[Script Info]
; Script generated by Aegisub 3.0.2
; http://www.aegisub.org/
Title: Default Aegisub file
ScriptType: v4.00+
PlayResX: 712
PlayResY: 480
PlayDepth: 16
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Video File: crf16\ep64.mkv
Video Aspect Ratio: 1
Video Zoom: 10
Video Position: 6583
Last Style Storage: final.approach
Audio File: ?video
Collisions: Normal
Audio URI: crf16\ep64.mkv
Scroll Position: 558
Active Line: 566
Video Zoom Percent: 1
YCbCr Matrix: TV.601
ScaledBorderAndShadow: no

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[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Comment: 0,0:03:15.04,0:03:17.04,Dialogue0,,0,0,0,,OP
Comment: 0,0:13:35.37,0:13:36.87,Base18,,0,0,0,,Eyecatch
Comment: 0,0:22:35.00,0:22:37.00,Dialogue1,,0,0,0,,ED
Comment: 0,0:24:16.40,0:24:20.03,Base23,,0,0,0,,Note: Panda no pan da: “Pan da” means “It’s bread,” so this would be “It’s the panda’s bread.”
Comment: 0,0:24:17.36,0:24:17.61,Dialogue1,,0,0,0,,A one hour special!
Comment: 0,0:24:18.44,0:24:20.32,Dialogue1,,0,0,0,,Watch it till your tummy’s full!
Comment: 0,0:22:35.00,0:22:37.00,Dialogue1,,0,0,0,,ED
Comment: 0,0:03:15.04,0:03:17.04,Dialogue0,,0,0,0,,OP

Dialogue: 0,0:00:00.70,0:00:01.56,Dialogue0,,0,0,0,,Yakitate!! 9!
Dialogue: 0,0:00:01.56,0:00:02.94,Dialogue0,,0,0,0,,The sixth match.
Dialogue: 0,0:00:02.94,0:00:06.11,Dialogue0,,0,0,0,,The person who now faced the Pantasia team was...
Dialogue: 0,0:00:06.11,0:00:09.82,Dialogue0,,0,0,0,,Miki Norihei of Gohan Desuyo fame!
Dialogue: 0,0:00:09.82,0:00:13.16,Dialogue1,,0,0,0,,I-Isn’t that guy from Momoya?
Dialogue: 0,0:00:13.16,0:00:13.82,Dialogue1,,0,0,0,,Yeah.
Dialogue: 0,0:00:13.83,0:00:15.83,Dialogue1,,0,0,0,,I-I can’t believe it.
Dialogue: 0,0:00:15.83,0:00:18.33,Dialogue1,,0,0,0,,To think that they brought in someone this big...
Dialogue: 0,0:00:18.96,0:00:21.75,Dialogue1,,0,0,0,,I wonder if they’re all right with all the rights issues...
Dialogue: 0,0:00:21.75,0:00:22.83,Dialogue1,,0,0,0,,I-I wouldn’t know...
Dialogue: 0,0:00:23.08,0:00:24.17,Dialogue0,,0,0,0,,And the place for the showdown is...
Dialogue: 0,0:00:24.79,0:00:27.92,Dialogue0,,0,0,0,,the most famous producer of seaweed,\Nthe item that Norihei specializes in...
Dialogue: 0,0:00:26.13,0:00:26.54,ArtisanWC,,0,0,0,,{\fs25\pos(355.001,370.093)\c&H423F3C&}Uppurui
Dialogue: 0,0:00:26.54,0:00:27.92,ArtisanWC,,0,0,0,,{\fscx133\fscy120\t(\fscx111\fscy100)\fax0.3\c&HE4E7EB&\frz58.36\move(142,83,162.841,99.48,0,1363)}Seaweed
Dialogue: 0,0:00:26.54,0:00:27.92,ArtisanWC,,0,0,0,,{\fscx133\fscy120\t(\fscx111\fscy100)\fax-0.05\c&HE4E7EB&\frz290.7\move(417.899,280,398.94,267.814)}Grilled Seaweed
Dialogue: 0,0:00:26.54,0:00:27.92,ArtisanWC,,0,0,0,,{\fscx133\fscy120\t(\fscx111\fscy100)\fs17\c&H4D90A2&\frz70.49\move(552,245,513.881,237.479,0,1363)}Seasoned Seaweed
Dialogue: 0,0:00:27.92,0:00:29.34,ArtisanWC,,0,0,0,,{\t(\fscx113\fscy102)\blur0.7\fs50\c&H44403E&\move(194.221,162,190,160)}Uppurui
Dialogue: 0,0:00:27.92,0:00:29.34,Dialogue0,,0,0,0,,Uppurui.
Dialogue: 0,0:00:29.72,0:00:31.59,Dialogue1,,0,0,0,,I-It’s over!
Dialogue: 0,0:00:31.89,0:00:35.80,Dialogue1,,0,0,0,,Well, instead of small talk,\Nwould you try eating this?
Dialogue: 0,0:00:35.81,0:00:39.52,Dialogue1,,0,0,0,,This is Gohan Desuyo, which\NI’ve changed to better suit bread.
Dialogue: 0,0:00:41.02,0:00:43.69,Dialogue1,,0,0,0,,You just spread it on toast like this.
Dialogue: 0,0:00:43.69,0:00:45.31,Dialogue1,,0,0,0,,Come, try it?
Dialogue: 0,0:00:45.32,0:00:47.02,Dialogue1,,0,0,0,,Th-Thank you.
Dialogue: 0,0:00:48.94,0:00:50.95,Dialogue1,,0,0,0,,Well, here I go.
Dialogue: 0,0:00:53.45,0:00:54.82,Dialogue1,,0,0,0,,Th-This is...!
Dialogue: 0,0:00:55.28,0:00:56.16,Dialogue1,,0,0,0,,How is it?
Dialogue: 0,0:00:56.16,0:00:57.58,Dialogue1,,0,0,0,,Isn’t it quite good?
Dialogue: 0,0:00:58.83,0:01:01.95,title,,0,0,0,,{\shad0\an8\fad(200,0)\bord3\3c&H8E4111&\c&HFEFBFA&\pos(227.046,338)}It’s {\c&H00FEFD&}Yakitate!! {\c&H0000FF&}Japan
Dialogue: 0,0:00:58.83,0:01:01.95,TransBy,,0,0,0,,{\fad(200,0)\pos(536,360)}Translated by: Anime-Empire
Dialogue: 0,0:01:01.95,0:01:04.04,title,,0,0,0,,{\fsp1\fs70\shad0\an8\bord6\3c&H8E4111&\c&HEAEAEA&\pos(573.56,290.448)}It’s
Dialogue: 0,0:01:04.04,0:01:04.12,title,,0,0,0,,{\fsp1\fs70\shad0\an8\bord6\3c&H8E4111&\c&HEAEAEA&\pos(573.56,290.448)\clip(m 584 292 l 572 315 566 321 552 338 566 333 573 333 581 343 585 385 702 395 697 277)}It’s
Dialogue: 0,0:01:04.12,0:01:05.96,title,,0,0,0,,{\fsp1\fs70\shad0\an8\bord6\3c&H8E4111&\c&HEAEAEA&\pos(573.56,290.448)}It’s
Dialogue: 0,0:00:58.08,0:00:58.79,Dialogue1,,0,0,0,,This is...!
Dialogue: 0,0:00:58.79,0:01:00.45,Dialogue1,,0,0,0,,The program’s title has changed!
Dialogue: 0,0:01:00.46,0:01:04.04,Dialogue1,,0,0,0,,The logo’s been changed to “It’s Yakitate!! Japan!”
Dialogue: 0,0:01:04.04,0:01:05.96,Dialogue1,,0,0,0,,I didn’t notice!
Dialogue: 0,0:01:05.96,0:01:06.88,Dialogue1,,0,0,0,,Yeah.
Dialogue: 0,0:01:06.88,0:01:09.34,Dialogue1,,0,0,0,,This is truly the most amazing\Nreaction ever!
Dialogue: 0,0:01:09.34,0:01:12.84,Dialogue1,,0,0,0,,It’s causing an unbelievable\Namount of trouble to everyone!
Dialogue: 0,0:01:13.26,0:01:15.09,Dialogue1,,0,0,0,,But, I’m sure that this is...
Dialogue: 0,0:01:15.72,0:01:18.43,Dialogue1,,0,0,0,,the true strength of that man.
Dialogue: 0,0:01:19.68,0:01:23.48,Dialogue0,,0,0,0,,{\q2}In order to stand up to this fearsome opponent,\NKazuma came up with a secret plan.
Dialogue: 0,0:01:23.47,0:01:25.06,Fermentation2C,,0,0,0,,{\pos(509.69,77.5)}1000s of yen
Dialogue: 0,0:01:23.47,0:01:25.06,Fermentation2C,,0,0,0,,{\pos(509.85,396.78)}20,000 yen
Dialogue: 0,0:01:24.15,0:01:25.06,Dialogue0,,0,0,0,,That is...
Dialogue: 0,0:01:25.06,0:01:26.86,Dialogue1,,0,0,0,,We’re going to boil it.
Dialogue: 0,0:01:28.56,0:01:29.81,ArtisanWC,,0,0,0,,{\fscx100\fscy100\fax-0.1\fs27\bord1\c&H374096&\frz339.7\pos(397.276,273.888)}Pepmi
Dialogue: 0,0:01:26.86,0:01:29.81,Dialogue1,,0,0,0,,We’re going to boil it in this Pepmi-Cola!
Dialogue: 0,0:01:30.15,0:01:30.99,Dialogue1,,0,0,0,,I see!
Dialogue: 0,0:01:30.99,0:01:32.03,Dialogue1,,0,0,0,,Brewing it in cola, huh?
Dialogue: 0,0:01:32.45,0:01:36.03,Dialogue1,,0,0,0,,It refers to a technique where things like various meats or marine plants like kelp
Dialogue: 0,0:01:36.03,0:01:39.41,Dialogue1,,0,0,0,,can be softened by brewing them in cola\Nbecause of the carbon dioxide present in it.
Dialogue: 0,0:01:39.41,0:01:41.91,Dialogue1,,0,0,0,,Seaweed is a marine plant like kelp, after all...
Dialogue: 0,0:01:41.91,0:01:43.54,Dialogue1,,0,0,0,,So, it should work well with seaweed as well.
Dialogue: 0,0:01:44.12,0:01:45.54,Dialogue1,,0,0,0,,Come, try some.
Dialogue: 0,0:01:46.79,0:01:49.25,Dialogue2,,0,0,0,,Why do I have to do this?!
Dialogue: 0,0:01:51.30,0:01:53.21,Dialogue1,,0,0,0,,Th-This is...!
Dialogue: 0,0:01:53.21,0:01:55.18,Dialogue1,,0,0,0,,Help me!
Dialogue: 0,0:01:59.31,0:02:00.10,Dialogue1,,0,0,0,,That’s...!
Dialogue: 0,0:02:07.06,0:02:08.52,Dialogue1,,0,0,0,,Help me!
Dialogue: 0,0:02:13.57,0:02:14.49,Dialogue1,,0,0,0,,It’s Kawachi-san!
Dialogue: 0,0:02:14.49,0:02:16.11,Dialogue1,,0,0,0,,No, it’s Pepmiman!
Dialogue: 0,0:02:17.86,0:02:18.86,kai,,0,0,0,,{\frz270\bord2\fscx100\fscy111\3c&HF1F9F8&\c&H010101&\pos(41.75,86)}Ku
Dialogue: 0,0:02:17.86,0:02:18.86,kai,,0,0,0,,{\frz270\bord2\fscx100\fscy111\3c&HF1F9F8&\c&H010101&\pos(41.75,114.529)}ro
Dialogue: 0,0:02:17.86,0:02:18.86,kai,,0,0,0,,{\frz270\bord2\fscx100\fscy111\3c&HF1F9F8&\c&H010101&\pos(41.75,180)}Lodge
Dialogue: 0,0:02:17.86,0:02:18.87,Dialogue0,,0,0,0,,In addition to that...!
Dialogue: 0,0:02:19.08,0:02:22.87,Dialogue1,,0,0,0,,All we need to do is make the\Ndough fluffy like freshly made rice.
Dialogue: 0,0:02:22.87,0:02:24.87,Dialogue1,,0,0,0,,What are you, an idiot?!
Dialogue: 0,0:02:24.87,0:02:26.12,Dialogue1,,0,0,0,,Listen up, Azuma.
Dialogue: 0,0:02:28.21,0:02:28.33,ArtisanWC,,0,0,0,,{\fscx125\fscy95\fsp4\bord2\fnMercurius CT Std Medium\fs52\b1\c&H7ECFDF&\3c&H5EA8D7&\frz25.07\pos(275.193,83.496)}Fluffy
Dialogue: 0,0:02:28.33,0:02:28.46,ArtisanWC,,0,0,0,,{\fscx125\fscy108\fsp4\bord2\fnMercurius CT Std Medium\fs52\b1\c&H7ECFDF&\3c&H5EA8D7&\frz25.07\pos(276.988,89.143)}Fluffy
Dialogue: 0,0:02:28.46,0:02:28.58,ArtisanWC,,0,0,0,,{\fscx122\fscy110\fsp4\bord2\fnMercurius CT Std Medium\fs52\b1\c&H7ECFDF&\3c&H5EA8D7&\frz25.07\pos(278.784,95.596)}Fluffy
Dialogue: 0,0:02:28.58,0:02:31.88,ArtisanWC,,0,0,0,,{\fsp4\bord2\fnMercurius CT Std Medium\fs52\b1\c&H7ECFDF&\3c&H5EA8D7&\frz26.36\pos(277.886,110.924)}Fluffy
Dialogue: 0,0:02:26.12,0:02:31.88,Dialogue1,,0,0,0,,To make a fluffy bread like freshly made rice\Nis considered to be a dream for all bakers.
Dialogue: 0,0:02:31.88,0:02:35.93,Dialogue1,,0,0,0,,Even if you’re a genius, something\Nlike that can’t possibly be easy...
Dialogue: 0,0:02:35.93,0:02:36.88,Dialogue1,,0,0,0,,It’s possible.
Dialogue: 0,0:02:37.80,0:02:38.72,Dialogue1,,0,0,0,,What was that?!
Dialogue: 0,0:02:39.01,0:02:40.35,Dialogue1,,0,0,0,,Very well then.
Dialogue: 0,0:02:40.35,0:02:43.64,Dialogue1,,0,0,0,,We will now start the sixth match\Nof Yakitate!! 9 here in Uppurui.
Dialogue: 0,0:02:43.98,0:02:44.89,Dialogue1,,0,0,0,,Begin!
Dialogue: 0,0:02:46.19,0:02:51.52,Dialogue0,,0,0,0,,And now, the showdown begins with guns cocked.
Dialogue: 0,0:02:55.03,0:02:57.36,Dialogue0,,0,0,0,,There’s English bread, German bread, and French bread,
Dialogue: 0,0:02:57.36,0:02:59.28,Dialogue0,,0,0,0,,but Japan’s bread, {\i1}Japan{\i0}, does not exist.
Dialogue: 0,0:02:59.28,0:03:01.53,Dialogue0,,0,0,0,,In that case, there’s no choice but to create it.
Dialogue: 0,0:03:01.53,0:03:05.00,Dialogue0,,0,0,0,,This story is a serious, biographical ballad of a boy who possesses Solar Hands,
Dialogue: 0,0:03:05.00,0:03:10.08,Dialogue0,,0,0,0,,Azuma Kazuma, who will create a Japanese bread made by and for the Japanese people,
Dialogue: 0,0:03:10.09,0:03:13.80,Dialogue0,,0,0,0,,which can be presented to the world proudly.
Dialogue: 0,0:04:45.26,0:04:51.02,title,,0,0,0,,{\shad0\an1\fad(300,0)\pos(40.517,124)}A traditional taste!!
Dialogue: 0,0:04:45.26,0:04:51.02,title,,0,0,0,,{\shad0\an9\fad(300,0)\pos(670,322.333)}The heart that thinks of Japan is just one!
Dialogue: 0,0:04:45.65,0:04:47.27,Dialogue1,,0,0,0,,A traditional taste!!
Dialogue: 0,0:04:47.28,0:04:49.99,Dialogue1,,0,0,0,,The heart that thinks of Japan is just one!
Dialogue: 0,0:04:53.50,0:04:55.44,Dialogue2,,0,0,0,,Good luck, Azuma!
Dialogue: 0,0:04:55.83,0:04:59.79,Dialogue1,,0,0,0,,After all, this is the all-important match with five panels,
Dialogue: 0,0:04:59.79,0:05:02.33,Dialogue1,,0,0,0,,including the one from the match we drew on, at stake.
Dialogue: 0,0:05:02.33,0:05:04.07,Dialogue1,,0,0,0,,So, I’m getting all fired up\Nover the cheering.
Dialogue: 0,0:05:04.78,0:05:06.07,Dialogue2,,0,0,0,,Kawachi-san...
Dialogue: 0,0:05:06.87,0:05:10.66,Dialogue1,,0,0,0,,Looks like, from the very beginning, you’re no longer even allowed into the kitchen.
Dialogue: 0,0:05:10.66,0:05:14.08,Dialogue1,,0,0,0,,Yeah, he’s so pitiful that I don’t even\Nfeel like making fun of him anymore.
Dialogue: 0,0:05:14.46,0:05:16.33,Dialogue1,,0,0,0,,Azuma! Hang in there!
Dialogue: 0,0:05:21.84,0:05:23.71,Dialogue1,,0,0,0,,K... Kawachi-san...
Dialogue: 0,0:05:23.72,0:05:25.26,Dialogue1,,0,0,0,,What is that?
Dialogue: 0,0:05:25.26,0:05:28.30,Dialogue1,,0,0,0,,It almost looks like\Nhe’s foaming detergent.
Dialogue: 0,0:05:28.30,0:05:30.14,Dialogue1,,0,0,0,,Tsukino, you know...
Dialogue: 0,0:05:30.14,0:05:32.51,Dialogue1,,0,0,0,,There’s no way that I could\Npossibly know now, is there?
Dialogue: 0,0:05:32.52,0:05:33.97,Dialogue1,,0,0,0,,Figure it out already.
Dialogue: 0,0:05:33.98,0:05:34.98,Dialogue1,,0,0,0,,Sorry about that.
Dialogue: 0,0:05:35.98,0:05:37.44,Dialogue1,,0,0,0,,That’s butter.
Dialogue: 0,0:05:37.94,0:05:38.69,Dialogue1,,0,0,0,,Butter?
Dialogue: 0,0:05:38.98,0:05:43.65,Dialogue1,,0,0,0,,The process of whipping butter before\Nyou add it to the dough is called creaming.
Dialogue: 0,0:05:43.65,0:05:46.66,Dialogue1,,0,0,0,,If you do that, the dough becomes fluffy.
Dialogue: 0,0:05:46.66,0:05:48.41,Dialogue1,,0,0,0,,Just as you’d expect of Azuma...
Dialogue: 0,0:05:48.41,0:05:49.91,Dialogue1,,0,0,0,,To think that he knew of such a technique...
Dialogue: 0,0:05:50.45,0:05:52.62,Dialogue1,,0,0,0,,With this, even if our opponent\Ndoes better at making the seaweed,
Dialogue: 0,0:05:52.62,0:05:55.00,Dialogue1,,0,0,0,,we should be able to fight back with the bread.
Dialogue: 0,0:05:55.00,0:05:55.70,Dialogue1,,0,0,0,,No!
Dialogue: 0,0:05:55.71,0:05:57.16,Dialogue1,,0,0,0,,It won’t be that easy.
Dialogue: 0,0:05:57.71,0:05:59.12,Dialogue1,,0,0,0,,Look carefully.
Dialogue: 0,0:05:59.71,0:06:02.46,Dialogue1,,0,0,0,,Miki-san is using the same strategy as Azuma.
Dialogue: 0,0:06:02.75,0:06:03.67,Dialogue1,,0,0,0,,What was that?!
Dialogue: 0,0:06:05.05,0:06:10.68,Dialogue2,,0,0,0,,It’s true that in the past,\NI never held much interest in bread.
Dialogue: 0,0:06:10.97,0:06:13.10,Dialogue2,,0,0,0,,But, Azuma Kazuma-kun...
Dialogue: 0,0:06:13.10,0:06:18.81,Dialogue2,,0,0,0,,{\q2}Once I heard of your existence, I came to want\Nto fight a serious battle over bread with you.
Dialogue: 0,0:06:19.40,0:06:21.50,Dialogue2,,0,0,0,,{\q2}Even if our specialties are different,
Dialogue: 0,0:06:21.50,0:06:25.90,Dialogue2,,0,0,0,,it is natural for a cook to want to fight against a top-notch man.
Dialogue: 0,0:06:26.95,0:06:28.49,Dialogue1,,0,0,0,,I’m serious as well.
Dialogue: 0,0:06:28.49,0:06:31.20,Dialogue1,,0,0,0,,I won’t let you get ahead of\Nme on the bread that easily!
Dialogue: 0,0:06:31.83,0:06:33.87,Dialogue2,,0,0,0,,H-How can this be...?
Dialogue: 0,0:06:33.87,0:06:36.00,Dialogue2,,0,0,0,,If he has the same strategy as us for the bread,
Dialogue: 0,0:06:36.00,0:06:39.21,Dialogue2,,0,0,0,,{\fsp0\q2}it’s not possible for us to win against somebody\Nwho’s obviously better at preparing the seaweed!
Dialogue: 0,0:06:39.79,0:06:43.25,Dialogue1,,0,0,0,,This is almost like our defeat has\Nbeen decided on from the very beginning.
Dialogue: 0,0:06:43.25,0:06:44.75,Dialogue1,,0,0,0,,What can we do?
Dialogue: 0,0:06:44.75,0:06:45.75,Dialogue1,,0,0,0,,Well, wait.
Dialogue: 0,0:06:47.34,0:06:50.43,Dialogue1,,0,0,0,,It’s true that right now,\NAzuma’s bread has no hope of winning.
Dialogue: 0,0:06:51.01,0:06:53.89,Dialogue1,,0,0,0,,But that is only if he has no\Nother strategies up his sleeve.
Dialogue: 0,0:06:53.89,0:06:56.18,Dialogue1,,0,0,0,,As yet, all that Azuma has done is whip the butter.
Dialogue: 0,0:06:56.18,0:06:57.89,Dialogue1,,0,0,0,,He’s not added it to the bread.
Dialogue: 0,0:06:59.73,0:07:04.19,Dialogue1,,0,0,0,,He might have another strategy\Nbefore he starts the first fermentation.
Dialogue: 0,0:07:04.19,0:07:05.69,Dialogue2,,0,0,0,,N-Now that you say it...
Dialogue: 0,0:07:05.98,0:07:09.65,Dialogue1,,0,0,0,,All we need to do is make the\Ndough fluffy like freshly made rice.
Dialogue: 0,0:07:09.95,0:07:12.82,Dialogue2,,0,0,0,,He said that with complete confidence.
Dialogue: 0,0:07:12.82,0:07:14.66,Dialogue1,,0,0,0,,Say, more importantly...
Dialogue: 0,0:07:14.66,0:07:17.41,Dialogue1,,0,0,0,,Have you ever made spring rolls, Kanmuri?
Dialogue: 0,0:07:17.75,0:07:20.25,Dialogue2,,0,0,0,,He’d also mentioned something like that.
Dialogue: 0,0:07:20.25,0:07:24.71,Dialogue2,,0,0,0,,Creamed butter alone cannot have anything\Nto do with spring rolls and freshly made rice.
Dialogue: 0,0:07:25.13,0:07:26.34,Dialogue2,,0,0,0,,We’re talking about Azuma here.
Dialogue: 0,0:07:26.34,0:07:28.21,Dialogue2,,0,0,0,,I’m sure he has another trick up his sleeve.
Dialogue: 0,0:07:29.22,0:07:31.72,Fermentation,,0,0,0,,{\an2\fsp2\3c&HCACACA&\c&H000000&\pos(360,422.273)}Some time later
Dialogue: 0,0:07:31.72,0:07:32.47,Dialogue1,,0,0,0,,All right.
Dialogue: 0,0:07:32.47,0:07:33.76,Dialogue1,,0,0,0,,I guess this should do it with the dough.
Dialogue: 0,0:07:34.30,0:07:37.35,Dialogue1,,0,0,0,,First fermentation. Time for the first fermentation.
Dialogue: 0,0:07:37.89,0:07:41.85,Dialogue1,,0,0,0,,Um... If my eyes aren’t deceiving me...
Dialogue: 0,0:07:41.85,0:07:45.48,Dialogue1,,0,0,0,,I believe he’s not done any special tricks after that.
Dialogue: 0,0:07:45.48,0:07:46.44,Dialogue1,,0,0,0,,Me too.
Dialogue: 0,0:07:46.44,0:07:47.61,Dialogue1,,0,0,0,,There weren’t any.
Dialogue: 0,0:07:47.61,0:07:50.40,Dialogue1,,0,0,0,,But, he may be planning on doing something now.
Dialogue: 0,0:07:50.40,0:07:51.20,Dialogue1,,0,0,0,,What are you, an idiot?!
Dialogue: 0,0:07:51.20,0:07:53.87,Dialogue1,,0,0,0,,You’re no amateur yourself, so you must know!
Dialogue: 0,0:07:53.87,0:07:56.87,Dialogue1,,0,0,0,,When making bread, once you’re\Ndone with kneading it, all that’s left is...
Dialogue: 0,0:07:56.87,0:07:57.87,Dialogue1,,0,0,0,,The first fermentation.
Dialogue: 0,0:07:57.87,0:07:58.87,Dialogue1,,0,0,0,,Letting out the gas.
Dialogue: 0,0:07:58.87,0:07:59.87,Dialogue1,,0,0,0,,The second fermentation.
Dialogue: 0,0:07:59.87,0:08:00.91,Dialogue1,,0,0,0,,And baking.
Dialogue: 0,0:08:01.21,0:08:03.62,Dialogue1,,0,0,0,,There can be no sequence other than this!
Dialogue: 0,0:08:04.04,0:08:07.54,Dialogue1,,0,0,0,,If you do anything to dough that’s been\Nfermented once besides letting out the gas,
Dialogue: 0,0:08:07.55,0:08:11.63,Dialogue1,,0,0,0,,the gluten and stuff that was formed\Nwhile kneading it would all be broken down.
Dialogue: 0,0:08:11.97,0:08:14.13,Dialogue1,,0,0,0,,Well, that’s true I guess...
Dialogue: 0,0:08:16.47,0:08:18.56,Dialogue1,,0,0,0,,Well, looks like it’s about time.
Dialogue: 0,0:08:21.31,0:08:22.48,Dialogue1,,0,0,0,,All right!
Dialogue: 0,0:08:22.48,0:08:24.81,Dialogue1,,0,0,0,,Wh-What’s he doing?
Dialogue: 0,0:08:25.23,0:08:26.86,Dialogue1,,0,0,0,,That’s not letting out the gas.
Dialogue: 0,0:08:26.86,0:08:29.36,Dialogue1,,0,0,0,,No matter how you look at it, he seems\Nto be kneading the fermented dough again.
Dialogue: 0,0:08:29.73,0:08:33.11,Dialogue1,,0,0,0,,Even if our loss is decided, you\Ncan’t make a throwaway bread.
Dialogue: 0,0:08:33.11,0:08:34.78,Dialogue1,,0,0,0,,I’ll...
Dialogue: 0,0:08:33.28,0:08:34.78,Dialogue3,,0,0,0,,Stop, Kawachi!
Dialogue: 0,0:08:34.78,0:08:37.83,Dialogue1,,0,0,0,,He’s not throwing away the match.
Dialogue: 0,0:08:38.33,0:08:42.50,Dialogue1,,0,0,0,,What he’s doing right now is a legendary technique called the remix technique.
Dialogue: 0,0:08:42.50,0:08:44.25,Dialogue1,,0,0,0,,What was that?!
Dialogue: 0,0:08:44.25,0:08:45.67,Dialogue1,,0,0,0,,The remix technique.
Dialogue: 0,0:08:45.67,0:08:48.25,Dialogue1,,0,0,0,,Also known as the re-kneading technique.
Dialogue: 0,0:08:48.55,0:08:52.67,Dialogue1,,0,0,0,,Re-kneading the dough like that\Nallows for the formation of firmer gluten.
Dialogue: 0,0:08:52.67,0:08:56.26,Dialogue1,,0,0,0,,This will give you a high-quality\Ndough with a fluffy consistency.
Dialogue: 0,0:08:56.26,0:08:59.07,Dialogue1,,0,0,0,,It’s true that if you re-knead the dough after the first fermentation,
Dialogue: 0,0:08:59.07,0:09:01.56,Dialogue1,,0,0,0,,the gluten will be broken down.
Dialogue: 0,0:09:01.56,0:09:05.06,Dialogue1,,0,0,0,,But, even if broken down, it’s not\Nlike the gluten is going to disappear.
Dialogue: 0,0:09:05.06,0:09:06.77,Dialogue1,,0,0,0,,It is still within the dough.
Dialogue: 0,0:09:06.77,0:09:08.11,Dialogue1,,0,0,0,,I see!
Dialogue: 0,0:09:08.11,0:09:12.15,Dialogue1,,0,0,0,,So if you knead it again,\Nthe old gluten is rejoined,
Dialogue: 0,0:09:12.15,0:09:14.49,Dialogue1,,0,0,0,,and you get to make new gluten as well.
Dialogue: 0,0:09:14.49,0:09:15.82,Dialogue1,,0,0,0,,That’s right.
Dialogue: 0,0:09:15.82,0:09:17.87,Dialogue1,,0,0,0,,Gluten is rather like the pillars that hold up the bread.
Dialogue: 0,0:09:17.87,0:09:20.70,Dialogue1,,0,0,0,,A greater number of pillars allows\Nfor more air to be trapped inside.
Dialogue: 0,0:09:20.70,0:09:22.33,Dialogue1,,0,0,0,,This makes it fluffy.
Dialogue: 0,0:09:22.33,0:09:23.70,Dialogue1,,0,0,0,,I-I see!
Dialogue: 0,0:09:23.71,0:09:26.79,Dialogue1,,0,0,0,,Well, it’s not surprising that you didn’t know about this.
Dialogue: 0,0:09:26.79,0:09:30.54,Dialogue1,,0,0,0,,In addition to it being a real pain to do,\Nif you mess up, the gluten gets crushed.
Dialogue: 0,0:09:30.55,0:09:32.46,Dialogue1,,0,0,0,,That would leave you with\Njust a hard bread.
Dialogue: 0,0:09:32.84,0:09:35.97,Dialogue1,,0,0,0,,This technique is not used at bakeries anymore.
Dialogue: 0,0:09:38.51,0:09:40.93,Dialogue1,,0,0,0,,Azuma is really amazing.
Dialogue: 0,0:09:40.93,0:09:42.97,Dialogue1,,0,0,0,,If I were in the kitchen...
Dialogue: 0,0:09:43.52,0:09:45.43,Dialogue1,,0,0,0,,What are you doing, you moron?!
Dialogue: 0,0:09:45.44,0:09:46.48,Dialogue1,,0,0,0,,Don’t get in my way!
Dialogue: 0,0:09:46.77,0:09:50.98,Dialogue1,,0,0,0,,Looks like he was right in not letting\Nme into the kitchen from the very start.
Dialogue: 0,0:09:51.32,0:09:52.19,Dialogue1,,0,0,0,,Kanmuri!
Dialogue: 0,0:09:52.19,0:09:55.86,Dialogue1,,0,0,0,,How are the raw spring rolls and the\Ncola-brewed Uppurui seaweed looking?
Dialogue: 0,0:09:55.86,0:09:56.82,Dialogue1,,0,0,0,,All done.
Dialogue: 0,0:09:57.45,0:09:58.24,Dialogue1,,0,0,0,,All right!
Dialogue: 0,0:09:58.24,0:09:59.82,Dialogue1,,0,0,0,,Let’s put them into the dough then.
Dialogue: 0,0:09:59.82,0:10:03.62,Dialogue1,,0,0,0,,All right, looks like things are going well.
Dialogue: 0,0:10:03.62,0:10:04.37,Dialogue1,,0,0,0,,Yeah.
Dialogue: 0,0:10:04.87,0:10:05.20,ArtisanWC,,0,0,0,,{\fs25\pos(355.001,370.093)\c&H423F3C&}Uppurui
Dialogue: 0,0:10:05.21,0:10:07.71,Dialogue1,,0,0,0,,{\fsp0\q2}When I heard that the match was to be held in\NUppurui, where the specialty product is seaweed...
Dialogue: 0,0:10:07.21,0:10:09.38,ArtisanWC,,0,0,0,,{\fad(0,250)\t(\fscx114\fscy103)\blur0.7\fs50\c&H44403E&\move(198.221,163.739,192,160)}Uppurui
Dialogue: 0,0:10:07.71,0:10:09.38,Dialogue1,,0,0,0,,I’d given up for a while.
Dialogue: 0,0:10:09.92,0:10:13.21,Dialogue1,,0,0,0,,But, he’s come up with the great\Nstrategies of cola-brewed seaweed,
Dialogue: 0,0:10:13.21,0:10:15.21,Dialogue1,,0,0,0,,the creaming technique and the remix technique.
Dialogue: 0,0:10:15.22,0:10:17.38,Dialogue1,,0,0,0,,With this, we might be able to win!
Dialogue: 0,0:10:20.47,0:10:21.89,Dialogue1,,0,0,0,,All right, it’s done!
Dialogue: 0,0:10:21.89,0:10:25.14,Dialogue1,,0,0,0,,Mister Kuroyanagi, sample it please.
Dialogue: 0,0:10:26.56,0:10:27.43,Dialogue1,,0,0,0,,Let’s see it then.
Dialogue: 0,0:10:29.73,0:10:30.98,Dialogue1,,0,0,0,,This is...!
Dialogue: 0,0:10:30.98,0:10:32.82,Dialogue1,,0,0,0,,As expected of Uppurui seaweed!
Dialogue: 0,0:10:32.82,0:10:36.40,Dialogue1,,0,0,0,,Even though it’s stuffed in the bread,\Nan elegant aroma comes wafting through.
Dialogue: 0,0:10:36.40,0:10:36.94,Dialogue1,,0,0,0,,Very well then.
Dialogue: 0,0:10:54.21,0:10:55.67,Dialogue1,,0,0,0,,K... Kuro-yan...?
Dialogue: 0,0:11:01.26,0:11:04.18,Fermentation,,0,0,0,,{\fad(450,450)\an2\fsp2\3c&HCACACA&\c&H000000&\pos(360,422.273)}15 minutes later
Dialogue: 0,0:11:08.18,0:11:10.60,Fermentation,,0,0,0,,{\fad(450,450)\an2\fsp2\3c&HCACACA&\c&H000000&\pos(352.682,422.273)}30 minutes later
Dialogue: 0,0:11:10.60,0:11:14.65,Dialogue1,,0,0,0,,Wh... Where in the world could Kuro-yan have gone?
Dialogue: 0,0:11:15.32,0:11:18.61,Dialogue1,,0,0,0,,It’s been... almost 30 minutes already.
Dialogue: 0,0:11:18.61,0:11:20.24,Dialogue1,,0,0,0,,We’ve never had an incident
Dialogue: 0,0:11:20.24,0:11:24.24,Dialogue1,,0,0,0,,where he’s disappeared for a long\Nperiod of time without having a reaction.
Dialogue: 0,0:11:24.58,0:11:25.62,Dialogue1,,0,0,0,,That’s not right, Kawachi.
Dialogue: 0,0:11:26.33,0:11:27.49,Dialogue1,,0,0,0,,M-Manager!
Dialogue: 0,0:11:27.50,0:11:28.83,Dialogue1,,0,0,0,,Why am I on your shoulders again?!
Dialogue: 0,0:11:28.83,0:11:30.71,Dialogue1,,0,0,0,,The reaction has already begun.
Dialogue: 0,0:11:31.04,0:11:32.00,Dialogue1,,0,0,0,,What was that?!
Dialogue: 0,0:11:32.29,0:11:33.54,Dialogue1,,0,0,0,,Listen up, guys.
Dialogue: 0,0:11:33.54,0:11:37.00,Dialogue1,,0,0,0,,In this world, it is important to\Nalways look at things from a different angle.
Dialogue: 0,0:11:37.01,0:11:38.59,Dialogue1,,0,0,0,,Kawachi, what do you see from there?
Dialogue: 0,0:11:39.01,0:11:40.67,Dialogue1,,0,0,0,,Wh-What do you mean, “what”?
Dialogue: 0,0:11:45.01,0:11:46.10,Dialogue1,,0,0,0,,What’s wrong?
Dialogue: 0,0:11:46.47,0:11:48.10,Dialogue1,,0,0,0,,Wh-What’s this?
Dialogue: 0,0:11:48.10,0:11:51.60,Dialogue1,,0,0,0,,There seem to be a lot of\Npeople introducing themselves...
Dialogue: 0,0:11:51.90,0:11:53.06,Dialogue1,,0,0,0,,Hello, I’m Shimada.
Dialogue: 0,0:11:53.44,0:11:54.23,Dialogue1,,0,0,0,,I’m Shimaki.
Dialogue: 0,0:11:54.56,0:11:55.23,Dialogue1,,0,0,0,,I’m Shimochiki.
Dialogue: 0,0:11:55.52,0:11:57.23,Dialogue2,,0,0,0,,Wh-What does this mean?!
Dialogue: 0,0:11:57.44,0:11:58.23,Dialogue1,,0,0,0,,I’m Shimano.
Dialogue: 0,0:11:58.23,0:11:59.23,Dialogue1,,0,0,0,,I’m Shimai.
Dialogue: 0,0:11:59.23,0:12:00.24,Dialogue1,,0,0,0,,I’m Shimakawa.
Dialogue: 0,0:12:00.24,0:12:01.45,Dialogue1,,0,0,0,,No way...
Dialogue: 0,0:12:01.45,0:12:03.24,Dialogue1,,0,0,0,,All of them have a “Shima” in their name.
Dialogue: 0,0:12:03.24,0:12:04.70,Dialogue1,,0,0,0,,A-And...
Dialogue: 0,0:12:04.70,0:12:06.83,Dialogue1,,0,0,0,,1, 2, 3, 4, 5, 6...
Dialogue: 0,0:12:06.83,0:12:07.83,Dialogue1,,0,0,0,,I’m Shimaguchi.
Dialogue: 0,0:12:07.83,0:12:09.33,Dialogue1,,0,0,0,,I’m Shimao.
Dialogue: 0,0:12:09.33,0:12:10.08,Dialogue1,,0,0,0,,I’m Shimatani.
Dialogue: 0,0:12:10.08,0:12:11.25,Dialogue1,,0,0,0,,I’m Shimabukuro.
Dialogue: 0,0:12:11.62,0:12:12.58,Dialogue1,,0,0,0,,I’m Shimakura.
Dialogue: 0,0:12:12.58,0:12:14.17,Dialogue1,,0,0,0,,8, 9,10,11...
Dialogue: 0,0:12:14.17,0:12:15.17,Dialogue1,,0,0,0,,I’m Shimato.
Dialogue: 0,0:12:16.63,0:12:17.50,Dialogue1,,0,0,0,,I’m Shimamura.
Dialogue: 0,0:12:18.63,0:12:19.63,Dialogue1,,0,0,0,,I’m Shimamoto!
Dialogue: 0,0:12:20.05,0:12:20.97,Dialogue1,,0,0,0,,There’s 14 of them!
Dialogue: 0,0:12:20.97,0:12:23.13,Dialogue1,,0,0,0,,There’s 14 with Shima attached to their names!
Dialogue: 0,0:12:26.26,0:12:27.05,Dialogue1,,0,0,0,,Sorry for the wait.
Dialogue: 0,0:12:27.47,0:12:28.51,Dialogue1,,0,0,0,,Kuro-yan...
Dialogue: 0,0:12:28.52,0:12:30.22,Dialogue1,,0,0,0,,Where were you all this time?
Dialogue: 0,0:12:30.23,0:12:31.23,Dialogue1,,0,0,0,,The town hall.
Dialogue: 0,0:12:31.23,0:12:33.80,Dialogue1,,0,0,0,,At the town hall I carried out the procedures to marry this lady, Ms. Shima,
Dialogue: 0,0:12:33.80,0:12:35.81,Dialogue1,,0,0,0,,and be adopted into her family.
Dialogue: 0,0:12:35.81,0:12:37.02,Dialogue1,,0,0,0,,I’m Shima.
Dialogue: 0,0:12:37.02,0:12:38.82,Dialogue1,,0,0,0,,Pleased to meet you.
Dialogue: 0,0:12:39.11,0:12:40.90,Dialogue1,,0,0,0,,M-Marriage and adoption?!
Dialogue: 0,0:12:40.90,0:12:42.90,Dialogue1,,0,0,0,,Y-You got married?!
Dialogue: 0,0:12:42.90,0:12:43.82,Dialogue1,,0,0,0,,That’s right.
Dialogue: 0,0:12:43.82,0:12:45.95,Dialogue1,,0,0,0,,My name is Shima Ryou as of today.
Dialogue: 0,0:12:45.95,0:12:47.41,Dialogue1,,0,0,0,,Sh-Shima...?
Dialogue: 0,0:12:48.45,0:12:49.45,Dialogue1,,0,0,0,,Get it now, Kawachi?!
Dialogue: 0,0:12:50.00,0:12:53.12,Dialogue1,,0,0,0,,The 14 people with Shima in their\Nnames, plus Shima Ryou and wife.
Dialogue: 0,0:12:53.12,0:12:55.29,Dialogue1,,0,0,0,,Giving you 16 people in all with Shima in their names!
Dialogue: 0,0:12:55.29,0:12:56.38,Dialogue1,,0,0,0,,16 islands!
Dialogue: 0,0:12:56.38,0:13:01.96,Long Note 2,,0,0,0,,Note: Uppurui ({\fs25\fnAXIS Std B\b1}十六島{\r}) is made up of the characters for 16 ({\fs25\fnAXIS Std B\b1}十六{\r}, “juuroku”) and island ({\fs25\fnAXIS Std B\b1}島{\r}, “shima”).
Dialogue: 0,0:12:56.38,0:12:58.79,Dialogue1,,0,0,0,,In other words... It’s Uppurui!
Dialogue: 0,0:12:58.80,0:12:59.75,Dialogue1,,0,0,0,,What was that?!
Dialogue: 0,0:12:59.75,0:13:01.96,Dialogue1,,0,0,0,,He got married for the sake of his reaction?!
Dialogue: 0,0:13:03.01,0:13:05.72,Dialogue1,,0,0,0,,Make me happy, ’kay Mister?
Dialogue: 0,0:13:05.72,0:13:09.18,Dialogue1,,0,0,0,,{\q2}Well, since we’ve just met and I don’t even\Nknow your name, I can’t make any guarantees.
Dialogue: 0,0:13:09.18,0:13:10.22,Dialogue1,,0,0,0,,However, I shall do my best.
Dialogue: 0,0:13:10.85,0:13:13.56,Dialogue1,,0,0,0,,Well then, we have our honeymoon now, so excuse us.
Dialogue: 0,0:13:16.73,0:13:18.11,Dialogue1,,0,0,0,,Ummm...
Dialogue: 0,0:13:18.11,0:13:19.98,Dialogue1,,0,0,0,,Well, I guess...
Dialogue: 0,0:13:19.98,0:13:23.90,Dialogue1,,0,0,0,,I should congratulate you,\NKuro-yan... I mean Shima-yan...
Dialogue: 0,0:13:23.90,0:13:26.03,Dialogue1,,0,0,0,,I wish you eternal happiness.
Dialogue: 0,0:13:28.07,0:13:31.54,Dialogue1,,0,0,0,,So, what are we going to do now without the judge?!
Dialogue: 0,0:13:31.54,0:13:32.95,Dialogue1,,0,0,0,,Don’t ask me.
Dialogue: 0,0:13:41.42,0:13:44.26,Dialogue1,,0,0,0,,Kuro-yan got married\Nand is now Shima-yan.
Dialogue: 0,0:13:44.26,0:13:47.26,Dialogue1,,0,0,0,,And he’s gone off on his honeymoon...
Dialogue: 0,0:13:47.26,0:13:51.39,Dialogue1,,0,0,0,,{\fscx107\fsp0\q2}To think he just had his reaction and ran off without\Nany explanations or completing the next judgment...
Dialogue: 0,0:13:51.39,0:13:52.14,Dialogue1,,0,0,0,,No!
Dialogue: 0,0:13:52.14,0:13:53.60,Dialogue1,,0,0,0,,While he may be a married man,
Dialogue: 0,0:13:53.60,0:13:56.64,Dialogue1,,0,0,0,,it’s not like he’s no longer a judge.
Dialogue: 0,0:13:56.65,0:13:59.35,Dialogue1,,0,0,0,,{\fsp0.2\q2}Even while on his honeymoon, I’m sure that a\Ntrivial thing like the explanation of the bread is...
Dialogue: 0,0:13:59.35,0:14:01.11,ArtisanWC,,0,0,0,,{\fax0.1\fs25\frx10\fry20\frz347.4\pos(189.327,339.637)\fnITC Stone Sans Std Bold\b1\c&H49362A&}International Airport
Dialogue: 0,0:14:01.52,0:14:03.86,Dialogue1,,0,0,0,,Let me explain to you just how wonderful this bread is.
Dialogue: 0,0:14:04.40,0:14:10.24,Dialogue1,,0,0,0,,{\q2}The fluffy dough that Azuma made using\Nthe remix technique was improved yet further.
Dialogue: 0,0:14:10.24,0:14:12.45,Dialogue1,,0,0,0,,That is, with the raw spring rolls!
Dialogue: 0,0:14:12.79,0:14:17.96,Dialogue1,,0,0,0,,As you know, the wrap of raw spring rolls is\Nmade with rice paper, which is made of rice.
Dialogue: 0,0:14:18.33,0:14:20.25,Dialogue1,,0,0,0,,While Azuma was making the bread,
Dialogue: 0,0:14:20.25,0:14:23.92,Dialogue1,,0,0,0,,Kanmuri wrapped the cola-brewed seaweed with rice paper,
Dialogue: 0,0:14:24.34,0:14:26.42,Dialogue1,,0,0,0,,making seaweed spring rolls!
Dialogue: 0,0:14:26.76,0:14:29.68,Dialogue1,,0,0,0,,If you were to just stuff\Ncola-brewed seaweed into dough,
Dialogue: 0,0:14:29.68,0:14:35.39,Dialogue1,,0,0,0,,the water content of the seaweed would turn\Nyour nice and fluffy dough info a sticky mess.
Dialogue: 0,0:14:38.56,0:14:39.23,Dialogue1,,0,0,0,,Therefore!
Dialogue: 0,0:14:39.23,0:14:43.94,Dialogue1,,0,0,0,,He wrapped it in rice paper and\Nthen baked it inside the dough.
Dialogue: 0,0:14:46.49,0:14:49.41,Dialogue1,,0,0,0,,Darling, can I please get your signature on this?
Dialogue: 0,0:14:52.03,0:14:55.16,Dialogue1,,0,0,0,,All you think about is bread.
Dialogue: 0,0:14:55.16,0:14:58.12,Dialogue1,,0,0,0,,I wanted you to look at me a little as well.
Dialogue: 0,0:14:58.12,0:14:59.67,Dialogue1,,0,0,0,,It was short, but...
Dialogue: 0,0:15:00.17,0:15:01.79,Dialogue1,,0,0,0,,Thank you for everything.
Dialogue: 0,0:15:03.25,0:15:04.80,Dialogue1,,0,0,0,,Can I just say one thing?
Dialogue: 0,0:15:05.76,0:15:07.59,Dialogue1,,0,0,0,,Seaweed goes well with rice.
Dialogue: 0,0:15:07.59,0:15:09.38,Dialogue1,,0,0,0,,It also goes well with freshly baked bread.
Dialogue: 0,0:15:09.68,0:15:12.30,Dialogue1,,0,0,0,,Azuma’s bread was truly wonderful!
Dialogue: 0,0:15:14.51,0:15:17.35,Dialogue1,,0,0,0,,And that was the video of my honeymoon.
Dialogue: 0,0:15:17.35,0:15:19.81,Dialogue1,,0,0,0,,I hope that you have comprehended\Njust how wonderful Azuma’s bread was.
Dialogue: 0,0:15:20.27,0:15:22.35,Dialogue1,,0,0,0,,A honeymoon...?
Dialogue: 0,0:15:22.36,0:15:23.86,Dialogue1,,0,0,0,,What about your wife, Kuro-yan?
Dialogue: 0,0:15:23.86,0:15:24.65,Dialogue1,,0,0,0,,I divorced her.
Dialogue: 0,0:15:24.65,0:15:25.32,Dialogue1,,0,0,0,,That was quick!
Dialogue: 0,0:15:25.32,0:15:29.70,Dialogue1,,0,0,0,,You managed to wrap up a honeymoon\Nand a divorce in that short a period?
Dialogue: 0,0:15:29.70,0:15:30.57,Dialogue1,,0,0,0,,And...
Dialogue: 0,0:15:30.57,0:15:34.33,Dialogue1,,0,0,0,,{\fscx109\fsp0\q2}I really don’t know what to think of an explanation \Nabout bread on your own honeymoon...
Dialogue: 0,0:15:34.33,0:15:35.41,Dialogue2,,0,0,0,,More importantly...
Dialogue: 0,0:15:35.41,0:15:38.08,Dialogue2,,0,0,0,,When exactly did Kuroyanagi-san get back?
Dialogue: 0,0:15:38.08,0:15:41.62,Dialogue1,,0,0,0,,Well anyway, we know that\NAzuma’s bread was wonderful.
Dialogue: 0,0:15:41.63,0:15:43.08,Dialogue1,,0,0,0,,With this, we might be able to win.
Dialogue: 0,0:15:43.63,0:15:44.79,Dialogue1,,0,0,0,,Yep.
Dialogue: 0,0:15:48.55,0:15:50.84,Dialogue1,,0,0,0,,I’m done as well.
Dialogue: 0,0:15:50.84,0:15:55.35,Dialogue1,,0,0,0,,Judge Shima... I mean Kuroyanagi...
Dialogue: 0,0:15:55.35,0:15:56.43,Dialogue1,,0,0,0,,Please sample it.
Dialogue: 0,0:15:56.43,0:15:58.68,Dialogue1,,0,0,0,,Right. Let’s have it then.
Dialogue: 0,0:16:04.23,0:16:07.23,Dialogue1,,0,0,0,,If looks like he’s begun to\Nsample Miki-san’s bread, but...
Dialogue: 0,0:16:07.23,0:16:10.57,Dialogue1,,0,0,0,,I’m guessing that there can’t\Nbe many things that can surpass
Dialogue: 0,0:16:10.57,0:16:14.20,Dialogue1,,0,0,0,,a reaction with 14 people with Shima in\Ntheir name plus a wedding to Ms. Shima.
Dialogue: 0,0:16:14.82,0:16:16.41,Dialogue1,,0,0,0,,Our victory is within grasp.
Dialogue: 0,0:16:16.41,0:16:18.49,Dialogue1,,0,0,0,,We can relax and watch the reaction.
Dialogue: 0,0:16:18.50,0:16:19.66,Dialogue1,,0,0,0,,Right, Tsukino?
Dialogue: 0,0:16:20.91,0:16:25.00,Dialogue1,,0,0,0,,No, I really can’t relax and watch it.
Dialogue: 0,0:16:25.00,0:16:25.88,Dialogue1,,0,0,0,,Why not?
Dialogue: 0,0:16:25.88,0:16:27.67,Dialogue1,,0,0,0,,Because your face... Kawachi-san...
Dialogue: 0,0:16:27.67,0:16:29.18,Dialogue1,,0,0,0,,Huh? My face?
Dialogue: 0,0:16:29.71,0:16:30.63,Dialogue1,,0,0,0,,Huh? A compact?
Dialogue: 0,0:16:32.34,0:16:33.34,Dialogue1,,0,0,0,,Wh... What was that?!
Dialogue: 0,0:16:33.34,0:16:34.89,Dialogue1,,0,0,0,,O-Oh, no! Me too!
Dialogue: 0,0:16:34.89,0:16:36.64,Dialogue1,,0,0,0,,Me too!
Dialogue: 0,0:16:36.64,0:16:39.64,Dialogue1,,0,0,0,,Wh-What in the world is this phenomenon?!
Dialogue: 0,0:16:39.99,0:16:41.64,Dialogue1,,0,0,0,,Monet!!!
Dialogue: 0,0:16:42.06,0:16:43.10,Dialogue1,,0,0,0,,I see!
Dialogue: 0,0:16:43.10,0:16:45.90,Dialogue1,,0,0,0,,This is in the style of the famous impressionist Monet!
Dialogue: 0,0:16:45.90,0:16:48.48,Dialogue1,,0,0,0,,We’ve been trapped in Monet’s world!
Dialogue: 0,0:16:48.48,0:16:49.73,Dialogue1,,0,0,0,,Did you say Monet?!
Dialogue: 0,0:16:49.15,0:16:54.40,kaiC,,0,0,0,,{\fs30\bord1.5\3c&HDFF3F9&\pos(359.237,294.546)}Monet     Self-Portrait\N1917       Paris       Orsay Museum
Dialogue: 0,0:16:49.73,0:16:51.99,Dialogue1,,0,0,0,,B-But how can this be?!
Dialogue: 0,0:16:51.99,0:16:54.41,Dialogue1,,0,0,0,,What does Monet have to do with the bread he just...?
Dialogue: 0,0:16:54.95,0:16:56.37,Dialogue1,,0,0,0,,W-Wait...
Dialogue: 0,0:16:57.03,0:16:58.91,Dialogue1,,0,0,0,,Momoya...
Dialogue: 0,0:16:59.12,0:17:03.04,Long Note 2,,0,0,0,,Note: “Monet ya!” means “It’s Monet!” in the Kansai dialect.
Dialogue: 0,0:16:59.12,0:17:00.91,Dialogue1,,0,0,0,,Monet-ya!
Dialogue: 0,0:17:00.91,0:17:03.04,Dialogue1,,0,0,0,,Th-This is amazing!
Dialogue: 0,0:17:03.04,0:17:05.46,Dialogue1,,0,0,0,,The whole grounds have turned into a Monet!
Dialogue: 0,0:17:06.25,0:17:08.34,Dialogue1,,0,0,0,,Do we have to stay like this forever?
Dialogue: 0,0:17:08.34,0:17:09.88,Dialogue1,,0,0,0,,No, I’m sure it’s all right.
Dialogue: 0,0:17:09.88,0:17:13.26,Dialogue1,,0,0,0,,A reaction of this great a magnitude\Nshould fizzle out soon enough.
Dialogue: 0,0:17:13.76,0:17:15.13,Dialogue1,,0,0,0,,Y-You’re right!
Dialogue: 0,0:17:15.55,0:17:18.80,Dialogue1,,0,0,0,,This bread is wonderful and\Ncan be summed up in one word.
Dialogue: 0,0:17:18.81,0:17:19.85,Dialogue1,,0,0,0,,The victor is...
Dialogue: 0,0:17:20.93,0:17:21.85,Dialogue1,,0,0,0,,St. Pierre!
Dialogue: 0,0:17:23.98,0:17:25.10,Dialogue1,,0,0,0,,What was that?!
Dialogue: 0,0:17:25.81,0:17:28.11,Dialogue1,,0,0,0,,K-Kawachi-san’s face has now become...
Dialogue: 0,0:17:28.52,0:17:31.73,Long Note 2,,0,0,0,,Note: Toshusai Sharaku ({\fs25\fnAXIS Std B\b1}東洲斎写楽{\r}) was a late 18th-century woodblock artist, best known for his exaggerated yet realistic portraits of Kabuki actors.
Dialogue: 0,0:17:28.52,0:17:30.36,Dialogue1,,0,0,0,,A Sharaku painting!!
Dialogue: 0,0:17:30.36,0:17:31.73,Dialogue1,,0,0,0,,Wh... Why?!
Dialogue: 0,0:17:31.74,0:17:35.57,Dialogue1,,0,0,0,,Oh?! You mean that\NKuroyanagi’s reaction is still running?!
Dialogue: 0,0:17:36.28,0:17:37.82,Dialogue1,,0,0,0,,Getting to Norihei’s bread...
Dialogue: 0,0:17:37.82,0:17:40.12,Dialogue1,,0,0,0,,The first cause of victory was the filling!
Dialogue: 0,0:17:40.74,0:17:42.62,Dialogue1,,0,0,0,,Briefly stewed seaweed that is preserved with soy!
Dialogue: 0,0:17:42.91,0:17:44.08,Dialogue1,,0,0,0,,Briefly stewed seaweed?!
Dialogue: 0,0:17:44.70,0:17:48.87,Dialogue1,,0,0,0,,Normally, when making preserved seaweed,\Nyou stew it for a little more than an hour.
Dialogue: 0,0:17:48.88,0:17:51.84,Dialogue1,,0,0,0,,But this seaweed has been\Nbarely stewed for 30 minutes.
Dialogue: 0,0:17:51.84,0:17:56.63,Dialogue1,,0,0,0,,B-But... Uppurui seaweed is strong\Nenough to be used as an overcoat.
Dialogue: 0,0:17:56.63,0:17:59.35,Dialogue1,,0,0,0,,How can you make it soft\Nin just 30 minutes?
Dialogue: 0,0:17:59.89,0:18:01.06,Dialogue1,,0,0,0,,That is because...
Dialogue: 0,0:18:01.77,0:18:03.02,Dialogue1,,0,0,0,,It’s fresh seaweed!
Dialogue: 0,0:18:03.27,0:18:05.35,Dialogue1,,0,0,0,,My hair is fresh seaweed?!
Dialogue: 0,0:18:05.73,0:18:11.02,Dialogue1,,0,0,0,,It’s true that you’d need more than one hour\Nif you try and preserve hard dried seaweed.
Dialogue: 0,0:18:11.02,0:18:15.28,Dialogue1,,0,0,0,,But, since fresh seaweed softens easily, it\Nis not necessary to stew it for a long time.
Dialogue: 0,0:18:15.28,0:18:16.57,Dialogue1,,0,0,0,,I-Is that so?
Dialogue: 0,0:18:17.11,0:18:18.40,Dialogue1,,0,0,0,,If you only stew it for a short time,
Dialogue: 0,0:18:18.40,0:18:22.16,Dialogue1,,0,0,0,,you can make it soft while preserving the flavor of the seaweed.
Dialogue: 0,0:18:22.54,0:18:24.91,Dialogue1,,0,0,0,,T-To think such a strategy existed...
Dialogue: 0,0:18:25.16,0:18:28.17,Dialogue1,,0,0,0,,And the other cause of his victory was...
Dialogue: 0,0:18:28.50,0:18:29.88,Dialogue1,,0,0,0,,Pâte phyllo!
Dialogue: 0,0:18:29.88,0:18:31.42,Dialogue1,,0,0,0,,P-Pâte phyllo?!
Dialogue: 0,0:18:31.42,0:18:33.88,Dialogue1,,0,0,0,,Don’t use my face for your explanations!
Dialogue: 0,0:18:34.38,0:18:39.47,Dialogue1,,0,0,0,,Pâte phyllo is an Arab sweet with a\Ncrispy consistency made of corn and wheat.
Dialogue: 0,0:18:39.80,0:18:44.01,Dialogue1,,0,0,0,,Norihei covered his seaweed with the\Npâte phyllo and put it into his bread.
Dialogue: 0,0:18:44.27,0:18:47.81,Dialogue1,,0,0,0,,The bread itself did not have any\Nstrategies except the creaming technique.
Dialogue: 0,0:18:47.81,0:18:52.86,Dialogue1,,0,0,0,,But the combination of the pâte phyllo\Nwith the creamed dough was truly amazing.
Dialogue: 0,0:18:53.57,0:18:55.36,Dialogue1,,0,0,0,,N-Now I’m a sunflower?!
Dialogue: 0,0:18:55.36,0:19:00.36,Dialogue1,,0,0,0,,B-But, Norihei-san’s dough had\Nonly the creaming technique used on it.
Dialogue: 0,0:19:00.37,0:19:05.70,Dialogue1,,0,0,0,,Azuma’s dough had two strategies: the\Ncreaming technique and the remix technique!
Dialogue: 0,0:19:06.12,0:19:09.50,Dialogue1,,0,0,0,,Then, shouldn’t Azuma’s bread be better?
Dialogue: 0,0:19:09.50,0:19:14.42,Dialogue1,,0,0,0,,Also, wasn’t Azuma’s bread really fluffy like rice?
Dialogue: 0,0:19:14.75,0:19:17.01,Dialogue1,,0,0,0,,Yeah, it was fluffy.
Dialogue: 0,0:19:17.01,0:19:20.43,Dialogue1,,0,0,0,,But... that is precisely the biggest reason for your loss!
Dialogue: 0,0:19:20.43,0:19:21.93,Dialogue1,,0,0,0,,What was that?!
Dialogue: 0,0:19:21.93,0:19:24.68,Dialogue1,,0,0,0,,It’s true that your bread was fluffy.
Dialogue: 0,0:19:24.68,0:19:26.47,Dialogue1,,0,0,0,,It went well with the seaweed too.
Dialogue: 0,0:19:26.47,0:19:27.43,Dialogue1,,0,0,0,,But...
Dialogue: 0,0:19:27.43,0:19:28.89,Dialogue1,,0,0,0,,No matter how fluffy you try to make it,
Dialogue: 0,0:19:28.89,0:19:30.98,Dialogue1,,0,0,0,,bread is bread, and rice is rice.
Dialogue: 0,0:19:30.98,0:19:35.69,Dialogue1,,0,0,0,,No matter how close a bread tries to get\Nto rice, it can’t stand up to the real thing.
Dialogue: 0,0:19:36.03,0:19:36.82,Dialogue1,,0,0,0,,And...
Dialogue: 0,0:19:36.82,0:19:41.20,Dialogue1,,0,0,0,,I feel that the seaweed should have been\Nbrewed for about 30 minutes less in the cola.
Dialogue: 0,0:19:41.57,0:19:43.45,Dialogue1,,0,0,0,,Also, if you’re to make it\Ngo well with bread,
Dialogue: 0,0:19:43.45,0:19:46.04,Dialogue1,,0,0,0,,rather than using something hard to chew like rice paper,
Dialogue: 0,0:19:46.04,0:19:50.21,Dialogue1,,0,0,0,,it’s better to use something crispy like pâte phyllo.
Dialogue: 0,0:19:51.08,0:19:53.75,Dialogue1,,0,0,0,,No doubt that Azuma’s bread was wonderful.
Dialogue: 0,0:19:53.75,0:19:54.46,Dialogue1,,0,0,0,,But...
Dialogue: 0,0:19:54.92,0:19:57.67,Dialogue1,,0,0,0,,Norihei’s bread went over and beyond that.
Dialogue: 0,0:19:57.67,0:20:00.92,Dialogue1,,0,0,0,,It can be called a truly artistic bread!
Dialogue: 0,0:20:00.93,0:20:03.68,Dialogue1,,0,0,0,,And art is... explosive!
Dialogue: 0,0:20:12.65,0:20:15.19,Dialogue1,,0,0,0,,Please, don’t look so down.
Dialogue: 0,0:20:15.19,0:20:16.77,Dialogue1,,0,0,0,,Please cheer up.
Dialogue: 0,0:20:17.19,0:20:18.78,Dialogue1,,0,0,0,,The guy from Momoya...
Dialogue: 0,0:20:19.53,0:20:21.95,Dialogue1,,0,0,0,,In matches like these over a specialty product,
Dialogue: 0,0:20:21.95,0:20:25.49,Dialogue1,,0,0,0,,there are weaknesses and strengths\Nto preparing that specialty product.
Dialogue: 0,0:20:25.49,0:20:28.20,Dialogue1,,0,0,0,,It can’t be helped that you lost.
Dialogue: 0,0:20:29.50,0:20:32.83,Dialogue1,,0,0,0,,This time, the specialty\Nproduct was advantageous to me.
Dialogue: 0,0:20:32.83,0:20:37.30,Dialogue1,,0,0,0,,It is obvious that if you just look at\Nthe dough, your strategy was way better.
Dialogue: 0,0:20:44.51,0:20:46.01,ArtisanWC,,0,0,0,,{\fax-0.3\fs15\frz151\pos(262.955,270.546)}{\fnGeneris Simple W02 Bold}Norihei’s seaweed recipes
Dialogue: 0,0:20:37.84,0:20:40.09,Dialogue1,,0,0,0,,You needn’t feel ashamed.
Dialogue: 0,0:20:40.59,0:20:41.88,Dialogue1,,0,0,0,,Oh, that’s right.
Dialogue: 0,0:20:42.84,0:20:44.51,Dialogue1,,0,0,0,,I wanted to give this to you.
Dialogue: 0,0:20:47.43,0:20:48.35,Dialogue1,,0,0,0,,What is this?
Dialogue: 0,0:20:48.35,0:20:54.10,Dialogue1,,0,0,0,,{\fsp0\q2}These are recipes using seaweed that I’ve worked\Non day and night over the years to come up with.
Dialogue: 0,0:20:55.11,0:21:00.23,Dialogue1,,0,0,0,,Well, I don’t think seaweed will come up as\Na specialty product in a main match anymore,
Dialogue: 0,0:21:00.24,0:21:05.24,Dialogue1,,0,0,0,,but seaweed is not limited to Uppurui\Nand can be harvested all over Japan.
Dialogue: 0,0:21:05.57,0:21:08.30,Dialogue1,,0,0,0,,So, I’m sure that you may be able to use seaweed
Dialogue: 0,0:21:08.30,0:21:12.00,Dialogue1,,0,0,0,,as an accent to turn the match\Nin your favor.
Dialogue: 0,0:21:12.00,0:21:14.50,Dialogue1,,0,0,0,,Th-That’s true, but...
Dialogue: 0,0:21:14.50,0:21:16.75,Dialogue1,,0,0,0,,Why are you helping me so much?
Dialogue: 0,0:21:17.13,0:21:21.25,Dialogue1,,0,0,0,,That’s because I was moved\Nby your goal of making {\i1}Japan{\i0}.
Dialogue: 0,0:21:21.59,0:21:27.39,Dialogue1,,0,0,0,,The influx of cuisines from all over the\Nworld is something that cannot be helped.
Dialogue: 0,0:21:27.39,0:21:33.27,Dialogue1,,0,0,0,,But, if we just accept them without thought,\Nthen our indigenous cuisine will be lost.
Dialogue: 0,0:21:33.85,0:21:40.36,Dialogue1,,0,0,0,,{\q2}You’re trying to reinvent a Western food item\Nlike bread at the hands of a Japanese person.
Dialogue: 0,0:21:40.36,0:21:42.19,Dialogue1,,0,0,0,,Such artisans are necessary for the Japan of the future.
Dialogue: 0,0:21:42.74,0:21:44.74,Dialogue1,,0,0,0,,We are also further researching how
Dialogue: 0,0:21:44.74,0:21:47.70,Dialogue1,,0,0,0,,we can continue to make things like preserved seaweed
Dialogue: 0,0:21:47.70,0:21:51.20,Dialogue1,,0,0,0,,go better with Japan’s characteristic foods.
Dialogue: 0,0:21:52.04,0:21:54.46,Dialogue1,,0,0,0,,So, let’s both do our best.
Dialogue: 0,0:22:03.88,0:22:07.09,Dialogue1,,0,0,0,,He was a really nice person.
Dialogue: 0,0:22:07.09,0:22:07.89,Dialogue1,,0,0,0,,Yeah.
Dialogue: 0,0:22:08.60,0:22:10.93,Dialogue1,,0,0,0,,As far as the results go, we lost...
Dialogue: 0,0:22:10.93,0:22:12.85,Dialogue1,,0,0,0,,but I think we’ve still gained a lot more.
Dialogue: 0,0:22:12.85,0:22:13.56,Dialogue1,,0,0,0,,Yeah.
Dialogue: 0,0:22:14.39,0:22:17.06,Dialogue1,,0,0,0,,Let’s pull ourselves together and try once again.
Dialogue: 0,0:22:17.06,0:22:17.98,Dialogue1,,0,0,0,,Yep!
Dialogue: 0,0:22:18.61,0:22:20.23,Dialogue1,,0,0,0,,That’s the way, guys.
Dialogue: 0,0:22:20.23,0:22:22.32,Dialogue1,,0,0,0,,I’m looking forward to the next match.
Dialogue: 0,0:22:22.32,0:22:27.03,Dialogue1,,0,0,0,,Umm... It looks like everyone has reached an ending that makes them happy, but...
Dialogue: 0,0:22:27.03,0:22:32.58,Dialogue1,,0,0,0,,There’s no follow-up to the fact that my face\Nhas been messed up like a Picasso painting...
Dialogue: 0,0:24:05.00,0:24:16.89,Next Episode,,0,0,0,,{\pos(579,41)}Next Episode
Dialogue: 0,0:24:05.93,0:24:06.85,Dialogue1,,0,0,0,,He’s coming...
Dialogue: 0,0:24:06.85,0:24:08.10,Dialogue1,,0,0,0,,He’s sure to come...
Dialogue: 0,0:24:08.10,0:24:10.85,Dialogue1,,0,0,0,,He’s... He’s back after one year!
Dialogue: 0,0:24:10.85,0:24:11.69,Dialogue1,,0,0,0,,A panda?!
Dialogue: 0,0:24:11.69,0:24:13.85,Dialogue1,,0,0,0,,Could it be that the panda’s identity is...?
Dialogue: 0,0:24:13.86,0:24:15.19,Dialogue1,,0,0,0,,No!!!
Dialogue: 0,0:24:15.19,0:24:16.40,Dialogue1,,0,0,0,,Next time, on Yakitate!! Japan,
Dialogue: 0,0:24:16.40,0:24:17.85,Dialogue1,,0,0,0,,A fearful revenge!!
Dialogue: 0,0:24:17.85,0:24:19.14,Dialogue1,,0,0,0,,The panda man appears!
Dialogue: 0,0:24:19.14,0:24:19.97,Dialogue1,,0,0,0,,Be sure to watch.
Dialogue: 0,0:24:16.97,0:24:19.97,title,,0,0,0,,{\shad0\an1\fad(300,0)\pos(40.517,124)}The fearful revenge!!
Dialogue: 0,0:24:16.97,0:24:19.97,title,,0,0,0,,{\shad0\an9\fad(300,0)\pos(670,322.333)}The panda man appears!
Dialogue: 0,0:24:20.60,0:24:22.73,Dialogue1,,0,0,0,,Yakitate!! Seed of knowledge.
Dialogue: 0,0:24:22.73,0:24:25.57,Impressionism,,0,0,0,,{\fad(250,300)\pos(340.628,64.727)}Impressionism
Dialogue: 0,0:24:23.90,0:24:26.04,Impressionism,,0,0,0,,{\fad(500,0)\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.382,373.818)}Claude Monet
Dialogue: 0,0:24:26.04,0:24:26.07,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.38,373.82)}Claude Monet
Dialogue: 0,0:24:26.07,0:24:26.10,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.38,373.58)}Claude Monet
Dialogue: 0,0:24:26.10,0:24:26.14,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.39,371.93)}Claude Monet
Dialogue: 0,0:24:26.14,0:24:26.17,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.39,367.52)}Claude Monet
Dialogue: 0,0:24:26.17,0:24:26.20,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.39,360.69)}Claude Monet
Dialogue: 0,0:24:26.20,0:24:26.24,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.37,351.81)}Claude Monet
Dialogue: 0,0:24:26.24,0:24:26.27,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.34,341.39)}Claude Monet
Dialogue: 0,0:24:26.27,0:24:26.30,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.33,329.67)}Claude Monet
Dialogue: 0,0:24:26.30,0:24:26.34,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.34,316.91)}Claude Monet
Dialogue: 0,0:24:26.34,0:24:26.37,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.34,303.44)}Claude Monet
Dialogue: 0,0:24:26.37,0:24:26.40,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.32,289.36)}Claude Monet
Dialogue: 0,0:24:26.40,0:24:26.44,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.32,275.02)}Claude Monet
Dialogue: 0,0:24:26.44,0:24:26.47,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.32,260.53)}Claude Monet
Dialogue: 0,0:24:26.47,0:24:26.50,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.31,246.1)}Claude Monet
Dialogue: 0,0:24:26.50,0:24:26.54,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.3,231.99)}Claude Monet
Dialogue: 0,0:24:26.54,0:24:26.57,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.32,218.16)}Claude Monet
Dialogue: 0,0:24:26.57,0:24:26.60,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.35,205.14)}Claude Monet
Dialogue: 0,0:24:26.60,0:24:26.64,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.35,193.12)}Claude Monet
Dialogue: 0,0:24:26.64,0:24:26.67,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.37,182.17)}Claude Monet
Dialogue: 0,0:24:26.67,0:24:26.70,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.37,172.76)}Claude Monet
Dialogue: 0,0:24:26.70,0:24:26.74,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.38,165.14)}Claude Monet
Dialogue: 0,0:24:26.74,0:24:26.77,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.4,159.84)}Claude Monet
Dialogue: 0,0:24:26.77,0:24:31.75,Impressionism,,0,0,0,,{\4a&H00&\shad2\c&H0C71FD&\4c&H001D6A&\pos(354.41,157.21)}Claude Monet
Dialogue: 0,0:24:26.67,0:24:29.17,Fermentation,,0,0,0,,{\fad(150,0)\fsp0.8\fs24\3c&H555256&\c&HF3FBFD&\pos(139.082,315.363)}Pursued new forms of lighting and coloring
Dialogue: 0,0:24:29.47,0:24:31.75,Impressionism,,0,0,0,,{\fad(1500,0)\fs25\c&H4BC9F6&\pos(355.191,402.182)}Painter of Light
Dialogue: 0,0:24:23.25,0:24:26.04,Dialogue1,,0,0,0,,Impressionism is best represented\Nby the French painter, Claude Monet.
Dialogue: 0,0:24:26.04,0:24:27.37,Dialogue1,,0,0,0,,Monet pursued new forms of lighting and coloring
Dialogue: 0,0:24:27.37,0:24:29.21,Dialogue1,,0,0,0,,to capture the changing era and the seasons...
Dialogue: 0,0:24:29.21,0:24:31.75,Dialogue1,,0,0,0,,He was also known as the Painter of Light.
Dialogue: 0,0:24:32.30,0:24:34.47,Dialogue1,,0,0,0,,Oh?!
Dialogue: 0,0:22:36.20,0:22:44.09,ED Romaji,,0,0,0,,{\kf19}{\kf32}Rob{\kf153}bie,{\kf38} {\kf51}de{\kf32}te {\kf47}o{\kf49}i{\kf114}de{\kf36} {\kf24}yo{\kf31}bu {\kf49}ko{\kf42}e {\kf71}ni{\kf1}
Dialogue: 0,0:22:44.25,0:22:52.01,ED Romaji,,0,0,0,,{\kf13}{\kf33}Rob{\kf135}bie,{\kf35} {\kf25}hi{\kf51}to{\kf28}ri{\kf45}ki{\kf49}ri {\kf172}de{\kf28} {\kf26}na{\kf38}i{\kf39}te{\kf46}i{\kf13}ta{\kf0}
Dialogue: 0,0:22:52.18,0:23:00.35,ED Romaji,,0,0,0,,{\kf23}{\kf29}Rob{\kf147}bie,{\kf49} {\kf46}mu{\kf29}ne {\kf50}no {\kf47}na{\kf142}ka {\kf36}so{\kf29}no {\kf49}hi{\kf44}to{\kf76}mi {\kf21}wa{\kf0}
Dialogue: 0,0:23:00.48,0:23:03.82,ED Romaji,,0,0,0,,{\kf18}{\kf30}na{\kf22}ni {\kf22}wo {\kf25}u{\kf20}tsu{\kf30}shi{\kf29}te{\kf51}i{\kf45}ru {\kf42}no?
Dialogue: 0,0:23:04.02,0:23:07.24,ED Romaji,,0,0,0,,{\kf10}{\kf0}..."{\kf27}bo{\kf27}ku {\kf34}wa {\kf22}da{\kf24}re {\kf23}na{\kf22}n{\kf24}da{\kf63}rou{\kf0}"...{\kf46}
Dialogue: 0,0:23:07.65,0:23:15.03,ED Romaji,,0,0,0,,{\kf2}{\kf26}bo{\kf22}n{\kf26}ya{\kf29}ri {\kf43}yu{\kf33}ra{\kf45}i{\kf49}de{\kf79}ru{\kf33} {\kf53}shi{\kf31}n{\kf30}ki{\kf50}rou {\kf24}no {\kf52}ka{\kf24}na{\kf87}ta
Dialogue: 0,0:23:15.49,0:23:23.63,ED Romaji,,0,0,0,,{\kf17}{\kf48}do{\kf52}ko {\kf41}de{\kf39}mo {\kf158}ii{\kf37} {\kf25}ko{\kf38}ko {\kf32}de {\kf30}wa {\kf46}na{\kf29}i {\kf50}do{\kf24}ko{\kf30}ka {\kf118}e
Dialogue: 0,0:23:24.63,0:23:32.34,ED Romaji,,0,0,0,,{\kf2}{\kf77}o{\kf48}do{\kf25}ru{\kf26} {\kf26}ko{\kf38}ko{\kf36}ro {\kf34}bi{\kf15}i{\kf25}da{\kf27}ma {\kf23}ni {\kf51}na{\kf25}n{\kf49}do {\kf24}de{\kf25}mo {\kf28}u{\kf38}ma{\kf35}re{\kf49}ka{\kf27}wa{\kf18}ru
Dialogue: 0,0:23:32.59,0:23:36.47,ED Romaji,,0,0,0,,{\kf6}{\kf43}i{\kf27}ma{\kf5} {\kf25}i{\kf22}ro{\kf27}dzu{\kf26}ki{\kf19}da{\kf47}shi{\kf35}ta {\kf23}ki{\kf28}mi-{\kf25}i{\kf30}ro
Dialogue: 0,0:23:36.47,0:23:40.39,ED Romaji,,0,0,0,,{\kf19}{\kf26}ma{\kf23}wa{\kf25}ru {\kf42}o{\kf32}wa{\kf21}ru {\kf53}ko{\kf25}to {\kf24}nai {\kf28}Be {\kf30}lo{\kf20}a{\kf24}d
Dialogue: 0,0:23:40.56,0:23:48.32,ED Romaji,,0,0,0,,{\kf9}{\kf73}na{\kf52}mi{\kf50}da {\kf26}yo{\kf42}ro{\kf33}ko{\kf27}bi {\kf23}no {\kf22}ma{\kf27}ma {\kf27}ni {\kf50}na{\kf25}n{\kf48}do{\kf27}mo{\kf24} {\kf26}na{\kf31}ga{\kf42}shi{\kf49}te {\kf29}go{\kf14}ran
Dialogue: 0,0:23:48.57,0:23:52.41,ED Romaji,,0,0,0,,{\kf8}{\kf41}ho{\kf37}ra {\kf23}i{\kf20}ro{\kf30}dzu{\kf24}i{\kf17}ta {\kf46}se{\kf37}kai {\kf24}ki{\kf27}mi-{\kf26}i{\kf24}ro
Dialogue: 0,0:23:52.49,0:23:59.08,ED Romaji,,0,0,0,,{\fad(0,1400)}{\kf16}{\kf31}{\fad(0,1400)}ko{\kf20}ro{\kf25}ga{\kf47}ru {\kf27}yo{\kf25}u{\kf52}ni {\kf47}Do {\kf25}the {\kf51}Best {\kf49}of {\kf244}you{\kf0}
Dialogue: 0,0:22:36.20,0:22:44.09,ED English,,0,0,0,,Robbie, come on out to the sound of the voice calling you.
Dialogue: 0,0:22:44.25,0:22:52.01,ED English,,0,0,0,,Robbie, you were crying all by yourself.
Dialogue: 0,0:22:52.18,0:23:00.35,ED English,,0,0,0,,Robbie, the eyes in your heart...
Dialogue: 0,0:23:00.48,0:23:03.82,ED English,,0,0,0,,what is it that they reflect?
Dialogue: 0,0:23:04.02,0:23:07.24,ED English,,0,0,0,,...Is it “Who am I?”...
Dialogue: 0,0:23:07.65,0:23:15.03,ED English,,0,0,0,,The other side of the mirage flickers faintly.
Dialogue: 0,0:23:15.49,0:23:23.63,ED English,,0,0,0,,Anywhere is fine, as long as it’s not here.
Dialogue: 0,0:23:24.63,0:23:32.34,ED English,,0,0,0,,My dancing heart is reborn as a marble time and again.
Dialogue: 0,0:23:32.59,0:23:36.47,ED English,,0,0,0,,The colors I just filled in were yours.
Dialogue: 0,0:23:36.47,0:23:40.39,ED English,,0,0,0,,It’s not something that will finish with a turn. Be load.
Dialogue: 0,0:23:40.56,0:23:48.32,ED English,,0,0,0,,Just like your joy, try letting your tears flow.
Dialogue: 0,0:23:48.57,0:23:52.41,ED English,,0,0,0,,See? The world is filled in with your colors.
Dialogue: 0,0:23:52.49,0:23:59.08,ED English,,0,0,0,,{\fad(0,1400)}Like a tumble, do the best of you.
Dialogue: 0,0:03:32.35,0:03:35.40,title,,0,0,0,,{\shad0\an8\fad(200,0)\bord3\3c&H8E4111&\c&H00FEFD&\pos(260,334)}Yakitate!! {\c&H0000FF&}Japan
Dialogue: 0,0:03:32.35,0:03:35.40,TransBy,,0,0,0,,{\fad(200,0)\pos(538,360)}Translated by: Anime-Empire
Dialogue: 0,0:03:18.17,0:03:24.60,OP Romaji,,0,0,0,,{\kf13}{\kf23}ko{\kf21}no {\kf19}ko{\kf54}e{\kf48} {\kf23}to{\kf19}do{\kf18}ke {\kf37}ta{\kf21}i {\kf23}yo,{\kf24} {\kf20}ma{\kf17}da {\kf22}chi{\kf50}i{\kf49}sa{\kf24}na {\kf22}u{\kf19}ta {\kf39}da{\kf21}ke{\kf17}do
Dialogue: 0,0:03:24.60,0:03:30.77,OP Romaji,,0,0,0,,{\fad(0,600)}{\kf24}{\kf42}ha{\kf20}ji{\kf52}ma{\kf7}ru{\kf71} {\kf34}yo{\kf47}ka{\kf39}n {\kf32}ga {\kf45}su{\kf38}ru {\kf25}ka{\kf141}ra
Dialogue: 0,0:03:35.61,0:03:45.87,OP Romaji,,0,0,0,,{\kf26}{\kf40}hi{\kf43}to{\kf22}ri {\kf29}de{\kf113} {\kf19}u{\kf26}zu{\kf37}ku{\kf23}ma{\kf61}ri, {\kf41}ko{\kf45}e {\kf37}shi{\kf19}zu{\kf21}me {\kf20}na{\kf41}ga{\kf30}ra{\kf70} {\kf22}o{\kf73}to{\kf29}shi{\kf26}ta {\kf14}na{\kf24}mi{\kf38}da {\kf22}wa{\kf19}
Dialogue: 0,0:03:48.58,0:03:54.46,OP Romaji,,0,0,0,,{\kf22}{\kf0}“{\kf50}shi{\kf39}n{\kf27}ji{\kf24}ru{\kf115} {\kf24}ko{\kf21}to {\kf29}wa{\kf36}su{\kf56}re{\kf41}ka{\kf62}ke{\kf23}te{\kf40}ru {\k0}to” {\k0}to
Dialogue: 0,0:03:54.46,0:04:00.34,OP Romaji,,0,0,0,,{\kf42}{\kf38}ki{\kf22}dzu{\kf60}{\kf22}ka{\kf26}se {\kf22}te{\kf97}{\kf18}ku{\kf21}re{\kf22}ta {\kf41}no {\kf26}ka{\kf21}mo {\kf36}shi{\kf21}re{\kf18}na{\kf25}i{\kf14}
Dialogue: 0,0:04:02.67,0:04:09.23,OP Romaji,,0,0,0,,{\kf15}{\kf40}e{\kf44}ga{\kf18}i{\kf49}ta {\kf47}mi{\kf47}ra{\kf21}i {\kf167}wo{\kf203}
Dialogue: 0,0:04:05.93,0:04:09.23,OP Romaji,,0,0,0,,{\fs27\fad(160,0)}{\k0}({\k16}{\kf21}ka{\kf49}na{\kf32}e{\kf49}ru{\kf56}n{\kf103}da{\kf0})
Dialogue: 0,0:04:09.47,0:04:14.60,OP Romaji,,0,0,0,,{\kf25}{\kf46}ha{\kf39}re{\kf40}ta {\kf44}so{\kf87}ra{\kf34} {\kf26}mi{\kf38}a{\kf21}ge{\kf118}te{\kf0}
Dialogue: 0,0:04:15.31,0:04:21.74,OP Romaji,,0,0,0,,{\kf10}{\kf16}mo{\kf13}u{\kf13}i{\kf22}chi{\kf49}do{\kf50} {\kf21}ha{\kf25}shi{\kf19}ri {\kf32}da{\kf27}su {\kf31}yo.{\kf15} {\kf17}I{\kf20}tsu{\kf18}ka {\kf60}a{\kf37}no {\kf30}shi{\kf18}ro{\kf16}i {\kf47}so{\kf33}ra
Dialogue: 0,0:04:21.74,0:04:27.53,OP Romaji,,0,0,0,,{\kf29}{\kf40}wa{\kf23}ta{\kf47}shi{\kf92} {\kf21}i{\kf58}ro {\kf38}ni {\kf32}so{\kf35}me{\kf40}ta{\kf23}i {\kf106}na
Dialogue: 0,0:04:28.20,0:04:34.54,OP Romaji,,0,0,0,,{\kf10}{\kf19}do{\kf24}ko{\kf16}ma{\kf19}de{\kf57}mo {\kf47}{\kf25}to{\kf19}n{\kf18}do{\kf40}yu{\kf21}ku {\kf22}yo.{\kf23} {\kf23}Bi{\kf17}i{\kf20}da{\kf47}ma{\kf14} {\kf23}mi{\kf20}ta{\kf22}i {\kf13}ni {\kf22}hi{\kf33}ka{\kf20}ru
Dialogue: 0,0:04:34.54,0:04:38.92,OP Romaji,,0,0,0,,{\fad(0,900)}{\kf32}{\kf22}ko{\kf16}no {\kf23}ha{\kf19}ne {\kf66}wo{\kf34} {\kf22}hi{\kf22}ro{\kf17}ge{\kf161}te
Dialogue: 0,0:03:18.17,0:03:24.60,OP English,,0,0,0,,I want this voice to reach you, even though it’s still a tiny song.
Dialogue: 0,0:03:24.60,0:03:30.77,OP English,,0,0,0,,{\fad(0,600)}That’s because I have the feeling that something’s gonna start.
Dialogue: 0,0:03:35.61,0:03:45.87,OP English,,0,0,0,,As I was cowering, muffling my voice, the tears that I shed
Dialogue: 0,0:03:48.58,0:03:54.46,OP English,,0,0,0,,probably helped me notice that
Dialogue: 0,0:03:54.46,0:04:00.34,OP English,,0,0,0,,I’ve almost forgotten how to believe.
Dialogue: 0,0:04:02.67,0:04:09.23,OP English,,0,0,0,,The future that I painted (I will fulfill it)
Dialogue: 0,0:04:09.47,0:04:14.60,OP English,,0,0,0,,Looking up to the clear skies,
Dialogue: 0,0:04:15.31,0:04:21.74,OP English,,0,0,0,,I begin to run once again. Someday, I want to dye
Dialogue: 0,0:04:21.74,0:04:27.53,OP English,,0,0,0,,that white sky with my colors.
Dialogue: 0,0:04:28.20,0:04:34.54,OP English,,0,0,0,,I’m going to fly as far as possible, shining like a marble,
Dialogue: 0,0:04:34.54,0:04:38.92,OP English,,0,0,0,,{\fad(0,900)}unfolding these wings of mine.