21.42,Dialogue1,,0000,0000,0000,,Please don’t cause a disturbance!
Dialogue: 0,0:21:22.01,0:21:25.60,Dialogue2,,0000,0000,0000,,Exactly. Exactly. That’s the way.
Dialogue: 0,0:21:25.60,0:21:28.22,Dialogue2,,0000,0000,0000,,Cause even more of a disturbance.
Dialogue: 0,0:21:28.22,0:21:30.05,Dialogue2,,0000,0000,0000,,Beat those filthy cockroaches up completely.
Dialogue: 0,0:21:34.35,0:21:36.27,Dialogue2,,0000,0000,0000,,He’s washing the dough.
Dialogue: 0,0:21:36.27,0:21:40.82,Dialogue2,,0000,0000,0000,,It seems that Azuma is doing\Nsomething unexpected again.
Dialogue: 0,0:21:42.82,0:21:44.78,Dialogue2,,0000,0000,0000,,Just as expected of my rival.
Dialogue: 0,0:21:44.78,0:21:48.91,Dialogue2,,0000,0000,0000,,But, the really unexpected thing is going to happen...
Dialogue: 0,0:22:03.68,0:22:05.73,Dialogue2,,0000,0000,0000,,at my end.
Dialogue: 0,0:22:11.85,0:22:13.48,Dialogue1,,0000,0000,0000,,Don’t mess with us!
Dialogue: 0,0:22:13.48,0:22:15.02,Dialogue1,,0000,0000,0000,,Do this seriously!
Dialogue: 0,0:22:15.81,0:22:17.52,Dialogue2,,0000,0000,0000,,It’s all right like this.
Dialogue: 0,0:22:17.52,0:22:18.91,Dialogue2,,0000,0000,0000,,Like this...
Dialogue: 0,0:22:21.73,0:22:23.70,Dialogue2,,0000,0000,0000,,Azuma Kazuma.
Dialogue: 0,0:22:23.70,0:22:27.99,Dialogue2,,0000,0000,0000,,What in... What in the world are you doing?
Dialogue: 0,0:24:04.96,0:24:15.43,Next Episode,,0000,0000,0000,,{\pos(579,41)}Next Episode
Dialogue: 0,0:24:05.69,0:24:07.71,Dialogue1,,0000,0000,0000,,Kanmuri Shigeru from the Central Shinjuku Branch.
Dialogue: 0,0:24:07.71,0:24:10.01,Dialogue1,,0000,0000,0000,,And Azuma Kazuma, from the Southern Tokyo Branch.
Dialogue: 0,0:24:10.01,0:24:14.66,Dialogue1,,0000,0000,0000,,The winner of the 39th Pantasia newcomers’ battle will be decided at last! {a-e typically had their subs broken up into smaller timing intervals, but there’s not a good place to split the line and retain equitable text/duration distribution}
Dialogue: 0,0:24:14.66,0:24:16.11,Dialogue1,,0000,0000,0000,,Next time, on Yakitate!! Japan,
Dialogue: 0,0:24:16.11,0:24:18.56,Dialogue1,,0000,0000,0000,,Meister flying in the air!! \NWho will be the winner?!
Dialogue: 0,0:24:15.47,0:24:19.89,title,,0000,0000,0000,,{\fad(200,0)\pos(263,137)}Meister flying in the air!!
Dialogue: 0,0:24:15.47,0:24:19.89,title,,0000,0000,0000,,{\an9\fad(200,0)\pos(675,318)}Who will be the winner?!
Dialogue: 0,0:24:18.56,0:24:19.90,Dialogue1,,0000,0000,0000,,Be sure to watch.
Dialogue: 0,0:24:20.60,0:24:22.69,Dialogue1,,0000,0000,0000,,Yakitate!! Seed of knowledge.
Dialogue: 0,0:24:23.60,0:24:31.69,Fermentation2,,0000,0000,0000,,{\fad(350,0)\shad0\3c&H5F3E20&\pos(216,189)}Kaiyoushinsousui
Dialogue: 0,0:24:25.10,0:24:26.73,Fermentation2,,0000,0000,0000,,{\fad(450,450)\shad0\c&HDEC432&\3c&H2C2115&\pos(169,299)}Depth greater than 200m
Dialogue: 0,0:24:27.69,0:24:29.32,Fermentation2,,0000,0000,0000,,{\fad(450,450)\shad0\c&H9AD0F8&\3c&H131A20&\pos(143,94)}2000 years of fermentation
Dialogue: 0,0:24:23.06,0:24:24.77,Dialogue1,,0000,0000,0000,,The Kaiyoushinsousui that Kanmuri developed
Dialogue: 0,0:24:24.77,0:24:27.99,Dialogue1,,0000,0000,0000,,is found at a depth of greater than 200m\Nunderwater, where sunlight doesn’t reach.
Dialogue: 0,0:24:27.99,0:24:31.69,Dialogue1,,0000,0000,0000,,The water is rich in minerals as it\Nhas been fermenting for 2000 years.
Dialogue: 0,0:24:32.16,0:24:34.17,Dialogue1,,0000,0000,0000,,Huh?
Dialogue: 0,0:22:43.17,0:22:44.80,ED Romaji,,0000,0000,0000,,{\fad(90,0)}{\k9}{\kf29}Now {\kf50}every{\kf41}body {\kf34}move{\k0}
Dialogue: 0,0:22:44.80,0:22:46.09,ED Romaji,,0000,0000,0000,,{\k5}{\kf19}Can {\kf10}you {\kf13}get {\kf10}a {\kf21}little {\kf26}some{\kf25}thin'{\k0}
Dialogue: 0,0:22:46.09,0:22:46.80,ED Romaji,,0000,0000,0000,,{\kf31}Got {\kf13}to {\kf27}do
Dialogue: 0,0:22:46.80,0:22:48.18,ED Romaji,,0000,0000,0000,,{\kf40}So {\kf15}bet{\kf9}ter {\kf11}be{\kf41}lieve {\kf22}in
Dialogue: 0,0:22:48.18,0:22:49.22,ED Romaji,,0000,0000,0000,,{\kf19}Bet{\kf14}ter {\kf13}be{\kf36}lieve {\kf22}in
Dialogue: 0,0:22:49.22,0:22:51.43,ED Romaji,,0000,0000,0000,,{\kf18}Bet{\kf13}ter {\kf10}be{\kf39}lieve {\kf21}in {\kf21}your{\kf63}self{\k36}
Dialogue: 0,0:22:51.43,0:22:52.06,ED Romaji,,0000,0000,0000,,{\kf42}C'mon!{\k21}
Dialogue: 0,0:22:52.06,0:22:54.02,ED Romaji,,0000,0000,0000,,{\k45}"D-{\k38}r-{\k43}e-{\k40}a-{\k30}m"{\k0}
Dialogue: 0,0:22:54.02,0:22:54.39,ED Romaji,,0000,0000,0000,,{\kf36}"Dream"
Dialogue: 0,0:22:54.39,0:22:56.15,ED Romaji,,0000,0000,0000,,{\k3}{\k10}Ko{\k12}no {\k9}mu{\k17}ne {\k14}ni {\k16}{\k13}de{\k7}k{\k16}ka{\k10}ku {\k7}tsu{\k21}yo{\k12}ku{\k9}
Dialogue: 0,0:22:56.15,0:22:58.27,ED Romaji,,0000,0000,0000,,{\k2}{\k12}Hi{\k13}ka{\k10}ri {\k13}ka{\k12}ga{\k10}ya{\k7}i{\k10}te {\k16}ma{\k11}ke{\k9}na{\k10}i {\k4}ma{\k17}na{\k24}za{\k19}shi{\k13}
Dialogue: 0,0:22:58.27,0:23:00.27,ED Romaji,,0000,0000,0000,,{\k5}{\k14}Te{\k20}sa{\k8}gu{\k9}ri {\k13}de {\k14}sa{\k15}ga{\k11}shi{\k16}ta {\k9}ka{\k13}ze {\k12}n {\k17}na{\k14}ka{\k10}
Dialogue: 0,0:23:00.27,0:23:01.57,ED Romaji,,0000,0000,0000,,{\k5}{\k8}Ko{\k14}ta{\k10}e {\k9}na{\k7}n{\k12}ka {\k13}ma{\k16}da{\k20} {\k16}Un...{\k0}
Dialogue: 0,0:23:01.57,0:23:04.49,ED Romaji,,0000,0000,0000,,{\k4}{\k10}i{\k13}ma{\k0} {\k10}wa{\k1} {\k14}ma{\k12}da{\k15} {\k33}Chance {\k6}u{\k16}ka{\k14}ga{\k9}t{\k8}te {\k14}ma{\k11}tsu {\k4}I {\k13}got {\k10}shi{\k17}ta{\k11}ta{\k11}ka{\k20}sa{\k16}
Dialogue: 0,0:23:04.49,0:23:06.28,ED Romaji,,0000,0000,0000,,{\k4}{\k27}Sa{\k15}ke{\k12}n{\k7}de{\k7}ru {\k6}da{\k15}ke {\k15}no {\k13}Pri{\k13}so{\k18}ner {\k7}ja {\k7}da{\k8}me {\k5}da{\k0}
Dialogue: 0,0:23:06.28,0:23:08.07,ED Romaji,,0000,0000,0000,,{\k3}{\kf27}Just {\kf27}Follow {\kf15}Me!{\k13} {\k8}to{\k8}ki {\k9}ni {\k14}ka{\k10}ta {\k14}ka{\k8}su {\k7}ka{\k16}ra{\k0}
Dialogue: 0,0:23:08.07,0:23:08.62,ED Romaji,,0000,0000,0000,,{\k6}{\kf22}Yo {\kf25}got{\k2}
Dialogue: 0,0:23:08.62,0:23:10.62,ED Romaji,,0000,0000,0000,,{\k3}{\k42}"D-{\k39}i-{\k40}g-{\k38}g-{\k37}y"{\k1}
Dialogue: 0,0:23:11.37,0:23:12.70,ED Romaji,,0000,0000,0000,,{\k3}{\kf37}"Step {\kf23}in{\kf28}to {\kf13}tha {\kf29}game"
Dialogue: 0,0:23:12.70,0:23:14.20,ED Romaji,,0000,0000,0000,,{\k4}{\kf11}It {\kf21}ain't {\kf14}no{\kf14}thin' {\kf22}no{\kf17}bo{\kf12}dy {\kf13}can {\kf22}say{\k0}
Dialogue: 0,0:23:14.21,0:23:16.92,ED Romaji,,0000,0000,0000,,{\k4}{\kf16}'Cuz {\kf19}I {\kf13}ne{\kf13}va {\kf14}can {\kf26}let {\kf20}my {\kf34}dream {\kf14}get {\kf12}a{\kf21}way {\k18}{\kf16}un{\k31}
Dialogue: 0,0:23:16.92,0:23:18.17,ED Romaji,,0000,0000,0000,,{\k3}{\k14}Ke{\k11}sshi{\k11}te {\k10}ha{\k9}ka{\k14}nai {\k8}yu{\k15}me {\k12}ja {\k18}nai
Dialogue: 0,0:23:18.17,0:23:21.05,ED Romaji,,0000,0000,0000,,{\k3}{\k9}ko{\k10}no {\k10}o{\k12}mo{\k9}i {\k10}to{\k16}do{\k10}ke{\k21}you{\k14} {\kf26}Heart {\kf11}to {\kf25}Heart, {\kf27}Soul {\kf10}to {\kf29}Soul{\k36}
Dialogue: 0,0:23:21.05,0:23:23.09,ED Romaji,,0000,0000,0000,,{\k3}{\k27}me{\k7}gu{\k7}ru {\k12}ki{\k13}se{\k12}tsu {\k16}Spring {\k31}Storm {\k9}no {\k13}you {\k10}ni {\k12}go{\k11}u{\k21}kai{\k0}
Dialogue: 0,0:23:23.09,0:23:24.51,ED Romaji,,0000,0000,0000,,{\k6}{\k26}Win {\k25}Big {\k14}ga {\k25}mot{\k33}to{\k9}
Dialogue: 0,0:23:24.51,0:23:26.72,ED Romaji,,0000,0000,0000,,{\k3}{\k22}Some {\k22}say, {\kf22}"No{\kf25}thin' {\kf25}lasts {\kf14}fo{\kf31}re{\kf57}ver"
Dialogue: 0,0:23:26.18,0:23:29.30,ED Romaji,,0000,0000,0000,,{\k3}{\kf17}e{\kf18}i{\kf10}e{\kf11}n {\kf12}no {\kf29}mo{\kf11}no {\kf11}wa {\kf15}ha{\kf17}ta{\kf11}shi{\kf11}te {\kf17}a{\kf9}ru {\kf11}no {\kf22}da{\kf27}ro{\kf20}u{\kf15}ka?{\k15}
Dialogue: 0,0:23:29.30,0:23:31.14,ED Romaji,,0000,0000,0000,,{\k5}{\kf27}Da{\kf13}ka{\kf9}ra {\kf15}o{\kf10}re{\kf26}ta{\kf15}chi {\kf21}wa{\k11} {\kf20}C'mon{\k12}
Dialogue: 0,0:23:32.52,0:23:36.69,ED Romaji,,0000,0000,0000,,{\k6}{\kf25}Sou {\kf19}sa {\kf7}o{\kf10}re{\kf24}ta{\kf17}chi {\kf29}wa {\kf11}ki{\kf14}ra{\kf24}me{\kf6}ku {\kf19}shu{\kf15}n{\kf17}ka{\kf8}n {\kf16}wo {\kf22}fu{\kf12}ru {\kf17}ni {\kf12}i{\kf12}ki{\kf15}te{\kf11}i{\kf31}ta{\kf6}i{\kf8}n{\kf10}da
Dialogue: 0,0:23:36.69,0:23:39.31,ED Romaji,,0000,0000,0000,,{\k1}{\kf17}With {\kf25}all {\kf13}tha {\kf206}love
Dialogue: 0,0:23:38.06,0:23:40.06,ED Romaji,,0000,0000,0000,,{\kf34}1-{\kf28}2{\k50} {\kf26}S.{\kf26}O. {\kf36}Cru
Dialogue: 0,0:23:40.06,0:23:41.06,ED Romaji,,0000,0000,0000,,{\kf32}Stay {\kf30}true {\kf13}to {\kf25}you
Dialogue: 0,0:23:41.07,0:23:43.36,ED Romaji,,0000,0000,0000,,{\kf29}So, {\k15}{\kf22}what {\kf28}you {\kf26}gon{\kf14}na {\kf20}do? {\k19}{\kf31}C'mon!{\k25}
Dialogue: 0,0:23:45.28,0:23:46.86,ED Romaji,,0000,0000,0000,,{\k11}{\kf24}Now {\kf48}every{\kf43}body {\kf32}move
Dialogue: 0,0:23:46.86,0:23:48.20,ED Romaji,,0000,0000,0000,,{\k8}{\kf16}Can {\kf10}you {\kf12}get {\kf11}a {\kf23}little {\kf54}somethin'
Dialogue: 0,0:23:48.20,0:23:48.86,ED Romaji,,0000,0000,0000,,{\kf25}Got {\kf16}to {\kf25}do
Dialogue: 0,0:23:48.86,0:23:50.24,ED Romaji,,0000,0000,0000,,{\k7}{\kf28}So{\k6} {\kf13}bet{\kf11}ter {\kf10}be{\kf46}lieve {\kf17}in
Dialogue: 0,0:23:50.24,0:23:51.33,ED Romaji,,0000,0000,0000,,{\k5}{\kf12}Bet{\kf13}ter {\kf14}be{\kf41}lieve {\kf24}in
Dialogue: 0,0:23:51.33,0:23:53.08,ED Romaji,,0000,0000,0000,,{\k2}{\kf13}Bet{\kf12}ter {\kf10}be{\kf41}lieve {\kf19}in {\kf20}your{\kf58}self
Dialogue: 0,0:23:53.62,0:23:57.50,ED Romaji,,0000,0000,0000,,{\k1}{\kf40}o{\kf17}i{\kf19}ka{\kf21}ze {\kf19}ri{\kf27}you{\kf19}shi{\kf9}te {\kf13}kyo{\kf14}u {\kf10}to {\kf28}ta{\kf26}ta{\kf15}ka{\kf12}e {\kf25}ALL {\kf10}THA {\kf31}SOL{\kf32}DIERS{\k0}
Dialogue: 0,0:23:57.50,0:23:58.54,ED Romaji,,0000,0000,0000,,{\kf15}Bet{\kf10}ter {\kf12}be{\kf40}lieve {\kf27}in{\k0}
Dialogue: 0,0:23:58.54,0:23:59.58,ED Romaji,,0000,0000,0000,,{\kf19}Bet{\kf11}ter {\kf10}be{\kf43}lieve {\kf19}in{\k2}
Dialogue: 0,0:23:59.58,0:24:01.67,ED Romaji,,0000,0000,0000,,{\kf16}Be{\kf8}tter {\kf13}be{\kf41}lieve {\kf18}in {\kf26}your{\kf47}self{\k40}
Dialogue: 0,0:22:54.39,0:22:56.15,ED English,,0000,0000,0000,,On this chest, big and strong
Dialogue: 0,0:22:56.15,0:22:58.27,ED English,,0000,0000,0000,,A look that glitters and doesn't lose.
Dialogue: 0,0:22:58.27,0:23:00.27,ED English,,0000,0000,0000,,That's what I searched for, fumbling in the wind.
Dialogue: 0,0:23:00.27,0:23:01.57,ED English,,0000,0000,0000,,The answer for now is...
Dialogue: 0,0:23:01.57,0:23:04.49,ED English,,0000,0000,0000,,For now, I'll watch the situation and wait for a chance.\NI got the patience to wait at a distance.
Dialogue: 0,0:23:04.49,0:23:06.28,ED English,,0000,0000,0000,,A prisoner who just screams is no good.
Dialogue: 0,0:23:06.28,0:23:08.07,ED English,,0000,0000,0000,,Just Follow Me! I'll lend you my shoulder occasionally.
Dialogue: 0,0:23:16.92,0:23:18.17,ED English,,0000,0000,0000,,It's by no means a fleeting dream.
Dialogue: 0,0:23:18.17,0:23:21.05,ED English,,0000,0000,0000,,Let this sentiment reach you. Heart to Heart, Soul to Soul.
Dialogue: 0,0:23:21.05,0:23:23.09,ED English,,0000,0000,0000,,The seasons turn. Splendid as a spring storm.
Dialogue: 0,0:23:23.09,0:23:24.50,ED English,,0000,0000,0000,,Win Big is the motto.
Dialogue: 0,0:23:26.18,0:23:29.30,ED English,,0000,0000,0000,,Does a thing like eternity really exist?
Dialogue: 0,0:23:29.30,0:23:31.14,ED English,,0000,0000,0000,,And so we... C'mon.
Dialogue: 0,0:23:32.52,0:23:36.69,ED English,,0000,0000,0000,,Yeah, yeah, we live to touch the one shining moment.
Dialogue: 0,0:23:53.62,0:23:57.50,ED English,,0000,0000,0000,,To all the soldiers fighting today using the tail wind...
Dialogue: 0,0:02:00.52,0:02:05.45,title,,0000,0000,0000,,{\shad0\an8\fad(200,0)\bord3\3c&H8E4111&\c&H00FEFD&\pos(260,334)}Yakitate!! {\c&H0000FF&}Japan
Dialogue: 0,0:02:00.52,0:02:05.45,TransBy,,0000,0000,0000,,{\fad(200,0)\pos(538,360)}Translated by: Anime-Empire
Dialogue: 0,0:01:57.47,0:02:04.11,OP English,,0000,0000,0000,,Somewhere far away, there are people listening carefully.
Dialogue: 0,0:02:05.44,0:02:12.08,OP English,,0000,0000,0000,,In every place, there are people looking up at the sky.
Dialogue: 0,0:02:13.20,0:02:19.95,OP English,,0000,0000,0000,,Under the night sky, we, who are whistling...
Dialogue: 0,0:02:21.00,0:02:27.67,OP English,,0000,0000,0000,,without words, are just tracing constellations with our fingers.
Dialogue: 0,0:02:27.92,0:02:35.14,OP English,,0000,0000,0000,,The dreams of the cold-sensitive... Your cold hands...
Dialogue: 0,0:02:36.18,0:02:44.52,OP English,,0000,0000,0000,,The warming magic is to believe in one path.
Dialogue: 0,0:02:44.98,0:02:53.28,OP English,,0000,0000,0000,,The single star found on the other side of the comet cloud...
Dialogue: 0,0:02:53.53,0:02:57.54,OP English,,0000,0000,0000,,whether it be a shining or a faint star...
Dialogue: 0,0:02:57.75,0:03:00.53,OP English,,0000,0000,0000,,is the light of only you.
Dialogue: 0,0:03:00.83,0:03:04.28,OP English,,0000,0000,0000,,On the other side of the cloud in your heart,
Dialogue: 0,0:03:04.28,0:03:09.09,OP English,,0000,0000,0000,,is a sign post that remains unseen.
Dialogue: 0,0:03:09.55,0:03:16.81,OP English,,0000,0000,0000,,{\fad(0,800)}{\t(6470,7200,\4c&HFFFFFF&)}Now, opening these hands, what will you believe in today?
Dialogue: 0,0:01:57.47,0:02:04.11,OP Romaji,,0000,0000,0000,,{\k22}{\kf25}do{\kf25}ko{\kf24}ka {\kf24}to{\kf48}o{\kf26}ku {\kf68}de {\kf27}mi{\kf30}mi {\kf20}wo {\kf48}su{\kf20}ma{\kf61}shi{\kf24}te{\kf23}ru {\kf24}hi{\kf26}to {\kf22}ga {\kf24}i{\kf52}ru{\k0}
Dialogue: 0,0:02:05.44,0:02:12.08,OP Romaji,,0000,0000,0000,,{\k10}{\kf27}a{\kf21}ra{\kf28}yu{\kf25}ru {\kf34}ba{\kf39}sho {\kf60}de {\kf39}so{\kf25}ra {\kf25}wo {\kf49}mi{\kf34}a{\kf46}ge{\kf19}te{\kf22}ru {\kf24}hi{\kf26}to {\kf24}ga {\kf28}i{\kf63}ru{\k0}
Dialogue: 0,0:02:13.20,0:02:19.95,OP Romaji,,0000,0000,0000,,{\k21}{\kf27}yo{\kf26}zo{\kf25}ra {\kf27}no {\kf46}shi{\kf23}ta {\kf75}de {\kf23}ku{\kf28}chi{\kf25}bu{\kf42}e {\kf31}fu{\kf49}i{\kf24}te{\kf25}ru {\kf29}bo{\kf19}ku{\kf20}ta{\kf30}chi {\kf61}wa
Dialogue: 0,0:02:21.00,0:02:27.67,OP Romaji,,0000,0000,0000,,{\k28}{\kf28}ko{\kf25}to{\kf25}ba {\kf23}mo {\kf32}na{\kf16}i {\kf22}ma{\kf37}ma{\k9} {\kf30}yu{\kf51}bi {\kf49}de {\kf23}ta{\kf25}da {\kf24}se{\kf28}i{\kf27}za {\kf21}wo {\kf21}na{\kf28}zo{\kf25}t{\kf30}te{\kf40}ru
Dialogue: 0,0:02:27.92,0:02:35.14,OP Romaji,,0000,0000,0000,,{\k9}{\kf42}sa{\kf49}mu{\kf29}ga{\kf91}ri{\kf36}ya {\kf34}no {\kf32}yu{\kf65}me{\k30} {\kf27}tsu{\kf43}me{\kf32}ta{\kf25}i {\kf24}ki{\kf23}mi {\kf33}no {\kf98}te
Dialogue: 0,0:02:36.18,0:02:44.52,OP Romaji,,0000,0000,0000,,{\k0}{\kf12}a{\kf49}ta{\kf25}ta{\kf73}me{\kf24}ru {\kf22}ma{\kf52}ho{\kf26}u {\kf42}wa{\k30} {\kf22}hi{\kf27}to{\kf42}tsu {\kf32}no {\kf20}mi{\kf44}chi {\kf27}wo {\kf31}shi{\kf24}n{\kf24}ji{\kf21}ru {\kf50}ko{\kf115}to
Dialogue: 0,0:02:44.98,0:02:53.28,OP Romaji,,0000,0000,0000,,{\k14}{\kf30}ho{\kf22}u{\kf25}ki{\kf31}gu{\kf66}mo {\kf23}no {\kf25}mu{\kf27}ko{\kf27}u {\kf42}ni {\k29}{\kf44}mi{\kf51}tsu{\kf53}ke{\kf45}ta {\kf30}hi{\kf44}to{\kf29}tsu{\kf23}bu {\kf46}no {\kf22}ho{\kf29}shi {\kf53}wa
Dialogue: 0,0:02:53.53,0:02:57.54,OP Romaji,,0000,0000,0000,,{\k22}{\kf25}ka{\kf23}ga{\kf29}ya{\kf20}ku {\kf12}ho{\kf40}shi {\kf21}de{\kf26}mo {\kf20}ka{\kf30}su{\kf27}ka{\kf24}na {\kf16}ho{\kf33}shi {\kf21}de{\kf12}mo
Dialogue: 0,0:02:57.75,0:03:00.53,OP Romaji,,0000,0000,0000,,{\k14}{\kf55}ki{\kf48}mi {\kf49}da{\kf30}ke {\kf15}no {\kf27}hi{\kf28}ka{\kf9}ri
Dialogue: 0,0:03:00.83,0:03:09.09,OP Romaji,,0000,0000,0000,,{\k9}{\kf27}mu{\kf23}ne {\kf23}no {\kf29}ku{\kf66}mo {\kf25}no {\kf26}mu{\kf26}ko{\kf27}u {\kf39}ni{\k36} {\kf48}mi{\kf48}e{\kf48}na{\kf45}i {\kf29}ma{\kf48}ma {\kf26}no {\kf20}mi{\kf52}chi{\kf29}shi{\kf23}ru{\kf58}be
Dialogue: 0,0:03:09.55,0:03:16.81,OP Romaji,,0000,0000,0000,,{\fad(0,800)}{\k6}{\kf39}sa{\kf25}a {\kf24}ko{\kf25}no {\kf48}te {\kf27}wo {\k11}{\kf59}hi{\kf23}ra{\kf24}i{\kf61}te {\k23}{\kf18}i{\kf24}ma {\kf25}na{\kf24}ni {\kf17}wo {\kf35}shi{\kf22}n{\kf27}ji{\kf41}ma{\kf32}su{\kf66}ka?