[Script Info]
; Script generated by Aegisub 2.1.9
; http://www.aegisub.org/
Title: Default Aegisub file
ScriptType: v4.00+
PlayResX: 712
PlayResY: 480
PlayDepth: 16
Timer: 100,0000
WrapStyle: 0
Video File: crf16\ep26.mkv
Video Aspect Ratio: 1
Video Zoom: 10
Video Position: 5368
Last Style Storage: futakoi
Audio File: ?video
Collisions: Normal
ScaledBorderAndShadow: no


[V4+ Styles]
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Style: Dialogue1,Palatino Sans Inf mod,32,&H00DCEDF8,&H0000FFFF,&H00071A28,&H80071A28,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,55,55,25,1
Style: Dialogue2,Palatino Sans Inf mod,32,&H00CCF6DF,&H0000FFFF,&H00072816,&H80072816,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,55,55,25,1
Style: Dialogue3,Palatino Sans Inf mod,32,&H00B2C4F5,&H0000FFFF,&H00050F2A,&H80050F2A,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,25,25,25,1
Style: Dialogue0,Palatino Sans mod,33,&H00FFFFFF,&H0000FFFF,&H00180000,&H80000000,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,55,55,25,1
Style: OP Romaji,Dom Casual Std,31,&H008ECCF6,&H00FFFFFF,&H0060320F,&H80000000,-1,0,0,0,111,100,0,0,1,1.8,0,8,25,25,16,1
Style: OP English,HelveticaRounded LT BoldCn,30,&H00FFFFFF,&H0000FFFF,&H00180000,&H80000000,0,0,0,0,111,100,0,0,1,1,1,2,25,25,17,1
Style: ED English,One Stroke Script Std,31,&H00FFFFFF,&H0000FFFF,&H005B5B5B,&H80000000,0,0,0,0,111,100,0,0,1,2,0,2,15,15,20,1
Style: ED Romaji,One Stroke Script Std,30,&H00FFFFFF,&H00B4B4B4,&H00290000,&H80000000,-1,0,0,0,111,100,0,0,1,1.8,0,8,15,15,11,1
Style: title,HelveticaRounded LT Black,40,&H000073F0,&H0000FFFF,&H00EBF6FF,&H80071A28,-1,0,0,0,111,100,0,0,1,3,2,2,55,55,21,1
Style: Next Episode,HelveticaRounded LT BoldCn,28,&H00B0FAF0,&H0000FFFF,&H00040B0E,&H80071A28,0,0,0,0,111,100,0.5,0,1,2.1,0,2,55,55,21,1
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Style: Long Note 2,LTPisa Headline,23,&H00FFFFFF,&H000000FF,&H00000000,&H80000000,0,0,0,0,111,100,0,0,1,2,1,8,15,15,20,1
Style: Fermentation2,Helvetica LT Black,32,&H00FFFFFF,&H0000FFFF,&H00000000,&H80000000,0,0,0,0,111,100,0,0,1,2,0,1,25,25,17,1
Style: kai,A-OTF Kanteiryu latin subset,25,&H00000000,&H0000FFFF,&H004B3FDC,&H80000000,0,0,0,0,111,100,0,0,1,0,0,2,25,25,17,1
Style: Grading,One Stroke Script Std,30,&H003A47D4,&H00B4B4B4,&H00E0E5E9,&H80000000,-1,0,0,0,111,100,0,0,1,0,0,8,15,15,11,1
Style: Gravestone,ITC Stone Sans Std Bold,30,&H002B2923,&H0000FFFF,&H00393939,&H80000000,0,0,0,0,100,111,0,0,1,0,0,2,25,25,17,1
Style: ArtisanW,Generis Sans W02 Heavy,18,&H00000000,&H0000FFFF,&H00101010,&H80000000,0,0,0,0,111,100,0,0,1,0,0,2,25,25,17,1
Style: louis,Syndor ITC Book,32,&H00FFFFFF,&H0000FFFF,&H00000000,&H80000000,-1,0,0,0,111,100,0,0,1,2,0,1,25,25,17,1

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Comment: 0,0:02:22.99,0:02:24.99,Dialogue0,,0000,0000,0000,,OP
Comment: 0,0:13:18.06,0:13:18.11,Dialogue1,,0000,0000,0000,,Eyecatch
Comment: 0,0:22:34.99,0:22:36.99,Dialogue1,,0000,0000,0000,,ED
Comment: 0,0:22:35.00,0:22:37.96,ED English,,0000,0000,0000,,ED
Comment: 0,0:02:22.99,0:02:24.99,OP English,,0000,0000,0000,,OP

Dialogue: 0,0:00:00.90,0:00:02.41,Dialogue0,,0000,0000,0000,,And now, the third place match
Dialogue: 0,0:00:02.41,0:00:06.11,Dialogue0,,0000,0000,0000,,between Kawachi and Suwabara is all that\Nremains in the Pantasia newcomers’ battle.
Dialogue: 0,0:00:07.11,0:00:09.99,Dialogue0,,0000,0000,0000,,For the sake of this match,\Nupon Matsushiro’s recommendation,
Dialogue: 0,0:00:07.13,0:00:08.61,Gravestone,,0000,0000,0000,,{\bord2\pos(255,310)\3c&H9DBCB1&\frx0\fry344\frz6.799}St. Andrew’s Church
Dialogue: 0,0:00:09.99,0:00:13.45,Dialogue0,,0000,0000,0000,,Kawachi knocked on the door of St. Andrew’s Church, but...
Dialogue: 0,0:00:13.45,0:00:17.83,Dialogue1,,0000,0000,0000,,That’s because you’re a \N“What was that?!” person.
Dialogue: 0,0:00:17.83,0:00:19.33,Dialogue1,,0000,0000,0000,,What was that?!
Dialogue: 0,0:00:19.33,0:00:20.97,Dialogue1,,0000,0000,0000,,You are bound by common sense
Dialogue: 0,0:00:20.97,0:00:23.34,Dialogue1,,0000,0000,0000,,and are always surprised by the geniuses in the end.
Dialogue: 0,0:00:23.34,0:00:26.83,Dialogue1,,0000,0000,0000,,You’re just a side character shouting “What was that?!”
Dialogue: 0,0:00:27.80,0:00:30.80,Dialogue1,,0000,0000,0000,,That is your true nature.
Dialogue: 0,0:00:31.23,0:00:32.74,Dialogue2,,0000,0000,0000,,What was that?!
Dialogue: 0,0:00:32.74,0:00:36.39,Dialogue2,,0000,0000,0000,,What was that?! What was that?!
Dialogue: 0,0:00:36.70,0:00:37.91,Dialogue1,,0000,0000,0000,,Well, you must.
Dialogue: 0,0:00:37.91,0:00:41.46,Dialogue1,,0000,0000,0000,,Throw away common sense. \NGet yourself an afro.
Dialogue: 0,0:00:41.90,0:00:45.71,Dialogue0,,0000,0000,0000,,Thus, he overcame the “What\Nwas that?!” person within himself.
Dialogue: 0,0:00:45.71,0:00:46.84,Dialogue0,,0000,0000,0000,,However...
Dialogue: 0,0:00:47.83,0:00:51.44,Dialogue1,,0000,0000,0000,,I’m sorry to tell you that\N the nun you met is...
Dialogue: 0,0:00:51.44,0:00:53.19,Dialogue1,,0000,0000,0000,,A FAKE!
Dialogue: 0,0:00:53.19,0:00:55.03,Dialogue1,,0000,0000,0000,,What was that?!
Dialogue: 0,0:00:56.18,0:00:58.80,Dialogue1,,0000,0000,0000,,You...
Dialogue: 0,0:00:58.80,0:01:00.73,Dialogue1,,0000,0000,0000,,big fool!
Dialogue: 0,0:01:05.96,0:01:08.30,Dialogue1,,0000,0000,0000,,You absolutely can’t win!
Dialogue: 0,0:01:08.30,0:01:12.19,Dialogue1,,0000,0000,0000,,Originally developed as a lethal\Nweapon to use in the finals...
Dialogue: 0,0:01:12.19,0:01:14.30,Dialogue1,,0000,0000,0000,,My ultimate French bread.
Dialogue: 0,0:01:14.30,0:01:16.79,Dialogue1,,0000,0000,0000,,You can’t win against my Dancing French Bread!!
Dialogue: 0,0:01:18.62,0:01:20.10,Dialogue1,,0000,0000,0000,,What was that?!
Dialogue: 0,0:01:22.04,0:01:23.31,Dialogue1,,0000,0000,0000,,Ouch!
Dialogue: 0,0:01:23.75,0:01:24.83,Dialogue2,,0000,0000,0000,,That’s right.
Dialogue: 0,0:01:24.83,0:01:26.31,Dialogue2,,0000,0000,0000,,I shouldn’t be saying “What was that?!”
Dialogue: 0,0:01:26.75,0:01:29.33,Dialogue2,,0000,0000,0000,,Right now, I have an afro.
Dialogue: 0,0:01:29.33,0:01:31.82,Dialogue2,,0000,0000,0000,,I won’t lose so easily.
Dialogue: 0,0:01:32.46,0:01:35.32,Dialogue1,,0000,0000,0000,,Believe in yourself, Kawachi Kyousuke.
Dialogue: 0,0:01:36.80,0:01:38.13,Dialogue1,,0000,0000,0000,,Listen up, Suwabara.
Dialogue: 0,0:01:38.13,0:01:42.08,Dialogue1,,0000,0000,0000,,While your French bread may\Ndance, my French bread can sing!
Dialogue: 0,0:01:43.31,0:01:44.36,Dialogue1,,0000,0000,0000,,Huh?
Dialogue: 0,0:01:45.68,0:01:47.46,Dialogue1,,0000,0000,0000,,I’m looking forward to that, Kawachi.
Dialogue: 0,0:01:48.65,0:01:51.46,Dialogue1,,0000,0000,0000,,But, Suwabara has already begun baking his bread.
Dialogue: 0,0:01:52.61,0:01:54.96,Dialogue1,,0000,0000,0000,,What was that?!
Dialogue: 0,0:01:56.90,0:01:57.95,Dialogue1,,0000,0000,0000,,It’s no use, is it?
Dialogue: 0,0:01:57.95,0:01:59.24,Dialogue1,,0000,0000,0000,,It’s no use.
Dialogue: 0,0:01:59.24,0:02:00.98,Dialogue1,,0000,0000,0000,,Yeah, it’s no use.
Dialogue: 0,0:02:02.91,0:02:04.97,Dialogue0,,0000,0000,0000,,There’s English bread, German bread, and French bread,
Dialogue: 0,0:02:04.97,0:02:07.08,Dialogue0,,0000,0000,0000,,but Japan’s bread, {\i1}Japan{\i0}, does not exist.
Dialogue: 0,0:02:07.08,0:02:09.33,Dialogue0,,0000,0000,0000,,In that case, there’s no choice but to create it.
Dialogue: 0,0:02:09.33,0:02:12.94,Dialogue0,,0000,0000,0000,,This story is a serious, biographical ballad of a boy who possesses Solar Hands,
Dialogue: 0,0:02:12.94,0:02:18.01,Dialogue0,,0000,0000,0000,,Azuma Kazuma, who will create a Japanese bread made by and for the Japanese people,
Dialogue: 0,0:02:18.01,0:02:21.89,Dialogue0,,0000,0000,0000,,which can be presented to the world proudly.
Dialogue: 0,0:03:53.21,0:03:58.97,title,,0000,0000,0000,,{\an1\fad(200,0)\pos(33,134)}The last match of the Newcomers’ Battle!!
Dialogue: 0,0:03:53.21,0:03:58.97,title,,0000,0000,0000,,{\an9\fad(200,0)\pos(676,319)}The singing and dancing French breads!
Dialogue: 0,0:03:53.78,0:03:55.91,Dialogue1,,0000,0000,0000,,The last match of the Newcomers’ Battle!!
Dialogue: 0,0:03:55.91,0:03:58.33,Dialogue1,,0000,0000,0000,,The Singing and Dancing French Breads!
Dialogue: 0,0:04:01.18,0:04:03.22,Dialogue1,,0000,0000,0000,,What was that?!
Dialogue: 0,0:04:08.86,0:04:12.48,Dialogue2,,0000,0000,0000,,And suddenly, out of nowhere,\NI feel cold stares piercing me.
Dialogue: 0,0:04:12.94,0:04:13.06,Grading,,0000,0000,0000,,{\c&H03070A&\pos(177,-5)}Manager's\Nglare
Dialogue: 0,0:04:13.06,0:04:13.14,Grading,,0000,0000,0000,,{\c&H03070A&\pos(291,94)}Manager's\Nglare
Dialogue: 0,0:04:13.14,0:04:14.35,Grading,,0000,0000,0000,,{\c&H03070A&\pos(414,201)}Manager's\Nglare
Dialogue: 0,0:04:14.35,0:04:14.40,Grading,,0000,0000,0000,,{\c&H03070A&\pos(411,171)}Manager's\Nglare
Dialogue: 0,0:04:14.40,0:04:14.44,Grading,,0000,0000,0000,,{\c&H03070A&\pos(411,143)}Manager's\Nglare
Dialogue: 0,0:04:14.44,0:04:14.48,Grading,,0000,0000,0000,,{\c&H03070A&\pos(411,115)}Manager's\Nglare
Dialogue: 0,0:04:14.48,0:04:14.52,Grading,,0000,0000,0000,,{\c&H03070A&\pos(411,87)}Manager's\Nglare
Dialogue: 0,0:04:14.52,0:04:14.56,Grading,,0000,0000,0000,,{\c&H03070A&\pos(411,60)}Manager's\Nglare
Dialogue: 0,0:04:14.56,0:04:14.60,Grading,,0000,0000,0000,,{\c&H03070A&\pos(411,40)}Manager's\Nglare
Dialogue: 0,0:04:14.60,0:04:14.65,Grading,,0000,0000,0000,,{\c&H03070A&\pos(411,20)}Manager's\Nglare
Dialogue: 0,0:04:14.65,0:04:14.69,Grading,,0000,0000,0000,,{\c&H03070A&\pos(411,5)}Manager's\Nglare
Dialogue: 0,0:04:14.69,0:04:14.73,Grading,,0000,0000,0000,,{\c&H03070A&\pos(411,-10)}Manager's\Nglare
Dialogue: 0,0:04:14.73,0:04:15.56,Grading,,0000,0000,0000,,{\c&H03070A&\pos(411,-18)}Manager's\Nglare
Dialogue: 0,0:04:14.35,0:04:14.40,Grading,,0000,0000,0000,,{\c&H03070A&\pos(-7,366)}Azuma's\Nglare
Dialogue: 0,0:04:14.40,0:04:14.44,Grading,,0000,0000,0000,,{\c&H03070A&\pos(-7,337)}Azuma's\Nglare
Dialogue: 0,0:04:14.44,0:04:14.48,Grading,,0000,0000,0000,,{\c&H03070A&\pos(127,354)}Azuma's\Nglare
Dialogue: 0,0:04:14.48,0:04:14.52,Grading,,0000,0000,0000,,{\c&H03070A&\pos(127,326)}Azuma's\Nglare
Dialogue: 0,0:04:14.52,0:04:14.56,Grading,,0000,0000,0000,,{\c&H03070A&\pos(282,350)}Azuma's\Nglare
Dialogue: 0,0:04:14.56,0:04:14.60,Grading,,0000,0000,0000,,{\c&H03070A&\pos(282,330)}Azuma's\Nglare
Dialogue: 0,0:04:14.60,0:04:14.65,Grading,,0000,0000,0000,,{\c&H03070A&\pos(282,310)}Azuma's\Nglare
Dialogue: 0,0:04:14.65,0:04:14.69,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,295)}Azuma's\Nglare
Dialogue: 0,0:04:14.69,0:04:14.73,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,282)}Azuma's\Nglare
Dialogue: 0,0:04:14.73,0:04:15.56,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,274)}Azuma's\Nglare
Dialogue: 0,0:04:15.56,0:04:15.60,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,232)}Azuma's\Nglare
Dialogue: 0,0:04:15.60,0:04:15.65,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,187)}Azuma's\Nglare
Dialogue: 0,0:04:15.65,0:04:15.69,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,146)}Azuma's\Nglare
Dialogue: 0,0:04:15.69,0:04:15.73,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,103)}Azuma's\Nglare
Dialogue: 0,0:04:15.73,0:04:15.77,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,70)}Azuma's\Nglare
Dialogue: 0,0:04:15.77,0:04:15.81,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,40)}Azuma's\Nglare
Dialogue: 0,0:04:15.81,0:04:15.86,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,20)}Azuma's\Nglare
Dialogue: 0,0:04:15.86,0:04:16.48,Grading,,0000,0000,0000,,{\c&H03070A&\pos(279,7)}Azuma's\Nglare
Dialogue: 0,0:04:15.60,0:04:15.65,Grading,,0000,0000,0000,,{\c&H03070A&\pos(111,471)}Tsukino's\Nglare
Dialogue: 0,0:04:15.65,0:04:15.69,Grading,,0000,0000,0000,,{\c&H03070A&\pos(234,397)}Tsukino's\Nglare
Dialogue: 0,0:04:15.69,0:04:15.73,Grading,,0000,0000,0000,,{\c&H03070A&\pos(234,354)}Tsukino's\Nglare
Dialogue: 0,0:04:15.73,0:04:15.77,Grading,,0000,0000,0000,,{\c&H03070A&\pos(234,321)}Tsukino's\Nglare
Dialogue: 0,0:04:15.77,0:04:15.81,Grading,,0000,0000,0000,,{\c&H03070A&\pos(234,291)}Tsukino's\Nglare
Dialogue: 0,0:04:15.81,0:04:15.86,Grading,,0000,0000,0000,,{\c&H03070A&\pos(234,271)}Tsukino's\Nglare
Dialogue: 0,0:04:15.86,0:04:16.48,Grading,,0000,0000,0000,,{\c&H03070A&\pos(234,258)}Tsukino's\Nglare
Dialogue: 0,0:04:12.48,0:04:13.91,Dialogue2,,0000,0000,0000,,They’re mad...
Dialogue: 0,0:04:16.48,0:04:17.91,Dialogue2,,0000,0000,0000,,This isn’t good...
Dialogue: 0,0:04:17.91,0:04:19.48,Dialogue2,,0000,0000,0000,,I did it again.
Dialogue: 0,0:04:20.12,0:04:22.70,Dialogue2,,0000,0000,0000,,This isn’t the time to be worried about others.
Dialogue: 0,0:04:22.70,0:04:24.49,Dialogue2,,0000,0000,0000,,I must focus on myself.
Dialogue: 0,0:04:25.70,0:04:27.58,Dialogue1,,0000,0000,0000,,All right, this is the finishing touch!
Dialogue: 0,0:04:28.24,0:04:30.08,Dialogue1,,0000,0000,0000,,I’ll start baking, too.
Dialogue: 0,0:04:39.14,0:04:40.75,Dialogue1,,0000,0000,0000,,What is Kawachi-san...?
Dialogue: 0,0:04:41.60,0:04:45.76,Dialogue1,,0000,0000,0000,,He skewered it to make holes,\Neliminating the need to slash it...
Dialogue: 0,0:04:46.23,0:04:48.80,Dialogue1,,0000,0000,0000,,but to put all that water into the bucket...
Dialogue: 0,0:04:49.19,0:04:51.27,Dialogue1,,0000,0000,0000,,It’s to regulate the steam.
Dialogue: 0,0:04:51.61,0:04:52.60,Dialogue1,,0000,0000,0000,,What?
Dialogue: 0,0:04:53.11,0:04:55.44,Dialogue1,,0000,0000,0000,,The reason that the surface of\NFrench bread is hard is that...
Dialogue: 0,0:04:55.44,0:04:57.36,Dialogue1,,0000,0000,0000,,the tiny droplets of water
Dialogue: 0,0:04:57.36,0:05:00.70,Dialogue1,,0000,0000,0000,,that are sticking to the surface of the\Ndough are dried at a high temperature.
Dialogue: 0,0:05:00.70,0:05:02.61,Dialogue1,,0000,0000,0000,,You know that, right, Tsukino?
Dialogue: 0,0:05:02.61,0:05:04.32,Dialogue1,,0000,0000,0000,,Yes, of course.
Dialogue: 0,0:05:06.41,0:05:11.29,Dialogue1,,0000,0000,0000,,For that reason, the oven that’s being\Nused will have the facility to produce steam.
Dialogue: 0,0:05:11.29,0:05:16.51,Dialogue1,,0000,0000,0000,,During the baking process,\Nthe oven will be filled with steam,
Dialogue: 0,0:05:16.51,0:05:20.54,Dialogue1,,0000,0000,0000,,such that drops of water\Nstick to the surface of the dough.
Dialogue: 0,0:05:20.55,0:05:21.47,Dialogue1,,0000,0000,0000,,However...
Dialogue: 0,0:05:21.47,0:05:24.85,Dialogue1,,0000,0000,0000,,that only helps in making a regular French bread.
Dialogue: 0,0:05:24.85,0:05:27.56,Dialogue1,,0000,0000,0000,,It can’t release more than a fixed amount of steam.
Dialogue: 0,0:05:28.10,0:05:30.94,Dialogue1,,0000,0000,0000,,Most likely, after testing many things,
Dialogue: 0,0:05:30.94,0:05:35.10,Dialogue1,,0000,0000,0000,,Kawachi has determined that\Nthis is what suits his bread the best.
Dialogue: 0,0:05:35.90,0:05:37.15,Dialogue1,,0000,0000,0000,,I see.
Dialogue: 0,0:05:37.15,0:05:39.31,Dialogue1,,0000,0000,0000,,But still, it’s a lot of water.
Dialogue: 0,0:05:45.49,0:05:47.38,Dialogue1,,0000,0000,0000,,With this, we’re done.
Dialogue: 0,0:05:47.95,0:05:49.29,Dialogue1,,0000,0000,0000,,How’s it looking, Suwabara?
Dialogue: 0,0:05:49.29,0:05:50.37,Dialogue1,,0000,0000,0000,,Your bread, that is...
Dialogue: 0,0:05:50.37,0:05:52.21,Dialogue1,,0000,0000,0000,,Don’t talk to me.
Dialogue: 0,0:05:52.21,0:05:55.12,Dialogue1,,0000,0000,0000,,How about you concentrate on your own baking?
Dialogue: 0,0:05:56.17,0:05:57.33,Dialogue1,,0000,0000,0000,,There’s no need.
Dialogue: 0,0:05:58.59,0:06:00.22,Dialogue1,,0000,0000,0000,,When my bread’s done,
Dialogue: 0,0:06:00.22,0:06:01.81,Dialogue1,,0000,0000,0000,,it’ll let me know...
Dialogue: 0,0:06:02.64,0:06:04.47,Dialogue1,,0000,0000,0000,,by singing!
Dialogue: 0,0:06:04.47,0:06:05.59,Dialogue1,,0000,0000,0000,,What?!
Dialogue: 0,0:06:17.78,0:06:21.32,Dialogue2,,0000,0000,0000,,The water in the bucket has started\Nboiling and letting off steam, hasn’t it?
Dialogue: 0,0:06:21.32,0:06:23.24,Dialogue2,,0000,0000,0000,,It’s a nice melody.
Dialogue: 0,0:06:23.24,0:06:28.11,Dialogue2,,0000,0000,0000,,To me, it sounds like the shrill of\Ncicadas announcing the advent of summer.
Dialogue: 0,0:06:28.11,0:06:28.82,Dialogue1,,0000,0000,0000,,And then...!
Dialogue: 0,0:06:34.17,0:06:34.88,Dialogue1,,0000,0000,0000,,What the...?
Dialogue: 0,0:06:34.88,0:06:36.88,Dialogue1,,0000,0000,0000,,Some strange sound is...
Dialogue: 0,0:06:36.88,0:06:38.83,Dialogue1,,0000,0000,0000,,It kind of sounds like a flute...
Dialogue: 0,0:06:39.23,0:06:40.80,Dialogue1,,0000,0000,0000,,No, that is not it.
Dialogue: 0,0:06:40.80,0:06:43.04,Dialogue1,,0000,0000,0000,,The bread is crying.
Dialogue: 0,0:06:45.05,0:06:46.18,Dialogue1,,0000,0000,0000,,No way!
Dialogue: 0,0:06:46.18,0:06:47.51,Dialogue1,,0000,0000,0000,,That’s amazing!
Dialogue: 0,0:06:47.51,0:06:48.67,Dialogue1,,0000,0000,0000,,A crying bread, eh?
Dialogue: 0,0:06:48.67,0:06:51.27,Dialogue1,,0000,0000,0000,,Uhh... no, wait a moment...
Dialogue: 0,0:06:51.27,0:06:53.48,Dialogue1,,0000,0000,0000,,This isn’t crying,
Dialogue: 0,0:06:53.48,0:06:54.64,Dialogue1,,0000,0000,0000,,it’s singing!
Dialogue: 0,0:06:55.31,0:06:59.48,Dialogue1,,0000,0000,0000,,Don’t you think it’s kinda going la-la-la...?
Dialogue: 0,0:07:00.74,0:07:03.11,Dialogue1,,0000,0000,0000,,Your hairstyle was enough to frighten me,
Dialogue: 0,0:07:03.11,0:07:05.70,Dialogue1,,0000,0000,0000,,but the fact that your bread is crying also frightens me.
Dialogue: 0,0:07:05.70,0:07:07.41,Dialogue1,,0000,0000,0000,,I’m looking forward to tasting it.
Dialogue: 0,0:07:07.41,0:07:08.86,Dialogue1,,0000,0000,0000,,No... well, you see...
Dialogue: 0,0:07:08.86,0:07:11.87,Dialogue1,,0000,0000,0000,,Like I said... It’s singing...
Dialogue: 0,0:07:10.75,0:07:11.87,Dialogue3,,0000,0000,0000,,A crying bread!
Dialogue: 0,0:07:11.87,0:07:13.08,Dialogue1,,0000,0000,0000,,You embarrassing little...
Dialogue: 0,0:07:13.08,0:07:15.58,Dialogue1,,0000,0000,0000,,No, it’s not like that...
Dialogue: 0,0:07:15.58,0:07:16.75,Dialogue1,,0000,0000,0000,,But, Kawachi,
Dialogue: 0,0:07:16.75,0:07:18.58,Dialogue1,,0000,0000,0000,,don’t think that that’s enough\N to let you win!
Dialogue: 0,0:07:22.63,0:07:25.98,Dialogue1,,0000,0000,0000,,Not against this Dancing French Bread!
Dialogue: 0,0:07:28.10,0:07:30.14,Dialogue2,,0000,0000,0000,,I-It looks like a snake!
Dialogue: 0,0:07:30.14,0:07:32.22,Dialogue2,,0000,0000,0000,,The bread’s moving like a snake!
Dialogue: 0,0:07:32.22,0:07:33.22,Dialogue2,,0000,0000,0000,,Oh, I see!
Dialogue: 0,0:07:33.81,0:07:36.48,Dialogue2,,0000,0000,0000,,Suwabara’s bread was unusually long!
Dialogue: 0,0:07:36.48,0:07:39.69,Dialogue2,,0000,0000,0000,,He must have hung that long\Nbread from the top with something,
Dialogue: 0,0:07:39.69,0:07:42.94,Dialogue2,,0000,0000,0000,,then coiled it like a snake\Nbefore putting it into the oven!
Dialogue: 0,0:07:43.82,0:07:44.74,Dialogue2,,0000,0000,0000,,And then...
Dialogue: 0,0:07:44.74,0:07:46.95,Dialogue2,,0000,0000,0000,,The moment the bread was exposed to the outside,
Dialogue: 0,0:07:46.95,0:07:50.03,Dialogue2,,0000,0000,0000,,due to the change in temperature,\Nthe steam pressure within the bread changed,
Dialogue: 0,0:07:50.03,0:07:51.88,Dialogue2,,0000,0000,0000,,leading to the appearance of movement.
Dialogue: 0,0:07:53.41,0:07:56.29,Dialogue1,,0000,0000,0000,,But, while it may look like it’s moving...
Dialogue: 0,0:07:56.29,0:07:58.33,Dialogue1,,0000,0000,0000,,it doesn’t appear to be dancing.
Dialogue: 0,0:07:58.33,0:08:00.04,Dialogue1,,0000,0000,0000,,And as a bread that’s simply long...
Dialogue: 0,0:08:00.04,0:08:01.25,Dialogue1,,0000,0000,0000,,With such a bread...
Dialogue: 0,0:08:01.25,0:08:04.08,Dialogue1,,0000,0000,0000,,you rea~lly can’t win against me.
Dialogue: 0,0:08:04.38,0:08:05.38,Dialogue1,,0000,0000,0000,,Kawachi.
Dialogue: 0,0:08:05.38,0:08:07.34,Dialogue1,,0000,0000,0000,,Your bread still isn’t done, is it?
Dialogue: 0,0:08:07.34,0:08:08.30,Dialogue1,,0000,0000,0000,,Not yet.
Dialogue: 0,0:08:08.30,0:08:12.85,Dialogue1,,0000,0000,0000,,Until this bread’s wailing – I mean\Nsinging, stops, it’s not finished baking.
Dialogue: 0,0:08:12.85,0:08:14.31,Dialogue1,,0000,0000,0000,,Is that so?
Dialogue: 0,0:08:14.31,0:08:17.31,Dialogue1,,0000,0000,0000,,In that case, I request that my bread be sampled first.
Dialogue: 0,0:08:17.31,0:08:18.97,Dialogue1,,0000,0000,0000,,Who’ll be doing the judging?
Dialogue: 0,0:08:18.97,0:08:20.32,Dialogue1,,0000,0000,0000,,Meister, is it you?
Dialogue: 0,0:08:20.32,0:08:21.68,Dialogue1,,0000,0000,0000,,Me, me!
Dialogue: 0,0:08:22.48,0:08:26.24,Dialogue1,,0030,0030,0000,,With the Meister having exhausted the supplies for his tricks, he’s in “I am tired” mode.
Dialogue: 0,0:08:26.24,0:08:27.73,Dialogue1,,0000,0000,0000,,So, I’m in charge.
Dialogue: 0,0:08:28.13,0:08:30.73,Dialogue2,,0000,0000,0000,,But, I could have done it...!
Dialogue: 0,0:08:31.12,0:08:32.37,Dialogue1,,0000,0000,0000,,And if I was to say no?
Dialogue: 0,0:08:32.37,0:08:33.36,Dialogue1,,0000,0000,0000,,What?!
Dialogue: 0,0:08:33.75,0:08:35.66,Dialogue1,,0000,0000,0000,,In the semifinals against Azuma,
Dialogue: 0,0:08:35.66,0:08:38.83,Dialogue1,,0000,0000,0000,,you didn’t even taste my bread!
Dialogue: 0,0:08:40.17,0:08:41.54,Dialogue1,,0000,0000,0000,,Shut up, shut up.
Dialogue: 0,0:08:41.54,0:08:44.21,Dialogue1,,0000,0000,0000,,Just eat my croissant without saying anything.
Dialogue: 0,0:08:44.21,0:08:45.37,Dialogue1,,0000,0000,0000,,If you do so...
Dialogue: 0,0:08:45.92,0:08:47.47,Dialogue1,,0000,0000,0000,,Will I be able to go to heaven?
Dialogue: 0,0:08:48.22,0:08:49.43,Dialogue1,,0000,0000,0000,,What?!
Dialogue: 0,0:08:50.47,0:08:54.47,Dialogue1,,0000,0000,0000,,Dave-sensei and I went to\Nheaven because of Azuma’s bread.
Dialogue: 0,0:08:55.18,0:08:57.64,Dialogue1,,0000,0000,0000,,As long as I can’t go to heaven with your bread...
Dialogue: 0,0:08:57.64,0:08:58.97,Dialogue1,,0000,0000,0000,,it’s your loss.
Dialogue: 0,0:09:03.23,0:09:06.69,Dialogue1,,0000,0000,0000,,I don’t want such a person\Neating my Dancing French Bread.
Dialogue: 0,0:09:06.69,0:09:08.53,Dialogue1,,0000,0000,0000,,What are you, a child?
Dialogue: 0,0:09:08.53,0:09:10.49,Dialogue1,,0000,0000,0000,,Still holding a grudge over a little thing like that?!
Dialogue: 0,0:09:10.49,0:09:11.83,Dialogue1,,0000,0000,0000,,Just let me eat it!
Dialogue: 0,0:09:11.83,0:09:12.78,Dialogue1,,0000,0000,0000,,Shut up!
Dialogue: 0,0:09:12.78,0:09:14.87,Dialogue1,,0000,0000,0000,,You’re like a spoiled child yourself!
Dialogue: 0,0:09:14.87,0:09:17.03,Dialogue1,,0000,0000,0000,,Moreover, you’re too full of yourself!
Dialogue: 0,0:09:20.17,0:09:21.66,Dialogue1,,0000,0000,0000,,What a cheap little...
Dialogue: 0,0:09:24.67,0:09:27.22,Dialogue1,,0000,0000,0000,,Eating it with that annoying expression!
Dialogue: 0,0:09:27.84,0:09:29.47,Dialogue1,,0000,0000,0000,,Both of you are such children...
Dialogue: 0,0:09:30.39,0:09:32.88,Dialogue1,,0000,0000,0000,,By the way...\NWhat was it you were thinking earlier?
Dialogue: 0,0:09:33.67,0:09:34.63,Dialogue1,,0000,0000,0000,,Earlier...?
Dialogue: 0,0:09:34.97,0:09:38.73,Dialogue1,,0000,0000,0000,,After seeing my bread, you thought that\Nit was just moving, rather than dancing?!
Dialogue: 0,0:09:38.73,0:09:41.35,Dialogue1,,0000,0000,0000,,And I bet you also thought that it was “just long,” right?
Dialogue: 0,0:09:41.35,0:09:44.19,Dialogue1,,0000,0000,0000,,I-I don’t know what you’re talking about...
Dialogue: 0,0:09:44.19,0:09:46.23,Dialogue2,,0000,0000,0000,,How can he be so sharp?
Dialogue: 0,0:09:46.23,0:09:48.35,Dialogue1,,0000,0000,0000,,That’s why you’re only second-class!
Dialogue: 0,0:09:48.78,0:09:50.36,Dialogue1,,0000,0000,0000,,What was that?!
Dialogue: 0,0:09:50.70,0:09:51.28,Dialogue1,,0000,0000,0000,,Dammit...
Dialogue: 0,0:09:51.28,0:09:53.37,Dialogue1,,0000,0000,0000,,I said it again.
Dialogue: 0,0:09:53.37,0:09:54.36,Dialogue1,,0000,0000,0000,,Look at that.
Dialogue: 0,0:09:54.78,0:09:55.74,Dialogue1,,0000,0000,0000,,What?
Dialogue: 0,0:10:05.25,0:10:07.25,Dialogue1,,0000,0000,0000,,Kuro-yan’s dancing!
Dialogue: 0,0:10:07.63,0:10:09.88,Dialogue1,,0000,0000,0000,,It isn’t the bread that dances?!
Dialogue: 0,0:10:09.88,0:10:11.97,Dialogue1,,0000,0000,0000,,Who said that it’d be the bread that dances?
Dialogue: 0,0:10:11.97,0:10:12.92,Dialogue1,,0000,0000,0000,,This is...
Dialogue: 0,0:10:12.92,0:10:16.42,Dialogue1,,0000,0000,0000,,a French bread so delicious that\Nanyone who eats it starts to dance!
Dialogue: 0,0:10:16.42,0:10:18.39,Dialogue1,,0000,0000,0000,,That’s so foolish!
Dialogue: 0,0:10:18.39,0:10:20.35,Dialogue1,,0000,0000,0000,,Foolish, you say?
Dialogue: 0,0:10:20.35,0:10:22.98,Dialogue1,,0000,0000,0000,,If it’s a fool who dances, and a fool who watches...
Dialogue: 0,0:10:22.98,0:10:24.23,Dialogue1,,0000,0000,0000,,If both are fools...
Dialogue: 0,0:10:24.23,0:10:27.06,Dialogue1,,0000,0000,0000,,you might as well dance!
Dialogue: 0,0:10:27.06,0:10:27.88,Dialogue1,,0000,0000,0000,,Might as well. {\alpha&HFF&}Might as well. Might as well.
Dialogue: 0,0:10:27.88,0:10:28.69,Dialogue1,,0000,0000,0000,,Might as well. Might as well. {\alpha&HFF&}Might as well.
Dialogue: 0,0:10:28.69,0:10:29.23,Dialogue1,,0000,0000,0000,,Might as well. Might as well. Might as well.
Dialogue: 0,0:10:29.65,0:10:32.57,Long Note 2,,0000,0000,0000,,Note: Awa odori ({\fs25\fnAXIS Std B\b1}あわ踊り{\r}) is part of the Bon festivities of August, unique to Tokushima City, which is found on the island of Shikoku. It is also called the “fool’s dance.”
Dialogue: 0,0:10:29.65,0:10:32.57,Dialogue2,,0000,0000,0000,,I don’t know what to think about awa\Nodori being performed in that costume...
Dialogue: 0,0:10:32.57,0:10:36.24,Dialogue2,,0000,0000,0000,,Or, rather...\NThe SP’s haven’t eaten the bread.
Dialogue: 0,0:10:36.53,0:10:37.91,Dialogue1,,0000,0000,0000,,Did you see that, Kawachi?
Dialogue: 0,0:10:37.91,0:10:40.55,Dialogue1,,0000,0000,0000,,This is what’s remarkable about the Dancing Bread!
Dialogue: 0,0:10:42.08,0:10:44.33,Dialogue2,,0000,0000,0000,,W-What kind of man is he?!
Dialogue: 0,0:10:44.33,0:10:47.75,Dialogue2,,0000,0000,0000,,You mean, he even calculated the\Nreaction before making the bread?
Dialogue: 0,0:10:48.12,0:10:49.63,Dialogue1,,0000,0000,0000,,But...
Dialogue: 0,0:10:49.63,0:10:52.51,Dialogue1,,0000,0000,0000,,why is a French bread that’s just long so delicious?
Dialogue: 0,0:10:52.51,0:10:54.75,Dialogue1,,0000,0000,0000,,Let me explain that.
Dialogue: 0,0:10:55.35,0:10:57.60,Dialogue2,,0000,0000,0000,,The dance has changed again.
Dialogue: 0,0:10:57.60,0:11:01.10,Dialogue2,,0000,0000,0000,,The l-lambada...? In that costume...?
Dialogue: 0,0:11:01.10,0:11:02.73,Dialogue2,,0000,0000,0000,,And a pretty weird one, at that.
Dialogue: 0,0:11:02.73,0:11:03.90,Dialogue1,,0000,0000,0000,,Listen up.
Dialogue: 0,0:11:03.90,0:11:07.48,Dialogue1,,0000,0000,0000,,Fundamentally, French bread\Nis more delicious the longer it is.
Dialogue: 0,0:11:07.48,0:11:08.57,Dialogue1,,0000,0000,0000,,As you know...
Dialogue: 0,0:11:08.57,0:11:12.40,Dialogue1,,0000,0000,0000,,the basis of French bread is a bread\Nwith a hard surface and a soft interior.
Dialogue: 0,0:11:12.40,0:11:14.03,Dialogue1,,0000,0000,0000,,To make the inside soft,
Dialogue: 0,0:11:14.03,0:11:18.74,Dialogue1,,0000,0000,0000,,all you have to do is make the\Ncrumb, or the white interior, long.
Dialogue: 0,0:11:19.74,0:11:23.42,Dialogue1,,0000,0000,0000,,The bigger the crumb is, the\Nmore air gets trapped inside,
Dialogue: 0,0:11:23.42,0:11:25.74,Dialogue1,,0000,0000,0000,,giving you a light consistency.
Dialogue: 0,0:11:26.17,0:11:27.75,Dialogue1,,0000,0000,0000,,Is that so?
Dialogue: 0,0:11:28.13,0:11:29.88,Dialogue1,,0000,0000,0000,,They say that...
Dialogue: 0,0:11:29.88,0:11:31.88,Dialogue1,,0000,0000,0000,,in 17th century France,
Dialogue: 0,0:11:31.88,0:11:35.75,Dialogue1,,0000,0000,0000,,gluttony was an indication of status amongst the rich.
Dialogue: 0,0:11:36.18,0:11:38.10,Dialogue1,,0000,0000,0000,,Amongst those rich people,
Dialogue: 0,0:11:38.10,0:11:41.43,Dialogue1,,0000,0000,0000,,the French king, Louis XIV,
Dialogue: 0,0:11:41.43,0:11:43.73,Dialogue1,,0000,0000,0000,,who had about 344 chefs employed under him,
Dialogue: 0,0:11:43.73,0:11:45.76,Dialogue1,,0000,0000,0000,,especially liked big things.
Dialogue: 0,0:11:46.52,0:11:48.23,Dialogue1,,0000,0000,0000,,Claiming that they were delicious,
Dialogue: 0,0:11:48.23,0:11:51.03,Dialogue1,,0000,0000,0000,,he had extremely long breads made.
Dialogue: 0,0:11:51.03,0:11:52.15,Dialogue1,,0000,0000,0000,,See, see?
Dialogue: 0,0:11:52.15,0:11:53.45,Dialogue1,,0000,0000,0000,,It’s long, long!
Dialogue: 0,0:11:53.45,0:11:54.27,Dialogue1,,0000,0000,0000,,Louis, Louis.
Dialogue: 0,0:11:54.78,0:11:57.41,Dialogue1,,0000,0000,0000,,When the French Revolution began,
Dialogue: 0,0:11:57.41,0:12:00.33,Dialogue1,,0000,0000,0000,,the chefs were no longer able to work at the palace.
Dialogue: 0,0:12:00.33,0:12:02.62,Dialogue1,,0000,0000,0000,,So, they went into the city and opened up restaurants.
Dialogue: 0,0:12:02.62,0:12:07.28,Dialogue1,,0000,0000,0000,,In the pursuit of great taste, they began\Ncompeting over the length of their breads.
Dialogue: 0,0:12:07.78,0:12:09.63,Dialogue1,,0000,0000,0000,,The Montmartre champion is...
Dialogue: 0,0:12:09.63,0:12:11.55,Dialogue1,,0000,0000,0000,,Argo Rushie!
Dialogue: 0,0:12:13.21,0:12:16.26,Dialogue1,,0000,0000,0000,,However, long bread was difficult to even store.
Dialogue: 0,0:12:16.26,0:12:18.19,Dialogue1,,0000,0000,0000,,It was a symbol of extravagance.
Dialogue: 0,0:12:18.64,0:12:23.11,Dialogue1,,0000,0000,0000,,Napoleon hated that, and therefore decided\Nwhat the length of French bread should be.
Dialogue: 0,0:12:23.48,0:12:25.28,Dialogue1,,0000,0000,0000,,This is not right.
Dialogue: 0,0:12:25.98,0:12:29.36,Dialogue1,,0000,0000,0000,,He went through the trouble of wearing\Nthat costume in order to explain that...
Dialogue: 0,0:12:29.36,0:12:32.23,Dialogue1,,0000,0000,0000,,I hadn’t included any of that in my calculations, either...
Dialogue: 0,0:12:32.73,0:12:33.86,Dialogue1,,0000,0000,0000,,Either way,
Dialogue: 0,0:12:33.86,0:12:36.70,Dialogue1,,0000,0000,0000,,I knew that he had decided on the length on his own,
Dialogue: 0,0:12:36.70,0:12:38.73,Dialogue1,,0000,0000,0000,,but to think that there was such a reason behind it...
Dialogue: 0,0:12:39.41,0:12:41.45,Dialogue1,,0000,0000,0000,,To not even know that...
Dialogue: 0,0:12:41.45,0:12:43.12,Dialogue1,,0000,0000,0000,,That’s why I said...
Dialogue: 0,0:12:43.12,0:12:44.49,Dialogue1,,0000,0000,0000,,that you’re second-class!
Dialogue: 0,0:12:44.49,0:12:46.95,Dialogue1,,0000,0000,0000,,W-What did you say?!
Dialogue: 0,0:12:49.45,0:12:53.25,Long Note 2,,0000,0000,0000,,Note: Here Kawachi says “nanyato” ({\fs25\fnAXIS Std B\b1}なんやと{\r}) and not “nanyate” ({\fs25\fnAXIS Std B\b1}なんやて{\r}). Kawachi seems to prefer “nanyato” when he’s trying to be menacing, as opposed to “nanyate” which merely indicates surprise.
Dialogue: 0,0:12:48.25,0:12:49.46,Dialogue1,,0000,0000,0000,,Hey, Manager...
Dialogue: 0,0:12:49.46,0:12:51.34,Dialogue1,,0000,0000,0000,,is “What did you say?!” all right?
Dialogue: 0,0:12:51.34,0:12:53.25,Dialogue1,,0000,0000,0000,,Hmm... it might be just barely okay.
Dialogue: 0,0:12:53.55,0:12:54.71,Dialogue1,,0000,0000,0000,,You’re second-class...!
Dialogue: 0,0:12:54.71,0:12:55.67,Dialogue1,,0000,0000,0000,,What did you say?!
Dialogue: 0,0:12:56.09,0:12:59.64,Dialogue1,,0000,0000,0000,,Just because I wasn’t saying anything, you can’t just say whatever you like!
Dialogue: 0,0:12:59.64,0:13:03.39,Dialogue1,,0000,0000,0000,,It may be that longer bread is delicious. I don’t care.
Dialogue: 0,0:13:03.39,0:13:05.34,Dialogue1,,0000,0000,0000,,That’s all there is to your trick, right?
Dialogue: 0,0:13:07.44,0:13:12.02,Dialogue1,,0000,0000,0000,,Any moment now, my bread’s\Nwail – I mean song, will stop.
Dialogue: 0,0:13:12.02,0:13:13.31,Dialogue1,,0000,0000,0000,,Once that happens, I’ll show you...
Dialogue: 0,0:13:15.53,0:13:18.06,Dialogue1,,0000,0000,0000,,my Singing French Bread!
Dialogue: 0,0:13:26.29,0:13:30.96,Dialogue1,,0000,0000,0000,,Any moment now, my bread’s\Nwail – I mean song, will stop.
Dialogue: 0,0:13:30.96,0:13:32.24,Dialogue1,,0000,0000,0000,,Once that happens, I’ll show you...
Dialogue: 0,0:13:34.50,0:13:36.75,Dialogue1,,0000,0000,0000,,my Singing French Bread!
Dialogue: 0,0:13:37.05,0:13:38.47,Dialogue1,,0000,0000,0000,,Hey, Manager,
Dialogue: 0,0:13:38.47,0:13:42.64,Dialogue1,,0000,0000,0000,,I think that Kawachi has finally gotten ahold of himself.
Dialogue: 0,0:13:42.64,0:13:43.71,Dialogue1,,0000,0000,0000,,So it seems.
Dialogue: 0,0:13:44.14,0:13:45.27,Dialogue1,,0000,0000,0000,,More importantly, Azuma...
Dialogue: 0,0:13:45.27,0:13:46.56,Dialogue1,,0000,0000,0000,,What are you going to do?
Dialogue: 0,0:13:46.56,0:13:49.02,Dialogue1,,0000,0000,0000,,Huh? About what?
Dialogue: 0,0:13:49.02,0:13:51.36,Dialogue1,,0000,0000,0000,,Are you going? To the Main Branch...
Dialogue: 0,0:13:53.44,0:13:55.06,Dialogue2,,0000,0000,0000,,That’s right...
Dialogue: 0,0:13:55.65,0:14:00.91,Dialogue2,,0030,0030,0000,,Winning means that Azuma-san will be awarded the privilege of going to the Main Branch.
Dialogue: 0,0:14:00.91,0:14:03.70,Dialogue2,,0000,0000,0000,,Once he goes to the Main Branch,\Nhis pay will be triple that of ours.
Dialogue: 0,0:14:03.70,0:14:06.07,Dialogue2,,0000,0000,0000,,Our facilities can’t compare \Nto theirs, either.
Dialogue: 0,0:14:06.07,0:14:09.32,Dialogue2,,0000,0000,0000,,It’s obvious that anyone would go to the Main Branch.
Dialogue: 0,0:14:09.62,0:14:10.87,Dialogue1,,0000,0000,0000,,I’m not going.
Dialogue: 0,0:14:13.21,0:14:16.13,Dialogue1,,0000,0000,0000,,Or is there some kind of rule saying that I must go?
Dialogue: 0,0:14:16.13,0:14:17.92,Dialogue1,,0000,0000,0000,,It’ll be troublesome if that’s the case...
Dialogue: 0,0:14:17.92,0:14:19.84,Dialogue1,,0000,0000,0000,,There’s no such rule, but...
Dialogue: 0,0:14:19.84,0:14:20.80,Dialogue1,,0000,0000,0000,,Why?
Dialogue: 0,0:14:23.18,0:14:25.51,Dialogue1,,0000,0000,0000,,I may not have told you this, but...
Dialogue: 0,0:14:25.51,0:14:28.98,Dialogue1,,0000,0000,0000,,the pay at the Main Branch is three times that of ours.
Dialogue: 0,0:14:29.27,0:14:30.60,Dialogue1,,0000,0000,0000,,Also...
Dialogue: 0,0:14:30.60,0:14:34.23,Dialogue1,,0000,0000,0000,,Their facilities are amazing enough\Nto give no cause for complaints either.
Dialogue: 0,0:14:34.23,0:14:36.93,Dialogue1,,0000,0000,0000,,You want me to leave, Tsukino?
Dialogue: 0,0:14:38.07,0:14:40.10,Dialogue1,,0000,0000,0000,,N-Not at all...!
Dialogue: 0,0:14:40.10,0:14:42.28,Dialogue1,,0000,0000,0000,,If my salary were to increase threefold,
Dialogue: 0,0:14:42.28,0:14:46.16,Dialogue1,,0000,0000,0000,,would I be able to reach the true\N{\i1}Japan{\i0} three times as fast, Tsukino?
Dialogue: 0,0:14:46.16,0:14:48.33,Dialogue1,,0000,0000,0000,,I wouldn’t know something like that.
Dialogue: 0,0:14:48.33,0:14:50.79,Dialogue1,,0000,0000,0000,,Going to the Main Branch isn’t my dream.
Dialogue: 0,0:14:50.79,0:14:52.24,Dialogue1,,0000,0000,0000,,Mine is to make the {\i1}Japan{\i0}.
Dialogue: 0,0:14:54.00,0:14:55.71,Dialogue1,,0000,0000,0000,,And I have...
Dialogue: 0,0:14:55.71,0:14:57.21,Dialogue1,,0000,0000,0000,,Kawachi,
Dialogue: 0,0:14:57.21,0:14:58.71,Dialogue1,,0000,0000,0000,,Tsukino,
Dialogue: 0,0:14:58.71,0:15:00.71,Dialogue1,,0000,0000,0000,,Manager...
Dialogue: 0,0:15:00.71,0:15:04.21,Dialogue1,,0000,0000,0000,,And, umm... there’s that\N what’s-his-name guy, too.
Dialogue: 0,0:15:07.31,0:15:09.72,Dialogue1,,0000,0000,0000,,I like that store.
Dialogue: 0,0:15:09.72,0:15:11.09,Dialogue1,,0000,0000,0000,,Azuma-san.
Dialogue: 0,0:15:11.09,0:15:12.69,Dialogue1,,0000,0000,0000,,Is that so?
Dialogue: 0,0:15:12.69,0:15:15.31,Dialogue1,,0000,0000,0000,,But, what if Kawachi was to leave?
Dialogue: 0,0:15:18.02,0:15:19.06,Dialogue1,,0000,0000,0000,,Stop!
Dialogue: 0,0:15:19.69,0:15:24.07,Dialogue1,,0030,0030,0000,,Even a moronic brain like yours should get a good idea if you increase your wrinkles a little.
Dialogue: 0,0:15:24.66,0:15:28.33,Dialogue1,,0000,0000,0000,,You and Kawachi have been friends through\Ngood times and bad since joining the store.
Dialogue: 0,0:15:28.33,0:15:31.32,Dialogue1,,0000,0000,0000,,You’re rivals who help each other grow.
Dialogue: 0,0:15:31.96,0:15:33.87,Dialogue1,,0000,0000,0000,,And as a team,
Dialogue: 0,0:15:33.87,0:15:38.37,Dialogue1,,0000,0000,0000,,you’ve become an important\N existence to us.
Dialogue: 0,0:15:38.37,0:15:40.59,Dialogue1,,0000,0000,0000,,But, unlike you, Kawachi
Dialogue: 0,0:15:40.59,0:15:43.59,Dialogue1,,0000,0000,0000,,wants to go to the Main Branch\Nto make life easier for his family.
Dialogue: 0,0:15:43.59,0:15:47.84,Dialogue1,,0000,0000,0000,,Should he place third, he would apply\Nto go to the Main Branch without a doubt.
Dialogue: 0,0:15:48.93,0:15:51.02,Dialogue1,,0000,0000,0000,,Even then, I’ll stay.
Dialogue: 0,0:15:51.02,0:15:52.39,Dialogue1,,0000,0000,0000,,Kawachi is Kawachi,
Dialogue: 0,0:15:52.39,0:15:53.84,Dialogue1,,0000,0000,0000,,and I’m me.
Dialogue: 0,0:15:54.39,0:15:55.55,Dialogue1,,0000,0000,0000,,Very well.
Dialogue: 0,0:15:56.06,0:15:59.90,Dialogue1,,0000,0000,0000,,Then, both of us should be prepared.
Dialogue: 0,0:15:59.90,0:16:01.56,Dialogue1,,0000,0000,0000,,You as well, Tsukino.
Dialogue: 0,0:16:08.66,0:16:09.95,Dialogue1,,0000,0000,0000,,Look!
Dialogue: 0,0:16:09.95,0:16:11.90,Dialogue1,,0000,0000,0000,,This is my Singing French Bread.
Dialogue: 0,0:16:13.33,0:16:14.91,Dialogue1,,0000,0000,0000,,Double Crust!
Dialogue: 0,0:16:15.22,0:16:16.42,Dialogue1,,0000,0000,0000,,Double Crust?
Dialogue: 0,0:16:16.42,0:16:19.04,Dialogue1,,0000,0000,0000,,If you’re going to eat it, it’s best when\Nit’s freshly baked, Kuro-yan.
Dialogue: 0,0:16:19.04,0:16:20.37,Dialogue1,,0000,0000,0000,,Stop with the Kuro-yan.
Dialogue: 0,0:16:21.05,0:16:24.37,Dialogue2,,0000,0000,0000,,The crust refers to the surface of the bread.
Dialogue: 0,0:16:24.37,0:16:26.68,Dialogue2,,0000,0000,0000,,If he’s calling it a double crust,
Dialogue: 0,0:16:26.68,0:16:30.06,Dialogue2,,0000,0000,0000,,does it mean that the surface is two times as thick?
Dialogue: 0,0:16:30.06,0:16:31.10,Dialogue2,,0000,0000,0000,,No...
Dialogue: 0,0:16:31.10,0:16:35.39,Dialogue2,,0000,0000,0000,,While it looks like a thick crust, it doesn’t\Nappear to be double the usual thickness...
Dialogue: 0,0:16:35.39,0:16:36.73,Dialogue2,,0000,0000,0000,,No matter.
Dialogue: 0,0:16:36.73,0:16:39.36,Dialogue2,,0000,0000,0000,,Once I eat it, all my questions should be answered.
Dialogue: 0,0:16:42.98,0:16:44.62,Dialogue2,,0000,0000,0000,,That’s right...
Dialogue: 0,0:16:45.40,0:16:46.99,Dialogue2,,0000,0000,0000,,This is from the time...
Dialogue: 0,0:16:46.99,0:16:50.36,Dialogue2,,0000,0000,0000,,when I was still in high school in America...
Dialogue: 0,0:16:51.12,0:16:52.36,Dialogue1,,0000,0000,0000,,You’re amazing, Ryou.
Dialogue: 0,0:16:52.91,0:16:54.75,Dialogue1,,0000,0000,0000,,You did it again, didn’t you?
Dialogue: 0,0:16:54.75,0:16:56.12,Dialogue1,,0000,0000,0000,,You’re the best in the school again.
Dialogue: 0,0:16:56.12,0:16:57.87,Dialogue2,,0000,0000,0000,,His name was Kid.
Dialogue: 0,0:16:58.33,0:17:00.21,Dialogue1,,0000,0000,0000,,Yeah, Kid.
Dialogue: 0,0:17:00.21,0:17:03.37,Dialogue2,,0000,0000,0000,,Kid was an older classmate,\Nand my best friend.
Dialogue: 0,0:17:03.37,0:17:07.09,Dialogue1,,0000,0000,0000,,After becoming the best in the\Nschool, he’s acting like it’s nothing.
Dialogue: 0,0:17:07.09,0:17:09.14,Dialogue1,,0000,0000,0000,,He’ll probably skip grades again.
Dialogue: 0,0:17:09.14,0:17:10.25,Dialogue1,,0000,0000,0000,,He’s really annoying.
Dialogue: 0,0:17:12.43,0:17:13.43,Dialogue1,,0000,0000,0000,,Ryou.
Dialogue: 0,0:17:13.43,0:17:15.39,Dialogue1,,0000,0000,0000,,Don’t worry about guys like that.
Dialogue: 0,0:17:15.39,0:17:18.47,Dialogue1,,0000,0000,0000,,They’re just jealous that they can’t compare to you.
Dialogue: 0,0:17:19.02,0:17:21.06,Dialogue2,,0000,0000,0000,,In addition to being Japanese,
Dialogue: 0,0:17:21.06,0:17:24.69,Dialogue2,,0000,0000,0000,,I was always the object of envy,\Ndue to my having skipped grades.
Dialogue: 0,0:17:24.69,0:17:26.69,Dialogue2,,0000,0000,0000,,Yet, he would encourage me.
Dialogue: 0,0:17:26.69,0:17:29.20,Dialogue2,,0000,0000,0000,,In fights, and while hitting on women.
Dialogue: 0,0:17:29.20,0:17:30.99,Dialogue2,,0000,0000,0000,,He would listen to my complaints.
Dialogue: 0,0:17:30.99,0:17:33.45,Dialogue2,,0000,0000,0000,,We were together in whatever we did.
Dialogue: 0,0:17:33.45,0:17:34.37,Dialogue2,,0000,0000,0000,,And...
Dialogue: 0,0:17:34.37,0:17:38.20,Dialogue2,,0000,0000,0000,,He did anything for me, without ever\Nmaking it seem like he didn’t want to.
Dialogue: 0,0:17:39.00,0:17:43.04,Dialogue2,,0000,0000,0000,,When I was weakened in mind\Nand body after too much studying,
Dialogue: 0,0:17:43.04,0:17:45.51,Dialogue2,,0000,0000,0000,,he performed a medical examination on me.
Dialogue: 0,0:17:45.51,0:17:46.54,Dialogue1,,0000,0000,0000,,No, I didn’t.
Dialogue: 0,0:17:46.88,0:17:49.79,Dialogue2,,0000,0000,0000,,When I was homesick,
Dialogue: 0,0:17:49.79,0:17:52.22,Dialogue2,,0000,0000,0000,,he would take the place of my mother.
Dialogue: 0,0:17:52.22,0:17:53.30,Dialogue1,,0000,0000,0000,,No, I didn’t.
Dialogue: 0,0:17:53.60,0:17:55.60,Dialogue2,,0000,0000,0000,,When I was broke...
Dialogue: 0,0:17:57.93,0:18:00.77,Dialogue2,,0000,0000,0000,,he would raise money from somewhere and give it to me, without restraint.
Dialogue: 0,0:18:00.77,0:18:02.31,Dialogue1,,0000,0000,0000,,Don’t make things up.
Dialogue: 0,0:18:03.06,0:18:04.57,Dialogue2,,0000,0000,0000,,But, one day...
Dialogue: 0,0:18:04.57,0:18:05.81,Dialogue1,,0000,0000,0000,,Hey, Ryou...
Dialogue: 0,0:18:05.81,0:18:08.90,Dialogue1,,0000,0000,0000,,Actually... I failed again.
Dialogue: 0,0:18:08.90,0:18:10.87,Dialogue1,,0000,0000,0000,,Is that so?
Dialogue: 0,0:18:11.41,0:18:12.90,Dialogue1,,0000,0000,0000,,Hey, Kid...
Dialogue: 0,0:18:13.83,0:18:15.28,Dialogue1,,0000,0000,0000,,Right now, you’re truly...
Dialogue: 0,0:18:15.53,0:18:15.66,Gravestone,,0000,0000,0000,,{\fsp2\c&H3847DA&\pos(209,131)}Do{\alpha&HFF&}uble Classmate
Dialogue: 0,0:18:15.66,0:18:15.78,Gravestone,,0000,0000,0000,,{\fsp2\c&H3847DA&\pos(209,131)}Doub{\alpha&HFF&}le Classmate
Dialogue: 0,0:18:15.78,0:18:15.90,Gravestone,,0000,0000,0000,,{\fsp2\c&H3847DA&\pos(209,131)}Double {\alpha&HFF&}Classmate
Dialogue: 0,0:18:15.90,0:18:16.03,Gravestone,,0000,0000,0000,,{\fsp2\c&H3847DA&\pos(209,131)}Double C{\alpha&HFF&}lassmate
Dialogue: 0,0:18:16.03,0:18:16.15,Gravestone,,0000,0000,0000,,{\fsp2\c&H3847DA&\pos(209,131)}Double Cla{\alpha&HFF&}ssmate
Dialogue: 0,0:18:16.15,0:18:16.28,Gravestone,,0000,0000,0000,,{\fsp2\c&H3847DA&\pos(209,131)}Double Class{\alpha&HFF&}mate
Dialogue: 0,0:18:16.28,0:18:16.40,Gravestone,,0000,0000,0000,,{\fsp2\c&H3847DA&\pos(209,131)}Double Classma{\alpha&HFF&}te
Dialogue: 0,0:18:16.40,0:18:21.28,Gravestone,,0000,0000,0000,,{\fsp2\c&H3847DA&\pos(209,131)}Double Classmate
Dialogue: 0,0:18:15.70,0:18:17.50,Dialogue1,,0000,0000,0000,,a Double Classmate.
Dialogue: 0,0:18:17.50,0:18:19.33,Dialogue1,,0000,0000,0000,,That’s true, but...
Dialogue: 0,0:18:19.33,0:18:20.17,Dialogue1,,0000,0000,0000,,Shortened to...
Dialogue: 0,0:18:20.17,0:18:21.29,Dialogue1,,0000,0000,0000,,You’re going to shorten it?
Dialogue: 0,0:18:23.89,0:18:25.00,kai,,0000,0000,0000,,{\fax-1\fay1.4\fs50\bord0.5\3c&H2B2D20&\c&H28CEFE&\frx356\fry12\move(938,340,338,-340)}Double Crust
Dialogue: 0,0:18:21.29,0:18:25.71,Dialogue1,,0000,0000,0000,,Double Crust!
Dialogue: 0,0:18:25.71,0:18:27.26,Dialogue1,,0000,0000,0000,,I don’t understand the meaning of that.
Dialogue: 0,0:18:27.26,0:18:28.97,Dialogue1,,0000,0000,0000,,Kid...
Dialogue: 0,0:18:29.55,0:18:32.25,Dialogue1,,0000,0000,0000,,what are you doing these days...?
Dialogue: 0,0:18:33.60,0:18:34.85,Dialogue1,,0000,0000,0000,,Hey, Manager...
Dialogue: 0,0:18:34.85,0:18:37.26,Dialogue1,,0000,0000,0000,,why is Old Man Kuroyanagi crying?
Dialogue: 0,0:18:42.94,0:18:44.75,Dialogue1,,0000,0000,0000,,This match is a draw...
Dialogue: 0,0:18:45.35,0:18:47.78,Dialogue1,,0000,0000,0000,,Both of you stand at third place!
Dialogue: 0,0:18:49.28,0:18:50.57,Dialogue1,,0000,0000,0000,,Don’t mess with me!
Dialogue: 0,0:18:50.57,0:18:52.61,Dialogue1,,0000,0000,0000,,I can’t accept a draw!
Dialogue: 0,0:18:52.61,0:18:54.61,Dialogue1,,0000,0000,0000,,What the hell is a Double Crust?
Dialogue: 0,0:18:54.61,0:18:57.66,Dialogue1,,0000,0000,0000,,Explain it properly, Kuroyanagi.
Dialogue: 0,0:18:57.66,0:19:01.92,Dialogue1,,0000,0000,0000,,Double Crust is from when I was in high school...
Dialogue: 0,0:19:01.92,0:19:04.29,Dialogue1,,0000,0000,0000,,Kuro-yan doesn’t need to explain it.
Dialogue: 0,0:19:04.29,0:19:06.33,Dialogue1,,0000,0000,0000,,This second-class person here\N can explain it.
Dialogue: 0,0:19:06.95,0:19:09.05,Dialogue1,,0000,0000,0000,,I think you know this, but...
Dialogue: 0,0:19:09.05,0:19:11.84,Dialogue1,,0000,0000,0000,,the crust refers to the surface of the bread.
Dialogue: 0,0:19:11.84,0:19:16.96,Dialogue1,,0000,0000,0000,,And my Double Crust involves\Nhaving one more crust than the usual.
Dialogue: 0,0:19:16.96,0:19:18.06,Dialogue1,,0000,0000,0000,,Right, Kuro-yan?
Dialogue: 0,0:19:18.06,0:19:22.35,Dialogue1,,0000,0000,0000,,At that time, I was the object of people’s envy for constantly skipping grades...
Dialogue: 0,0:19:22.35,0:19:24.23,Dialogue1,,0000,0000,0000,,Kid always...
Dialogue: 0,0:19:24.23,0:19:25.40,Dialogue1,,0000,0000,0000,,Listen up!
Dialogue: 0,0:19:25.40,0:19:26.39,Dialogue1,,0000,0000,0000,,My bread...
Dialogue: 0,0:19:26.98,0:19:30.86,Dialogue1,,0000,0000,0000,,involves making air sacs by\Nspearing the bread with chopsticks,
Dialogue: 0,0:19:30.86,0:19:33.40,Dialogue1,,0000,0000,0000,,such that, at the ends, they make a large pocket of air.
Dialogue: 0,0:19:34.20,0:19:37.20,Dialogue1,,0000,0000,0000,,Before baking it, I removed all of the chopsticks,
Dialogue: 0,0:19:37.20,0:19:41.29,Long Note 2,,0000,0000,0000,,Note: Ocarina is a type of flute. Recorders, like flutes, are also woodwinds!
Dialogue: 0,0:19:37.20,0:19:41.29,Dialogue1,,0000,0000,0000,,leaving a dough that’s rather like an ocarina or recorder.
Dialogue: 0,0:19:41.29,0:19:44.41,Dialogue1,,0000,0000,0000,,I placed that on top of the bucket and baked it.
Dialogue: 0,0:19:44.41,0:19:47.17,Dialogue1,,0000,0000,0000,,Therefore, the steam that comes out of the bucket
Dialogue: 0,0:19:47.17,0:19:51.41,Dialogue1,,0000,0000,0000,,would pass through the vents\Nin the bread and play a tune.
Dialogue: 0,0:19:51.41,0:20:00.26,ArtisanW,,0000,0000,0000,,{\move(208,117,-123,117)}Portion that becomes the crust
Dialogue: 0,0:19:51.41,0:20:00.26,ArtisanW,,0000,0000,0000,,{\move(145,28,-186,28)}Flow of steam
Dialogue: 0,0:19:51.88,0:19:55.61,Dialogue1,,0000,0000,0000,,Also, the sound is produced through\Nthe vents created by the chopsticks
Dialogue: 0,0:19:55.61,0:19:58.37,Dialogue1,,0000,0000,0000,,until the expansion due to fermentation is complete.
Dialogue: 0,0:19:58.37,0:20:01.42,Dialogue1,,0000,0000,0000,,However, the real aim isn’t to produce the sound.
Dialogue: 0,0:20:01.42,0:20:04.48,Dialogue1,,0000,0000,0000,,By allowing steam to pass through the dough,
Dialogue: 0,0:20:04.48,0:20:06.94,Dialogue1,,0000,0000,0000,,it creates a crust within the dough as well.
Dialogue: 0,0:20:06.94,0:20:08.40,Dialogue1,,0000,0000,0000,,That was my objective!
Dialogue: 0,0:20:08.86,0:20:09.65,Dialogue1,,0000,0000,0000,,Impossible!
Dialogue: 0,0:20:09.65,0:20:11.40,Dialogue1,,0000,0000,0000,,A crust within the dough?!
Dialogue: 0,0:20:11.78,0:20:13.45,Dialogue1,,0000,0000,0000,,Ah, Kid...
Dialogue: 0,0:20:13.45,0:20:16.23,Dialogue1,,0000,0000,0000,,My youth... Because you were there for me...
Dialogue: 0,0:20:17.74,0:20:18.83,Dialogue2,,0000,0000,0000,,I see.
Dialogue: 0,0:20:18.83,0:20:21.70,Dialogue2,,0000,0000,0000,,The crust is formed when the dough,
Dialogue: 0,0:20:21.70,0:20:24.25,Dialogue2,,0000,0000,0000,,with water droplets sticking to it,\Nis baked at a high temperature.
Dialogue: 0,0:20:24.25,0:20:27.08,Dialogue2,,0000,0000,0000,,Kawachi decided to make\Ncrust within the dough as well.
Dialogue: 0,0:20:27.08,0:20:30.12,Dialogue2,,0000,0000,0000,,By making holes in the dough,\Nwater droplets could stick in there.
Dialogue: 0,0:20:30.56,0:20:32.96,Dialogue1,,0000,0000,0000,,In other words, Double Classmate.
Dialogue: 0,0:20:32.96,0:20:34.55,Dialogue1,,0000,0000,0000,,Shortened to...
Dialogue: 0,0:20:34.55,0:20:36.96,Dialogue1,,0000,0000,0000,,Double Crust!
Dialogue: 0,0:20:36.96,0:20:38.68,Dialogue1,,0000,0000,0000,,What do you think, Suwabara?
Dialogue: 0,0:20:38.68,0:20:40.10,Dialogue1,,0000,0000,0000,,Are you quaking in fear yet?
Dialogue: 0,0:20:40.10,0:20:42.47,Dialogue1,,0000,0000,0000,,It’s me who should be upset\N about the draw.
Dialogue: 0,0:20:43.85,0:20:45.30,Dialogue1,,0000,0000,0000,,Kawachi.
Dialogue: 0,0:20:45.60,0:20:46.73,Dialogue1,,0000,0000,0000,,Hold this and see.
Dialogue: 0,0:20:46.73,0:20:48.40,Dialogue1,,0000,0000,0000,,Suwabara’s bread?
Dialogue: 0,0:20:49.86,0:20:51.14,Dialogue2,,0000,0000,0000,,I-It’s light.
Dialogue: 0,0:20:51.14,0:20:53.19,Dialogue2,,0000,0000,0000,,It’s really light...
Dialogue: 0,0:20:53.19,0:20:54.44,Dialogue2,,0000,0000,0000,,Even though it’s so big.
Dialogue: 0,0:20:54.44,0:20:56.90,Dialogue2,,0000,0000,0000,,It might be lighter than my French bread.
Dialogue: 0,0:20:56.90,0:20:59.78,Dialogue1,,0000,0000,0000,,The flour I used to make this bread
Dialogue: 0,0:20:59.78,0:21:03.04,Dialogue1,,0000,0000,0000,,is pretty much the same as\Nthe flour used in your bread.
Dialogue: 0,0:21:03.04,0:21:05.96,Dialogue1,,0000,0000,0000,,While kneading it, I trapped a large amount of air inside,
Dialogue: 0,0:21:05.96,0:21:08.28,Dialogue1,,0000,0000,0000,,and then extended it to that length.
Dialogue: 0,0:21:09.04,0:21:11.21,Dialogue1,,0000,0000,0000,,It’s true that the basis of French bread
Dialogue: 0,0:21:11.21,0:21:13.80,Dialogue1,,0000,0000,0000,,is to have a hard crust and soft insides.
Dialogue: 0,0:21:13.80,0:21:14.42,Dialogue1,,0000,0000,0000,,But...
Dialogue: 0,0:21:14.42,0:21:18.09,Dialogue1,,0000,0000,0000,,to think that you made it so long\Nwith the same flour that I used...
Dialogue: 0,0:21:19.01,0:21:21.50,Dialogue1,,0000,0000,0000,,Do the two of you understand now?
Dialogue: 0,0:21:21.50,0:21:23.18,Dialogue1,,0000,0000,0000,,Kawachi’s idea
Dialogue: 0,0:21:23.18,0:21:27.51,Dialogue1,,0000,0000,0000,,was to make a wonderful French\Nbread not shackled by common sense.
Dialogue: 0,0:21:28.04,0:21:30.19,Dialogue1,,0000,0000,0000,,In comparison, Suwabara’s bread
Dialogue: 0,0:21:30.19,0:21:32.19,Dialogue1,,0000,0000,0000,,involved using the basics of making French bread
Dialogue: 0,0:21:32.19,0:21:33.73,Dialogue1,,0000,0000,0000,,to trap a large amount of air within the dough,
Dialogue: 0,0:21:33.73,0:21:37.52,Dialogue1,,0000,0000,0000,,taking the bread to the limits of how soft it can be.
Dialogue: 0,0:21:37.52,0:21:39.52,Dialogue1,,0000,0000,0000,,It’s just as wonderful a bread.
Dialogue: 0,0:21:39.91,0:21:41.41,Dialogue1,,0000,0000,0000,,Therefore, it’s a draw.
Dialogue: 0,0:21:41.41,0:21:42.90,Dialogue1,,0000,0000,0000,,Both of you are third place winners.
Dialogue: 0,0:21:44.16,0:21:46.54,Dialogue1,,0000,0000,0000,,You really are one hell of a baker.
Dialogue: 0,0:21:46.54,0:21:47.88,Dialogue1,,0000,0000,0000,,Hats off to you.
Dialogue: 0,0:21:48.96,0:21:52.04,Dialogue1,,0000,0000,0000,,I feel nothing at being\Ncomplimented by a second-class baker.
Dialogue: 0,0:21:52.59,0:21:53.55,Dialogue1,,0000,0000,0000,,What did you say?!
Dialogue: 0,0:21:53.55,0:21:54.79,Dialogue1,,0000,0000,0000,,However...
Dialogue: 0,0:21:55.26,0:21:57.59,Dialogue1,,0000,0000,0000,,If I think of them as the words of a first class baker,
Dialogue: 0,0:21:57.59,0:22:00.13,Dialogue1,,0000,0000,0000,,I seem to be able to accept it \Nquite naturally.
Dialogue: 0,0:22:00.80,0:22:02.30,Dialogue1,,0000,0000,0000,,It doesn’t feel wrong.
Dialogue: 0,0:22:03.30,0:22:04.80,Dialogue1,,0000,0000,0000,,Suwabara...
Dialogue: 0,0:22:05.56,0:22:08.03,Dialogue1,,0000,0000,0000,,And now, we shall move on to the awards ceremony.
Dialogue: 0,0:22:13.77,0:22:14.82,Dialogue1,,0000,0000,0000,,Manager!
Dialogue: 0,0:22:14.82,0:22:16.19,Dialogue1,,0000,0000,0000,,Kawachi is third place.
Dialogue: 0,0:22:16.19,0:22:16.85,Dialogue1,,0000,0000,0000,,He did it!
Dialogue: 0,0:22:17.53,0:22:18.73,Dialogue1,,0000,0000,0000,,Yeah.
Dialogue: 0,0:22:19.07,0:22:21.91,Dialogue1,,0000,0000,0000,,With this, Kawachi-san can reach his objective
Dialogue: 0,0:22:21.91,0:22:24.54,Dialogue1,,0000,0000,0000,,of employment at the Main Store.
Dialogue: 0,0:22:27.50,0:22:30.46,Dialogue1,,0000,0000,0000,,It’s finally time for him to make a decision.
Dialogue: 0,0:24:05.04,0:24:16.64,Next Episode,,0000,0000,0000,,{\pos(579,41)}Next Episode
Dialogue: 0,0:24:05.45,0:24:06.40,Dialogue1,,0000,0000,0000,,What’s this?
Dialogue: 0,0:24:06.40,0:24:08.16,Dialogue1,,0000,0000,0000,,Cooking in three minutes?
Dialogue: 0,0:24:08.16,0:24:08.80,Dialogue1,,0000,0000,0000,,Next week,
Dialogue: 0,0:24:08.80,0:24:12.29,Dialogue1,,0000,0000,0000,,we will introduce a {\i1}Japan{\i0} that even an amateur should be able to make easily.
Dialogue: 0,0:24:12.29,0:24:13.20,Dialogue1,,0000,0000,0000,,Make sure to keep some paper...
Dialogue: 0,0:24:13.20,0:24:14.37,Dialogue1,,0000,0000,0000,,Handy, ok?
Dialogue: 0,0:24:14.37,0:24:15.87,Dialogue1,,0000,0000,0000,,Next time, on Yakitate!! Japan,
Dialogue: 0,0:24:15.87,0:24:17.50,Dialogue1,,0000,0000,0000,,Let’s all make bread together!!
Dialogue: 0,0:24:16.85,0:24:19.97,title,,0000,0000,0000,,{\q2\fad(200,0)\pos(333,139)}Let’s all make bread together!!
Dialogue: 0,0:24:16.85,0:24:19.97,title,,0000,0000,0000,,{\an9\fad(200,0)\pos(635,324)}It’s {\fnHelveticaRounded LT BlackObl}Japan{\r} #2!
Dialogue: 0,0:24:17.50,0:24:18.96,Dialogue1,,0000,0000,0000,,It’s {\i1}Japan{\i0} #2!
Dialogue: 0,0:24:18.96,0:24:19.97,Dialogue1,,0000,0000,0000,,Be sure to watch!
Dialogue: 0,0:24:20.59,0:24:22.73,Dialogue1,,0000,0000,0000,,Yakitate!! Seed of knowledge.
Dialogue: 0,0:24:22.73,0:24:28.77,Long Note 2,,0000,0000,0000,,Note: Louis XIV (pronounced “Louie Ka-torz”), the Sun King, had the reputation of being “the greatest absolute monarch.”
Dialogue: 0,0:24:22.73,0:24:25.34,Dialogue1,,0000,0000,0000,,The man who loved the long French bread,
Dialogue: 0,0:24:25.34,0:24:26.34,Dialogue1,,0000,0000,0000,,Louis XIV.
Dialogue: 0,0:24:26.53,0:24:28.50,Fermentation2,,0000,0000,0000,,{\fad(600,0)\fs25\3c&H180E11&\pos(294,338)}Palace of Versailles
Dialogue: 0,0:24:26.53,0:24:28.50,Fermentation2,,0000,0000,0000,,{\fad(600,0)\fs25\3c&H180E11&\pos(207,276)}King who constructed
Dialogue: 0,0:24:28.97,0:24:31.70,Fermentation2,,0000,0000,0000,,{\fad(270,0)\fs25\3c&H162326&\pos(345,281)}The Sun King
Dialogue: 0,0:24:28.70,0:24:31.70,Fermentation2,,0000,0000,0000,,{\fad(270,0)\fs25\3c&H162326&\pos(141,281)}Also known as =
Dialogue: 0,0:24:25.46,0:24:31.70,louis,,0000,0000,0000,,{\fsp1\fad(150,0)\fs25\c&H1AC5D5&\3c&H132C31&\pos(292,160)}Louis XIV
Dialogue: 0,0:24:26.34,0:24:28.77,Dialogue1,,0000,0000,0000,,He was the French monarch who\Nconstructed the famous Palace of Versailles.
Dialogue: 0,0:24:28.77,0:24:31.14,Dialogue1,,0000,0000,0000,,He was also known as the Sun King.
Dialogue: 0,0:24:31.14,0:24:31.71,Dialogue1,,0000,0000,0000,,Louis, Louis.
Dialogue: 0,0:24:32.26,0:24:34.48,Dialogue1,,0000,0000,0000,,Really?!
Dialogue: 0,0:22:43.26,0:22:44.89,ED Romaji,,0000,0000,0000,,{\fad(90,0)}{\k9}{\kf29}Now {\kf50}every{\kf41}body {\kf34}move{\k0}
Dialogue: 0,0:22:44.89,0:22:46.18,ED Romaji,,0000,0000,0000,,{\k5}{\kf19}Can {\kf10}you {\kf13}get {\kf10}a {\kf21}little {\kf26}some{\kf25}thin'{\k0}
Dialogue: 0,0:22:46.18,0:22:46.89,ED Romaji,,0000,0000,0000,,{\kf31}Got {\kf13}to {\kf27}do
Dialogue: 0,0:22:46.89,0:22:48.27,ED Romaji,,0000,0000,0000,,{\kf40}So {\kf15}bet{\kf9}ter {\kf11}be{\kf41}lieve {\kf22}in
Dialogue: 0,0:22:48.27,0:22:49.31,ED Romaji,,0000,0000,0000,,{\kf19}Bet{\kf14}ter {\kf13}be{\kf36}lieve {\kf22}in
Dialogue: 0,0:22:49.31,0:22:51.52,ED Romaji,,0000,0000,0000,,{\kf18}Bet{\kf13}ter {\kf10}be{\kf39}lieve {\kf21}in {\kf21}your{\kf63}self{\k36}
Dialogue: 0,0:22:51.52,0:22:52.15,ED Romaji,,0000,0000,0000,,{\kf42}C'mon!{\k21}
Dialogue: 0,0:22:52.15,0:22:54.11,ED Romaji,,0000,0000,0000,,{\k45}"D-{\k38}r-{\k43}e-{\k40}a-{\k30}m"{\k0}
Dialogue: 0,0:22:54.11,0:22:54.48,ED Romaji,,0000,0000,0000,,{\kf36}"Dream"
Dialogue: 0,0:22:54.48,0:22:56.24,ED Romaji,,0000,0000,0000,,{\k3}{\k10}Ko{\k12}no {\k9}mu{\k17}ne {\k14}ni {\k16}{\k13}de{\k7}k{\k16}ka{\k10}ku {\k7}tsu{\k21}yo{\k12}ku{\k9}
Dialogue: 0,0:22:56.24,0:22:58.36,ED Romaji,,0000,0000,0000,,{\k2}{\k12}Hi{\k13}ka{\k10}ri {\k13}ka{\k12}ga{\k10}ya{\k7}i{\k10}te {\k16}ma{\k11}ke{\k9}na{\k10}i {\k4}ma{\k17}na{\k24}za{\k19}shi{\k13}
Dialogue: 0,0:22:58.36,0:23:00.36,ED Romaji,,0000,0000,0000,,{\k5}{\k14}Te{\k20}sa{\k8}gu{\k9}ri {\k13}de {\k14}sa{\k15}ga{\k11}shi{\k16}ta {\k9}ka{\k13}ze {\k12}n {\k17}na{\k14}ka{\k10}
Dialogue: 0,0:23:00.36,0:23:01.66,ED Romaji,,0000,0000,0000,,{\k5}{\k8}Ko{\k14}ta{\k10}e {\k9}na{\k7}n{\k12}ka {\k13}ma{\k16}da{\k20} {\k16}Un...{\k0}
Dialogue: 0,0:23:01.66,0:23:04.58,ED Romaji,,0000,0000,0000,,{\k4}{\k10}i{\k13}ma{\k0} {\k10}wa{\k1} {\k14}ma{\k12}da{\k15} {\k33}Chance {\k6}u{\k16}ka{\k14}ga{\k9}t{\k8}te {\k14}ma{\k11}tsu {\k4}I {\k13}got {\k10}shi{\k17}ta{\k11}ta{\k11}ka{\k20}sa{\k16}
Dialogue: 0,0:23:04.58,0:23:06.37,ED Romaji,,0000,0000,0000,,{\k4}{\k27}Sa{\k15}ke{\k12}n{\k7}de{\k7}ru {\k6}da{\k15}ke {\k15}no {\k13}Pri{\k13}so{\k18}ner {\k7}ja {\k7}da{\k8}me {\k5}da{\k0}
Dialogue: 0,0:23:06.37,0:23:08.16,ED Romaji,,0000,0000,0000,,{\k3}{\kf27}Just {\kf27}Follow {\kf15}Me!{\k13} {\k8}to{\k8}ki {\k9}ni {\k14}ka{\k10}ta {\k14}ka{\k8}su {\k7}ka{\k16}ra{\k0}
Dialogue: 0,0:23:08.16,0:23:08.71,ED Romaji,,0000,0000,0000,,{\k6}{\kf22}Yo {\kf25}got{\k2}
Dialogue: 0,0:23:08.71,0:23:10.71,ED Romaji,,0000,0000,0000,,{\k3}{\k42}"D-{\k39}i-{\k40}g-{\k38}g-{\k37}y"{\k1}
Dialogue: 0,0:23:11.46,0:23:12.79,ED Romaji,,0000,0000,0000,,{\k3}{\kf37}"Step {\kf23}in{\kf28}to {\kf13}tha {\kf29}game"
Dialogue: 0,0:23:12.79,0:23:14.29,ED Romaji,,0000,0000,0000,,{\k4}{\kf11}It {\kf21}ain't {\kf14}no{\kf14}thin' {\kf22}no{\kf17}bo{\kf12}dy {\kf13}can {\kf22}say{\k0}
Dialogue: 0,0:23:14.30,0:23:17.01,ED Romaji,,0000,0000,0000,,{\k4}{\kf16}'Cuz {\kf19}I {\kf13}ne{\kf13}va {\kf14}can {\kf26}let {\kf20}my {\kf34}dream {\kf14}get {\kf12}a{\kf21}way {\k18}{\kf16}un{\k31}
Dialogue: 0,0:23:17.01,0:23:18.26,ED Romaji,,0000,0000,0000,,{\k3}{\k14}Ke{\k11}sshi{\k11}te {\k10}ha{\k9}ka{\k14}nai {\k8}yu{\k15}me {\k12}ja {\k18}nai
Dialogue: 0,0:23:18.26,0:23:21.14,ED Romaji,,0000,0000,0000,,{\k3}{\k9}ko{\k10}no {\k10}o{\k12}mo{\k9}i {\k10}to{\k16}do{\k10}ke{\k21}you{\k14} {\kf26}Heart {\kf11}to {\kf25}Heart, {\kf27}Soul {\kf10}to {\kf29}Soul{\k36}
Dialogue: 0,0:23:21.14,0:23:23.18,ED Romaji,,0000,0000,0000,,{\k3}{\k27}me{\k7}gu{\k7}ru {\k12}ki{\k13}se{\k12}tsu {\k16}Spring {\k31}Storm {\k9}no {\k13}you {\k10}ni {\k12}go{\k11}u{\k21}kai{\k0}
Dialogue: 0,0:23:23.18,0:23:24.60,ED Romaji,,0000,0000,0000,,{\k6}{\k26}Win {\k25}Big {\k14}ga {\k25}mot{\k33}to{\k9}
Dialogue: 0,0:23:24.60,0:23:26.81,ED Romaji,,0000,0000,0000,,{\k3}{\k22}Some {\k22}say, {\kf22}"No{\kf25}thin' {\kf25}lasts {\kf14}fo{\kf31}re{\kf57}ver"
Dialogue: 0,0:23:26.27,0:23:29.39,ED Romaji,,0000,0000,0000,,{\k3}{\kf17}e{\kf18}i{\kf10}e{\kf11}n {\kf12}no {\kf29}mo{\kf11}no {\kf11}wa {\kf15}ha{\kf17}ta{\kf11}shi{\kf11}te {\kf17}a{\kf9}ru {\kf11}no {\kf22}da{\kf27}ro{\kf20}u{\kf15}ka?{\k15}
Dialogue: 0,0:23:29.39,0:23:31.23,ED Romaji,,0000,0000,0000,,{\k5}{\kf27}Da{\kf13}ka{\kf9}ra {\kf15}o{\kf10}re{\kf26}ta{\kf15}chi {\kf21}wa{\k11} {\kf20}C'mon{\k12}
Dialogue: 0,0:23:32.61,0:23:36.78,ED Romaji,,0000,0000,0000,,{\k6}{\kf25}Sou {\kf19}sa {\kf7}o{\kf10}re{\kf24}ta{\kf17}chi {\kf29}wa {\kf11}ki{\kf14}ra{\kf24}me{\kf6}ku {\kf19}shu{\kf15}n{\kf17}ka{\kf8}n {\kf16}wo {\kf22}fu{\kf12}ru {\kf17}ni {\kf12}i{\kf12}ki{\kf15}te{\kf11}i{\kf31}ta{\kf6}i{\kf8}n{\kf10}da
Dialogue: 0,0:23:36.78,0:23:39.40,ED Romaji,,0000,0000,0000,,{\k1}{\kf17}With {\kf25}all {\kf13}tha {\kf206}love
Dialogue: 0,0:23:38.15,0:23:40.15,ED Romaji,,0000,0000,0000,,{\kf34}1-{\kf28}2{\k50} {\kf26}S.{\kf26}O. {\kf36}Cru
Dialogue: 0,0:23:40.15,0:23:41.15,ED Romaji,,0000,0000,0000,,{\kf32}Stay {\kf30}true {\kf13}to {\kf25}you
Dialogue: 0,0:23:41.16,0:23:43.45,ED Romaji,,0000,0000,0000,,{\kf29}So, {\k15}{\kf22}what {\kf28}you {\kf26}gon{\kf14}na {\kf20}do? {\k19}{\kf31}C'mon!{\k25}
Dialogue: 0,0:23:45.37,0:23:46.95,ED Romaji,,0000,0000,0000,,{\k11}{\kf24}Now {\kf48}every{\kf43}body {\kf32}move
Dialogue: 0,0:23:46.95,0:23:48.29,ED Romaji,,0000,0000,0000,,{\k8}{\kf16}Can {\kf10}you {\kf12}get {\kf11}a {\kf23}little {\kf54}somethin'
Dialogue: 0,0:23:48.29,0:23:48.95,ED Romaji,,0000,0000,0000,,{\kf25}Got {\kf16}to {\kf25}do
Dialogue: 0,0:23:48.95,0:23:50.33,ED Romaji,,0000,0000,0000,,{\k7}{\kf28}So{\k6} {\kf13}bet{\kf11}ter {\kf10}be{\kf46}lieve {\kf17}in
Dialogue: 0,0:23:50.33,0:23:51.42,ED Romaji,,0000,0000,0000,,{\k5}{\kf12}Bet{\kf13}ter {\kf14}be{\kf41}lieve {\kf24}in
Dialogue: 0,0:23:51.42,0:23:53.17,ED Romaji,,0000,0000,0000,,{\k2}{\kf13}Bet{\kf12}ter {\kf10}be{\kf41}lieve {\kf19}in {\kf20}your{\kf58}self
Dialogue: 0,0:23:53.71,0:23:57.59,ED Romaji,,0000,0000,0000,,{\k1}{\kf40}o{\kf17}i{\kf19}ka{\kf21}ze {\kf19}ri{\kf27}you{\kf19}shi{\kf9}te {\kf13}kyo{\kf14}u {\kf10}to {\kf28}ta{\kf26}ta{\kf15}ka{\kf12}e {\kf25}ALL {\kf10}THA {\kf31}SOL{\kf32}DIERS{\k0}
Dialogue: 0,0:23:57.59,0:23:58.63,ED Romaji,,0000,0000,0000,,{\kf15}Bet{\kf10}ter {\kf12}be{\kf40}lieve {\kf27}in{\k0}
Dialogue: 0,0:23:58.63,0:23:59.67,ED Romaji,,0000,0000,0000,,{\kf19}Bet{\kf11}ter {\kf10}be{\kf43}lieve {\kf19}in{\k2}
Dialogue: 0,0:23:59.67,0:24:01.76,ED Romaji,,0000,0000,0000,,{\kf16}Be{\kf8}tter {\kf13}be{\kf41}lieve {\kf18}in {\kf26}your{\kf47}self{\k40}
Dialogue: 0,0:22:54.48,0:22:56.24,ED English,,0000,0000,0000,,On this chest, big and strong
Dialogue: 0,0:22:56.24,0:22:58.36,ED English,,0000,0000,0000,,A look that glitters and doesn't lose.
Dialogue: 0,0:22:58.36,0:23:00.36,ED English,,0000,0000,0000,,That's what I searched for, fumbling in the wind.
Dialogue: 0,0:23:00.36,0:23:01.66,ED English,,0000,0000,0000,,The answer for now is...
Dialogue: 0,0:23:01.66,0:23:04.58,ED English,,0000,0000,0000,,For now, I'll watch the situation and wait for a chance.\NI got the patience to wait at a distance.
Dialogue: 0,0:23:04.58,0:23:06.37,ED English,,0000,0000,0000,,A prisoner who just screams is no good.
Dialogue: 0,0:23:06.37,0:23:08.16,ED English,,0000,0000,0000,,Just Follow Me! I'll lend you my shoulder occasionally.
Dialogue: 0,0:23:17.01,0:23:18.26,ED English,,0000,0000,0000,,It's by no means a fleeting dream.
Dialogue: 0,0:23:18.26,0:23:21.14,ED English,,0000,0000,0000,,Let this sentiment reach you. Heart to Heart, Soul to Soul.
Dialogue: 0,0:23:21.14,0:23:23.18,ED English,,0000,0000,0000,,The seasons turn. Splendid as a spring storm.
Dialogue: 0,0:23:23.18,0:23:24.59,ED English,,0000,0000,0000,,Win Big is the motto.
Dialogue: 0,0:23:26.27,0:23:29.39,ED English,,0000,0000,0000,,Does a thing like eternity really exist?
Dialogue: 0,0:23:29.39,0:23:31.23,ED English,,0000,0000,0000,,And so we... C'mon.
Dialogue: 0,0:23:32.61,0:23:36.78,ED English,,0000,0000,0000,,Yeah, yeah, we live to touch the one shining moment.
Dialogue: 0,0:23:53.71,0:23:57.59,ED English,,0000,0000,0000,,To all the soldiers fighting today using the tail wind...
Dialogue: 0,0:02:35.47,0:02:40.39,title,,0000,0000,0000,,{\shad0\an8\fad(200,0)\bord3\3c&H8E4111&\c&H00FEFD&\pos(260,334)}Yakitate!! {\c&H0000FF&}Japan
Dialogue: 0,0:02:35.47,0:02:40.39,TransBy,,0000,0000,0000,,{\fad(200,0)\pos(538,360)}Translated by: Anime-Empire
Dialogue: 0,0:02:32.42,0:02:39.10,OP English,,0000,0000,0000,,Somewhere far away, there are people listening carefully.
Dialogue: 0,0:02:40.39,0:02:47.06,OP English,,0000,0000,0000,,In every place, there are people looking up at the sky.
Dialogue: 0,0:02:48.15,0:02:54.94,OP English,,0000,0000,0000,,Under the night sky, we, who are whistling...
Dialogue: 0,0:02:55.98,0:03:02.66,OP English,,0000,0000,0000,,without words, are just tracing constellations with our fingers.
Dialogue: 0,0:03:02.91,0:03:10.09,OP English,,0000,0000,0000,,The dreams of the cold-sensitive... Your cold hands...
Dialogue: 0,0:03:11.12,0:03:19.51,OP English,,0000,0000,0000,,The warming magic is to believe in one path.
Dialogue: 0,0:03:19.92,0:03:28.23,OP English,,0000,0000,0000,,The single star found on the other side of the comet cloud...
Dialogue: 0,0:03:28.52,0:03:32.48,OP English,,0000,0000,0000,,whether it be a shining or a faint star...
Dialogue: 0,0:03:32.70,0:03:35.48,OP English,,0000,0000,0000,,is the light of only you.
Dialogue: 0,0:03:35.77,0:03:39.23,OP English,,0000,0000,0000,,On the other side of the cloud in your heart,
Dialogue: 0,0:03:39.23,0:03:44.08,OP English,,0000,0000,0000,,is a sign post that remains unseen.
Dialogue: 0,0:03:44.54,0:03:51.76,OP English,,0000,0000,0000,,{\fad(0,800)}{\t(6470,7200,\4c&HFFFFFF&)}Now, opening these hands, what will you believe in today?
Dialogue: 0,0:02:32.42,0:02:39.10,OP Romaji,,0000,0000,0000,,{\k22}{\kf25}do{\kf25}ko{\kf24}ka {\kf24}to{\kf48}o{\kf26}ku {\kf68}de {\kf27}mi{\kf30}mi {\kf20}wo {\kf48}su{\kf20}ma{\kf61}shi{\kf24}te{\kf23}ru {\kf24}hi{\kf26}to {\kf22}ga {\kf24}i{\kf52}ru{\k0}
Dialogue: 0,0:02:40.39,0:02:47.06,OP Romaji,,0000,0000,0000,,{\k10}{\kf27}a{\kf21}ra{\kf28}yu{\kf25}ru {\kf34}ba{\kf39}sho {\kf60}de {\kf39}so{\kf25}ra {\kf25}wo {\kf49}mi{\kf34}a{\kf46}ge{\kf19}te{\kf22}ru {\kf24}hi{\kf26}to {\kf24}ga {\kf28}i{\kf63}ru{\k0}
Dialogue: 0,0:02:48.15,0:02:54.94,OP Romaji,,0000,0000,0000,,{\k21}{\kf27}yo{\kf26}zo{\kf25}ra {\kf27}no {\kf46}shi{\kf23}ta {\kf75}de {\kf23}ku{\kf28}chi{\kf25}bu{\kf42}e {\kf31}fu{\kf49}i{\kf24}te{\kf25}ru {\kf29}bo{\kf19}ku{\kf20}ta{\kf30}chi {\kf61}wa
Dialogue: 0,0:02:55.98,0:03:02.66,OP Romaji,,0000,0000,0000,,{\k28}{\kf28}ko{\kf25}to{\kf25}ba {\kf23}mo {\kf32}na{\kf16}i {\kf22}ma{\kf37}ma{\k9} {\kf30}yu{\kf51}bi {\kf49}de {\kf23}ta{\kf25}da {\kf24}se{\kf28}i{\kf27}za {\kf21}wo {\kf21}na{\kf28}zo{\kf25}t{\kf30}te{\kf40}ru
Dialogue: 0,0:03:02.91,0:03:10.09,OP Romaji,,0000,0000,0000,,{\k9}{\kf42}sa{\kf49}mu{\kf29}ga{\kf91}ri{\kf36}ya {\kf34}no {\kf32}yu{\kf65}me{\k30} {\kf27}tsu{\kf43}me{\kf32}ta{\kf25}i {\kf24}ki{\kf23}mi {\kf33}no {\kf98}te
Dialogue: 0,0:03:11.12,0:03:19.51,OP Romaji,,0000,0000,0000,,{\k0}{\kf12}a{\kf49}ta{\kf25}ta{\kf73}me{\kf24}ru {\kf22}ma{\kf52}ho{\kf26}u {\kf42}wa{\k30} {\kf22}hi{\kf27}to{\kf42}tsu {\kf32}no {\kf20}mi{\kf44}chi {\kf27}wo {\kf31}shi{\kf24}n{\kf24}ji{\kf21}ru {\kf50}ko{\kf115}to
Dialogue: 0,0:03:19.92,0:03:28.23,OP Romaji,,0000,0000,0000,,{\k14}{\kf30}ho{\kf22}u{\kf25}ki{\kf31}gu{\kf66}mo {\kf23}no {\kf25}mu{\kf27}ko{\kf27}u {\kf42}ni {\k29}{\kf44}mi{\kf51}tsu{\kf53}ke{\kf45}ta {\kf30}hi{\kf44}to{\kf29}tsu{\kf23}bu {\kf46}no {\kf22}ho{\kf29}shi {\kf53}wa
Dialogue: 0,0:03:28.52,0:03:32.48,OP Romaji,,0000,0000,0000,,{\k22}{\kf25}ka{\kf23}ga{\kf29}ya{\kf20}ku {\kf12}ho{\kf40}shi {\kf21}de{\kf26}mo {\kf20}ka{\kf30}su{\kf27}ka{\kf24}na {\kf16}ho{\kf33}shi {\kf21}de{\kf12}mo
Dialogue: 0,0:03:32.70,0:03:35.48,OP Romaji,,0000,0000,0000,,{\k14}{\kf55}ki{\kf48}mi {\kf49}da{\kf30}ke {\kf15}no {\kf27}hi{\kf28}ka{\kf9}ri
Dialogue: 0,0:03:35.77,0:03:44.08,OP Romaji,,0000,0000,0000,,{\k9}{\kf27}mu{\kf23}ne {\kf23}no {\kf29}ku{\kf66}mo {\kf25}no {\kf26}mu{\kf26}ko{\kf27}u {\kf39}ni{\k36} {\kf48}mi{\kf48}e{\kf48}na{\kf45}i {\kf29}ma{\kf48}ma {\kf26}no {\kf20}mi{\kf52}chi{\kf29}shi{\kf23}ru{\kf58}be
Dialogue: 0,0:03:44.54,0:03:51.76,OP Romaji,,0000,0000,0000,,{\fad(0,800)}{\k6}{\kf39}sa{\kf25}a {\kf24}ko{\kf25}no {\kf48}te {\kf27}wo {\k11}{\kf59}hi{\kf23}ra{\kf24}i{\kf61}te {\k23}{\kf18}i{\kf24}ma {\kf25}na{\kf24}ni {\kf17}wo {\kf35}shi{\kf22}n{\kf27}ji{\kf41}ma{\kf32}su{\kf66}ka?