[Script Info]
; Script generated by Aegisub r7852
; http://www.aegisub.org/
Title: Default Aegisub file
ScriptType: v4.00+
WrapStyle: 0
PlayResX: 640
PlayResY: 480
ScaledBorderAndShadow: yes
Video Aspect Ratio: c1.33333
Video Zoom: 8
Video Position: 36642
Audio File: ?video
Last Style Storage: Default
Video File: [L-E] Marco 14 QC.mkv
Audio URI: [L-E] Marco 14 QC.mkv
Scroll Position: 462
Active Line: 475
Video Zoom Percent: 1
YCbCr Matrix: TV.601
Aegisub Scroll Position: 128
Aegisub Active Line: 130
Aegisub Video Zoom Percent: 1.000000
Aegisub Video Aspect Ratio: c1.333333
Aegisub Video Position: 3536
Keyframes File: Marco 14 Keyframes.txt

[V4+ Styles]
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Style: Song,Arial,20,&H00FFFFFF,&H000000FF,&H00000000,&H00000000,0,0,0,0,100,100,0,0,1,2,2,8,10,10,10,0
Style: Marco-Default,VAGRundschriftD,28,&H00FFFED5,&H00FFFFFF,&H00400000,&H80400000,0,0,0,0,100,100,0,0,1,2,0,2,30,30,25,0
Style: Marco-EpisodeTitle,Felt,44,&H00C3D0C1,&H00FFFFFF,&H00000008,&H80000008,-1,0,0,0,120,100,1,0,1,0.5,0,5,0,0,0,0
Style: Marco-InlineSongEnglish,VAGRundschriftD,28,&H00D6FED8,&H00FFFFFF,&H00001500,&H80001500,0,-1,0,0,100,100,0,0,1,2,0,2,25,25,25,0
Style: Marco-InlineSongKanji,MS PGothic,32,&H00FFFFFF,&H00FFFFFF,&H00000008,&H80000008,-1,0,0,0,100,100,0,0,1,2,0,2,25,25,80,0
Style: Marco-Narrator,VAGRundschriftD,28,&H00E9E9E9,&H00FFFFFF,&H00000000,&H80000000,0,0,0,0,100,100,0,0,1,2,0,2,20,20,25,0
Style: Marco-SameTime,VAGRundschriftD,28,&H00FFFFFF,&H00FFFFFF,&H00400000,&H80400000,0,0,0,0,100,100,0,0,1,2,0,2,25,25,25,0
Style: Marco-Letter,VAGRundschriftD,28,&H00C7D4EA,&H00FFFFFF,&H00070C16,&H80400000,0,-1,0,0,100,100,0,0,1,2,0,2,30,30,25,0
Style: Marco-InlineSongEnglish2,VAGRundschriftD,28,&H00D6FED8,&H00FFFFFF,&H00001500,&H80001500,0,0,0,0,100,100,0,0,1,2,0,2,25,25,30,0
Style: Marco-InlineSongRomaji,VAGRundschriftD,22,&H00FFFFFF,&H00C2D3B0,&H00001500,&H80001500,0,0,0,0,100,100,0,0,1,2,0,2,25,25,20,0
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Style: Marco-CP,Felt,45,&H00CBDBE2,&H00FFFFFF,&H005F5F5F,&H805F5F5F,-1,0,0,0,100,100,1,0,1,0,1,5,0,0,0,0
Style: Marco-Calpis,Genuine,60,&H00CBDBE2,&H00FFFFFF,&H005F5F5F,&H805F5F5F,0,0,0,0,100,90,3,0,1,0,1,5,0,0,0,0
Style: Marco-JCOName,VTCKomixationSC,16,&H00FFFFFF,&H00FFFFFF,&H00000000,&H805F5F5F,0,0,0,0,100,100,0,0,1,0.5,0,4,0,0,0,0
Style: Marco-JCOTitle,VTCKomixationSC,14,&H00FFFFFF,&H00FFFFFF,&H00000000,&H805F5F5F,0,0,0,0,100,100,0,0,1,0.5,0,4,0,0,0,0
Style: Marco-JCOBroadcast,VTCKomixationSC,14,&H00F0F9FF,&H00FFFFFF,&H005F5F5F,&H805F5F5F,0,0,0,0,100,100,0,0,1,1,1,9,0,20,20,0
Style: Marco-MainTitle1,Felt,40,&H00C5D3E7,&H00DEF5FF,&H005F5F5F,&H805F5F5F,-1,-1,0,0,100,100,0,0,1,0,0.5,5,0,0,0,0
Style: Marco-MainTitle2,Felt,28,&H00C5D3E7,&H00FFFFFF,&H005F5F5F,&H805F5F5F,-1,-1,0,0,100,100,0,0,1,0,0.5,5,0,0,0,0
Style: Marco-OPE,CLAP,40,&H00F4FCFF,&H00FFFFFF,&H00000000,&H805F5F5F,-1,-1,0,0,100,100,2,0,1,0,0.5,2,0,0,0,0
Style: Marco-OPR,Tekton Pro,30,&H008080FF,&H00CCCCFF,&H00000000,&H805F5F5F,-1,0,0,0,100,100,0,0,1,0,0,5,0,0,0,0
Style: Marco-Present,Genuine,30,&H20FFFFFF,&H00FFFFFF,&H00FFFFFF,&H41000008,0,0,0,0,100,100,0.5,0,1,0,0,5,0,0,0,0
Style: Marco-EDE,CONCRETE,35,&H00F4FCFF,&H00FFFFFF,&H00000000,&H80000000,0,0,0,0,100,100,0,0,1,0,1,2,0,0,25,0
Style: Marco-EDK,HGSoeiMarupoptai,36,&H00FFFFFF,&H00FFFFFF,&H00000008,&H80000008,-1,0,0,0,100,100,0,0,1,2,0,5,0,0,0,0
Style: Marco-EDR,Mcgannahan,26,&H00FFFFFF,&H00CCCCFF,&H00FFFFFF,&H80000000,-1,0,0,0,100,100,0,0,1,0.3,1,5,0,0,0,0
Style: Marco-JCE,VTCKomixationSC,14,&H00E6F2FF,&H00FFFFFF,&H00E6F2FF,&H80000008,0,0,0,0,100,100,0,0,1,0.01,1,5,0,0,0,0
Style: Marco-JCE2,VTCKomixationSC,12,&H00F0F9FF,&H00FFFFFF,&H00FFFFFF,&H40000008,0,0,0,0,100,100,0,0,1,0.05,1.2,5,0,0,0,0
Style: FansubCredits,Dance Craze BV,16,&H00F0F9FF,&H00FFFFFF,&H00000008,&H80000008,0,0,0,0,100,100,0,0,1,0,1,6,0,0,0,0
Style: Marco-JCEW,VTCKomixationSC,14,&H00FEFDFB,&H00FFFFFF,&H20FFFFFF,&H80000008,0,0,0,0,100,100,0,0,1,0.01,1,5,0,0,0,0
Style: Marco-JCE2W,VTCKomixationSC,12,&H00FEFDFB,&H00FFFFFF,&H20FEFDFB,&H40000008,0,0,0,0,100,100,0,0,1,0.05,1.2,5,0,0,0,0

[Events]
Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text
Comment: 0,0:00:10.13,0:00:14.74,Marco-OPR,,0,0,0,Karaoke,{\k35}{\k30}ha{\k35}ru{\k99}ka{\k10}{\k35}so{\k37}u{\k40}ge{\k32}n{\k109}wo
Comment: 0,0:00:15.05,0:00:18.22,Marco-OPR,,0,0,0,Karaoke,{\k35\k30}hi{\k25}to{\k27}tsu{\k25}ka{\k25}mi{\k30}no{\k30}ku{\k35}mo{\k57}ga
Comment: 0,0:00:15.56,0:00:17.56,*Default,,0,0,0,,SONG
Comment: 0,0:00:18.53,0:00:26.31,Marco-OPR,,0,0,0,Karaoke,{\k30\k26}a {\k27}te {\k27}mo {\k32}na {\k57}ku {\k42}sa {\k32}ma {\k42}yo {\k66}i {\k50\k67}to {\k101}n {\k47}de {\k57}yu {\k77}ku
Comment: 0,0:00:26.63,0:00:30.77,Marco-OPR,,0,0,0,Karaoke,{\k40\k33}ya {\k33}ma {\k33}mo {\k33}na {\k43}ku {\k20\k23}ta {\k33}ni {\k33}mo {\k33}na {\k58}ku
Comment: 0,0:00:30.98,0:00:38.99,Marco-OPR,,0,0,0,Karaoke,{\k25\k32}na {\k32}ni {\k192}mo {\k45\k37}mi {\k29}e {\k47}wa {\k54}shi {\k42}na {\k211}i{\k60}
Comment: 0,0:00:39.20,0:00:42.62,Marco-OPR,,0,0,0,Karaoke,{\k4\k4}ke {\k5}re {\k13}do {\k4\k7}ma {\k5}ru {\k8}ko
Comment: 0,0:00:43.07,0:00:47.12,Marco-OPR,,0,0,0,Karaoke,{\k25\k31}o {\k32}ma {\k31}e {\k52}wa {\k55\k32}ki {\k32}ta {\k31}n {\k89}da
Comment: 0,0:00:47.46,0:00:56.30,Marco-OPR,,0,0,0,Karaoke,{\k20\k33}a {\k23}n {\k23}de {\k43}su {\k68}ni {\k47}tsu {\k43}zu {\k83}ku {\k55\k58}ko {\k93}no {\k58}mi {\k62}chi {\k186}o
Comment: 0,0:00:57.79,0:01:02.02,Marco-OPR,,0,0,0,Karaoke,{\k40\k32}sa {\k41}a {\k22}shu {\k11}p {\k17}pa {\k12}tsu {\k32}da {\k35\k31}i {\k27}ma {\k25\k12}hi {\k7}ga {\k17}no {\k12}bo {\k49}ru
Comment: 0,0:01:02.30,0:01:05.48,Marco-OPR,,0,0,0,Karaoke,{\k20\k14}ki {\k14}bo {\k11}u {\k14}no {\k14}hi {\k9}ka {\k29}ri {\k17}ryo {\k11}u {\k9}te {\k14}ni {\k22}tsu {\k29}ka {\k92}mi
Comment: 0,0:01:06.18,0:01:09.56,Marco-OPR,,0,0,0,Karaoke,{\k30\k9}po {\k11}n {\k17}cho {\k14}ni {\k14}yo {\k11}a {\k9}ke {\k14}no {\k14}ka {\k14}ze {\k9}ha {\k14}ra {\k19}ma {\k34}se {\k106}te
Comment: 0,0:01:10.11,0:01:14.02,Marco-OPR,,0,0,0,Karaoke,{\k30\k11}ka {\k11}a {\k21}sa {\k31}n {\k31}no {\k21}i {\k46}ru {\k35\k11}a {\k11}no {\k26}so {\k21}ra {\k21}no {\k32}shi {\k37}ta
Comment: 0,0:01:14.28,0:01:21.49,Marco-OPR,,0,0,0,Karaoke,{\k15\k23}ha {\k73}ru {\k38}ka {\k43}na {\k33}ki {\k33}ta {\k52}o {\k40\k48}me {\k48}za {\k281}se
Comment: 0,0:24:41.08,0:24:44.17,Marco-EDR,,0,0,0,Karaoke,{\k20\k28}a {\k96}sa, {\k71}bo {\k37}ku {\k59}o
Comment: 0,0:24:45.09,0:24:48.59,Marco-EDR,,0,0,0,Karaoke,{\k39}o {\k58}ko {\k42}shi {\k33}ta {\k29}o {\k38}hi {\k53}sa {\k38}ma {\k27}ga
Comment: 0,0:24:48.86,0:24:52.08,Marco-EDR,,0,0,0,Karaoke,{\k20\k29}ho {\k58}ra, {\k39}mo {\k57}u {\k24}ma {\k21}u {\k83}e
Comment: 0,0:24:52.78,0:24:56.33,Marco-EDR,,0,0,0,Karaoke,{\k35}i {\k62}ma {\k42}ka {\k55}a {\k47}sa {\k75}n {\k43}o
Comment: 0,0:24:56.57,0:24:59.78,Marco-EDR,,0,0,0,Karaoke,{\k10\k30}o {\k61}ko {\k40}shi {\k56}te {\k27}ru {\k15}n {\k89}da
Comment: 0,0:25:00.27,0:25:03.90,Marco-EDR,,0,0,0,Karaoke,{\k20\k35}ha {\k55}ru {\k40}ka {\k60}na {\k35}ku {\k95}ni {\k29}no
Comment: 0,0:25:04.16,0:25:07.62,Marco-EDR,,0,0,0,Karaoke,{\k15\k36}so {\k61}ra {\k36}ni {\k36}no {\k31}bo {\k27}t {\k110}te
Comment: 0,0:25:08.29,0:25:11.63,Marco-EDR,,0,0,0,Karaoke,{\k25\k69}ka {\k26}a {\k34}sa {\k26}n {\k30\k36}o {\k29}ha {\k29}yo {\k37}u
Comment: 0,0:25:11.86,0:25:15.53,Marco-EDR,,0,0,0,Karaoke,{\k10\k19}bo {\k16}n {\k19}jo {\k14}ru {\k29}no {\k14}mi {\k21}a {\k92}maa {\k24}do {\k109}re
Comment: 0,0:25:15.76,0:25:18.94,Marco-EDR,,0,0,0,Karaoke,{\k20\k34}a {\k89}i {\k63}ta {\k34}i {\k84}na
Comment: 0,0:25:19.55,0:25:23.19,Marco-EDR,,0,0,0,Karaoke,{\k20\k88}da {\k37}i {\k28}su {\k38}ki {\k28}na {\k63}ka {\k32}a {\k18}sa {\k18}n
Comment: 0,0:25:23.42,0:25:26.99,Marco-EDR,,0,0,0,Karaoke,{\k15\k31}a {\k63}no, {\k29}ku {\k34}mo {\k29}ni {\k39}no {\k123}ri
Comment: 0,0:25:27.27,0:25:30.84,Marco-EDR,,0,0,0,Karaoke,{\k10\k33}o {\k68}o {\k29}zo {\k59}ra {\k39}na {\k83}n {\k43}ka
Comment: 0,0:25:31.11,0:25:34.67,Marco-EDR,,0,0,0,Karaoke,{\k15\k32}hi {\k92}to {\k62}ma {\k37}ta {\k122}gi
Comment: 0,0:25:34.89,0:25:38.60,Marco-EDR,,0,0,0,Karaoke,{\k15\k28}to {\k63}bi {\k33}ko {\k58}mi {\k43}ta {\k60}i {\k35}n {\k35}da
Comment: 0,0:25:38.74,0:25:43.01,Marco-EDR,,0,0,0,Karaoke,{\k15\k11}ka {\k16}a {\k41}sa {\k21}n {\k36}no {\k66}mu {\k36}ne {\k187}ni

Dialogue: 0,0:00:00.00,0:00:04.85,Marco-Calpis,,0,0,0,,{\be1\pos(320,123)}CALPIS
Dialogue: 0,0:00:00.00,0:00:04.85,Marco-CP,,0,0,0,,{\be1\pos(315,314)}Children's Playhouse
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-MainTitle1,,0,0,0,,{\fad(0,265)\pos(322,125)}3000 Leagues In Search of Mother
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-MainTitle1,,0,0,0,,{\fad(0,265)\be1\pos(322,125)}3000 Leagues In Search of Mother
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-MainTitle2,,0,0,0,,{\fad(0,265)\pos(322,160)}( Haha o Tazunete Sanzen Ri )
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-MainTitle2,,0,0,0,,{\fad(0,265)\be1\pos(322,160)}( Haha o Tazunete Sanzen Ri )
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-Adapted,,0,0,0,,{\fad(0,265)\pos(315,298)}From {\fe128}「{\fe0}Cuore{\fe128}」{\fe0} by Edmondo de Amicis
Dialogue: 0,0:00:10.03,0:00:14.53,Marco-Adapted,,0,0,0,,{\fad(0,265)\be1\shad0\pos(315,298)}From {\fe128}「{\fe0}Cuore{\fe128}」{\fe0} by Edmondo de Amicis
Dialogue: 0,0:00:10.13,0:00:14.74,Marco-OPR,,0,0,0,,{\fad(0,0)\be0\pos(316,385)}haruka sougen wo
Dialogue: 0,0:00:10.13,0:00:14.74,Marco-OPR,,0,0,0,,{\fad(0,0)\be1\pos(316,385)}{\t(0,1,0.5,\1c&HCCCCFF)}{\t(250,450,0.5,\1c&H8080FF&)\t(350,650,0.5,\1c&HFFFFFF&)}ha{\t(350,350,0.5,\1c&H8080FF&)\t(650,1000,0.5,\1c&HFFFFFF&)}ru{\t(650,650,0.5,\1c&H8080FF&)\t(1000,2000,0.5,\1c&HFFFFFF&)}ka{\t(0,1,0.5,\1c&HCCCCFF&)\t(2000,2200,0.5,\1c&H8080FF&)\t(2100,2450,0.5,\1c&HFFFFFF&)} so{\t(2100,2100,0.5,\1c&H8080FF&)\t(2450,2820,0.5,\1c&HFFFFFF&)}u{\t(2450,2450,0.5,\1c&H8080FF&)\t(2820,3220,0.5,\1c&HFFFFFF&)}ge{\t(2820,2820,0.5,\1c&H8080FF&)\t(3220,3540,0.5,\1c&HFFFFFF&)}n{\t(0,1,0.5,\1c&HCCCCFF&)\t(3440,3640,0.5,\1c&H8080FF&)\t(3540,4670,0.5,\1c&HFFFFFF&)} wo
Dialogue: 0,0:00:10.13,0:00:14.74,Marco-OPR,,0,0,0,,{\fad(0,0)\be1\pos(316,385)}{\t(0,1,0.5,\1c&HCCCCFF)}{\t(250,450,0.5,\1c&H8080FF&)\t(350,650,0.5,\1c&HFFFFFF&)}ha{\t(350,350,0.5,\1c&H8080FF&)\t(650,1000,0.5,\1c&HFFFFFF&)}ru{\t(650,650,0.5,\1c&H8080FF&)\t(1000,2000,0.5,\1c&HFFFFFF&)}ka{\t(0,1,0.5,\1c&HCCCCFF&)\t(2000,2200,0.5,\1c&H8080FF&)\t(2100,2450,0.5,\1c&HFFFFFF&)} so{\t(2100,2100,0.5,\1c&H8080FF&)\t(2450,2820,0.5,\1c&HFFFFFF&)}u{\t(2450,2450,0.5,\1c&H8080FF&)\t(2820,3220,0.5,\1c&HFFFFFF&)}ge{\t(2820,2820,0.5,\1c&H8080FF&)\t(3220,3540,0.5,\1c&HFFFFFF&)}n{\t(0,1,0.5,\1c&HCCCCFF&)\t(3440,3640,0.5,\1c&H8080FF&)\t(3540,4670,0.5,\1c&HFFFFFF&)} wo
Dialogue: 0,0:00:10.13,0:00:14.74,Marco-OPE,,0,0,0,,{\fad(0,0)\pos(316,470)}Across the endless grassland
Dialogue: 0,0:00:10.13,0:00:14.74,Marco-OPE,,0,0,0,,{\fad(0,0)\be1\pos(316,470)}Across the endless grassland
Dialogue: 0,0:00:15.05,0:00:18.22,Marco-OPR,,0,0,0,,{\fad(0,30)\bord0\shad1\be0\pos(313,385)}hitotsukami no kumo ga
Dialogue: 0,0:00:15.05,0:00:18.22,Marco-OPR,,0,0,0,,{\fad(0,30)\bord0\shad0\be1\pos(313,385)\t(0,1,0.5,\1c&HCCCCFF)\t(250,450,0.5,\1c&H8080FF&)\t(350,650,0.5,\1c&HFFFFFF&)}hi{\t(350,350,0.5,\1c&H8080FF&)\t(650,900,0.5,\1c&HFFFFFF&)}to{\t(650,650,0.5,\1c&H8080FF&)\t(900,1170,0.5,\1c&HFFFFFF&)}tsu{\t(900,900,0.5,\1c&H8080FF&)\t(1170,1420,0.5,\1c&HFFFFFF&)}ka{\t(1170,1170,0.5,\1c&H8080FF&)\t(1420,1670,0.5,\1c&HFFFFFF&)}mi{\t(0,1,0.5,\1c&HCCCCFF)\t(1570,1770,0.5,\1c&H8080FF&)\t(1670,1970,0.5,\1c&HFFFFFF&)} no{\t(1520,1520,0.5,\1c&HCCCCFF)\t(1870,2070,0.5,\1c&H8080FF&)\t(1970,2270,0.5,\1c&HFFFFFF&)} ku{\t(1970,1970,0.5,\1c&H8080FF&)\t(2270,2620,0.5,\1c&HFFFFFF&)}mo{\t(0,1,0.5,\1c&HCCCCFF)\t(2520,2720,0.5,\1c&H8080FF&)\t(2620,3190,0.5,\1c&HFFFFFF&)} ga
Dialogue: 0,0:00:15.05,0:00:18.22,Marco-OPR,,0,0,0,,{\fad(0,30)\bord0\shad0\be1\pos(313,385)\t(0,1,0.5,\1c&HCCCCFF)\t(250,450,0.5,\1c&H8080FF&)\t(350,650,0.5,\1c&HFFFFFF&)}hi{\t(350,350,0.5,\1c&H8080FF&)\t(650,900,0.5,\1c&HFFFFFF&)}to{\t(650,650,0.5,\1c&H8080FF&)\t(900,1170,0.5,\1c&HFFFFFF&)}tsu{\t(900,900,0.5,\1c&H8080FF&)\t(1170,1420,0.5,\1c&HFFFFFF&)}ka{\t(1170,1170,0.5,\1c&H8080FF&)\t(1420,1670,0.5,\1c&HFFFFFF&)}mi{\t(0,1,0.5,\1c&HCCCCFF)\t(1570,1770,0.5,\1c&H8080FF&)\t(1670,1970,0.5,\1c&HFFFFFF&)} no{\t(1520,1520,0.5,\1c&HCCCCFF)\t(1870,2070,0.5,\1c&H8080FF&)\t(1970,2270,0.5,\1c&HFFFFFF&)} ku{\t(1970,1970,0.5,\1c&H8080FF&)\t(2270,2620,0.5,\1c&HFFFFFF&)}mo{\t(0,1,0.5,\1c&HCCCCFF)\t(2520,2720,0.5,\1c&H8080FF&)\t(2620,3190,0.5,\1c&HFFFFFF&)} ga
Dialogue: 0,0:00:15.05,0:00:18.22,Marco-OPE,,0,0,0,,{\fad(0,30)\bord0\shad1\be0\fsp2\pos(313,470)}A handful of clouds
Dialogue: 0,0:00:15.05,0:00:18.22,Marco-OPE,,0,0,0,,{\fad(0,30)\bord0\shad0\be1\fsp2\pos(313,470)}A handful of clouds
Dialogue: 0,0:00:16.80,0:00:20.81,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(351,192)}Executive\NProducer
Dialogue: 0,0:00:16.80,0:00:20.81,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(396,218)}Motohashi Kouichi
Dialogue: 0,0:00:18.50,0:00:26.31,Marco-OPR,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\pos(316,385)}ate mo naku samayoi tonde yuku
Dialogue: 0,0:00:18.50,0:00:26.31,Marco-OPR,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\pos(316,385)\t(0,1,0.5,\1c&HCCCCFF)\t(200,400,0.5,\1c&H8080FF&)\t(300,560,0.5,\1c&HFFFFFF&)}a{\t(300,300,0.5,\1c&H8080FF&)\t(560,830,0.5,\1c&HFFFFFF&)}te{\t(0,1,0.5,\1c&HCCCCFF)\t(730,930,0.5,\1c&H8080FF&)\t(830,1110,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(1010,1210,0.5,\1c&H8080FF&)\t(1110,1420,0.5,\1c&HFFFFFF&)} na{\t(1110,1110,0.5,\1c&H8080FF&)\t(1420,1990,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(1890,2090,0.5,\1c&H8080FF&)\t(1990,2410,0.5,\1c&HFFFFFF&)} sa{\t(1990,1990,0.5,\1c&H8080FF&)\t(2410,2730,0.5,\1c&HFFFFFF&)}ma{\t(2410,2410,0.5,\1c&H8080FF&)\t(2730,3150,0.5,\1c&HFFFFFF&)}yo{\t(2730,2730,0.5,\1c&H8080FF&)\t(3150,3810,0.5,\1c&HFFFFFF&)}i{\t(0,1,0.5,\1c&HCCCCFF)\t(4210,4410,0.5,\1c&H8080FF&)\t(4310,4980,0.5,\1c&HFFFFFF&)} to{\t(4310,4310,0.5,\1c&H8080FF&)\t(4980,5990,0.5,\1c&HFFFFFF&)}n{\t(4980,4980,0.5,\1c&H8080FF&)\t(5590,6460,0.5,\1c&HFFFFFF&)}de{\t(0,1,0.5,\1c&HCCCCFF)\t(6360,6560,0.5,\1c&H8080FF&)\t(6460,7030,0.5,\1c&HFFFFFF&)} yu{\t(6460,6460,0.5,\1c&H8080FF&)\t(7030,7800,0.5,\1c&HFFFFFF&)}ku
Dialogue: 0,0:00:18.50,0:00:26.31,Marco-OPR,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\pos(316,385)\t(0,1,0.5,\1c&HCCCCFF)\t(200,400,0.5,\1c&H8080FF&)\t(300,560,0.5,\1c&HFFFFFF&)}a{\t(300,300,0.5,\1c&H8080FF&)\t(560,830,0.5,\1c&HFFFFFF&)}te{\t(0,1,0.5,\1c&HCCCCFF)\t(730,930,0.5,\1c&H8080FF&)\t(830,1110,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(1010,1210,0.5,\1c&H8080FF&)\t(1110,1420,0.5,\1c&HFFFFFF&)} na{\t(1110,1110,0.5,\1c&H8080FF&)\t(1420,1990,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(1890,2090,0.5,\1c&H8080FF&)\t(1990,2410,0.5,\1c&HFFFFFF&)} sa{\t(1990,1990,0.5,\1c&H8080FF&)\t(2410,2730,0.5,\1c&HFFFFFF&)}ma{\t(2410,2410,0.5,\1c&H8080FF&)\t(2730,3150,0.5,\1c&HFFFFFF&)}yo{\t(2730,2730,0.5,\1c&H8080FF&)\t(3150,3810,0.5,\1c&HFFFFFF&)}i{\t(0,1,0.5,\1c&HCCCCFF)\t(4210,4410,0.5,\1c&H8080FF&)\t(4310,4980,0.5,\1c&HFFFFFF&)} to{\t(4310,4310,0.5,\1c&H8080FF&)\t(4980,5990,0.5,\1c&HFFFFFF&)}n{\t(4980,4980,0.5,\1c&H8080FF&)\t(5590,6460,0.5,\1c&HFFFFFF&)}de{\t(0,1,0.5,\1c&HCCCCFF)\t(6360,6560,0.5,\1c&H8080FF&)\t(6460,7030,0.5,\1c&HFFFFFF&)} yu{\t(6460,6460,0.5,\1c&H8080FF&)\t(7030,7800,0.5,\1c&HFFFFFF&)}ku
Dialogue: 0,0:00:18.50,0:00:26.31,Marco-OPE,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\fsp2\pos(316,470)}Drift, wandering aimlessly.
Dialogue: 0,0:00:18.50,0:00:26.31,Marco-OPE,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\fsp2\pos(316,470)}Drift, wandering aimlessly.
Dialogue: 0,0:00:21.18,0:00:24.52,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(369,40)}Screenplay
Dialogue: 0,0:00:21.18,0:00:24.52,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(393,60)}Fukazawa Kazuo
Dialogue: 0,0:00:26.63,0:00:30.77,Marco-OPR,,0,0,0,,{\fad(0,80)\bord0\shad1\be0\pos(316,385)}yama mo naku tani mo naku
Dialogue: 0,0:00:26.63,0:00:30.77,Marco-OPR,,0,0,0,,{\fad(0,80)\bord0\shad0\be1\pos(316,385)\t(0,1,0.5,\1c&HCCCCFF)\t(300,500,0.5,\1c&H8080FF&)\t(400,730,0.5,\1c&HFFFFFF&)}ya{\t(400,400,0.5,\1c&H8080FF&)\t(730,1060,0.5,\1c&HFFFFFF&)}ma{\t(0,1,0.5,\1c&HCCCCFF)\t(960,1160,0.5,\1c&H8080FF&)\t(1060,1390,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(1290,1490,0.5,\1c&H8080FF&)\t(1390,1720,0.5,\1c&HFFFFFF&)} na{\t(1390,1390,0.5,\1c&H8080FF&)\t(1720,2150,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(2250,2450,0.5,\1c&H8080FF&)\t(2350,2580,0.5,\1c&HFFFFFF&)} ta{\t(2350,2350,0.5,\1c&H8080FF&)\t(2580,2910,0.5,\1c&HFFFFFF&)}ni{\t(0,1,0.5,\1c&HCCCCFF)\t(2810,3010,0.5,\1c&H8080FF&)\t(2910,3240,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(3140,3340,0.5,\1c&H8080FF&)\t(3240,3570,0.5,\1c&HFFFFFF&)} na{\t(3240,3240,0.5,\1c&H8080FF&)\t(3570,4150,0.5,\1c&HFFFFFF&)}ku
Dialogue: 0,0:00:26.63,0:00:30.77,Marco-OPR,,0,0,0,,{\fad(0,80)\bord0\shad0\be1\pos(316,385)\t(0,1,0.5,\1c&HCCCCFF)\t(300,500,0.5,\1c&H8080FF&)\t(400,730,0.5,\1c&HFFFFFF&)}ya{\t(400,400,0.5,\1c&H8080FF&)\t(730,1060,0.5,\1c&HFFFFFF&)}ma{\t(0,1,0.5,\1c&HCCCCFF)\t(960,1160,0.5,\1c&H8080FF&)\t(1060,1390,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(1290,1490,0.5,\1c&H8080FF&)\t(1390,1720,0.5,\1c&HFFFFFF&)} na{\t(1390,1390,0.5,\1c&H8080FF&)\t(1720,2150,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(2250,2450,0.5,\1c&H8080FF&)\t(2350,2580,0.5,\1c&HFFFFFF&)} ta{\t(2350,2350,0.5,\1c&H8080FF&)\t(2580,2910,0.5,\1c&HFFFFFF&)}ni{\t(0,1,0.5,\1c&HCCCCFF)\t(2810,3010,0.5,\1c&H8080FF&)\t(2910,3240,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(3140,3340,0.5,\1c&H8080FF&)\t(3240,3570,0.5,\1c&HFFFFFF&)} na{\t(3240,3240,0.5,\1c&H8080FF&)\t(3570,4150,0.5,\1c&HFFFFFF&)}ku
Dialogue: 0,0:00:26.63,0:00:30.77,Marco-OPE,,0,0,0,,{\fad(0,80)\bord0\shad1\be0\fsp2\pos(316,470)}No mountains, no valleys
Dialogue: 0,0:00:26.63,0:00:30.77,Marco-OPE,,0,0,0,,{\fad(0,80)\bord0\shad0\be1\fsp2\pos(316,470)}No mountains, no valleys
Dialogue: 0,0:00:30.36,0:00:34.36,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(94,46)}Music
Dialogue: 0,0:00:30.36,0:00:34.36,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(120,66)}Sakata Kouichi
Dialogue: 0,0:00:30.98,0:00:38.99,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\pos(314,385)}nani mo mie wa shinai
Dialogue: 0,0:00:30.98,0:00:38.99,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,570,0.5,\1c&HFFFFFF&)}na{\t(250,250,0.5,\1c&H8080FF&)\t(570,890,0.5,\1c&HFFFFFF&)}ni{\t(0,1,0.5,\1c&HCCCCFF)\t(790,990,0.5,\1c&H8080FF&)\t(890,2810,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(3160,3360,0.5,\1c&H8080FF&)\t(3260,3630,0.5,\1c&HFFFFFF&)} mi{\t(3260,3260,0.5,\1c&H8080FF&)\t(3630,3920,0.5,\1c&HFFFFFF&)}e{\t(0,1,0.5,\1c&HCCCCFF)\t(3820,4020,0.5,\1c&H8080FF&)\t(3920,4390,0.5,\1c&HFFFFFF&)} wa{\t(0,1,0.5,\1c&HCCCCFF)\t(4290,4490,0.5,\1c&H8080FF&)\t(4390,4930,0.5,\1c&HFFFFFF&)} shi{\t(4390,4390,0.5,\1c&H8080FF&)\t(4930,5350,0.5,\1c&HFFFFFF&)}na{\t(4390,4390,0.5,\1c&H8080FF&)\t(5350,7260,0.5,\1c&HFFFFFF&)}i
Dialogue: 0,0:00:30.98,0:00:38.99,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,570,0.5,\1c&HFFFFFF&)}na{\t(250,250,0.5,\1c&H8080FF&)\t(570,890,0.5,\1c&HFFFFFF&)}ni{\t(0,1,0.5,\1c&HCCCCFF)\t(790,990,0.5,\1c&H8080FF&)\t(890,2810,0.5,\1c&HFFFFFF&)} mo{\t(0,1,0.5,\1c&HCCCCFF)\t(3160,3360,0.5,\1c&H8080FF&)\t(3260,3630,0.5,\1c&HFFFFFF&)} mi{\t(3260,3260,0.5,\1c&H8080FF&)\t(3630,3920,0.5,\1c&HFFFFFF&)}e{\t(0,1,0.5,\1c&HCCCCFF)\t(3820,4020,0.5,\1c&H8080FF&)\t(3920,4390,0.5,\1c&HFFFFFF&)} wa{\t(0,1,0.5,\1c&HCCCCFF)\t(4290,4490,0.5,\1c&H8080FF&)\t(4390,4930,0.5,\1c&HFFFFFF&)} shi{\t(4390,4390,0.5,\1c&H8080FF&)\t(4930,5350,0.5,\1c&HFFFFFF&)}na{\t(4390,4390,0.5,\1c&H8080FF&)\t(5350,7260,0.5,\1c&HFFFFFF&)}i
Dialogue: 0,0:00:30.98,0:00:38.99,Marco-OPE,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\fsp2\pos(314,470)}There's nothing to be seen.
Dialogue: 0,0:00:30.98,0:00:38.99,Marco-OPE,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\fsp2\pos(314,470)}There's nothing to be seen.
Dialogue: 0,0:00:34.63,0:00:38.62,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(142,238)}Scene Design\N& Layout
Dialogue: 0,0:00:34.63,0:00:38.62,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(166,266)}Miyazaki Hayao
Dialogue: 0,0:00:39.20,0:00:42.62,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\pos(314,385)}keredo maruko
Dialogue: 0,0:00:39.20,0:00:42.62,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,510,0.5,\1c&HFFFFFF&)}ke{\t(250,250,0.5,\1c&H8080FF&)\t(510,820,0.5,\1c&HFFFFFF&)}re{\t(510,510,0.5,\1c&H8080FF&)\t(820,1730,0.5,\1c&HFFFFFF&)}do{\t(0,1,0.5,\1c&HCCCCFF)\t(1930,2130,0.5,\1c&H8080FF&)\t(2030,2540,0.5,\1c&HFFFFFF&)} ma{\t(2030,2030,0.5,\1c&H8080FF&)\t(2540,2850,0.5,\1c&HFFFFFF&)}ru{\t(2540,2540,0.5,\1c&H8080FF&)\t(2850,3440,0.5,\1c&HFFFFFF&)}ko
Dialogue: 0,0:00:39.20,0:00:42.62,Marco-OPR,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,510,0.5,\1c&HFFFFFF&)}ke{\t(250,250,0.5,\1c&H8080FF&)\t(510,820,0.5,\1c&HFFFFFF&)}re{\t(510,510,0.5,\1c&H8080FF&)\t(820,1730,0.5,\1c&HFFFFFF&)}do{\t(0,1,0.5,\1c&HCCCCFF)\t(1930,2130,0.5,\1c&H8080FF&)\t(2030,2540,0.5,\1c&HFFFFFF&)} ma{\t(2030,2030,0.5,\1c&H8080FF&)\t(2540,2850,0.5,\1c&HFFFFFF&)}ru{\t(2540,2540,0.5,\1c&H8080FF&)\t(2850,3440,0.5,\1c&HFFFFFF&)}ko
Dialogue: 0,0:00:39.20,0:00:42.62,Marco-OPE,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\fsp2\pos(314,470)}Still, Marco
Dialogue: 0,0:00:39.20,0:00:42.62,Marco-OPE,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\fsp2\pos(314,470)}Still, Marco
Dialogue: 0,0:00:43.07,0:00:47.12,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}omae wa kita n da
Dialogue: 0,0:00:43.07,0:00:47.12,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,560,0.5,\1c&HFFFFFF&)}o{\t(250,250,0.5,\1c&H8080FF&)\t(560,880,0.5,\1c&HFFFFFF&)}ma{\t(560,560,0.5,\1c&H8080FF&)\t(880,1190,0.5,\1c&HFFFFFF&)}e{\t(0,1,0.5,\1c&HCCCCFF)\t(1090,1290,0.5,\1c&H8080FF&)\t(1190,1710,0.5,\1c&HFFFFFF&)} wa{\t(0,1,0.5,\1c&HCCCCFF)\t(2160,2360,0.5,\1c&H8080FF&)\t(2260,2380,0.5,\1c&HFFFFFF&)} ki{\t(2260,2260,0.5,\1c&H8080FF&)\t(2380,2900,0.5,\1c&HFFFFFF&)}ta{\t(0,1,0.5,\1c&HCCCCFF)\t(2800,3000,0.5,\1c&H8080FF&)\t(2900,3210,0.5,\1c&HFFFFFF&)} n{\t(0,1,0.5,\1c&HCCCCFF)\t(3110,3310,0.5,\1c&H8080FF&)\t(3210,4100,0.5,\1c&HFFFFFF&)} da
Dialogue: 0,0:00:43.07,0:00:47.12,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,350,0.5,\1c&H8080FF&)\t(250,560,0.5,\1c&HFFFFFF&)}o{\t(250,250,0.5,\1c&H8080FF&)\t(560,880,0.5,\1c&HFFFFFF&)}ma{\t(560,560,0.5,\1c&H8080FF&)\t(880,1190,0.5,\1c&HFFFFFF&)}e{\t(0,1,0.5,\1c&HCCCCFF)\t(1090,1290,0.5,\1c&H8080FF&)\t(1190,1710,0.5,\1c&HFFFFFF&)} wa{\t(0,1,0.5,\1c&HCCCCFF)\t(2160,2360,0.5,\1c&H8080FF&)\t(2260,2380,0.5,\1c&HFFFFFF&)} ki{\t(2260,2260,0.5,\1c&H8080FF&)\t(2380,2900,0.5,\1c&HFFFFFF&)}ta{\t(0,1,0.5,\1c&HCCCCFF)\t(2800,3000,0.5,\1c&H8080FF&)\t(2900,3210,0.5,\1c&HFFFFFF&)} n{\t(0,1,0.5,\1c&HCCCCFF)\t(3110,3310,0.5,\1c&H8080FF&)\t(3210,4100,0.5,\1c&HFFFFFF&)} da
Dialogue: 0,0:00:43.07,0:00:47.12,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp2\pos(314,470)}You've come over
Dialogue: 0,0:00:43.07,0:00:47.12,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp2\pos(314,470)}You've come over
Dialogue: 0,0:00:47.46,0:00:56.30,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}andesu ni tsuzuku kono michi o
Dialogue: 0,0:00:47.46,0:00:56.30,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(100,200,0.5,\1c&H8080FF&)\t(200,530,0.5,\1c&HFFFFFF&)}a{\t(200,200,0.5,\1c&H8080FF&)\t(530,760,0.5,\1c&HFFFFFF&)}n{\t(530,530,0.5,\1c&H8080FF&)\t(760,990,0.5,\1c&HFFFFFF&)}de{\t(760,760,0.5,\1c&H8080FF&)\t(990,1420,0.5,\1c&HFFFFFF&)}su{\t(0,1,0.5,\1c&HCCCCFF)\t(1320,1420,0.5,\1c&H8080FF&)\t(1420,2100,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(2000,2100,0.5,\1c&H8080FF&)\t(2100,2570,0.5,\1c&HFFFFFF&)} tsu{\t(2100,2100,0.5,\1c&H8080FF&)\t(2570,3000,0.5,\1c&HFFFFFF&)}zu{\t(2570,2570,0.5,\1c&H8080FF&)\t(3000,3830,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(4280,4380,0.5,\1c&H8080FF&)\t(4380,4960,0.5,\1c&HFFFFFF&)} ko{\t(4380,4380,0.5,\1c&H8080FF&)\t(4960,5890,0.5,\1c&HFFFFFF&)}no{\t(0,1,0.5,\1c&HCCCCFF)\t(5790,5890,0.5,\1c&H8080FF&)\t(5890,6470,0.5,\1c&HFFFFFF&)} mi{\t(5890,5890,0.5,\1c&H8080FF&)\t(6470,7090,0.5,\1c&HFFFFFF&)}chi{\t(0,1,0.5,\1c&HCCCCFF)\t(6990,7090,0.5,\1c&H8080FF&)\t(7090,8950,0.5,\1c&HFFFFFF&)} o
Dialogue: 0,0:00:47.46,0:00:56.30,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(100,200,0.5,\1c&H8080FF&)\t(200,530,0.5,\1c&HFFFFFF&)}a{\t(200,200,0.5,\1c&H8080FF&)\t(530,760,0.5,\1c&HFFFFFF&)}n{\t(530,530,0.5,\1c&H8080FF&)\t(760,990,0.5,\1c&HFFFFFF&)}de{\t(760,760,0.5,\1c&H8080FF&)\t(990,1420,0.5,\1c&HFFFFFF&)}su{\t(0,1,0.5,\1c&HCCCCFF)\t(1320,1420,0.5,\1c&H8080FF&)\t(1420,2100,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(2000,2100,0.5,\1c&H8080FF&)\t(2100,2570,0.5,\1c&HFFFFFF&)} tsu{\t(2100,2100,0.5,\1c&H8080FF&)\t(2570,3000,0.5,\1c&HFFFFFF&)}zu{\t(2570,2570,0.5,\1c&H8080FF&)\t(3000,3830,0.5,\1c&HFFFFFF&)}ku{\t(0,1,0.5,\1c&HCCCCFF)\t(4280,4380,0.5,\1c&H8080FF&)\t(4380,4960,0.5,\1c&HFFFFFF&)} ko{\t(4380,4380,0.5,\1c&H8080FF&)\t(4960,5890,0.5,\1c&HFFFFFF&)}no{\t(0,1,0.5,\1c&HCCCCFF)\t(5790,5890,0.5,\1c&H8080FF&)\t(5890,6470,0.5,\1c&HFFFFFF&)} mi{\t(5890,5890,0.5,\1c&H8080FF&)\t(6470,7090,0.5,\1c&HFFFFFF&)}chi{\t(0,1,0.5,\1c&HCCCCFF)\t(6990,7090,0.5,\1c&H8080FF&)\t(7090,8950,0.5,\1c&HFFFFFF&)} o
Dialogue: 0,0:00:47.46,0:00:56.30,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp2\pos(314,470)}This road leading to the Andes.
Dialogue: 0,0:00:47.46,0:00:56.30,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp2\pos(314,470)}This road leading to the Andes.
Dialogue: 0,0:00:48.50,0:00:52.21,Marco-JCOTitle,,0,0,0,,{\fad(0,50)\pos(352,33)}Character Design\N& Animation Director
Dialogue: 0,0:00:48.50,0:00:52.21,Marco-JCOName,,0,0,0,,{\fad(0,50)\pos(425,61)}Otabe Youichi
Dialogue: 0,0:00:52.34,0:00:55.85,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(345,76)}Art Director
Dialogue: 0,0:00:52.34,0:00:55.85,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(371,96)}Mukuo Takamura
Dialogue: 0,0:00:57.79,0:01:02.02,Marco-OPR,,0,0,0,,{\fad(0,100)\bord0\shad1\be0\pos(314,385)}saa shuppatsu da ima hi ga noboru
Dialogue: 0,0:00:57.79,0:01:02.02,Marco-OPR,,0,0,0,,{\fad(0,100)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(300,400,0.5,\1c&H8080FF&)\t(400,720,0.5,\1c&HFFFFFF&)}sa{\t(400,400,0.5,\1c&H8080FF&)\t(720,1130,0.5,\1c&HFFFFFF&)}a{\t(0,1,0.5,\1c&HCCCCFF)\t(1030,1130,0.5,\1c&H8080FF&)\t(1130,1350,0.5,\1c&HFFFFFF&)} shu{\t(1130,1130,0.5,\1c&H8080FF&)\t(1350,1460,0.5,\1c&HFFFFFF&)}p{\t(1350,1350,0.5,\1c&H8080FF&)\t(1460,1630,0.5,\1c&HFFFFFF&)}pa{\t(1460,1460,0.5,\1c&H8080FF&)\t(1630,1750,0.5,\1c&HFFFFFF&)}tsu{\t(0,1,0.5,\1c&HCCCCFF)\t(1650,1750,0.5,\1c&H8080FF&)\t(1750,2070,0.5,\1c&HFFFFFF&)} da{\t(0,1,0.5,\1c&HCCCCFF)\t(2320,2420,0.5,\1c&H8080FF&)\t(2420,2730,0.5,\1c&HFFFFFF&)} i{\t(2420,2420,0.5,\1c&H8080FF&)\t(2730,3000,0.5,\1c&HFFFFFF&)}ma{\t(0,1,0.5,\1c&HCCCCFF)\t(3150,3250,0.5,\1c&H8080FF&)\t(3250,3370,0.5,\1c&HFFFFFF&)} hi{\t(0,1,0.5,\1c&HCCCCFF)\t(3350,3370,0.5,\1c&H8080FF&)\t(3370,3440,0.5,\1c&HFFFFFF&)} ga{\t(0,1,0.5,\1c&HCCCCFF)\t(3400,3440,0.5,\1c&H8080FF&)\t(3440,3610,0.5,\1c&HFFFFFF&)} no{\t(3440,3440,0.5,\1c&H8080FF&)\t(3610,3730,0.5,\1c&HFFFFFF&)}bo{\t(3610,3610,0.5,\1c&H8080FF&)\t(3730,4220,0.5,\1c&HFFFFFF&)}ru
Dialogue: 0,0:00:57.79,0:01:02.02,Marco-OPR,,0,0,0,,{\fad(0,100)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(300,400,0.5,\1c&H8080FF&)\t(400,720,0.5,\1c&HFFFFFF&)}sa{\t(400,400,0.5,\1c&H8080FF&)\t(720,1130,0.5,\1c&HFFFFFF&)}a{\t(0,1,0.5,\1c&HCCCCFF)\t(1030,1130,0.5,\1c&H8080FF&)\t(1130,1350,0.5,\1c&HFFFFFF&)} shu{\t(1130,1130,0.5,\1c&H8080FF&)\t(1350,1460,0.5,\1c&HFFFFFF&)}p{\t(1350,1350,0.5,\1c&H8080FF&)\t(1460,1630,0.5,\1c&HFFFFFF&)}pa{\t(1460,1460,0.5,\1c&H8080FF&)\t(1630,1750,0.5,\1c&HFFFFFF&)}tsu{\t(0,1,0.5,\1c&HCCCCFF)\t(1650,1750,0.5,\1c&H8080FF&)\t(1750,2070,0.5,\1c&HFFFFFF&)} da{\t(0,1,0.5,\1c&HCCCCFF)\t(2320,2420,0.5,\1c&H8080FF&)\t(2420,2730,0.5,\1c&HFFFFFF&)} i{\t(2420,2420,0.5,\1c&H8080FF&)\t(2730,3000,0.5,\1c&HFFFFFF&)}ma{\t(0,1,0.5,\1c&HCCCCFF)\t(3150,3250,0.5,\1c&H8080FF&)\t(3250,3370,0.5,\1c&HFFFFFF&)} hi{\t(0,1,0.5,\1c&HCCCCFF)\t(3350,3370,0.5,\1c&H8080FF&)\t(3370,3440,0.5,\1c&HFFFFFF&)} ga{\t(0,1,0.5,\1c&HCCCCFF)\t(3400,3440,0.5,\1c&H8080FF&)\t(3440,3610,0.5,\1c&HFFFFFF&)} no{\t(3440,3440,0.5,\1c&H8080FF&)\t(3610,3730,0.5,\1c&HFFFFFF&)}bo{\t(3610,3610,0.5,\1c&H8080FF&)\t(3730,4220,0.5,\1c&HFFFFFF&)}ru
Dialogue: 0,0:00:57.79,0:01:02.02,Marco-OPE,,0,0,0,,{\fad(0,100)\bord0\shad1\be0\fsp2\pos(314,470)}It's time to go!  The sun is rising n{\fsp0}ow.
Dialogue: 0,0:00:57.79,0:01:02.02,Marco-OPE,,0,0,0,,{\fad(0,100)\bord0\shad0\be1\fsp2\pos(314,470)}It's time to go!  The sun is rising n{\fsp0}ow.
Dialogue: 0,0:01:00.39,0:01:03.43,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(353,122)}Camera Director
Dialogue: 0,0:01:00.39,0:01:03.43,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(380,144)}Kuroki Keishichi
Dialogue: 0,0:01:02.30,0:01:05.48,Marco-OPR,,0,0,0,,{\fad(0,20)\bord0\shad1\be0\pos(314,385)}kibou no hikari ryoute ni tsukami
Dialogue: 0,0:01:02.30,0:01:05.48,Marco-OPR,,0,0,0,,{\fad(0,20)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,200,0.5,\1c&H8080FF&)\t(200,340,0.5,\1c&HFFFFFF&)}ki{\t(200,200,0.5,\1c&H8080FF&)\t(340,480,0.5,\1c&HFFFFFF&)}bo{\t(340,340,0.5,\1c&H8080FF&)\t(480,590,0.5,\1c&HFFFFFF&)}u{\t(0,1,0.5,\1c&HCCCCFF)\t(550,590,0.5,\1c&H8080FF&)\t(590,730,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(680,730,0.5,\1c&H8080FF&)\t(730,870,0.5,\1c&HFFFFFF&)} hi{\t(730,730,0.5,\1c&H8080FF&)\t(870,960,0.5,\1c&HFFFFFF&)}ka{\t(870,870,0.5,\1c&H8080FF&)\t(960,1250,0.5,\1c&HFFFFFF&)}ri{\t(0,1,0.5,\1c&HCCCCFF)\t(1200,1250,0.5,\1c&H8080FF&)\t(1250,1420,0.5,\1c&HFFFFFF&)} ryo{\t(1250,1250,0.5,\1c&H8080FF&)\t(1420,1530,0.5,\1c&HFFFFFF&)}u{\t(1420,1420,0.5,\1c&H8080FF&)\t(1530,1620,0.5,\1c&HFFFFFF&)}te{\t(0,1,0.5,\1c&HCCCCFF)\t(1590,1620,0.5,\1c&H8080FF&)\t(1620,1760,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(1710,1760,0.5,\1c&H8080FF&)\t(1760,1980,0.5,\1c&HFFFFFF&)} tsu{\t(1760,1760,0.5,\1c&H8080FF&)\t(1980,2270,0.5,\1c&HFFFFFF&)}ka{\t(1980,1980,0.5,\1c&H8080FF&)\t(2270,3230,0.5,\1c&HFFFFFF&)}mi
Dialogue: 0,0:01:02.30,0:01:05.48,Marco-OPR,,0,0,0,,{\fad(0,20)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(150,200,0.5,\1c&H8080FF&)\t(200,340,0.5,\1c&HFFFFFF&)}ki{\t(200,200,0.5,\1c&H8080FF&)\t(340,480,0.5,\1c&HFFFFFF&)}bo{\t(340,340,0.5,\1c&H8080FF&)\t(480,590,0.5,\1c&HFFFFFF&)}u{\t(0,1,0.5,\1c&HCCCCFF)\t(550,590,0.5,\1c&H8080FF&)\t(590,730,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(680,730,0.5,\1c&H8080FF&)\t(730,870,0.5,\1c&HFFFFFF&)} hi{\t(730,730,0.5,\1c&H8080FF&)\t(870,960,0.5,\1c&HFFFFFF&)}ka{\t(870,870,0.5,\1c&H8080FF&)\t(960,1250,0.5,\1c&HFFFFFF&)}ri{\t(0,1,0.5,\1c&HCCCCFF)\t(1200,1250,0.5,\1c&H8080FF&)\t(1250,1420,0.5,\1c&HFFFFFF&)} ryo{\t(1250,1250,0.5,\1c&H8080FF&)\t(1420,1530,0.5,\1c&HFFFFFF&)}u{\t(1420,1420,0.5,\1c&H8080FF&)\t(1530,1620,0.5,\1c&HFFFFFF&)}te{\t(0,1,0.5,\1c&HCCCCFF)\t(1590,1620,0.5,\1c&H8080FF&)\t(1620,1760,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(1710,1760,0.5,\1c&H8080FF&)\t(1760,1980,0.5,\1c&HFFFFFF&)} tsu{\t(1760,1760,0.5,\1c&H8080FF&)\t(1980,2270,0.5,\1c&HFFFFFF&)}ka{\t(1980,1980,0.5,\1c&H8080FF&)\t(2270,3230,0.5,\1c&HFFFFFF&)}mi
Dialogue: 0,0:01:02.30,0:01:05.48,Marco-OPE,,0,0,0,,{\fad(0,20)\bord0\shad1\be0\fsp2\pos(314,470)}Grasp the light of hope with both hands.
Dialogue: 0,0:01:02.30,0:01:05.48,Marco-OPE,,0,0,0,,{\fad(0,20)\bord0\shad0\be1\fsp2\pos(314,470)}Grasp the light of hope with both hands.
Dialogue: 0,0:01:03.77,0:01:07.52,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(322,109)}Audio Director
Dialogue: 0,0:01:03.77,0:01:07.52,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(374,130)}Uragami Yasuo
Dialogue: 0,0:01:06.18,0:01:09.56,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}poncho ni yoake no kaze haramasete
Dialogue: 0,0:01:06.18,0:01:09.56,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(200,300,0.5,\1c&H8080FF&)\t(300,390,0.5,\1c&HFFFFFF&)}po{\t(300,300,0.5,\1c&H8080FF&)\t(390,550,0.5,\1c&HFFFFFF&)}n{\t(390,390,0.5,\1c&H8080FF&)\t(550,670,0.5,\1c&HFFFFFF&)}cho{\t(0,1,0.5,\1c&HCCCCFF)\t(620,670,0.5,\1c&H8080FF&)\t(670,810,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(770,810,0.5,\1c&H8080FF&)\t(810,950,0.5,\1c&HFFFFFF&)} yo{\t(810,950,0.5,\1c&H8080FF&)\t(950,1060,0.5,\1c&HFFFFFF&)}a{\t(950,950,0.5,\1c&H8080FF&)\t(1060,1150,0.5,\1c&HFFFFFF&)}ke{\t(0,1,0.5,\1c&HCCCCFF)\t(1120,1150,0.5,\1c&H8080FF&)\t(1150,1290,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(1250,1290,0.5,\1c&H8080FF&)\t(1290,1330,0.5,\1c&HFFFFFF&)} ka{\t(1290,1290,0.5,\1c&H8080FF&)\t(1330,1470,0.5,\1c&HFFFFFF&)}ze{\t(0,1,0.5,\1c&HCCCCFF)\t(1420,1470,0.5,\1c&H8080FF&)\t(1470,1560,0.5,\1c&HFFFFFF&)} ha{\t(1470,1470,0.5,\1c&H8080FF&)\t(1560,1700,0.5,\1c&HFFFFFF&)}ra{\t(1560,1560,0.5,\1c&H8080FF&)\t(1700,1890,0.5,\1c&HFFFFFF&)}ma{\t(1700,1700,0.5,\1c&H8080FF&)\t(1890,2230,0.5,\1c&HFFFFFF&)}se{\t(1890,1890,0.5,\1c&H8080FF&)\t(2230,3290,0.5,\1c&HFFFFFF&)}te
Dialogue: 0,0:01:06.18,0:01:09.56,Marco-OPR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(200,300,0.5,\1c&H8080FF&)\t(300,390,0.5,\1c&HFFFFFF&)}po{\t(300,300,0.5,\1c&H8080FF&)\t(390,550,0.5,\1c&HFFFFFF&)}n{\t(390,390,0.5,\1c&H8080FF&)\t(550,670,0.5,\1c&HFFFFFF&)}cho{\t(0,1,0.5,\1c&HCCCCFF)\t(620,670,0.5,\1c&H8080FF&)\t(670,810,0.5,\1c&HFFFFFF&)} ni{\t(0,1,0.5,\1c&HCCCCFF)\t(770,810,0.5,\1c&H8080FF&)\t(810,950,0.5,\1c&HFFFFFF&)} yo{\t(810,950,0.5,\1c&H8080FF&)\t(950,1060,0.5,\1c&HFFFFFF&)}a{\t(950,950,0.5,\1c&H8080FF&)\t(1060,1150,0.5,\1c&HFFFFFF&)}ke{\t(0,1,0.5,\1c&HCCCCFF)\t(1120,1150,0.5,\1c&H8080FF&)\t(1150,1290,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(1250,1290,0.5,\1c&H8080FF&)\t(1290,1330,0.5,\1c&HFFFFFF&)} ka{\t(1290,1290,0.5,\1c&H8080FF&)\t(1330,1470,0.5,\1c&HFFFFFF&)}ze{\t(0,1,0.5,\1c&HCCCCFF)\t(1420,1470,0.5,\1c&H8080FF&)\t(1470,1560,0.5,\1c&HFFFFFF&)} ha{\t(1470,1470,0.5,\1c&H8080FF&)\t(1560,1700,0.5,\1c&HFFFFFF&)}ra{\t(1560,1560,0.5,\1c&H8080FF&)\t(1700,1890,0.5,\1c&HFFFFFF&)}ma{\t(1700,1700,0.5,\1c&H8080FF&)\t(1890,2230,0.5,\1c&HFFFFFF&)}se{\t(1890,1890,0.5,\1c&H8080FF&)\t(2230,3290,0.5,\1c&HFFFFFF&)}te
Dialogue: 0,0:01:06.18,0:01:09.56,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp2\pos(314,470)}Catch the dawn breeze in your poncho.
Dialogue: 0,0:01:06.18,0:01:09.56,Marco-OPE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp2\pos(314,470)}Catch the dawn breeze in your poncho.
Dialogue: 0,0:01:07.77,0:01:11.54,Marco-JCOTitle,,0,0,0,,{\fad(0,0)\pos(393,213)}Producers
Dialogue: 0,0:01:07.77,0:01:11.54,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(416,233)}Nakajima Junzou
Dialogue: 0,0:01:07.77,0:01:11.54,Marco-JCOName,,0,0,0,,{\fad(0,0)\pos(416,256)}Matsudo Takaji
Dialogue: 0,0:01:10.11,0:01:14.02,Marco-OPR,,0,0,0,,{\fad(0,40)\bord0\shad1\be0\pos(314,385)}kaasan no iru ano sora no shita
Dialogue: 0,0:01:10.11,0:01:14.02,Marco-OPR,,0,0,0,,{\fad(0,40)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(250,300,0.5,\1c&H8080FF&)\t(300,410,0.5,\1c&HFFFFFF&)}ka{\t(300,300,0.5,\1c&H8080FF&)\t(410,520,0.5,\1c&HFFFFFF&)}a{\t(410,410,0.5,\1c&H8080FF&)\t(520,730,0.5,\1c&HFFFFFF&)}sa{\t(520,520,0.5,\1c&H8080FF&)\t(730,1040,0.5,\1c&HFFFFFF&)}n{\t(0,1,0.5,\1c&HCCCCFF)\t(990,1040,0.5,\1c&H8080FF&)\t(1040,1350,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(1300,1350,0.5,\1c&H8080FF&)\t(1350,1560,0.5,\1c&HFFFFFF&)} i{\t(1350,1350,0.5,\1c&H8080FF&)\t(1560,2020,0.5,\1c&HFFFFFF&)}ru{\t(0,1,0.5,\1c&HCCCCFF)\t(2270,2370,0.5,\1c&H8080FF&)\t(2370,2480,0.5,\1c&HFFFFFF&)} a{\t(2370,2370,0.5,\1c&H8080FF&)\t(2480,2590,0.5,\1c&HFFFFFF&)}no{\t(0,1,0.5,\1c&HCCCCFF)\t(2540,2590,0.5,\1c&H8080FF&)\t(2590,2850,0.5,\1c&HFFFFFF&)} so{\t(2590,2590,0.5,\1c&H8080FF&)\t(2850,3060,0.5,\1c&HFFFFFF&)}ra{\t(0,1,0.5,\1c&HCCCCFF)\t(3010,3060,0.5,\1c&H8080FF&)\t(3060,3270,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(3230,3270,0.5,\1c&H8080FF&)\t(3270,3590,0.5,\1c&HFFFFFF&)} shi{\t(3270,3270,0.5,\1c&H8080FF&)\t(3590,3960,0.5,\1c&HFFFFFF&)}ta
Dialogue: 0,0:01:10.11,0:01:14.02,Marco-OPR,,0,0,0,,{\fad(0,40)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(250,300,0.5,\1c&H8080FF&)\t(300,410,0.5,\1c&HFFFFFF&)}ka{\t(300,300,0.5,\1c&H8080FF&)\t(410,520,0.5,\1c&HFFFFFF&)}a{\t(410,410,0.5,\1c&H8080FF&)\t(520,730,0.5,\1c&HFFFFFF&)}sa{\t(520,520,0.5,\1c&H8080FF&)\t(730,1040,0.5,\1c&HFFFFFF&)}n{\t(0,1,0.5,\1c&HCCCCFF)\t(990,1040,0.5,\1c&H8080FF&)\t(1040,1350,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(1300,1350,0.5,\1c&H8080FF&)\t(1350,1560,0.5,\1c&HFFFFFF&)} i{\t(1350,1350,0.5,\1c&H8080FF&)\t(1560,2020,0.5,\1c&HFFFFFF&)}ru{\t(0,1,0.5,\1c&HCCCCFF)\t(2270,2370,0.5,\1c&H8080FF&)\t(2370,2480,0.5,\1c&HFFFFFF&)} a{\t(2370,2370,0.5,\1c&H8080FF&)\t(2480,2590,0.5,\1c&HFFFFFF&)}no{\t(0,1,0.5,\1c&HCCCCFF)\t(2540,2590,0.5,\1c&H8080FF&)\t(2590,2850,0.5,\1c&HFFFFFF&)} so{\t(2590,2590,0.5,\1c&H8080FF&)\t(2850,3060,0.5,\1c&HFFFFFF&)}ra{\t(0,1,0.5,\1c&HCCCCFF)\t(3010,3060,0.5,\1c&H8080FF&)\t(3060,3270,0.5,\1c&HFFFFFF&)} no{\t(0,1,0.5,\1c&HCCCCFF)\t(3230,3270,0.5,\1c&H8080FF&)\t(3270,3590,0.5,\1c&HFFFFFF&)} shi{\t(3270,3270,0.5,\1c&H8080FF&)\t(3590,3960,0.5,\1c&HFFFFFF&)}ta
Dialogue: 0,0:01:10.11,0:01:14.02,Marco-OPE,,0,0,0,,{\fad(0,40)\bord0\shad1\be0\fsp2\pos(314,470)}Under that sky where your mother is
Dialogue: 0,0:01:10.11,0:01:14.02,Marco-OPE,,0,0,0,,{\fad(0,40)\bord0\shad0\be1\fsp2\pos(314,470)}Under that sky where your mother is
Dialogue: 0,0:01:14.28,0:01:21.49,Marco-OPR,,0,0,0,,{\fad(50,140)\bord0\shad1\be0\pos(314,385)}haruka na kita o mezase
Dialogue: 0,0:01:14.28,0:01:21.49,Marco-OPR,,0,0,0,,{\fad(50,140)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(100,150,0.5,\1c&H8080FF&)\t(150,380,0.5,\1c&HFFFFFF&)}ha{\t(150,150,0.5,\1c&H8080FF&)\t(380,1110,0.5,\1c&HFFFFFF&)}ru{\t(380,380,0.5,\1c&H8080FF&)\t(1110,1490,0.5,\1c&HFFFFFF&)}ka{\t(0,1,0.5,\1c&HCCCCFF)\t(1390,1490,0.5,\1c&H8080FF&)\t(1490,1920,0.5,\1c&HFFFFFF&)} na{\t(0,1,0.5,\1c&HCCCCFF)\t(1820,1920,0.5,\1c&H8080FF&)\t(1920,2250,0.5,\1c&HFFFFFF&)} ki{\t(1920,1920,0.5,\1c&H8080FF&)\t(2250,2580,0.5,\1c&HFFFFFF&)}ta{\t(0,1,0.5,\1c&HCCCCFF)\t(2480,2580,0.5,\1c&H8080FF&)\t(2580,3100,0.5,\1c&HFFFFFF&)} o{\t(0,1,0.5,\1c&HCCCCFF)\t(3400,3500,0.5,\1c&H8080FF&)\t(3500,3980,0.5,\1c&HFFFFFF&)} me{\t(3500,3500,0.5,\1c&H8080FF&)\t(3980,4460,0.5,\1c&HFFFFFF&)}za{\t(3980,3980,0.5,\1c&H8080FF&)\t(4460,7000,0.5,\1c&HFFFFFF&)}se
Dialogue: 0,0:01:14.28,0:01:21.49,Marco-OPR,,0,0,0,,{\fad(50,140)\bord0\shad0\be1\pos(314,385)\t(0,1,0.5,\1c&HCCCCFF)\t(100,150,0.5,\1c&H8080FF&)\t(150,380,0.5,\1c&HFFFFFF&)}ha{\t(150,150,0.5,\1c&H8080FF&)\t(380,1110,0.5,\1c&HFFFFFF&)}ru{\t(380,380,0.5,\1c&H8080FF&)\t(1110,1490,0.5,\1c&HFFFFFF&)}ka{\t(0,1,0.5,\1c&HCCCCFF)\t(1390,1490,0.5,\1c&H8080FF&)\t(1490,1920,0.5,\1c&HFFFFFF&)} na{\t(0,1,0.5,\1c&HCCCCFF)\t(1820,1920,0.5,\1c&H8080FF&)\t(1920,2250,0.5,\1c&HFFFFFF&)} ki{\t(1920,1920,0.5,\1c&H8080FF&)\t(2250,2580,0.5,\1c&HFFFFFF&)}ta{\t(0,1,0.5,\1c&HCCCCFF)\t(2480,2580,0.5,\1c&H8080FF&)\t(2580,3100,0.5,\1c&HFFFFFF&)} o{\t(0,1,0.5,\1c&HCCCCFF)\t(3400,3500,0.5,\1c&H8080FF&)\t(3500,3980,0.5,\1c&HFFFFFF&)} me{\t(3500,3500,0.5,\1c&H8080FF&)\t(3980,4460,0.5,\1c&HFFFFFF&)}za{\t(3980,3980,0.5,\1c&H8080FF&)\t(4460,7000,0.5,\1c&HFFFFFF&)}se
Dialogue: 0,0:01:14.28,0:01:21.49,Marco-OPE,,0,0,0,,{\fad(50,140)\bord0\shad1\be0\fsp2\pos(314,470)}Head for the distant north.
Dialogue: 0,0:01:14.28,0:01:21.49,Marco-OPE,,0,0,0,,{\fad(50,140)\bord0\shad0\be1\fsp2\pos(314,470)}Head for the distant north.
Dialogue: 0,0:01:15.70,0:01:19.62,Marco-JCOName,,0,0,0,,{\fad(200,0)\an5\pos(319,147)}Directed by Takahata Isao
Dialogue: 0,0:01:19.97,0:01:24.29,Marco-JCOTitle,,0,0,0,,{\fad(0,900)\an5\pos(321,88)}Planning
Dialogue: 0,0:01:19.97,0:01:24.29,Marco-Present,,0,0,0,,{\fad(0,900)\an5\pos(321,110)}Nippon Animation
Dialogue: 0,0:01:26.83,0:01:30.34,Marco-JCOBroadcast,,0,0,0,,{\fad(0,426)}3000 Leagues in Search of Mother\NEpisode Fourteen\NBroadcast 4-April-1976
Dialogue: 0,0:01:26.83,0:01:30.34,Marco-EpisodeTitle,,0,0,0,,{\pos(320,320)\fad(0,426)}Marco's Decision
Dialogue: 0,0:01:28.26,0:01:33.61,Marco-Default,,0,0,0,,What? You planned to go to Argentina on that immigration ship?
Dialogue: 0,0:01:34.08,0:01:36.25,Marco-Default,,0,0,0,,W-Without telling me?
Dialogue: 0,0:01:37.81,0:01:39.31,Marco-Default,,0,0,0,,And Tonio?
Dialogue: 0,0:01:39.31,0:01:42.00,Marco-Default,,0,0,0,,Did you tell your brother?
Dialogue: 0,0:01:43.89,0:01:48.00,Marco-Default,,0,0,0,,I can't believe you decided on something so important without talking to one of us first.
Dialogue: 0,0:01:48.00,0:01:50.42,Marco-Default,,0,0,0,,I've tried to discuss this with you countless times!
Dialogue: 0,0:01:50.42,0:01:53.25,Marco-Default,,0,0,0,,But you always say no.
Dialogue: 0,0:01:53.74,0:01:56.26,Marco-Default,,0,0,0,,It's already been ten days since Fiolina left Genoa.
Dialogue: 0,0:01:56.26,0:02:01.25,Marco-Default,,0,0,0,,If I had left with them then, I could have\Nreturned home in time for summer break.
Dialogue: 0,0:02:01.25,0:02:02.35,Marco-Default,,0,0,0,,Summer break?
Dialogue: 0,0:02:02.35,0:02:06.89,Marco-Default,,0,0,0,,Would you rather I stay here and play around for a whole month instead of going to save Mother?
Dialogue: 0,0:02:06.89,0:02:07.77,Marco-Default,,0,0,0,,Save her?
Dialogue: 0,0:02:07.77,0:02:12.25,Marco-Default,,0,0,0,,You have important work to do,\Nand Brother has to attend school.
Dialogue: 0,0:02:12.25,0:02:15.44,Marco-Default,,0,0,0,,So it's my responsibility! I'm the only one that can help her now when she's ill!
Dialogue: 0,0:02:16.29,0:02:18.20,Marco-Default,,0,0,0,,You don't know that she's sick.
Dialogue: 0,0:02:18.20,0:02:20.24,Marco-Default,,0,0,0,,She wrote about it in her letter!
Dialogue: 0,0:02:20.24,0:02:22.98,Marco-Default,,0,0,0,,No, she wrote that she just needed a few days of bed rest.
Dialogue: 0,0:02:22.98,0:02:24.98,Marco-Default,,0,0,0,,She said that she'll be on her feet in no time.
Dialogue: 0,0:02:24.98,0:02:26.20,Marco-Default,,0,0,0,,Father!
Dialogue: 0,0:02:26.20,0:02:30.87,Marco-Default,,0,0,0,,No one wants to fall ill. And when they do, they always expect to recover before it gets serious.
Dialogue: 0,0:02:30.87,0:02:36.53,Marco-Default,,0,0,0,,But even if they try to get better, if they're all alone and have no one to take care of them...
Dialogue: 0,0:02:36.53,0:02:38.55,Marco-Default,,0,0,0,,Hold on, Marco.
Dialogue: 0,0:02:38.55,0:02:40.41,Marco-Default,,0,0,0,,Let me go!
Dialogue: 0,0:02:40.41,0:02:42.55,Marco-Default,,0,0,0,,Tell me I can go to Argentina! Please, Father!
Dialogue: 0,0:02:43.45,0:02:44.81,Marco-Default,,0,0,0,,Marco.
Dialogue: 0,0:02:44.81,0:02:47.03,Marco-Default,,0,0,0,,If Mother really is healthy,
Dialogue: 0,0:02:47.03,0:02:49.30,Marco-Default,,0,0,0,,as soon as I confirm that she's doing well, I'll come back.
Dialogue: 0,0:02:49.30,0:02:51.90,Marco-Default,,0,0,0,,OK? Please let me go.
Dialogue: 0,0:02:51.90,0:02:52.58,Marco-Default,,0,0,0,,Absolutely not.
Dialogue: 0,0:02:52.58,0:02:55.31,Marco-Default,,0,0,0,,There's no way that I will allow you to go by yourself.
Dialogue: 0,0:02:55.64,0:02:58.32,Marco-Default,,0,0,0,,Huh? Then if I was with Mr. Peppino?
Dialogue: 0,0:02:58.32,0:02:59.83,Marco-Default,,0,0,0,,No, not even then!
Dialogue: 0,0:02:59.83,0:03:01.31,Marco-Default,,0,0,0,,Either way, I won't allow you to go.
Dialogue: 0,0:03:01.65,0:03:03.82,Marco-Default,,0,0,0,,Then what should we do?
Dialogue: 0,0:03:03.82,0:03:08.85,Marco-Default,,0,0,0,,Like I said, you don't need to worry because I'm here to take care of it.
Dialogue: 0,0:03:08.85,0:03:09.93,Marco-Default,,0,0,0,,No need to worry.
Dialogue: 0,0:03:09.93,0:03:12.42,Marco-Default,,0,0,0,,There's no need to worry about your mother.
Dialogue: 0,0:03:26.94,0:03:29.85,Marco-Default,,0,0,0,,Well then, it's about time for me to go.
Dialogue: 0,0:03:29.85,0:03:32.83,Marco-Default,,0,0,0,,Marco, you should come spend time with me during summer break.
Dialogue: 0,0:03:32.83,0:03:35.80,Marco-Default,,0,0,0,,Stop by the clinic and I'll take you out to lunch.
Dialogue: 0,0:03:38.00,0:03:41.28,Marco-Default,,0,0,0,,Well, if you feel like it, you're welcome to come see me any time.
Dialogue: 0,0:03:41.97,0:03:43.85,Marco-Default,,0,0,0,,I'll see you later.
Dialogue: 0,0:03:44.99,0:03:45.99,Marco-Default,,0,0,0,,Tonio!
Dialogue: 0,0:03:45.99,0:03:47.20,Marco-Default,,0,0,0,,Father!
Dialogue: 0,0:03:47.20,0:03:47.95,Marco-Default,,0,0,0,,Brother?
Dialogue: 0,0:03:49.99,0:03:53.42,Marco-Default,,0,0,0,,It seems that I have good timing,\Nsince you're both here today.
Dialogue: 0,0:03:53.42,0:04:00.69,Marco-Default,,0,0,0,,Gentlemen, I, Tonio Rossi, shall explain my sudden appearance.
Dialogue: 0,0:04:00.69,0:04:06.13,Marco-Default,,0,0,0,,Father, Marco, I got in! I was accepted into the Railroad Academy of Milan!
Dialogue: 0,0:04:06.13,0:04:07.97,Marco-Default,,0,0,0,,Really? Milan?
Dialogue: 0,0:04:07.97,0:04:09.62,Marco-Default,,0,0,0,,I finally did it!
Dialogue: 0,0:04:09.62,0:04:13.25,Marco-Default,,0,0,0,,Only two more years of studying, and I'll be an engineer!
Dialogue: 0,0:04:13.25,0:04:13.75,Marco-Default,,0,0,0,,Brother!
Dialogue: 0,0:04:13.75,0:04:15.19,Marco-Default,,0,0,0,,Tonio!
Dialogue: 0,0:04:15.19,0:04:19.54,Marco-Default,,0,0,0,,When I leave for Milan, I won't be able to visit as often,
Dialogue: 0,0:04:19.54,0:04:21.90,Marco-Default,,0,0,0,,but you'll support my decision, right?
Dialogue: 0,0:04:21.90,0:04:23.44,Marco-Default,,0,0,0,,Of course!
Dialogue: 0,0:04:23.44,0:04:27.40,Marco-Default,,0,0,0,,You've been giving it your best in order to become Italy's most capable engineer!
Dialogue: 0,0:04:28.34,0:04:33.86,Marco-Default,,0,0,0,,Marco, I'm sure we'll be able to bring Mother home after I've become an engineer.
Dialogue: 0,0:04:34.23,0:04:37.25,Marco-Default,,0,0,0,,You'll be lonely, but you just have to endure it for a little longer.
Dialogue: 0,0:04:37.25,0:04:39.00,Marco-Default,,0,0,0,,For my sake.
Dialogue: 0,0:04:40.03,0:04:41.20,Marco-Default,,0,0,0,,Marco.
Dialogue: 0,0:04:41.20,0:04:45.52,Marco-Default,,0,0,0,,You're being silly. Compared to Argentina, Milan is really close by.
Dialogue: 0,0:04:45.52,0:04:49.42,Marco-Default,,0,0,0,,It's so close that I could even come wake you up in the morning when you oversleep.
Dialogue: 0,0:04:49.42,0:04:50.01,Marco-Default,,0,0,0,,You little!
Dialogue: 0,0:04:50.39,0:04:54.73,Marco-Default,,1,1,0,,More importantly, we have to toast to the unfortunate school in Milan that has to put up with you.
Dialogue: 0,0:04:54.73,0:04:57.52,Marco-Default,,0,0,0,,That's right! Let's have a drink!
Dialogue: 0,0:04:57.52,0:05:04.48,Marco-Default,,0,0,0,,To Tonio's acceptance, and to our health and happiness.
Dialogue: 0,0:05:04.48,0:05:06.20,Marco-Default,,0,0,0,,Oh, Father, wait a second.
Dialogue: 0,0:05:08.48,0:05:11.69,Marco-Default,,0,0,0,,Mother... thank you.
Dialogue: 0,0:05:13.04,0:05:15.52,Marco-Default,,0,0,0,,Cheers!
Dialogue: 0,0:05:18.93,0:05:22.11,Marco-Default,,0,0,0,,I wanted to relax today, but unfortunately I don't have time for that.
Dialogue: 0,0:05:22.11,0:05:24.73,Marco-Default,,0,0,0,,I'm leaving for Milan at ten o'clock.
Dialogue: 0,0:05:33.26,0:05:34.35,Marco-Default,,0,0,0,,Marco,
Dialogue: 0,0:05:34.35,0:05:36.81,Marco-Default,,0,0,0,,about Mom being sick...
Dialogue: 0,0:05:36.81,0:05:39.64,Marco-Default,,0,0,0,,I think it's better not to tell Tonio.
Dialogue: 0,0:05:39.64,0:05:41.60,Marco-Default,,0,0,0,,Because you don't want him to worry?
Dialogue: 0,0:05:41.60,0:05:46.86,Marco-Default,,0,0,0,,Exactly, I don't want either of you to worry too much about her.
Dialogue: 0,0:05:47.39,0:05:51.16,Marco-Default,,0,0,0,,Marco, do you know where my good necktie is?
Dialogue: 0,0:05:51.73,0:05:55.28,Marco-Default,,0,0,0,,The good one? You only have one!
Dialogue: 0,0:05:55.28,0:05:57.29,Marco-Default,,0,0,0,,Because you stole them all.
Dialogue: 0,0:05:57.29,0:05:58.50,Marco-Default,,0,0,0,,Liar!
Dialogue: 0,0:06:00.24,0:06:01.17,Marco-Default,,0,0,0,,Here it is.
Dialogue: 0,0:06:01.17,0:06:02.43,Marco-Default,,0,0,0,,Thanks.
Dialogue: 0,0:06:04.91,0:06:07.94,Marco-Default,,0,0,0,,Tonio, about Mother's letter...
Dialogue: 0,0:06:07.94,0:06:10.58,Marco-Default,,0,0,0,,Sorry, Tonio. I lost it by accident.
Dialogue: 0,0:06:11.04,0:06:12.31,Marco-Default,,0,0,0,,Marco...
Dialogue: 0,0:06:12.31,0:06:16.44,Marco-Default,,0,0,0,,Reading it made me happy, so I kept it in my pocket every day.
Dialogue: 0,0:06:16.44,0:06:18.34,Marco-Default,,0,0,0,,I was worried that she might be sick,
Dialogue: 0,0:06:18.34,0:06:21.11,Marco-Default,,0,0,0,,because we hadn't heard from her for so long.
Dialogue: 0,0:06:32.00,0:06:33.00,Marco-Default,,0,0,0,,I see.
Dialogue: 0,0:06:33.00,0:06:34.23,Marco-Default,,0,0,0,,So she's doing well?
Dialogue: 0,0:06:34.23,0:06:38.04,Marco-Default,,0,0,0,,Yep, and she has a better job now.
Dialogue: 0,0:06:38.52,0:06:41.37,Marco-Default,,0,0,0,,Oh really? I'm glad to hear that.
Dialogue: 0,0:06:41.37,0:06:42.78,Marco-Default,,0,0,0,,I can move to Milan now with no worries.
Dialogue: 0,0:06:42.78,0:06:44.53,Marco-Default,,0,0,0,,Take care of yourself, Brother.
Dialogue: 0,0:06:44.53,0:06:47.21,Marco-Default,,0,0,0,,I'll send Mom's next letter to you in Milan.
Dialogue: 0,0:06:47.56,0:06:49.26,Marco-Default,,0,0,0,,Yes, please do.
Dialogue: 0,0:06:49.26,0:06:50.37,Marco-Default,,0,0,0,,OK, it's time for me to head out.
Dialogue: 0,0:06:51.09,0:06:53.64,Marco-Default,,0,0,0,,Tonio, stay strong.
Dialogue: 0,0:06:54.77,0:06:57.05,Marco-Default,,0,0,0,,And you do your best as well, for Mother.
Dialogue: 0,0:06:57.41,0:06:59.34,Marco-Default,,0,0,0,,Of course.
Dialogue: 0,0:07:00.65,0:07:02.51,Marco-Default,,0,0,0,,It's the freight liner, Brother!
Dialogue: 0,0:07:02.51,0:07:03.81,Marco-Default,,0,0,0,,The one from Argentina?
Dialogue: 0,0:07:07.19,0:07:09.76,Marco-Default,,0,0,0,,The Da Vinci has returned!
Dialogue: 0,0:07:09.76,0:07:15.12,Marco-Default,,0,0,0,,If only it had arrived thirty minutes earlier, you could've read her letter as well.
Dialogue: 0,0:07:15.12,0:07:16.84,Marco-Default,,0,0,0,,It's OK, Marco.
Dialogue: 0,0:07:16.84,0:07:23.21,Marco-Default,,0,0,0,,I'm sure she wrote something like, "Tonio, keep moving forward and don't worry about me."
Dialogue: 0,0:07:23.21,0:07:27.20,Marco-Default,,0,0,0,,"I'll always be watching over you."
Dialogue: 0,0:07:30.96,0:07:33.06,Marco-Default,,0,0,0,,That's right, Tonio.
Dialogue: 0,0:07:33.84,0:07:37.05,Marco-Default,,0,0,0,,Marco, hurry up and go see Auntie Gina.
Dialogue: 0,0:07:37.05,0:07:39.03,Marco-Default,,0,0,0,,Right. Are you coming with me, Dad?
Dialogue: 0,0:07:39.03,0:07:40.64,Marco-Default,,0,0,0,,I think I will.
Dialogue: 0,0:07:50.19,0:07:51.78,Marco-Default,,0,0,0,,Don't forget to write to us.
Dialogue: 0,0:07:51.78,0:07:53.85,Marco-Default,,0,0,0,,I will.
Dialogue: 0,0:07:55.85,0:07:57.96,Marco-Default,,0,0,0,,Goodbye, Brother!
Dialogue: 0,0:07:57.96,0:08:00.75,Marco-Default,,0,0,0,,Do your best, Marco!
Dialogue: 0,0:08:01.42,0:08:03.83,Marco-Default,,0,0,0,,You too, Brother!
Dialogue: 0,0:08:12.18,0:08:17.11,Marco-Default,,0,0,0,,Mother! I'm leaving!
Dialogue: 0,0:08:24.61,0:08:27.06,Marco-Default,,0,0,0,,Auntie Gina!
Dialogue: 0,0:08:27.81,0:08:28.76,Marco-Default,,0,0,0,,Marco?
Dialogue: 0,0:08:29.48,0:08:30.65,Marco-Default,,0,0,0,,Good morning, Auntie Gina.
Dialogue: 0,0:08:30.65,0:08:31.98,Marco-Default,,0,0,0,,Good morning, Marco.
Dialogue: 0,0:08:31.98,0:08:34.14,Marco-Default,,0,0,0,,Thank you, as always.
Dialogue: 0,0:08:34.14,0:08:35.44,Marco-Default,,0,0,0,,It's nothing, really.
Dialogue: 0,0:08:35.44,0:08:40.01,Marco-Default,,0,0,0,,Umm. Did a letter from my mother arrive?
Dialogue: 0,0:08:40.01,0:08:41.74,Marco-Default,,0,0,0,,About that, Marco...
Dialogue: 0,0:08:43.25,0:08:44.74,Marco-Default,,0,0,0,,Then...?
Dialogue: 0,0:08:44.74,0:08:47.74,Marco-Default,,0,0,0,,I checked for it right away, but...
Dialogue: 0,0:08:48.22,0:08:50.84,Marco-Default,,0,0,0,,So her letter didn't come in, again?
Dialogue: 0,0:08:51.28,0:08:55.43,Marco-Default,,0,0,0,,"Again"? Last month I gave you the letter she sent.
Dialogue: 0,0:08:55.43,0:08:58.63,Marco-Default,,0,0,0,,But before that we didn't get any for three months in a row.
Dialogue: 0,0:08:58.63,0:09:01.73,Marco-Default,,0,0,0,,And in her last letter, she wrote that she's been sick.
Dialogue: 0,0:09:01.73,0:09:03.81,Marco-Default,,0,0,0,,What? Your mother is sick?
Dialogue: 0,0:09:03.81,0:09:06.80,Marco-Default,,0,0,0,,Not quite, she said that she had to rest in bed for two or three days.
Dialogue: 0,0:09:07.17,0:09:11.50,Marco-Default,,0,0,0,,I told you. I think it's more serious than that.
Dialogue: 0,0:09:11.50,0:09:15.25,Marco-Default,,0,0,0,,And this time she didn't send us a letter, either.
Dialogue: 0,0:09:15.25,0:09:16.57,Marco-Default,,0,0,0,,That's right.
Dialogue: 0,0:09:16.57,0:09:17.23,Marco-Default,,0,0,0,,That must be why.
Dialogue: 0,0:09:18.68,0:09:20.93,Marco-Default,,0,0,0,,Let's not jump to conclusions.
Dialogue: 0,0:09:20.93,0:09:24.96,Marco-Default,,0,0,0,,Anyway, we'll continue this discussion at home.
Dialogue: 0,0:09:25.53,0:09:28.03,Marco-Default,,0,0,0,,Cheer up, Marco.
Dialogue: 0,0:09:28.03,0:09:30.90,Marco-Default,,0,0,0,,Oh, I know! Would you like to come help deliver mail again?
Dialogue: 0,0:09:30.90,0:09:32.40,Marco-Default,,0,0,0,,It's summer break, isn't it?
Dialogue: 0,0:09:32.40,0:09:35.38,Marco-Default,,0,0,0,,Oh, that's a good idea.\NPlease allow him to help you.
Dialogue: 0,0:09:36.27,0:09:37.71,Marco-Default,,0,0,0,,Marco?
Dialogue: 0,0:09:38.27,0:09:40.17,Marco-Default,,0,0,0,,Uh, OK.
Dialogue: 0,0:09:40.17,0:09:43.72,Marco-Default,,0,0,0,,Gina, please accept my apologies for always causing you trouble.
Dialogue: 0,0:09:43.72,0:09:45.84,Marco-Default,,0,0,0,,Not at all, I'm just sorry I can't be of more help.
Dialogue: 0,0:09:45.84,0:09:47.38,Marco-Default,,0,0,0,,Well then, I'll be on my way now.
Dialogue: 0,0:09:47.38,0:09:48.13,Marco-Default,,0,0,0,,OK.
Dialogue: 0,0:09:50.66,0:09:52.94,Marco-Default,,0,0,0,,She really is sick after all.
Dialogue: 0,0:09:52.94,0:09:55.49,Marco-Default,,0,0,0,,We're leaving, Marco.
Dialogue: 0,0:10:12.90,0:10:16.08,Marco-Default,,0,0,0,,Auntie Gina, when does the next liner depart?
Dialogue: 0,0:10:17.09,0:10:18.18,Marco-Default,,0,0,0,,Marco?
Dialogue: 0,0:10:18.18,0:10:20.51,Marco-Default,,0,0,0,,I have 26 lire.
Dialogue: 0,0:10:20.86,0:10:23.75,Marco-Default,,0,0,0,,To cover the rest, I'll work hard on the ship and earn my keep.
Dialogue: 0,0:10:23.75,0:10:27.52,Marco-Default,,0,0,0,,Please ask them to let me ride on the Da Vinci.
Dialogue: 0,0:10:27.52,0:10:29.73,Marco-Default,,0,0,0,,I'm begging you, Auntie Gina.
Dialogue: 0,0:10:31.73,0:10:34.99,Marco-Default,,0,0,0,,I'm the only one who can go take care of her.
Dialogue: 0,0:10:34.99,0:10:37.64,Marco-Default,,0,0,0,,Dad is busy doing important work at the clinic.
Dialogue: 0,0:10:37.64,0:10:40.53,Marco-Default,,0,0,0,,And my brother will be studying in Milan.
Dialogue: 0,0:10:40.53,0:10:42.62,Marco-Default,,0,0,0,,So it's all up to me.
Dialogue: 0,0:10:43.69,0:10:45.07,Marco-Default,,0,0,0,,Are you serious, Marco?
Dialogue: 0,0:10:46.29,0:10:48.79,Marco-Default,,0,0,0,,I've been thinking about it for a long time.
Dialogue: 0,0:10:48.79,0:10:52.36,Marco-Default,,0,0,0,,When Mother left, I was selfish.
Dialogue: 0,0:10:52.93,0:10:55.49,Marco-Default,,0,0,0,,I said things like "Don't go, don't abandon me!"
Dialogue: 0,0:10:55.49,0:10:57.96,Marco-Default,,0,0,0,,I called both of my parents liars.
Dialogue: 0,0:10:57.96,0:10:59.92,Marco-Default,,0,0,0,,I didn't know anything.
Dialogue: 0,0:10:59.92,0:11:01.66,Marco-Default,,0,0,0,,I didn't understand.
Dialogue: 0,0:11:01.66,0:11:02.72,Marco-Default,,0,0,0,,But I'm different now.
Dialogue: 0,0:11:02.72,0:11:05.45,Marco-Default,,0,0,0,,So I want to work for her sake.
Dialogue: 0,0:11:06.22,0:11:10.23,Marco-Default,,0,0,0,,While everyone else is working so hard, I haven't been able to help at all.
Dialogue: 0,0:11:10.23,0:11:11.98,Marco-Default,,0,0,0,,I want to be useful.
Dialogue: 0,0:11:11.98,0:11:15.02,Marco-Default,,0,0,0,,For my father and my brother... and for Mother!
Dialogue: 0,0:11:15.02,0:11:16.85,Marco-Default,,0,0,0,,Marco...
Dialogue: 0,0:11:18.36,0:11:21.68,Marco-Default,,0,0,0,,Your mother must be very proud.
Dialogue: 0,0:11:23.81,0:11:25.24,Marco-Default,,0,0,0,,Take a look at this.
Dialogue: 0,0:11:28.46,0:11:29.58,Marco-Default,,0,0,0,,This is my late husband.
Dialogue: 0,0:11:30.71,0:11:36.51,Marco-Default,,0,0,0,,He was the head navigator on a ship similar to the Michelangelo and the Da Vinci.
Dialogue: 0,0:11:37.34,0:11:43.68,Marco-Default,,0,0,0,,He was only thirty years old when a storm sank the ship he was working on, and he drowned.
Dialogue: 0,0:11:45.08,0:11:46.60,Marco-Default,,0,0,0,,Auntie Gina...
Dialogue: 0,0:11:47.86,0:11:50.86,Marco-Default,,0,0,0,,The sea can be a dangerous place, Marco.
Dialogue: 0,0:11:50.86,0:11:51.52,Marco-Default,,0,0,0,,And...
Dialogue: 0,0:11:51.52,0:11:54.23,Marco-Default,,0,0,0,,You're telling me I shouldn't go, right?
Dialogue: 0,0:11:54.23,0:11:55.27,Marco-Default,,0,0,0,,Just like Dad.
Dialogue: 0,0:11:55.61,0:11:56.94,Marco-Default,,0,0,0,,That's not it.
Dialogue: 0,0:11:56.94,0:11:58.93,Marco-Default,,0,0,0,,It's fine, Auntie Gina.
Dialogue: 0,0:11:58.93,0:12:00.40,Marco-Default,,0,0,0,,Marco, that's not what I meant!
Dialogue: 0,0:12:00.40,0:12:03.29,Marco-Default,,0,0,0,,I know how determined you are.
Dialogue: 0,0:12:11.59,0:12:13.19,Marco-Default,,0,0,0,,Mother!
Dialogue: 0,0:12:13.19,0:12:16.18,Marco-Default,,0,0,0,,Mother! Mother! Mother!
Dialogue: 0,0:12:16.18,0:12:17.42,Marco-Default,,0,0,0,,Mother!
Dialogue: 0,0:12:26.96,0:12:32.23,Marco-Default,,0,0,0,,It's a difficult decision, but I think that under the circumstances, we should accept Mr. Rossi's request.
Dialogue: 0,0:12:33.11,0:12:39.40,Marco-Default,,0,0,0,,I'm telling you! If he leaves the clinic now, we'll have a crisis on our hands.
Dialogue: 0,0:12:39.40,0:12:43.58,Marco-Default,,0,0,0,,We're the ones to blame for that. We've been relying solely on Mr. Rossi this entire time.
Dialogue: 0,0:12:43.58,0:12:49.45,Marco-Default,,0,0,0,,And let's not forget, it was for the sake of this clinic that Anna left to work abroad in the first place.
Dialogue: 0,0:12:49.45,0:12:51.12,Marco-Default,,0,0,0,,Forget?
Dialogue: 0,0:12:51.12,0:12:56.13,Marco-Default,,0,0,0,,Listen! No one has forgotten the\Nsacrifices of the Rossi family.
Dialogue: 0,0:12:56.13,0:12:58.44,Marco-Default,,0,0,0,,Calm down, both of you.
Dialogue: 0,0:12:58.44,0:13:01.95,Marco-Default,,0,0,0,,Dr. Mardi, where do you stand on this?
Dialogue: 0,0:13:05.59,0:13:09.43,Marco-Default,,0,0,0,,Pietro. Is there any way you can wait a month before leaving?
Dialogue: 0,0:13:11.43,0:13:15.04,Marco-Default,,0,0,0,,With a little more time, we can try to get things in order.
Dialogue: 0,0:13:15.04,0:13:17.15,Marco-Default,,0,0,0,,Of course, during that time,\Nwe'll do our best to help.
Dialogue: 0,0:13:17.68,0:13:22.73,Marco-Default,,0,0,0,,For example, we can ask the Italian consulate in Argentina for an urgent investigation into the matter.
Dialogue: 0,0:13:23.25,0:13:25.15,Marco-Default,,0,0,0,,How about it? Just one month.
Dialogue: 0,0:13:27.86,0:13:32.49,Marco-Default,,0,0,0,,I've been asking the same thing of\NMarco for the past few months now.
Dialogue: 0,0:13:53.63,0:13:55.18,Marco-Default,,0,0,0,,Let me guess.
Dialogue: 0,0:13:55.18,0:13:57.34,Marco-Default,,0,0,0,,This monkey is from my country, Brazil, isn't it?
Dialogue: 0,0:14:03.32,0:14:05.76,Marco-Default,,0,0,0,,He's really discerning and obedient.
Dialogue: 0,0:14:05.76,0:14:08.61,Marco-Default,,0,0,0,,What do you think, do I smell like Brazil?
Dialogue: 0,0:14:09.30,0:14:10.87,Marco-Default,,0,0,0,,You came from Brazil?
Dialogue: 0,0:14:11.19,0:14:13.33,Marco-Default,,0,0,0,,Yep, and I'm going back tomorrow.
Dialogue: 0,0:14:13.33,0:14:15.39,Marco-Default,,0,0,0,,Tomorrow? To Brazil?
Dialogue: 0,0:14:16.33,0:14:17.48,Marco-Default,,0,0,0,,My name is Rocky.
Dialogue: 0,0:14:17.48,0:14:18.94,Marco-Default,,0,0,0,,Do you like ships?
Dialogue: 0,0:14:18.94,0:14:20.33,Marco-Default,,0,0,0,,Wanna come play on our ship?
Dialogue: 0,0:14:20.65,0:14:23.34,Marco-Default,,0,0,0,,It's a large clipper ship called the Folgore!
Dialogue: 0,0:14:23.34,0:14:24.87,Marco-Default,,0,0,0,,Yes, please show it to me!
Dialogue: 0,0:14:24.87,0:14:25.70,Marco-Default,,0,0,0,,I'm Marco Rossi.
Dialogue: 0,0:14:38.23,0:14:41.18,Marco-Default,,0,0,0,,The Folgore is a state-of-the-art express merchant ship,
Dialogue: 0,0:14:41.18,0:14:42.83,Marco-Default,,0,0,0,,with a full load displacement of 1200 tons.
Dialogue: 0,0:14:42.83,0:14:44.50,Marco-Default,,0,0,0,,It's a clipper ship made of iron.
Dialogue: 0,0:14:44.50,0:14:45.70,Marco-Default,,0,0,0,,Equipped with a steam engine,
Dialogue: 0,0:14:45.70,0:14:49.38,Marco-Default,,0,0,0,,this vessel can sail at a speed of up to 16 knots.
Dialogue: 0,0:14:49.38,0:14:53.74,Marco-Default,,0,0,0,,Assembled in 1875, right here in Italy.
Dialogue: 0,0:14:56.41,0:15:00.09,Marco-Default,,0,0,0,,Now then, young captain,\Nlet's go to the wheelhouse.
Dialogue: 0,0:15:02.59,0:15:04.38,Marco-Default,,0,0,0,,Right this way, Captain.
Dialogue: 0,0:15:12.75,0:15:13.93,Marco-Default,,0,0,0,,Incredible.
Dialogue: 0,0:15:13.93,0:15:15.69,Marco-Default,,0,0,0,,This is the wheelhouse.
Dialogue: 0,0:15:15.69,0:15:18.14,Marco-Default,,0,0,0,,It's basically the brains of the ship.
Dialogue: 0,0:15:18.14,0:15:21.60,Marco-Default,,0,0,0,,Hard to starboard, on the double!
Dialogue: 0,0:15:21.60,0:15:22.50,Marco-Default,,0,0,0,,That's how it's done.
Dialogue: 0,0:15:22.50,0:15:24.93,Marco-Default,,0,0,0,,Wow, do you always steer it like that?
Dialogue: 0,0:15:28.87,0:15:32.07,Marco-Default,,0,0,0,,I occasionally get to touch this when I'm cleaning, but that's about it.
Dialogue: 0,0:15:32.46,0:15:33.44,Marco-Default,,0,0,0,,Cleaning?
Dialogue: 0,0:15:33.44,0:15:38.20,Marco-Default,,0,0,0,,That's right. It's my job to do things like scrub the deck, paint, and oil the mast pulley.
Dialogue: 0,0:15:40.48,0:15:41.83,Marco-Default,,0,0,0,,Let me show you the engine.
Dialogue: 0,0:15:41.83,0:15:44.94,Marco-Default,,0,0,0,,It was built using the latest technology, and can reach a speed of up to 16 knots.
Dialogue: 0,0:15:45.63,0:15:47.20,Marco-Default,,0,0,0,,Rocky.
Dialogue: 0,0:15:48.82,0:15:51.75,Marco-Default,,0,0,0,,Where have you been hiding?
Dialogue: 0,0:15:51.75,0:15:56.03,Marco-Default,,0,0,0,,The head sailor is all bent out of shape because the boats haven't been covered.
Dialogue: 0,0:15:56.03,0:15:57.39,Marco-Default,,0,0,0,,I hear you, gramps.
Dialogue: 0,0:15:57.39,0:15:58.96,Marco-Default,,0,0,0,,Don't call me gramps!
Dialogue: 0,0:15:58.96,0:16:01.80,Marco-Default,,0,0,0,,Call me Head Chef Leonardo, your superior!
Dialogue: 0,0:16:02.17,0:16:03.90,Marco-Default,,0,0,0,,Go cover the boats now!
Dialogue: 0,0:16:03.90,0:16:08.46,Marco-Default,,0,0,0,,If you don't hurry up, extra luggage will sneak on board again, and then you'll really be in trouble!
Dialogue: 0,0:16:12.09,0:16:15.65,Marco-Default,,0,0,0,,Don't worry, gramps, he's not one of them!
Dialogue: 0,0:16:16.37,0:16:18.16,Marco-Default,,0,0,0,,Don't call me gramps.
Dialogue: 0,0:16:21.19,0:16:22.85,Marco-Default,,0,0,0,,What a drag.
Dialogue: 0,0:16:22.85,0:16:25.92,Marco-Default,,0,0,0,,Give me a few minutes. I need to take care of this.
Dialogue: 0,0:16:31.88,0:16:34.32,Marco-Default,,0,0,0,,What did he mean by sneaking luggage?
Dialogue: 0,0:16:34.32,0:16:35.68,Marco-Default,,0,0,0,,Stowaways.
Dialogue: 0,0:16:35.68,0:16:37.10,Marco-Default,,0,0,0,,Stowaways?
Dialogue: 0,0:16:37.10,0:16:42.64,Marco-Default,,0,0,0,,If I forget to put this up, people might try to hide under the covers.
Dialogue: 0,0:16:42.64,0:16:48.34,Marco-Default,,0,0,0,,But even with this cover on, it won't stop them from sneaking in if they're determined.
Dialogue: 0,0:16:49.54,0:16:53.27,Marco-Default,,0,0,0,,Actually, I snuck onto a ship myself, eight years ago.
Dialogue: 0,0:16:53.93,0:16:56.07,Marco-Default,,0,0,0,,It was in New Orleans in North America.
Dialogue: 0,0:16:56.07,0:16:57.03,Marco-Default,,0,0,0,,I was thirteen years old at the time.
Dialogue: 0,0:16:57.83,0:17:00.02,Marco-Default,,0,0,0,,When does this ship leave tomorrow?
Dialogue: 0,0:17:00.02,0:17:01.74,Marco-Default,,0,0,0,,Ten o'clock in the morning.
Dialogue: 0,0:17:02.37,0:17:07.86,Marco-Default,,0,0,0,,The whole crew is out partying until midnight, while I'm stuck here on detention.
Dialogue: 0,0:17:08.52,0:17:11.00,Marco-Default,,0,0,0,,Ten a.m. tomorrow.
Dialogue: 0,0:17:22.73,0:17:25.63,Marco-Default,,0,0,0,,Don't worry, Father.
Dialogue: 0,0:17:41.58,0:17:44.58,Marco-Default,,0,0,0,,Mother, I'll be with you soon.
Dialogue: 0,0:17:54.12,0:17:55.25,Marco-Default,,0,0,0,,Amedio.
Dialogue: 0,0:17:57.67,0:18:01.05,Marco-Default,,0,0,0,,Amedio, listen to what Father says.
Dialogue: 0,0:18:01.05,0:18:03.05,Marco-Default,,0,0,0,,Wait for me patiently.
Dialogue: 0,0:18:17.82,0:18:19.40,Marco-Default,,0,0,0,,Listen, Amedio.
Dialogue: 0,0:18:19.40,0:18:22.08,Marco-Default,,0,0,0,,I want to take you with me, but this time I can't.
Dialogue: 0,0:18:27.40,0:18:29.04,Marco-Default,,0,0,0,,I know.
Dialogue: 0,0:18:29.54,0:18:31.71,Marco-Default,,0,0,0,,But I really can't.
Dialogue: 0,0:18:31.71,0:18:35.01,Marco-Default,,0,0,0,,If you make a sound, they'll find us right away.
Dialogue: 0,0:18:35.67,0:18:39.89,Marco-Default,,0,0,0,,But guess what, Argentina is right next to Brazil, your homeland.
Dialogue: 0,0:19:15.59,0:19:16.98,Marco-Default,,0,0,0,,Amedio.
Dialogue: 0,0:19:27.07,0:19:29.46,Marco-Default,,0,0,0,,All right. It's better this way.
Dialogue: 0,0:19:33.64,0:19:35.72,Marco-Default,,0,0,0,,Goodbye, Amedio.
Dialogue: 0,0:20:14.57,0:20:17.73,Marco-Default,,0,0,0,,I have to find a hiding place until it gets dark.
Dialogue: 0,0:20:54.44,0:20:55.49,Marco-Default,,0,0,0,,I'm home.
Dialogue: 0,0:20:55.49,0:20:56.77,Marco-Default,,0,0,0,,I finished early today.
Dialogue: 0,0:20:56.77,0:20:58.66,Marco-Default,,0,0,0,,I have good news, Marco.
Dialogue: 0,0:20:58.66,0:21:05.05,Marco-Default,,0,0,0,,If we don't receive another letter from her within a month, I may be able to go see her myself.
Dialogue: 0,0:21:06.68,0:21:08.12,Marco-Default,,0,0,0,,And look.
Dialogue: 0,0:21:08.12,0:21:13.78,Marco-Default,,0,0,0,,The guys at the clinic felt bad about making your worry, so they gave us some food.
Dialogue: 0,0:21:13.78,0:21:15.11,Marco-Default,,0,0,0,,Marco?
Dialogue: 0,0:21:16.16,0:21:17.75,Marco-Default,,0,0,0,,Marco!
Dialogue: 0,0:22:44.30,0:22:49.01,Marco-Default,,0,0,0,,I wonder if he's still helping Gina.
Dialogue: 0,0:22:50.25,0:22:52.97,Marco-Default,,0,0,0,,Even so, it's getting late.
Dialogue: 0,0:22:53.40,0:22:55.15,Marco-Default,,0,0,0,,Rain?
Dialogue: 0,0:23:59.37,0:24:06.33,Marco-Narrator,,0,0,0,,After an uneasy night, Marco was found by Folgore's head cook, Leonardo.
Dialogue: 0,0:24:06.33,0:24:09.94,Marco-Narrator,,0,0,0,,He didn't want to risk the\Nchance of being dropped off.
Dialogue: 0,0:24:09.94,0:24:15.08,Marco-Narrator,,0,0,0,,He told them about wanting to visit his mother, and about having money with him,
Dialogue: 0,0:24:15.08,0:24:18.40,Marco-Narrator,,0,0,0,,and desperately begged them to let him stay.
Dialogue: 0,0:24:18.40,0:24:24.24,Marco-Narrator,,0,0,0,,Leonardo was eventually moved\Nby Marco's enthusiasm.
Dialogue: 0,0:24:24.24,0:24:28.57,Marco-Narrator,,0,0,0,,Next time on 3000 Leagues in\NSearch of Mother, "Sail on, Folgore."
Dialogue: 0,0:24:28.57,0:24:30.86,Marco-Narrator,,0,0,0,,Look forward to it.
Dialogue: 0,0:24:37.35,0:24:40.45,Marco-EDR,,0,0,0,,{\fad(0,100)\pos(314,385)\be0}kaasan ohayou
Dialogue: 0,0:24:37.35,0:24:40.45,Marco-EDE,,0,0,0,,{\fad(0,100)\pos(314,470)\bord0\shad1\be0\fsp1\pos(314,470)}Good Morning, Mother
Dialogue: 0,0:24:41.08,0:24:44.17,Marco-EDR,,0,0,0,,{\fad(0,30)\bord0\shad1\pos(314,385)}asa, boku o
Dialogue: 0,0:24:41.08,0:24:44.17,Marco-EDR,,0,0,0,,{\fad(0,30)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(280,380,\1c&H0000FF&)\t(380,480,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(480,960,\1c&H0000FF&)\t(960,1450,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)}, {\t(0,1,\1c&HFFFFFF&)\t(1450,1810,\1c&H0000FF&)\t(1810,2170,\1c&HFFFFFF&)}bo{\t(0,1,\1c&HFFFFFF&)\t(2170,2310,\1c&H0000FF&)\t(2310,2540,\1c&HFFFFFF&)}ku {\t(0,1,\1c&HFFFFFF&)\t(2540,2840,\1c&H0000FF&)\t(2840,3140,\1c&HFFFFFF&)}o
Dialogue: 0,0:24:41.08,0:24:48.59,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}This morning I was awoken by Mr. Sun.
Dialogue: 0,0:24:41.08,0:24:48.59,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}This morning I was awoken by Mr. Sun.
Dialogue: 0,0:24:45.09,0:24:48.59,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}okoshita ohisama ga
Dialogue: 0,0:24:45.09,0:24:48.59,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(0,190,\1c&H0000FF&)\t(190,390,\1c&HFFFFFF&)}o{\t(0,1,\1c&HFFFFFF&)\t(390,680,\1c&H0000FF&)\t(680,970,\1c&HFFFFFF&)}ko{\t(0,1,\1c&HFFFFFF&)\t(970,1180,\1c&H0000FF&)\t(1180,1390,\1c&HFFFFFF&)}shi{\t(0,1,\1c&HFFFFFF&)\t(1390,1550,\1c&H0000FF&)\t(1550,1720,\1c&HFFFFFF&)}ta{\t(0,1,\1c&HFFFFFF&)\t(1720,1860,\1c&H0000FF&)\t(1860,2010,\1c&HFFFFFF&)} o{\t(0,1,\1c&HFFFFFF&)\t(2010,2220,\1c&H0000FF&)\t(2220,2390,\1c&HFFFFFF&)}hi{\t(0,1,\1c&HFFFFFF&)\t(2390,2650,\1c&H0000FF&)\t(2650,2920,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)\t(2920,3110,\1c&H0000FF&)\t(3110,3330,\1c&HFFFFFF&)}ma{\t(0,1,\1c&HFFFFFF&)\t(3330,3450,\1c&H0000FF&)\t(3450,3570,\1c&HFFFFFF&)} ga
Dialogue: 0,0:24:48.86,0:24:52.08,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}hora, mou maue
Dialogue: 0,0:24:48.86,0:24:52.08,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(200,340,\1c&H0000FF&)\t(340,490,\1c&HFFFFFF&)}ho{\t(0,1,\1c&HFFFFFF&)\t(490,770,\1c&H0000FF&)\t(770,1060,\1c&HFFFFFF&)}ra{\t(0,1,\1c&HFFFFFF&)},{\t(0,1,\1c&HFFFFFF&)\t(1060,1250,\1c&H0000FF&)\t(1250,1450,\1c&HFFFFFF&)} mo{\t(0,1,\1c&HFFFFFF&)\t(1450,1730,\1c&H0000FF&)\t(1730,2010,\1c&HFFFFFF&)}u{\t(0,1,\1c&HFFFFFF&)\t(2010,2130,\1c&H0000FF&)\t(2130,2250,\1c&HFFFFFF&)} ma{\t(0,1,\1c&HFFFFFF&)\t(2250,2350,\1c&H0000FF&)\t(2350,2460,\1c&HFFFFFF&)}u{\t(0,1,\1c&HFFFFFF&)\t(2460,2850,\1c&H0000FF&)\t(2850,3250,\1c&HFFFFFF&)}e
Dialogue: 0,0:24:48.86,0:24:52.08,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}Look, he's already overhead.
Dialogue: 0,0:24:48.86,0:24:52.08,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}Look, he's already overhead.
Dialogue: 0,0:24:52.78,0:24:56.33,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}ima kaasan o
Dialogue: 0,0:24:52.78,0:24:56.33,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(0,170,\1c&H0000FF&)\t(170,350,\1c&HFFFFFF&)}i{\t(0,1,\1c&HFFFFFF&)\t(350,680,\1c&H0000FF&)\t(660,970,\1c&HFFFFFF&)}ma{\t(0,1,\1c&HFFFFFF&)\t(970,1180,\1c&H0000FF&)\t(1180,1390,\1c&HFFFFFF&)} ka{\t(0,1,\1c&HFFFFFF&)\t(1390,1660,\1c&H0000FF&)\t(1660,1940,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(1940,2170,\1c&H0000FF&)\t(2170,2410,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)\t(2410,2780,\1c&H0000FF&)\t(2780,3160,\1c&HFFFFFF&)}n{\t(0,1,\1c&HFFFFFF&)\t(3160,3370,\1c&H0000FF&)\t(3370,3590,\1c&HFFFFFF&)} o
Dialogue: 0,0:24:52.78,0:24:59.78,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}Now he's waking up my mother.
Dialogue: 0,0:24:52.78,0:24:59.78,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}Now he's waking up my mother.
Dialogue: 0,0:24:56.57,0:24:59.78,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(311,385)}okoshiteru n da
Dialogue: 0,0:24:56.57,0:24:59.78,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(311,385)\t(0,1,\1c&HFFFFFF&)\t(100,250,\1c&H0000FF&)\t(250,400,\1c&HFFFFFF&)}o{\t(0,1,\1c&HFFFFFF&)\t(400,710,\1c&H0000FF&)\t(710,1020,\1c&HFFFFFF&)}ko{\t(0,1,\1c&HFFFFFF&)\t(1020,1220,\1c&H0000FF&)\t(1220,1420,\1c&HFFFFFF&)}shi{\t(0,1,\1c&HFFFFFF&)\t(1420,1700,\1c&H0000FF&)\t(1700,1990,\1c&HFFFFFF&)}te{\t(0,1,\1c&HFFFFFF&)\t(1990,2120,\1c&H0000FF&)\t(2120,2260,\1c&HFFFFFF&)}ru{\t(0,1,\1c&HFFFFFF&)\t(2260,2330,\1c&H0000FF&)\t(2330,2410,\1c&HFFFFFF&)} n{\t(0,1,\1c&HFFFFFF&)\t(2410,2860,\1c&H0000FF&)\t(2860,3310,\1c&HFFFFFF&)} da
Dialogue: 0,0:25:00.27,0:25:03.90,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(313,385)}haruka na kuni no
Dialogue: 0,0:25:00.27,0:25:03.90,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(313,385)\t(0,1,\1c&HFFFFFF&)\t(200,370,\1c&H0000FF&)\t(370,550,\1c&HFFFFFF&)}ha{\t(0,1,\1c&HFFFFFF&)\t(550,820,\1c&H0000FF&)\t(820,1110,\1c&HFFFFFF&)}ru{\t(0,1,\1c&HFFFFFF&)\t(1110,1300,\1c&H0000FF&)\t(1300,1500,\1c&HFFFFFF&)}ka{\t(0,1,\1c&HFFFFFF&)\t(1500,1800,\1c&H0000FF&)\t(1800,2100,\1c&HFFFFFF&)} na{\t(0,1,\1c&HFFFFFF&)\t(2100,2270,\1c&H0000FF&)\t(2270,2450,\1c&HFFFFFF&)} ku{\t(0,1,\1c&HFFFFFF&)\t(2450,2920,\1c&H0000FF&)\t(2920,3400,\1c&HFFFFFF&)}ni{\t(0,1,\1c&HFFFFFF&)\t(3400,3540,\1c&H0000FF&)\t(3540,3690,\1c&HFFFFFF&)} no
Dialogue: 0,0:25:00.27,0:25:07.62,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}In her faraway country, he's rising in the sky.
Dialogue: 0,0:25:00.27,0:25:07.62,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}In her faraway country, he's rising in the sky.
Dialogue: 0,0:25:04.16,0:25:07.62,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}sora ni nobotte
Dialogue: 0,0:25:04.16,0:25:07.62,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(150,320,\1c&H0000FF&)\t(320,510,\1c&HFFFFFF&)}so{\t(0,1,\1c&HFFFFFF&)\t(510,810,\1c&H0000FF&)\t(810,1120,\1c&HFFFFFF&)}ra{\t(0,1,\1c&HFFFFFF&)\t(1120,1300,\1c&H0000FF&)\t(1300,1480,\1c&HFFFFFF&)} ni{\t(0,1,\1c&HFFFFFF&)\t(1480,1660,\1c&H0000FF&)\t(1660,1840,\1c&HFFFFFF&)} no{\t(0,1,\1c&HFFFFFF&)\t(1840,1990,\1c&H0000FF&)\t(1990,2150,\1c&HFFFFFF&)}bo{\t(0,1,\1c&HFFFFFF&)\t(2150,2280,\1c&H0000FF&)\t(2280,2420,\1c&HFFFFFF&)}t{\t(0,1,\1c&HFFFFFF&)\t(2420,2970,\1c&H0000FF&)\t(2970,3520,\1c&HFFFFFF&)}te
Dialogue: 0,0:25:08.29,0:25:11.63,Marco-EDR,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\pos(314,385)}kaasan ohayou
Dialogue: 0,0:25:08.29,0:25:11.63,Marco-EDR,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(250,590,\1c&H0000FF&)\t(590,940,\1c&HFFFFFF&)}ka{\t(0,1,\1c&HFFFFFF&)\t(940,1070,\1c&H0000FF&)\t(1070,1200,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(1200,1370,\1c&H0000FF&)\t(1370,1540,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)\t(1540,1670,\1c&H0000FF&)\t(1670,1800,\1c&HFFFFFF&)}n{\t(0,1,\1c&HFFFFFF&)\t(2100,2280,\1c&H0000FF&)\t(2280,2460,\1c&HFFFFFF&)} o{\t(0,1,\1c&HFFFFFF&)\t(2460,2600,\1c&H0000FF&)\t(2600,2750,\1c&HFFFFFF&)}ha{\t(0,1,\1c&HFFFFFF&)\t(2750,2890,\1c&H0000FF&)\t(2890,3040,\1c&HFFFFFF&)}yo{\t(0,1,\1c&HFFFFFF&)\t(3040,3220,\1c&H0000FF&)\t(3220,3410,\1c&HFFFFFF&)}u
Dialogue: 0,0:25:08.29,0:25:11.63,Marco-EDE,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\fsp1\pos(314,470)}Good Morning, Mother
Dialogue: 0,0:25:08.29,0:25:11.63,Marco-EDE,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\fsp1\pos(314,470)}Good Morning, Mother
Dialogue: 0,0:25:11.86,0:25:15.53,Marco-EDR,,0,0,0,,{\fad(30,60)\bord0\shad1\be0\pos(314,385)}bonjoruno miamaadore
Dialogue: 0,0:25:11.86,0:25:15.53,Marco-EDR,,0,0,0,,{\fad(30,60)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(100,190,\1c&H0000FF&)\t(190,290,\1c&HFFFFFF&)}bo{\t(0,1,\1c&HFFFFFF&)\t(290,370,\1c&H0000FF&)\t(370,450,\1c&HFFFFFF&)}n{\t(0,1,\1c&HFFFFFF&)\t(450,540,\1c&H0000FF&)\t(540,640,\1c&HFFFFFF&)}jo{\t(0,1,\1c&HFFFFFF&)\t(640,710,\1c&H0000FF&)\t(710,780,\1c&HFFFFFF&)}ru{\t(0,1,\1c&HFFFFFF&)\t(780,920,\1c&H0000FF&)\t(920,1070,\1c&HFFFFFF&)}no{\t(0,1,\1c&HFFFFFF&)\t(1070,1140,\1c&H0000FF&)\t(1140,1210,\1c&HFFFFFF&)} mi{\t(0,1,\1c&HFFFFFF&)\t(1210,1310,\1c&H0000FF&)\t(1310,1420,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(1420,1850,\1c&H0000FF&)\t(1850,2290,\1c&HFFFFFF&)}maa{\t(0,1,\1c&HFFFFFF&)\t(2290,2410,\1c&H0000FF&)\t(2410,2530,\1c&HFFFFFF&)}do{\t(0,1,\1c&HFFFFFF&)\t(2530,3100,\1c&H0000FF&)\t(3100,3670,\1c&HFFFFFF&)}re
Dialogue: 0,0:25:11.86,0:25:15.53,Marco-EDE,,0,0,0,,{\fad(30,60)\bord0\shad1\be0\fsp1\pos(314,470)}Buon giorno, mia madre.
Dialogue: 0,0:25:11.86,0:25:15.53,Marco-EDE,,0,0,0,,{\fad(30,60)\bord0\shad0\be1\fsp1\pos(314,470)}Buon giorno, mia madre.
Dialogue: 0,0:25:15.76,0:25:18.94,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}aitai na
Dialogue: 0,0:25:15.76,0:25:18.94,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(200,370,\1c&H0000FF&)\t(370,540,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(540,980,\1c&H0000FF&)\t(980,1430,\1c&HFFFFFF&)}i{\t(0,1,\1c&HFFFFFF&)\t(1430,1740,\1c&H0000FF&)\t(1740,2060,\1c&HFFFFFF&)}ta{\t(0,1,\1c&HFFFFFF&)\t(2060,2230,\1c&H0000FF&)\t(2230,2400,\1c&HFFFFFF&)}i{\t(0,1,\1c&HFFFFFF&)\t(2400,2840,\1c&H0000FF&)\t(2840,3240,\1c&HFFFFFF&)} na
Dialogue: 0,0:25:15.76,0:25:18.94,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}I miss you...
Dialogue: 0,0:25:15.76,0:25:18.94,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}I miss you...
Dialogue: 0,0:25:19.55,0:25:23.19,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}daisuki na kaasan
Dialogue: 0,0:25:19.55,0:25:23.19,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(200,640,\1c&H0000FF&)\t(640,1080,\1c&HFFFFFF&)}da{\t(0,1,\1c&HFFFFFF&)\t(1080,1260,\1c&H0000FF&)\t(1260,1450,\1c&HFFFFFF&)}i{\t(0,1,\1c&HFFFFFF&)\t(1450,1590,\1c&H0000FF&)\t(1590,1730,\1c&HFFFFFF&)}su{\t(0,1,\1c&HFFFFFF&)\t(1730,1920,\1c&H0000FF&)\t(1920,2110,\1c&HFFFFFF&)}ki{\t(0,1,\1c&HFFFFFF&)\t(2110,2250,\1c&H0000FF&)\t(2250,2390,\1c&HFFFFFF&)} na{\t(0,1,\1c&HFFFFFF&)\t(2390,2700,\1c&H0000FF&)\t(2700,3020,\1c&HFFFFFF&)} ka{\t(0,1,\1c&HFFFFFF&)\t(3020,3180,\1c&H0000FF&)\t(3180,3340,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(3340,3430,\1c&H0000FF&)\t(3430,3520,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)\t(3520,3610,\1c&H0000FF&)\t(3610,3700,\1c&HFFFFFF&)}n
Dialogue: 0,0:25:19.55,0:25:23.19,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}Mother whom I love dearly.
Dialogue: 0,0:25:19.55,0:25:23.19,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}Mother whom I love dearly.
Dialogue: 0,0:25:23.42,0:25:26.99,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}ano, kumo ni nori
Dialogue: 0,0:25:23.42,0:25:26.99,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(150,300,\1c&H0000FF&)\t(300,460,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(460,770,\1c&H0000FF&)\t(770,1090,\1c&HFFFFFF&)}no{\t(0,1,\1c&HFFFFFF&)},{\t(1090,1230,\1c&H0000FF&)\t(1230,1380,\1c&HFFFFFF&)} ku{\t(0,1,\1c&HFFFFFF&)\t(1380,1550,\1c&H0000FF&)\t(1550,1720,\1c&HFFFFFF&)}mo{\t(0,1,\1c&HFFFFFF&)\t(1720,1860,\1c&H0000FF&)\t(1860,2010,\1c&HFFFFFF&)} ni{\t(0,1,\1c&HFFFFFF&)\t(2010,2220,\1c&H0000FF&)\t(2220,2400,\1c&HFFFFFF&)} no{\t(0,1,\1c&HFFFFFF&)\t(2400,3010,\1c&H0000FF&)\t(3010,3630,\1c&HFFFFFF&)}ri
Dialogue: 0,0:25:23.42,0:25:26.99,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\fsp1\pos(314,470)}I know, I'll ride on a cloud.
Dialogue: 0,0:25:23.42,0:25:26.99,Marco-EDE,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\fsp1\pos(314,470)}I know, I'll ride on a cloud.
Dialogue: 0,0:25:27.27,0:25:30.84,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad1\be0\pos(314,385)}oozora nanka
Dialogue: 0,0:25:27.27,0:25:30.84,Marco-EDR,,0,0,0,,{\fad(0,0)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(100,260,\1c&H0000FF&)\t(260,430,\1c&HFFFFFF&)}o{\t(0,1,\1c&HFFFFFF&)\t(430,770,\1c&H0000FF&)\t(770,1110,\1c&HFFFFFF&)}o{\t(0,1,\1c&HFFFFFF&)\t(1110,1250,\1c&H0000FF&)\t(1250,1400,\1c&HFFFFFF&)}zo{\t(0,1,\1c&HFFFFFF&)\t(1400,1690,\1c&H0000FF&)\t(1690,1990,\1c&HFFFFFF&)}ra{\t(0,1,\1c&HFFFFFF&)\t(1990,2180,\1c&H0000FF&)\t(2180,2380,\1c&HFFFFFF&)} na{\t(0,1,\1c&HFFFFFF&)\t(2380,2790,\1c&H0000FF&)\t(2790,3210,\1c&HFFFFFF&)}n{\t(0,1,\1c&HFFFFFF&)\t(3210,3420,\1c&H0000FF&)\t(3420,3640,\1c&HFFFFFF&)}ka
Dialogue: 0,0:25:27.27,0:25:34.67,Marco-EDE,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\fsp1\pos(314,470)}I'll cross the heavens in a single bound.
Dialogue: 0,0:25:27.27,0:25:34.67,Marco-EDE,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\fsp1\pos(314,470)}I'll cross the heavens in a single bound.
Dialogue: 0,0:25:28.25,0:25:35.26,FansubCredits,,0,0,0,,{\fad(0,0)\pos(615,26)\pos(712,70)\fs20}A Live-eviL Fansub
Dialogue: 0,0:25:28.25,0:25:35.26,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,55)}Translation:  {\fnCassia\fs20}Meiko
Dialogue: 0,0:25:28.25,0:25:35.26,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,75)}Check:  {\fnCassia\fs20}Tofusensei
Dialogue: 0,0:25:28.25,0:25:35.26,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,95)}Timing:  {\fnCassia\fs20}EmptySoul
Dialogue: 0,0:25:28.25,0:25:35.26,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,115)}Editing:  {\fnCassia\fs20}KyleD
Dialogue: 0,0:25:28.25,0:25:35.26,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,137)}Typesetting & Karaoke:\N{\fnCassia\fs20}Tofusensei & Teppei
Dialogue: 0,0:25:28.25,0:25:35.26,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,175)}Encoding:  {\fnCassia\fs20}Eternal_Blizzard
Dialogue: 0,0:25:28.25,0:25:35.26,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,195)}QC:  {\fnCassia\fs20}Live-eviL QC
Dialogue: 0,0:25:28.25,0:25:35.26,FansubCredits,,0,0,0,,{\a7\fad(0,0)\pos(615,218)}Visit us on the web at\Nwww.live-evil.org
Dialogue: 0,0:25:31.11,0:25:34.67,Marco-EDR,,0,0,0,,{\fad(0,50)\bord0\shad1\be0\pos(314,385)}hitomatagi
Dialogue: 0,0:25:31.11,0:25:34.67,Marco-EDR,,0,0,0,,{\fad(0,50)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(150,310,\1c&H0000FF&)\t(310,470,\1c&HFFFFFF&)}hi{\t(0,1,\1c&HFFFFFF&)\t(470,930,\1c&H0000FF&)\t(930,1390,\1c&HFFFFFF&)}to{\t(0,1,\1c&HFFFFFF&)\t(1390,1700,\1c&H0000FF&)\t(1700,2010,\1c&HFFFFFF&)}ma{\t(0,1,\1c&HFFFFFF&)\t(2010,2190,\1c&H0000FF&)\t(2190,2380,\1c&HFFFFFF&)}ta{\t(0,1,\1c&HFFFFFF&)\t(2380,2990,\1c&H0000FF&)\t(2990,3600,\1c&HFFFFFF&)}gi
Dialogue: 0,0:25:34.89,0:25:38.60,Marco-EDR,,0,0,0,,{\fad(0,100)\bord0\shad1\be0\pos(314,385)}tobikomitai n da
Dialogue: 0,0:25:34.89,0:25:38.60,Marco-EDR,,0,0,0,,{\fad(0,100)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(150,290,\1c&H0000FF&)\t(290,430,\1c&HFFFFFF&)}to{\t(0,1,\1c&HFFFFFF&)\t(430,740,\1c&H0000FF&)\t(740,1060,\1c&HFFFFFF&)}bi{\t(0,1,\1c&HFFFFFF&)\t(1060,1220,\1c&H0000FF&)\t(1220,1390,\1c&HFFFFFF&)}ko{\t(0,1,\1c&HFFFFFF&)\t(1390,1680,\1c&H0000FF&)\t(1680,1970,\1c&HFFFFFF&)}mi{\t(0,1,\1c&HFFFFFF&)\t(1970,2180,\1c&H0000FF&)\t(2180,2400,\1c&HFFFFFF&)}ta{\t(0,1,\1c&HFFFFFF&)\t(2400,2700,\1c&H0000FF&)\t(2700,3000,\1c&HFFFFFF&)}i{\t(0,1,\1c&HFFFFFF&)\t(3000,3170,\1c&H0000FF&)\t(3170,3350,\1c&HFFFFFF&)} n{\t(0,1,\1c&HFFFFFF&)\t(3350,3520,\1c&H0000FF&)\t(3520,3700,\1c&HFFFFFF&)} da
Dialogue: 0,0:25:34.89,0:25:38.60,Marco-EDE,,0,0,0,,{\fad(0,100)\bord0\shad1\be0\fsp1\pos(314,470)}Because I want to plunge
Dialogue: 0,0:25:34.89,0:25:38.60,Marco-EDE,,0,0,0,,{\fad(0,100)\bord0\shad0\be1\fsp1\pos(314,470)}Because I want to plunge
Dialogue: 0,0:25:38.74,0:25:43.01,Marco-EDR,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\pos(314,385)}kaasan no mune ni
Dialogue: 0,0:25:38.74,0:25:43.01,Marco-EDR,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\pos(314,385)\t(0,1,\1c&HFFFFFF&)\t(150,200,\1c&H0000FF&)\t(200,260,\1c&HFFFFFF&)}ka{\t(0,1,\1c&HFFFFFF&)\t(260,340,\1c&H0000FF&)\t(340,420,\1c&HFFFFFF&)}a{\t(0,1,\1c&HFFFFFF&)\t(420,620,\1c&H0000FF&)\t(620,830,\1c&HFFFFFF&)}sa{\t(0,1,\1c&HFFFFFF&)\t(830,930,\1c&H0000FF&)\t(930,1040,\1c&HFFFFFF&)}n{\t(0,1,\1c&HFFFFFF&)\t(1040,1220,\1c&H0000FF&)\t(1220,1400,\1c&HFFFFFF&)} no{\t(0,1,\1c&HFFFFFF&)\t(1400,1730,\1c&H0000FF&)\t(1730,2060,\1c&HFFFFFF&)} mu{\t(0,1,\1c&HFFFFFF&)\t(2060,2240,\1c&H0000FF&)\t(2240,2420,\1c&HFFFFFF&)}ne{\t(0,1,\1c&HFFFFFF&)\t(2420,3350,\1c&H0000FF&)\t(3350,4290,\1c&HFFFFFF&)} ni
Dialogue: 0,0:25:38.74,0:25:43.01,Marco-EDE,,0,0,0,,{\fad(0,60)\bord0\shad1\be0\fsp1\pos(314,470)}Into my mother's arms.
Dialogue: 0,0:25:38.74,0:25:43.01,Marco-EDE,,0,0,0,,{\fad(0,60)\bord0\shad0\be1\fsp1\pos(314,470)}Into my mother's arms.
Dialogue: 0,0:25:41.66,0:25:47.06,Marco-JCOTitle,,0,0,0,,{\fad(0,300)\an5\be1\pos(179,37)}A presentation of
Dialogue: 0,0:25:41.66,0:25:47.06,Marco-Present,,0,0,0,,{\fad(0,300)\an5\be0\shad1\pos(176,213)}Nippon Animation
Dialogue: 0,0:25:41.66,0:25:47.06,Marco-Present,,0,0,0,,{\fad(0,300)\an5\be0\shad1\pos(176,244)}Fuji Television
Dialogue: 0,0:25:41.66,0:25:47.06,Marco-JCE2,,0,0,0,,{\fad(0,300)\an5\be0\shad1\fs13\pos(205,264)}Bessho Kouji