[Script Info] ; Script generated by Aegisub 2.1.9 ; http://www.aegisub.org/ Title: Default Aegisub file ScriptType: v4.00+ PlayResX: 712 PlayResY: 480 PlayDepth: 16 Timer: 100,0000 WrapStyle: 0 Video File: crf16\ep31.mkv Video Aspect Ratio: 1 Video Zoom: 10 Video Position: 34477 Last Style Storage: futakoi Audio File: ?video Collisions: Normal ScaledBorderAndShadow: no [V4+ Styles] Format: Name, Fontname, Fontsize, PrimaryColour, SecondaryColour, OutlineColour, BackColour, Bold, Italic, Underline, StrikeOut, ScaleX, ScaleY, Spacing, Angle, BorderStyle, Outline, Shadow, Alignment, MarginL, MarginR, MarginV, Encoding Style: Dialogue1,Palatino Sans Inf mod,32,&H00DCEDF8,&H0000FFFF,&H00071A28,&H80071A28,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,55,55,25,1 Style: Dialogue2,Palatino Sans Inf mod,32,&H00CCF6DF,&H0000FFFF,&H00072816,&H80072816,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,55,55,25,1 Style: Dialogue3,Palatino Sans Inf mod,32,&H00B2C4F5,&H0000FFFF,&H00050F2A,&H80050F2A,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,25,25,25,1 Style: Dialogue0,Palatino Sans mod,33,&H00FFFFFF,&H0000FFFF,&H00180000,&H80000000,-1,0,0,0,111,100,0.5,0,1,2.1,0.8,2,55,55,25,1 Style: OP Romaji,Dom Casual Std,31,&H008ECCF6,&H00FFFFFF,&H0060320F,&H80000000,-1,0,0,0,111,100,0,0,1,1.8,0,8,25,25,16,1 Style: OP English,HelveticaRounded LT BoldCn,30,&H00FFFFFF,&H0000FFFF,&H00180000,&H80000000,0,0,0,0,111,100,0,0,1,1,1,2,25,25,17,1 Style: ED English,HelveticaRounded LT BoldCn,29,&H00FFFFFF,&H0000FFFF,&H00180000,&H80000000,0,0,0,0,111,100,0,0,1,1,1,2,15,15,17,1 Style: title,HelveticaRounded LT Black,40,&H000073F0,&H0000FFFF,&H00EBF6FF,&H80071A28,-1,0,0,0,111,100,0,0,1,3,2,2,55,55,21,1 Style: Next Episode,HelveticaRounded LT BoldCn,28,&H00B0FAF0,&H0000FFFF,&H00040B0E,&H80071A28,0,0,0,0,111,100,0.5,0,1,2.1,0,2,55,55,21,1 Style: TransBy,HelveticaRounded LT BoldCn,20,&H00989898,&H0000FFFF,&H005B5B5B,&H80000000,0,0,0,0,111,100,0,0,1,0,0,8,15,15,14,1 Style: Long Note 2,LTPisa Headline,23,&H00FFFFFF,&H000000FF,&H00000000,&H80000000,0,0,0,0,111,100,0,0,1,2,1,8,15,15,20,1 Style: Fermentation2,Helvetica LT Black,32,&H00FFFFFF,&H0000FFFF,&H00000000,&H80000000,0,0,0,0,111,100,0,0,1,2,0,1,25,25,17,1 Style: ArtisanW,Generis Sans W02 Heavy,18,&H00000000,&H0000FFFF,&H00101010,&H80000000,0,0,0,0,111,100,0,0,1,0,0,2,25,25,17,1 Style: Fermentation,Helvetica LT CondensedBlack,32,&H00FFFFFF,&H0000FFFF,&H00000000,&H80000000,0,0,0,0,111,100,0,0,1,2,1,1,25,25,17,1 Style: Artisan,Agilita W02 Bold Condensed,18,&H00000000,&H0000FFFF,&H00393939,&H80000000,0,0,0,0,111,100,0,0,1,0,0,2,25,25,17,1 Style: wlad,Syndor ITC Book,32,&H00BAC1C8,&H0000FFFF,&H00000000,&H80000000,-1,0,0,0,111,100,1,0,1,2,0,2,25,25,17,1 [Events] Format: Layer, Start, End, Style, Name, MarginL, MarginR, MarginV, Effect, Text Comment: 0,0:01:03.04,0:01:05.04,Dialogue0,,0000,0000,0000,,OP Comment: 0,0:11:41.72,0:11:43.72,Dialogue1,,0000,0000,0000,,Eyecatch Comment: 0,0:22:34.99,0:22:36.99,Dialogue1,,0000,0000,0000,,ED Comment: 0,0:22:34.99,0:22:36.99,Dialogue1,,0000,0000,0000,,ED Comment: 0,0:01:03.04,0:01:05.04,Dialogue0,,0000,0000,0000,,OP Dialogue: 0,0:00:00.75,0:00:03.50,Dialogue0,,0000,0000,0000,,In order to save Pantasia from Yuklno’s evil clutches, Dialogue: 0,0:00:03.50,0:00:07.02,Dialogue0,,0000,0000,0000,,Kazuma and the gang swore to win the\NMonaco cup, and then marched into France. Dialogue: 0,0:00:10.25,0:00:11.63,Dialogue1,,0000,0000,0000,,Amazing. Dialogue: 0,0:00:11.63,0:00:13.13,Dialogue1,,0000,0000,0000,,This brioche... Dialogue: 0,0:00:13.13,0:00:14.41,Dialogue1,,0000,0000,0000,,As expected of Kayser. Dialogue: 0,0:00:15.22,0:00:16.41,Dialogue1,,0000,0000,0000,,These are truly... Dialogue: 0,0:00:16.41,0:00:17.87,Dialogue1,,0000,0000,0000,,the Goddess’s Hands. Dialogue: 0,0:00:17.87,0:00:20.13,Dialogue1,,0000,0000,0000,,The results of the technique, La Main De Deesse. Dialogue: 0,0:00:16.57,0:00:20.91,Fermentation2,,0000,0000,0000,,{\fad(300,0)\pos(192,363)}The Goddess’s Hands Dialogue: 0,0:00:21.35,0:00:23.62,Dialogue1,,0000,0000,0000,,This thing’s the world level? Dialogue: 0,0:00:24.02,0:00:25.35,Dialogue1,,0000,0000,0000,,This Japanese representative... Dialogue: 0,0:00:25.35,0:00:26.63,Dialogue1,,0000,0000,0000,,Has the Goddess’s Hands?! Dialogue: 0,0:00:26.63,0:00:28.27,Dialogue1,,0000,0000,0000,,That’s right. Dialogue: 0,0:00:28.27,0:00:30.09,Dialogue1,,0000,0000,0000,,Anyone can do this! Dialogue: 0,0:00:31.15,0:00:32.28,Dialogue1,,0000,0000,0000,,Right, Kawachi? Dialogue: 0,0:00:32.28,0:00:33.82,Dialogue1,,0000,0000,0000,,You show it to them, too. Dialogue: 0,0:00:33.82,0:00:34.78,Dialogue1,,0000,0000,0000,,Huh? Dialogue: 0,0:00:34.78,0:00:37.12,Dialogue1,,0000,0000,0000,,Umm... Maybe next time. Dialogue: 0,0:00:38.10,0:00:41.01,Dialogue1,,0000,0000,0000,,Like I could! Dialogue: 0,0:00:43.20,0:00:45.41,Dialogue0,,0000,0000,0000,,There’s English bread, German bread, and French bread, Dialogue: 0,0:00:45.41,0:00:47.28,Dialogue0,,0000,0000,0000,,but Japan’s bread, {\i1}Japan{\i0}, does not exist. Dialogue: 0,0:00:47.28,0:00:49.66,Dialogue0,,0000,0000,0000,,In that case, there’s no choice but to create it. Dialogue: 0,0:00:49.66,0:00:52.94,Dialogue0,,0000,0000,0000,,This story is a serious, biographical ballad of a boy who possesses Solar Hands, Dialogue: 0,0:00:52.94,0:00:58.30,Dialogue0,,0000,0000,0000,,Azuma Kazuma, who will create a Japanese bread made by and for the Japanese people, Dialogue: 0,0:00:58.30,0:01:01.85,Dialogue0,,0000,0000,0000,,which can be presented to the world proudly. Dialogue: 0,0:02:33.21,0:02:39.01,title,,0000,0000,0000,,{\an9\fad(300,0)\pos(679,317)}The prohibited Rodin strategy! Dialogue: 0,0:02:33.21,0:02:39.01,title,,0000,0000,0000,,{\an1\fad(300,0)\pos(42,130)}The critical touch and go situation!! Dialogue: 0,0:02:34.22,0:02:36.06,Dialogue1,,0000,0000,0000,,The critical touch and go situation!! Dialogue: 0,0:02:36.06,0:02:37.86,Dialogue1,,0000,0000,0000,,The prohibited Rodin strategy! Dialogue: 0,0:02:42.65,0:02:44.65,Dialogue0,,0000,0000,0000,,After reaching France,\NKazuma and the gang, Dialogue: 0,0:02:44.65,0:02:47.11,Dialogue0,,0000,0000,0000,,in order to understand the sort of bread that the French like, Dialogue: 0,0:02:47.11,0:02:49.89,Dialogue0,,0000,0000,0000,,began their training under Sophie’s guidance. Dialogue: 0,0:03:09.91,0:03:13.38,Fermentation2,,0000,0000,0000,,{\bord2.4\fad(650,0)\an2\pos(359,365)}And one month later Dialogue: 0,0:03:15.46,0:03:18.21,Dialogue1,,0000,0000,0000,,Everyone really worked hard this past month. Dialogue: 0,0:03:18.21,0:03:19.26,Dialogue1,,0000,0000,0000,,Thank you. Dialogue: 0,0:03:19.84,0:03:21.97,Dialogue1,,0000,0000,0000,,You taught us pretty well, too.\NI compliment you. Dialogue: 0,0:03:21.97,0:03:23.47,Dialogue1,,0000,0000,0000,,But, you know... Dialogue: 0,0:03:23.47,0:03:25.85,Dialogue1,,0000,0000,0000,,A whole month, and it’s already gone. Dialogue: 0,0:03:26.35,0:03:29.85,Dialogue1,,0000,0000,0000,,Yeah, it feels like it happened in just a few seconds. Dialogue: 0,0:03:29.85,0:03:32.60,Dialogue1,,0000,0000,0000,,And we finally go to Monaco tomorrow. Dialogue: 0,0:03:32.60,0:03:34.36,Dialogue1,,0000,0000,0000,,Rest well today. Dialogue: 0,0:03:34.69,0:03:35.82,Dialogue1,,0000,0000,0000,,Okay! Dialogue: 0,0:03:35.82,0:03:37.11,Dialogue1,,0000,0000,0000,,I’ll take you up on that offer. Dialogue: 0,0:03:38.44,0:03:40.53,Dialogue2,,0000,0000,0000,,“I’ll take you up on that offer,” you say?! Dialogue: 0,0:03:40.53,0:03:41.11,Dialogue2,,0000,0000,0000,,Could it be...? Dialogue: 0,0:03:41.86,0:03:42.70,Dialogue1,,0000,0000,0000,,Sophie... Dialogue: 0,0:03:42.70,0:03:44.87,Dialogue1,,0000,0000,0000,,y-you’re coming to Monaco, too? Dialogue: 0,0:03:44.87,0:03:46.12,Dialogue1,,0000,0000,0000,,What, am I a bother? Dialogue: 0,0:03:46.58,0:03:49.29,Dialogue1,,0000,0000,0000,,N-No... Well, you see... Dialogue: 0,0:03:49.29,0:03:51.12,Dialogue2,,0000,0000,0000,,Yes, of course that’s a bother. Dialogue: 0,0:03:51.67,0:03:54.33,Dialogue1,,0000,0000,0000,,My job ends only after the competition’s over. Dialogue: 0,0:03:54.33,0:03:55.75,Dialogue1,,0000,0000,0000,,T-That’s true, Dialogue: 0,0:03:55.75,0:03:57.84,Dialogue1,,0000,0000,0000,,but what’s going to happen\Nto the business at this store? Dialogue: 0,0:03:58.42,0:04:02.93,Dialogue1,,0000,0000,0000,,When our mother died and our father abandoned us, Dialogue: 0,0:04:02.93,0:04:06.01,Dialogue1,,0000,0000,0000,,my brother and I, who had\Nnobody, were taken in by someone. Dialogue: 0,0:04:06.01,0:04:09.31,Dialogue1,,0000,0000,0000,,This store belongs to him... \Nto Golden Papa. Dialogue: 0,0:04:09.31,0:04:10.39,Dialogue1,,0000,0000,0000,,That’s why... Dialogue: 0,0:04:10.39,0:04:12.53,Dialogue1,,0000,0000,0000,,neither my brother nor I could shut down the store. Dialogue: 0,0:04:13.40,0:04:13.81,Dialogue1,,0000,0000,0000,,However... Dialogue: 0,0:04:14.40,0:04:17.53,Dialogue1,,0000,0000,0000,,In truth, after Kayser opened up\Nthere, we haven’t had any customers. Dialogue: 0,0:04:17.98,0:04:20.82,Dialogue1,,0000,0000,0000,,I’ve been living off the allowance\Nthat my brother sends me, you know... Dialogue: 0,0:04:22.03,0:04:25.07,Dialogue1,,0000,0000,0000,,Rather than going into the red by\Nmyself, making bread that doesn’t sell... Dialogue: 0,0:04:25.07,0:04:27.83,Dialogue1,,0000,0000,0000,,it’s better to follow you guys. Dialogue: 0,0:04:27.83,0:04:28.66,Dialogue1,,0000,0000,0000,,Moreover... Dialogue: 0,0:04:28.66,0:04:31.33,Dialogue1,,0000,0000,0000,,I’ve been paid by Pantasia for\Nthis training course, anyway. Dialogue: 0,0:04:31.33,0:04:32.79,Dialogue1,,0000,0000,0000,,So, I have that responsibility, too. Dialogue: 0,0:04:33.08,0:04:34.83,Dialogue1,,0000,0000,0000,,I-Is that so? Dialogue: 0,0:04:34.83,0:04:36.75,Dialogue1,,0000,0000,0000,,So, what’s with that attitude? Dialogue: 0,0:04:36.75,0:04:37.38,Dialogue1,,0000,0000,0000,,That’s not it... Dialogue: 0,0:04:37.38,0:04:39.17,Dialogue1,,0000,0000,0000,,Do you hate me that much? Dialogue: 0,0:04:39.17,0:04:42.34,Dialogue1,,0000,0000,0000,,Or is there a reason that I shouldn’t come along? Dialogue: 0,0:04:43.01,0:04:45.55,Dialogue1,,0000,0000,0000,,N-No... There’s no such thing... Dialogue: 0,0:04:56.60,0:04:59.41,Dialogue1,,0000,0000,0000,,If only I hadn’t made that promise... Dialogue: 0,0:05:00.11,0:05:02.19,Dialogue1,,0000,0000,0000,,The Ten Billion Yen Clown?! Dialogue: 0,0:05:02.99,0:05:03.44,Dialogue1,,0000,0000,0000,,Yup. Dialogue: 0,0:05:04.70,0:05:07.66,Dialogue1,,0000,0000,0000,,T-That really sounds amazing, Dialogue: 0,0:05:07.66,0:05:10.25,Dialogue1,,0000,0000,0000,,but technically, how am I supposed to do that? Dialogue: 0,0:05:10.58,0:05:12.46,Dialogue1,,0000,0000,0000,,Well, you see... Dialogue: 0,0:05:16.50,0:05:19.50,Dialogue2,,0000,0000,0000,,At that time, I was\Noverpowered by the words “ten billion” Dialogue: 0,0:05:19.50,0:05:22.18,Dialogue2,,0000,0000,0000,,and couldn’t turn him down, but... Dialogue: 0,0:05:22.80,0:05:27.14,Dialogue2,,0000,0000,0000,,{\q2}To do something like that in front of a girl who\NI know, after coming all the way to Monaco... Dialogue: 0,0:05:27.51,0:05:29.60,Dialogue2,,0000,0000,0000,,I-I really should draw back... Dialogue: 0,0:05:30.18,0:05:32.85,Dialogue1,,0000,0000,0000,,Or is there a reason that I shouldn’t come along? Dialogue: 0,0:05:33.68,0:05:35.02,Dialogue2,,0000,0000,0000,,Tha... That’s right! Dialogue: 0,0:05:35.02,0:05:38.99,Dialogue2,,0000,0000,0000,,I should contact Kanmuri so we\Ncan just come up with another idea. Dialogue: 0,0:05:39.44,0:05:42.94,Dialogue2,,0000,0000,0000,,But... I’ve never made an\Ninternational phone call before... Dialogue: 0,0:05:42.94,0:05:44.37,Dialogue2,,0000,0000,0000,,So, how should I...? Dialogue: 0,0:05:45.20,0:05:47.20,Dialogue1,,0000,0000,0000,,W-What’s this sound? Dialogue: 0,0:05:55.62,0:05:59.08,Dialogue2,,0000,0000,0000,,The box that Kanmuri gave me seems to be ringing. Dialogue: 0,0:06:05.38,0:06:07.59,Dialogue2,,0000,0000,0000,,W-Why’s there a cell phone...? Dialogue: 0,0:06:12.05,0:06:13.60,Dialogue1,,0000,0000,0000,,B-B-B-Bonjour? Dialogue: 0,0:06:13.60,0:06:17.35,Dialogue1,,0000,0000,0000,,Isn’t it “Bonsoir” over there right now, Kawachi-san? Dialogue: 0,0:06:17.35,0:06:19.10,Dialogue1,,0000,0000,0000,,K-Kanmuri?! Dialogue: 0,0:06:19.56,0:06:20.94,Dialogue1,,0000,0000,0000,,Are you a moron?! Dialogue: 0,0:06:20.94,0:06:23.16,Dialogue1,,0000,0000,0000,,If it was just a cell phone in here,\Ncouldn’t you have just told me that earlier?! Dialogue: 0,0:06:24.28,0:06:25.90,Dialogue1,,0000,0000,0000,,I kept it a secret, thinking that Dialogue: 0,0:06:25.90,0:06:30.91,Dialogue1,,0000,0000,0000,,it’d be best if you concentrated on\Nyour training unless it’s really important. Dialogue: 0,0:06:30.91,0:06:34.12,Dialogue1,,0000,0000,0000,,If people have phones about, then\Nthey just can’t help calling, can they? Dialogue: 0,0:06:34.12,0:06:37.79,Dialogue1,,0000,0000,0000,,Moreover, connection charges\Nare high for that satellite cell phone. Dialogue: 0,0:06:37.79,0:06:39.33,Dialogue1,,0000,0000,0000,,Leaving that aside, Dialogue: 0,0:06:39.33,0:06:40.88,Dialogue1,,0000,0000,0000,,about the clown plan... Dialogue: 0,0:06:40.88,0:06:44.59,Dialogue1,,0000,0000,0000,,Can’t we do something about it?\NI really don’t want to embarrass myself... Dialogue: 0,0:06:45.17,0:06:47.13,Dialogue1,,0000,0000,0000,,There has to be some other way, right? Dialogue: 0,0:06:47.13,0:06:49.38,Dialogue1,,0000,0000,0000,,Someone as smart as you\N should be able to... Dialogue: 0,0:06:49.38,0:06:50.64,Dialogue1,,0000,0000,0000,,Nope, there isn’t. Dialogue: 0,0:06:50.64,0:06:53.76,Dialogue1,,0000,0000,0000,,Please be sure to act just as I’ve instructed, okay? Dialogue: 0,0:06:53.76,0:06:56.14,Dialogue1,,0000,0000,0000,,Please don’t say that, Kanmuri-chan! Dialogue: 0,0:06:56.56,0:06:58.48,Dialogue1,,0000,0000,0000,,Yukino will become the president, you know... Dialogue: 0,0:06:59.77,0:07:01.06,Dialogue1,,0000,0000,0000,,All right, Kawachi-san? Dialogue: 0,0:07:01.06,0:07:02.56,Dialogue1,,0000,0000,0000,,Be confident. Dialogue: 0,0:07:02.56,0:07:05.03,Dialogue1,,0000,0000,0000,,It’s embarrassing only because\Nyou think of it as being a clown. Dialogue: 0,0:07:05.03,0:07:06.49,Dialogue1,,0000,0000,0000,,But, wasn’t that what you called it...? Dialogue: 0,0:07:07.36,0:07:08.24,Dialogue1,,0000,0000,0000,,You are Rodin. Dialogue: 0,0:07:08.24,0:07:10.24,Dialogue1,,0000,0000,0000,,Become the Ten Billion Yen Rodin. Dialogue: 0,0:07:11.20,0:07:16.24,Long Note 2,,0000,0000,0000,,Note: François-Auguste-René Rodin is the sculptor\N of the famous piece, The Thinker. Dialogue: 0,0:07:11.20,0:07:13.49,Dialogue1,,0000,0000,0000,,A-A Ten Billion Yen Rodin?! Dialogue: 0,0:07:13.49,0:07:16.24,Dialogue1,,0000,0000,0000,,That has a really nice ring to it... Dialogue: 0,0:07:16.79,0:07:18.16,Dialogue1,,0000,0000,0000,,Oh, that’s right, Kawachi-san. Dialogue: 0,0:07:18.16,0:07:20.96,Dialogue1,,0000,0000,0000,,Don’t throw away the box yet. Dialogue: 0,0:07:20.96,0:07:23.25,Dialogue1,,0000,0000,0000,,There’s still an important item in it. Dialogue: 0,0:07:24.79,0:07:26.14,Dialogue1,,0000,0000,0000,,An important item? Dialogue: 0,0:07:26.71,0:07:27.76,Dialogue1,,0000,0000,0000,,There’s a false bottom... Dialogue: 0,0:07:27.76,0:07:27.88,Artisan,,0000,0000,0000,,{\bord1\fsp1\fscx100\fscy100\frz300.042\pos(340,220)\3c&H9F8E88&\clip(m 320 207 l 364 188 315 116 267 131)}When you are lost Dialogue: 0,0:07:27.88,0:07:32.72,Artisan,,0000,0000,0000,,{\fad(0,1000)\bord1\fsp1\fscx100\fscy100\t(\fscx115\fscy115)\frz300.042\pos(340,220)\3c&H9F8E88&}When you are lost Dialogue: 0,0:07:29.13,0:07:31.89,Dialogue1,,0000,0000,0000,,What’s this wrapped-up thing? Dialogue: 0,0:07:35.39,0:07:39.14,Fermentation2,,0000,0000,0000,,{\fad(700,500)\an2\bord2.4\pos(357,368)}The Kingdom of Monaco Dialogue: 0,0:07:43.02,0:07:44.15,Dialogue1,,0000,0000,0000,,We’re here. Dialogue: 0,0:07:46.11,0:07:48.40,Dialogue1,,0000,0000,0000,,That’s a really ornate building. Dialogue: 0,0:07:48.40,0:07:50.65,Dialogue1,,0000,0000,0000,,Yeah, it’s cool. Dialogue: 0,0:07:50.65,0:07:52.49,Dialogue1,,0000,0000,0000,,It’s an impressive building, isn’t it? Dialogue: 0,0:07:52.49,0:07:53.95,Dialogue1,,0000,0000,0000,,A really artistic building. Dialogue: 0,0:07:55.28,0:07:58.41,Dialogue1,,0000,0000,0000,,This is the place that gamblers\Nall over the world yearn for... Dialogue: 0,0:07:58.41,0:08:00.95,Dialogue1,,0000,0000,0000,,and your battleground:\N the Grand Casino. Dialogue: 0,0:08:01.62,0:08:04.25,Dialogue1,,0000,0000,0000,,Hey, more importantly, Kuro-yan... Dialogue: 0,0:08:04.25,0:08:07.80,Dialogue1,,0000,0000,0000,,There’s an exhibition right at the\Nstart of the Monaco Cup, right? Dialogue: 0,0:08:07.80,0:08:10.51,Dialogue1,,0000,0000,0000,,It’s true that there’s an exhibition. Dialogue: 0,0:08:10.51,0:08:13.22,Dialogue1,,0000,0000,0000,,The entire team has to make a decorative bread, Dialogue: 0,0:08:13.22,0:08:16.43,Dialogue1,,0000,0000,0000,,with which each nation will demonstrate\Ntheir skills to those who will be betting. Dialogue: 0,0:08:16.43,0:08:18.98,Dialogue1,,0000,0000,0000,,Rather like the paddock-inspection of horse racing. Dialogue: 0,0:08:19.68,0:08:22.56,Dialogue1,,0000,0000,0000,,Therefore, it has no direct\Nbearing on your winning or losing. Dialogue: 0,0:08:22.56,0:08:24.10,Dialogue1,,0000,0000,0000,,I won’t tell you to take it easy, Dialogue: 0,0:08:24.10,0:08:25.98,Dialogue1,,0000,0000,0000,,but you can make whatever decorative bread you like. Dialogue: 0,0:08:26.48,0:08:27.48,Dialogue2,,0000,0000,0000,,All right... Dialogue: 0,0:08:27.48,0:08:30.69,Dialogue2,,0000,0000,0000,,So far, it’s just as Kanmuri told me. Dialogue: 0,0:08:30.99,0:08:34.53,Dialogue1,,0000,0000,0000,,Hey, I have a proposal, so would you listen...? Dialogue: 0,0:08:35.03,0:08:37.28,Dialogue1,,0000,0000,0000,,It’s about the exhibition... Dialogue: 0,0:08:37.28,0:08:41.67,Dialogue1,,0000,0000,0000,,How about making Rodin’s “The Thinker”\Nthe motif for our decorative bread... Dialogue: 0,0:08:41.67,0:08:43.08,Dialogue1,,0000,0000,0000,,What do you think? Dialogue: 0,0:08:43.58,0:08:45.83,Dialogue1,,0000,0000,0000,,Rodin’s “The Thinker”? Dialogue: 0,0:08:45.83,0:08:49.84,Long Note 2,,0000,0000,0000,,Note: Another Azuma-ism. “Rodin” became “button”;\N “kangaeru” ({\fs25\fnAXIS Std B\b1}考える{\r}) means “to think.” Kakechigaeru ({\fs25\fnAXIS Std B\b1}架け違える{\r})\Nmeans “to make a mistake while putting something on.” Dialogue: 0,0:08:45.83,0:08:47.29,Dialogue1,,0000,0000,0000,,A person who sewed the button on wrong? Dialogue: 0,0:08:47.88,0:08:49.84,Dialogue1,,0000,0000,0000,,I guess it’s pretty difficult, eh? Dialogue: 0,0:08:49.84,0:08:51.30,Dialogue1,,0000,0000,0000,,I think it’s a pretty good idea. Dialogue: 0,0:08:52.13,0:08:54.63,Dialogue1,,0000,0000,0000,,If we make the skeleton\Nframework well with biscuit dough... Dialogue: 0,0:08:54.63,0:08:56.76,Dialogue1,,0000,0000,0000,,it’s not that difficult a pose. Dialogue: 0,0:08:56.76,0:09:00.06,Dialogue1,,0000,0000,0000,,Also, that sculpture’s famous all over the world. Dialogue: 0,0:09:00.06,0:09:01.43,Dialogue1,,0000,0000,0000,,So, anyone from any country would know of it. Dialogue: 0,0:09:02.89,0:09:06.23,Dialogue1,,0000,0000,0000,,I guess for someone like you, who I\Nthought was largely indifferent towards art, Dialogue: 0,0:09:06.23,0:09:08.15,Dialogue1,,0000,0000,0000,,it’s an unexpected proposal. Dialogue: 0,0:09:08.15,0:09:09.40,Dialogue1,,0000,0000,0000,,Well, I suppose that it’s fine. Dialogue: 0,0:09:09.40,0:09:11.07,Dialogue1,,0000,0000,0000,,W-Well then, its decided, I guess? Dialogue: 0,0:09:11.07,0:09:14.78,Dialogue1,,0000,0000,0000,,We have to present our work\Nat the exhibition in three days. Dialogue: 0,0:09:14.78,0:09:16.03,Dialogue1,,0000,0000,0000,,So, have it done by then. Dialogue: 0,0:09:16.57,0:09:17.57,Dialogue1,,0000,0000,0000,,All right! Dialogue: 0,0:09:17.57,0:09:19.41,Dialogue1,,0000,0000,0000,,Let’s do this. Dialogue: 0,0:09:19.41,0:09:20.58,Dialogue1,,0000,0000,0000,,Right, Kuro-yan? Dialogue: 0,0:09:20.58,0:09:22.08,Dialogue1,,0000,0000,0000,,Why you... Dialogue: 0,0:09:22.08,0:09:23.04,Dialogue1,,0000,0000,0000,,Wait! Dialogue: 0,0:09:23.04,0:09:25.00,Dialogue1,,0000,0000,0000,,You’ve called me Kuro-yan twice there! Dialogue: 0,0:09:25.00,0:09:27.07,Dialogue1,,0000,0000,0000,,Oh, don’t sweat it, Kuro-yan. Dialogue: 0,0:09:28.21,0:09:31.13,Fermentation,,0000,0000,0000,,{\fad(450,0)\an2\pos(356,363)}3 days later: The day of the Exhibition Match Dialogue: 0,0:09:33.63,0:09:35.47,Dialogue1,,0000,0000,0000,,That’s wonderful, everyone! Dialogue: 0,0:09:36.09,0:09:37.30,Dialogue1,,0000,0000,0000,,Of course. Dialogue: 0,0:09:37.30,0:09:38.97,Dialogue1,,0000,0000,0000,,If I’m to lend a hand, \Nsomething like this... Dialogue: 0,0:09:38.97,0:09:40.48,Dialogue1,,0000,0000,0000,,I worked pretty hard, too, you know... Dialogue: 0,0:09:40.85,0:09:42.93,Dialogue2,,0000,0000,0000,,It’s been made really well. Dialogue: 0,0:09:42.93,0:09:45.98,Dialogue2,,0000,0000,0000,,My sense of guilt is growing in proportion to it. Dialogue: 0,0:09:47.94,0:09:50.48,Dialogue1,,0000,0000,0000,,All right, let’s go to the hall then, shall we? Dialogue: 0,0:09:55.82,0:09:59.32,Dialogue2,,0000,0000,0000,,I’m sorry, Azuma, Suwabara... Dialogue: 0,0:09:59.32,0:10:02.53,Dialogue2,,0000,0000,0000,,You worked so hard to make this bread, and yet... Dialogue: 0,0:10:03.04,0:10:04.04,Dialogue1,,0000,0000,0000,,The button is...! Dialogue: 0,0:10:04.04,0:10:05.79,Dialogue1,,0000,0000,0000,,You fool! Dialogue: 0,0:10:05.79,0:10:10.29,Dialogue2,,0000,0000,0000,,But, in the end... this is for your sakes... Dialogue: 0,0:10:16.51,0:10:19.23,Dialogue1,,0000,0000,0000,,Ouch. Ow ow ow... Dialogue: 0,0:10:22.47,0:10:24.41,Dialogue1,,0000,0000,0000,,Boy, aren’t I clumsy...? Dialogue: 0,0:10:24.41,0:10:25.81,Dialogue1,,0000,0000,0000,,I tripped! Dialogue: 0,0:10:27.73,0:10:29.19,Dialogue1,,0000,0000,0000,,What have I...? Dialogue: 0,0:10:29.19,0:10:32.69,Dialogue1,,0000,0000,0000,,We don’t have enough time now to remake it. Dialogue: 0,0:10:33.48,0:10:35.87,Dialogue1,,0000,0000,0000,,W-What should we do? Dialogue: 0,0:10:41.24,0:10:45.37,Dialogue1,,0000,0000,0000,,If you’re a man of Japan, then...\Natone for your sin by committing seppuku! Dialogue: 0,0:10:45.37,0:10:47.12,Long Note 2,,0000,0000,0000,,Note: Sepukku ({\fs25\fnAXIS Std B\b1}切腹{\r}), also called harakiri ({\fs25\fnAXIS Std B\b1}腹切り{\r}), refers to the act of disembowelment by which samurai atoned for their sins. This act allowed an otherwise disgraced samurai to retain his honor. Dialogue: 0,0:10:45.37,0:10:47.12,Dialogue1,,0000,0000,0000,,With that, I’ll forgive you. Dialogue: 0,0:10:47.37,0:10:49.33,Dialogue1,,0000,0000,0000,,S-Seppuku?! Dialogue: 0,0:10:49.33,0:10:50.38,Dialogue1,,0000,0000,0000,,Harakiri! Dialogue: 0,0:10:50.38,0:10:51.29,Dialogue1,,0000,0000,0000,,Of course. Dialogue: 0,0:10:51.29,0:10:53.34,Dialogue1,,0000,0000,0000,,I’ll assist you in your suicide. Dialogue: 0,0:10:54.17,0:10:57.38,Dialogue1,,0000,0000,0000,,P-P-Please spare me! Dialogue: 0,0:10:57.88,0:10:59.38,Dialogue1,,0000,0000,0000,,Just wait. Dialogue: 0,0:11:00.01,0:11:02.51,Dialogue1,,0000,0000,0000,,There’s no need for harakiri, is there? Dialogue: 0,0:11:02.51,0:11:03.98,Dialogue1,,0000,0000,0000,,T-That’s right... Dialogue: 0,0:11:05.56,0:11:08.48,Dialogue1,,0000,0000,0000,,Is there some other way for\Na man to take responsibility? Dialogue: 0,0:11:08.48,0:11:10.10,Dialogue1,,0000,0000,0000,,Usually, there is... right? Dialogue: 0,0:11:10.10,0:11:12.81,Dialogue1,,0000,0000,0000,,Then, let’s have you show us,\N Kawachi, shall we? Dialogue: 0,0:11:13.15,0:11:15.07,Dialogue2,,0000,0000,0000,,I was waiting for those words. Dialogue: 0,0:11:15.90,0:11:16.82,Dialogue1,,0000,0000,0000,,All right. Dialogue: 0,0:11:16.82,0:11:17.57,Dialogue1,,0000,0000,0000,,I’m a man as well. Dialogue: 0,0:11:18.32,0:11:19.20,Dialogue1,,0000,0000,0000,,I’ll show you. Dialogue: 0,0:11:19.20,0:11:21.58,Dialogue1,,0000,0000,0000,,The Kawachi style of taking responsibility. Dialogue: 0,0:11:24.58,0:11:28.08,Dialogue2,,0000,0000,0000,,This is... okay, right, Kanmuri...? Dialogue: 0,0:11:28.54,0:11:30.08,Dialogue1,,0000,0000,0000,,Yes, of course! Dialogue: 0,0:11:33.34,0:11:34.92,Dialogue1,,0000,0000,0000,,It’s perfect. Dialogue: 0,0:11:35.30,0:11:38.76,Dialogue2,,0000,0000,0000,,But... I wouldn’t be caught dead doing that. Dialogue: 0,0:11:48.43,0:11:50.48,Dialogue1,,0000,0000,0000,,Ladies and gentlemen. Dialogue: 0,0:11:50.48,0:11:54.02,Dialogue1,,0000,0000,0000,,We will now begin the Second Monaco Cup Exhibition. Dialogue: 0,0:12:19.01,0:12:23.01,Dialogue1,,0000,0000,0000,,I will be the host for this event. Dialogue: 0,0:12:23.01,0:12:25.51,Dialogue1,,0000,0000,0000,,My name is Pierrot Bolneze. Dialogue: 0,0:12:28.60,0:12:30.02,Dialogue1,,0000,0000,0000,,All right, everyone. Dialogue: 0,0:12:30.02,0:12:32.52,Dialogue1,,0000,0000,0000,,Don’t be shy, don’t be shy!\NPlace your bets. Dialogue: 0,0:12:36.23,0:12:37.90,Dialogue1,,0000,0000,0000,,Wow... Dialogue: 0,0:12:37.90,0:12:39.90,Dialogue1,,0000,0000,0000,,There’s so many different kinds of breads... Dialogue: 0,0:12:39.90,0:12:41.69,Dialogue1,,0000,0000,0000,,Everyone’s really good... Dialogue: 0,0:12:41.69,0:12:44.32,Dialogue1,,0000,0000,0000,,I guess that’s to be expected of a world tournament. Dialogue: 0,0:12:44.32,0:12:48.45,Dialogue1,,0000,0000,0000,,They’re all artistic breads that skillful bakers\Ncreated by applying some trick. Dialogue: 0,0:12:48.45,0:12:50.62,Dialogue1,,0000,0000,0000,,We can’t let down our guard, can we... Dialogue: 0,0:12:50.62,0:12:55.21,Dialogue1,,0000,0000,0000,,Yeah, it’s true that all of the\Nbreads here are very artistic. Dialogue: 0,0:12:58.84,0:12:59.54,Dialogue1,,0000,0000,0000,,But... Dialogue: 0,0:13:03.26,0:13:05.31,Dialogue1,,0000,0000,0000,,within the limits of common sense. Dialogue: 0,0:13:06.55,0:13:09.93,Dialogue1,,0000,0000,0000,,Isn’t this bread a little too big? Dialogue: 0,0:13:12.81,0:13:15.10,Dialogue1,,0000,0000,0000,,It’s certainly on a large scale. Dialogue: 0,0:13:15.10,0:13:17.98,Dialogue1,,0000,0000,0000,,It’s really more scary than amazing. Dialogue: 0,0:13:21.44,0:13:24.70,Dialogue1,,0000,0000,0000,,After helping him, it may not be \Nmy place to say this, but... Dialogue: 0,0:13:24.70,0:13:26.00,Dialogue1,,0000,0000,0000,,this is Japan’s shame. Dialogue: 0,0:13:26.00,0:13:28.74,Dialogue1,,0000,0000,0000,,Yeah, it’s pretty broken up, since we made it in a hurry. Dialogue: 0,0:13:28.74,0:13:31.70,Dialogue2,,0000,0000,0000,,Well, it can’t be helped, since there’s a person inside. Dialogue: 0,0:13:36.33,0:13:40.76,Dialogue2,,0000,0000,0000,,I-I wasn’t expecting it to be so hard to breathe, and... Dialogue: 0,0:13:41.71,0:13:44.59,Dialogue2,,0000,0000,0000,,When I had the flour put on me while I was naked... Dialogue: 0,0:13:44.59,0:13:46.93,Dialogue2,,0000,0000,0000,,I seem to have chilled my stomach. Dialogue: 0,0:13:48.68,0:13:49.64,Dialogue1,,0000,0000,0000,,All right. Dialogue: 0,0:13:51.01,0:13:53.39,Dialogue1,,0000,0000,0000,,It’s cold! Dialogue: 0,0:13:52.39,0:13:53.39,Dialogue3,,0000,0000,0000,,Relax. Dialogue: 0,0:13:53.39,0:13:56.81,Dialogue1,,0000,0000,0000,,The next step is to bake the surface with the burner. Dialogue: 0,0:13:56.81,0:13:58.94,Dialogue1,,0000,0000,0000,,I’ll warm you so much that you’ll burn. Dialogue: 0,0:13:59.44,0:14:00.86,Dialogue1,,0000,0000,0000,,You’ll have to bear it. Dialogue: 0,0:14:00.86,0:14:03.78,Dialogue1,,0000,0000,0000,,Bear it, and become the person\Nwho made a mistake sewing the button. Dialogue: 0,0:14:04.74,0:14:06.78,Dialogue1,,0000,0000,0000,,Why do I have to do something like...? Dialogue: 0,0:14:09.32,0:14:10.66,Dialogue1,,0000,0000,0000,,I can’t watch this... Dialogue: 0,0:14:12.41,0:14:14.34,Dialogue1,,0000,0000,0000,,It’s cold.. Dialogue: 0,0:14:15.04,0:14:17.92,Dialogue2,,0000,0000,0000,,T-This is... really bad. Dialogue: 0,0:14:17.92,0:14:21.40,Dialogue2,,0000,0000,0000,,If I were to let go in front of all these people... Dialogue: 0,0:14:21.40,0:14:22.17,Dialogue2,,0000,0000,0000,,I’d... Dialogue: 0,0:14:23.30,0:14:25.26,Dialogue2,,0000,0000,0000,,no longer be considered “The Thinker,” Dialogue: 0,0:14:27.30,0:14:29.89,Dialogue2,,0000,0000,0000,,but “The Endurer.” Dialogue: 0,0:14:38.06,0:14:40.40,Dialogue2,,0000,0000,0000,,This is bad... She’ll notice... Dialogue: 0,0:14:40.40,0:14:42.65,Dialogue2,,0000,0000,0000,,Leave me alone! Dialogue: 0,0:14:42.65,0:14:44.40,Dialogue1,,0000,0000,0000,,W-What happened? Dialogue: 0,0:14:44.40,0:14:48.03,Dialogue1,,0000,0000,0000,,Somehow... I felt like that bread was staring at me. Dialogue: 0,0:14:48.03,0:14:49.61,Dialogue1,,0000,0000,0000,,That can’t be it, can it? Dialogue: 0,0:14:50.16,0:14:51.87,Dialogue1,,0000,0000,0000,,No matter what it looks like,\N it’s still bread. Dialogue: 0,0:14:51.87,0:14:53.66,Dialogue1,,0000,0000,0000,,I guess... Dialogue: 0,0:14:53.66,0:14:54.70,Dialogue1,,0000,0000,0000,,Come, let’s go. Dialogue: 0,0:14:54.70,0:14:55.62,Dialogue1,,0000,0000,0000,,Okay. Dialogue: 0,0:15:00.04,0:15:05.13,Dialogue1,,0000,0000,0000,,T-This is the Ten Billion Yen Clown Plan, right? Dialogue: 0,0:15:05.71,0:15:09.47,Dialogue1,,0000,0000,0000,,Right now, it’s been renamed the\NTen Billion Yen Rodin Plan. Dialogue: 0,0:15:09.47,0:15:11.13,Dialogue1,,0000,0000,0000,,Hmm... Dialogue: 0,0:15:11.76,0:15:15.81,Dialogue1,,0000,0000,0000,,Making a decorative bread takes time. Dialogue: 0,0:15:16.73,0:15:19.23,Dialogue1,,0000,0000,0000,,In the event it suddenly\Nbreaks on the day of the exhibition, Dialogue: 0,0:15:19.23,0:15:24.61,Dialogue1,,0030,0030,0000,,the best that even Suwabara-san or Azuma-kun can hope to make is that unsightly thing. Dialogue: 0,0:15:25.19,0:15:28.28,Dialogue1,,0000,0000,0000,,But, as a result, the odds will go up two times. Dialogue: 0,0:15:28.28,0:15:32.03,Dialogue1,,0000,0000,0000,,Since Japan lost in the preliminaries last year, and have made such a bread this year... Dialogue: 0,0:15:32.03,0:15:33.62,Dialogue1,,0000,0000,0000,,nobody will bet on them. Dialogue: 0,0:15:34.33,0:15:35.32,Dialogue1,,0000,0000,0000,,I see... Dialogue: 0,0:15:35.70,0:15:36.70,Dialogue1,,0000,0000,0000,,In other words... Dialogue: 0,0:15:36.70,0:15:38.66,Dialogue1,,0000,0000,0000,,the Ten Billion Yen Rodin Plan Dialogue: 0,0:15:38.66,0:15:42.92,Dialogue1,,0000,0000,0000,,can now be considered to be 80% successful. Dialogue: 0,0:15:42.92,0:15:45.34,Dialogue1,,0000,0000,0000,,The remaining 20% will be... Dialogue: 0,0:15:46.55,0:15:48.76,Dialogue1,,0000,0000,0000,,How can you be laughing? Dialogue: 0,0:15:49.26,0:15:50.34,Dialogue1,,0000,0000,0000,,Oh, that’s right. Dialogue: 0,0:15:51.05,0:15:54.34,Dialogue1,,0000,0000,0000,,You can see what the odds are on the live relay. Dialogue: 0,0:15:54.89,0:15:57.72,Dialogue1,,0000,0000,0000,,Right now, the odds for Japan are... Dialogue: 0,0:15:57.72,0:16:00.10,Dialogue1,,0000,0000,0000,,138 to 1, eh? Dialogue: 0,0:16:00.52,0:16:04.27,Dialogue1,,0000,0000,0000,,I think that these odds will soon increase greatly. Dialogue: 0,0:16:04.27,0:16:05.02,Dialogue1,,0000,0000,0000,,But... Dialogue: 0,0:16:05.02,0:16:08.86,Dialogue1,,0000,0000,0000,,To earn ten billion, we need the odds\Nto be greater than 200 to 1, don’t we? Dialogue: 0,0:16:09.40,0:16:10.45,Dialogue1,,0000,0000,0000,,That’s right. Dialogue: 0,0:16:10.45,0:16:13.86,Dialogue1,,0000,0000,0000,,Do you think that we’ll be\Nable to truly reach those odds? Dialogue: 0,0:16:13.86,0:16:15.20,Dialogue1,,0000,0000,0000,,That’s why... Dialogue: 0,0:16:15.20,0:16:17.38,Dialogue1,,0000,0000,0000,,the rest depends on Kawachi. Dialogue: 0,0:16:18.24,0:16:20.13,Dialogue1,,0000,0000,0000,,And Manager... Dialogue: 0,0:16:21.12,0:16:23.17,Dialogue1,,0000,0000,0000,,you’re laughing too much. Dialogue: 0,0:16:25.75,0:16:27.59,Dialogue1,,0000,0000,0000,,Mean people... Dialogue: 0,0:16:29.26,0:16:32.26,Dialogue2,,0000,0000,0000,,I-I want all of you to work a little, please. Dialogue: 0,0:16:32.26,0:16:36.39,Dialogue2,,0000,0000,0000,,If we’re talking of the odds of you ever doing\Nwork, they’ve gone past 10,000 to 1 already. Dialogue: 0,0:16:36.39,0:16:38.64,Dialogue1,,0000,0000,0000,,All right, everyone. Dialogue: 0,0:16:38.64,0:16:41.77,Dialogue1,,0000,0000,0000,,We now introduce a special guest. Dialogue: 0,0:16:42.27,0:16:45.73,Long Note 2,,0000,0000,0000,,Note: Pan ({\fs25\fnAXIS Std B\b1}パン{\r}) = bread; kui ({\fs25\fnAXIS Std B\b1}食い{\r}) = to eat. Dialogue: 0,0:16:42.27,0:16:45.73,Dialogue1,,0000,0000,0000,,From the proud European kingdom of Panquita, Dialogue: 0,0:16:45.73,0:16:47.78,Dialogue1,,0000,0000,0000,,we have Princess Anne. Dialogue: 0,0:17:08.09,0:17:09.13,Dialogue1,,0000,0000,0000,,Princess. Dialogue: 0,0:17:09.13,0:17:10.26,Dialogue1,,0000,0000,0000,,Princess Anne. Dialogue: 0,0:17:18.26,0:17:19.18,Dialogue2,,0000,0000,0000,,This is bad. Dialogue: 0,0:17:19.18,0:17:21.06,Dialogue2,,0000,0000,0000,,Who was that? Dialogue: 0,0:17:21.06,0:17:22.77,Dialogue2,,0000,0000,0000,,It’s cold. Dialogue: 0,0:17:25.15,0:17:26.15,Dialogue2,,0000,0000,0000,,But... Dialogue: 0,0:17:26.15,0:17:28.94,Dialogue2,,0000,0000,0000,,When will this exhibition finish? Dialogue: 0,0:17:29.82,0:17:33.19,Dialogue2,,0000,0000,0000,,It’s only 141 to 1 after three hours. Dialogue: 0,0:17:33.19,0:17:35.45,Dialogue2,,0000,0000,0000,,It’s not increasing as much as we thought it would. Dialogue: 0,0:17:35.45,0:17:36.53,Dialogue2,,0000,0000,0000,,And... Dialogue: 0,0:17:36.53,0:17:42.00,Dialogue2,,0000,0000,0000,,my stomach’s condition... is in a pretty bad state. Dialogue: 0,0:17:43.46,0:17:45.58,Dialogue2,,0000,0000,0000,,If I were to let it leak out, then... Dialogue: 0,0:17:45.58,0:17:47.54,Dialogue2,,0000,0000,0000,,it might be good for the odds, but... Dialogue: 0,0:17:47.54,0:17:49.25,Dialogue2,,0000,0000,0000,,Leaving that aside... Dialogue: 0,0:17:49.25,0:17:51.50,Dialogue2,,0000,0000,0000,,As a program broadcast during meal times... Dialogue: 0,0:17:51.50,0:17:54.01,Dialogue2,,0000,0000,0000,,What will happen to its future?! Dialogue: 0,0:17:56.72,0:17:57.93,Dialogue1,,0000,0000,0000,,Hey... Dialogue: 0,0:17:57.93,0:18:00.39,Dialogue1,,0000,0000,0000,,I wonder if Kawachi’s okay... Dialogue: 0,0:18:00.76,0:18:04.39,Dialogue1,,0000,0000,0000,,He’s been like that for three hours now. Dialogue: 0,0:18:07.77,0:18:10.61,Dialogue1,,0000,0000,0000,,I-I’m going to the toilet. Dialogue: 0,0:18:10.61,0:18:11.90,Dialogue1,,0000,0000,0000,,Do you know where it is? Dialogue: 0,0:18:11.90,0:18:13.11,Dialogue1,,0000,0000,0000,,Don’t get lost. Dialogue: 0,0:18:13.11,0:18:15.69,Dialogue1,,0000,0000,0000,,W-What did you just say? Dialogue: 0,0:18:16.74,0:18:18.70,Dialogue1,,0000,0000,0000,,I told him not to get lost... Dialogue: 0,0:18:18.70,0:18:19.70,Dialogue1,,0000,0000,0000,,No! Dialogue: 0,0:18:19.70,0:18:21.16,Dialogue1,,0000,0000,0000,,What Azuma said. Dialogue: 0,0:18:21.16,0:18:23.20,Dialogue1,,0000,0000,0000,,I need to go, so I’m going to the toilet. Dialogue: 0,0:18:25.16,0:18:26.75,Dialogue1,,0000,0000,0000,,What happened? Dialogue: 0,0:18:26.75,0:18:29.87,Dialogue1,,0000,0000,0000,,This exhibit’s going to last approximately eight hours. Dialogue: 0,0:18:29.87,0:18:31.59,Dialogue1,,0000,0000,0000,,For that long a time... Dialogue: 0,0:18:31.59,0:18:33.39,Dialogue1,,0000,0000,0000,,can you endure it? Dialogue: 0,0:18:33.84,0:18:34.88,Dialogue1,,0000,0000,0000,,Your need to go... Dialogue: 0,0:18:39.80,0:18:42.85,Dialogue2,,0000,0000,0000,,Just 145 to 1... Dialogue: 0,0:18:43.43,0:18:44.26,Dialogue2,,0000,0000,0000,,It’s no good... Dialogue: 0,0:18:45.31,0:18:47.52,Dialogue2,,0000,0000,0000,,It’s no good, I tell you! Dialogue: 0,0:18:51.36,0:18:53.07,Dialogue1,,0000,0000,0000,,What’s with this bread? Dialogue: 0,0:18:53.07,0:18:53.90,Dialogue1,,0000,0000,0000,,It’s moving! Dialogue: 0,0:18:53.90,0:18:55.23,Dialogue1,,0000,0000,0000,,The bread’s moving! Dialogue: 0,0:18:58.03,0:18:59.28,Dialogue1,,0000,0000,0000,,What’s this?! Dialogue: 0,0:18:59.28,0:19:01.04,Dialogue1,,0000,0000,0000,,Oh my god! Dialogue: 0,0:19:02.24,0:19:03.33,Dialogue1,,0000,0000,0000,,N-No! Dialogue: 0,0:19:03.33,0:19:04.33,Dialogue1,,0000,0000,0000,,What is this?! Dialogue: 0,0:19:04.33,0:19:05.50,Dialogue1,,0000,0000,0000,,This is bad! Dialogue: 0,0:19:05.50,0:19:07.84,Dialogue1,,0000,0000,0000,,We’re going to take off Kawachi! I mean, that bread! Dialogue: 0,0:19:09.21,0:19:11.46,Dialogue1,,0000,0000,0000,,We really should have just cut him up at that time... Dialogue: 0,0:19:11.46,0:19:12.58,Dialogue1,,0000,0000,0000,,No more! Dialogue: 0,0:19:19.97,0:19:23.39,Dialogue1,,0000,0000,0000,,I can’t take this anymore! Dialogue: 0,0:19:32.15,0:19:33.57,Dialogue1,,0000,0000,0000,,Princess! Dialogue: 0,0:19:34.19,0:19:35.32,Dialogue1,,0000,0000,0000,,It’s dangerous! Move back! Dialogue: 0,0:19:35.32,0:19:35.94,Dialogue1,,0000,0000,0000,,Run! Dialogue: 0,0:19:37.61,0:19:39.79,Dialogue1,,0000,0000,0000,,I-It’s a nightmare... Dialogue: 0,0:19:43.37,0:19:44.45,Dialogue1,,0000,0000,0000,,No more! Dialogue: 0,0:19:44.45,0:19:45.37,Dialogue1,,0000,0000,0000,,Leave me alone! Dialogue: 0,0:19:45.37,0:19:47.06,Dialogue1,,0000,0000,0000,,Pardon me, pardon me! Dialogue: 0,0:19:47.06,0:19:47.58,Dialogue1,,0000,0000,0000,,Wait! Dialogue: 0,0:19:46.20,0:19:47.58,Dialogue3,,0000,0000,0000,,Damnit! Dialogue: 0,0:19:48.04,0:19:48.96,Dialogue1,,0000,0000,0000,,No more! Dialogue: 0,0:19:48.96,0:19:52.29,Dialogue1,,0000,0000,0000,,Move! Dialogue: 0,0:19:52.29,0:19:54.42,Dialogue1,,0000,0000,0000,,I can’t hold it in anymore! Dialogue: 0,0:19:56.17,0:19:58.63,Dialogue1,,0000,0000,0000,,Oh, you’re great Kawachi-san! Dialogue: 0,0:19:58.63,0:20:01.84,Dialogue1,,0000,0000,0000,,I thought that it’d end with the audience booing you, Dialogue: 0,0:20:01.84,0:20:04.89,Dialogue1,,0000,0000,0000,,but to think that you made the guest,\NPrincess Anne, lose consciousness... Dialogue: 0,0:20:04.89,0:20:06.47,Dialogue1,,0000,0000,0000,,I’m really in awe. Dialogue: 0,0:20:06.47,0:20:07.68,Dialogue1,,0000,0000,0000,,Don’t be in awe! Dialogue: 0,0:20:08.02,0:20:08.68,Dialogue1,,0000,0000,0000,,I... Dialogue: 0,0:20:08.68,0:20:11.94,Dialogue1,,0000,0000,0000,,I placed my future as a baker on the line there. Dialogue: 0,0:20:12.44,0:20:13.98,Dialogue1,,0000,0000,0000,,Do you understand that?! Dialogue: 0,0:20:13.98,0:20:15.90,Dialogue1,,0000,0000,0000,,Well, please don’t get so angry. Dialogue: 0,0:20:16.65,0:20:20.44,Dialogue1,,0000,0000,0000,,Thanks to you having done all\Nthat, in the end, the odds are now... Dialogue: 0,0:20:22.45,0:20:25.03,Dialogue1,,0000,0000,0000,,over 300 to 1! Dialogue: 0,0:20:25.58,0:20:27.78,Dialogue1,,0000,0000,0000,,You are truly the Ten Billion Yen Rodin. Dialogue: 0,0:20:28.45,0:20:30.16,Dialogue1,,0000,0000,0000,,No... fifteen billion. Dialogue: 0,0:20:30.16,0:20:32.29,Dialogue1,,0000,0000,0000,,The Fifteen Billion Yen Rodin. Dialogue: 0,0:20:32.29,0:20:35.34,Dialogue1,,0000,0000,0000,,F-Fifteen billion?! Dialogue: 0,0:20:36.59,0:20:41.30,Long Note 2,,0000,0000,0000,,Note: “Dokan” refers to the sound of something falling with a bang. Dialogue: 0,0:20:36.59,0:20:39.59,Dialogue1,,0000,0000,0000,,Well, rather than Rodin, it’s more like “dokan,” though. Dialogue: 0,0:20:39.59,0:20:41.30,Dialogue1,,0000,0000,0000,,What? What did you say? Dialogue: 0,0:20:43.72,0:20:45.18,Dialogue1,,0000,0000,0000,,Listen up, Kawachi-san. Dialogue: 0,0:20:45.18,0:20:46.51,Dialogue1,,0000,0000,0000,,It’s not over with this. Dialogue: 0,0:20:47.68,0:20:49.18,Dialogue1,,0000,0000,0000,,It gets important from here. Dialogue: 0,0:20:49.18,0:20:50.27,Dialogue1,,0000,0000,0000,,Yeah, that’s right. Dialogue: 0,0:20:50.64,0:20:53.56,Dialogue1,,0000,0000,0000,,Forget about the exhibition, and do your best. Dialogue: 0,0:20:53.56,0:20:55.11,Dialogue1,,0000,0000,0000,,I’m praying for your success. Dialogue: 0,0:20:55.11,0:20:56.98,Dialogue1,,0000,0000,0000,,Yeah. I know. Dialogue: 0,0:20:56.98,0:20:58.12,Dialogue1,,0000,0000,0000,,All right, then. Dialogue: 0,0:21:00.65,0:21:04.45,Dialogue2,,0000,0000,0000,,In the end, \Nan exhibition’s just an exhibition. Dialogue: 0,0:21:04.45,0:21:05.95,Dialogue2,,0000,0000,0000,,Just watch. Dialogue: 0,0:21:05.95,0:21:11.49,Dialogue2,,0000,0000,0000,,I’ll show you my true colors\Nas a baker in the real match. Dialogue: 0,0:21:20.71,0:21:22.34,Dialogue2,,0000,0000,0000,,They’re really depressed. Dialogue: 0,0:21:22.34,0:21:23.59,Dialogue2,,0000,0000,0000,,What do I...? Dialogue: 0,0:21:27.01,0:21:28.80,Dialogue1,,0000,0000,0000,,There’s no need to be all that down... Dialogue: 0,0:21:29.35,0:21:31.89,Dialogue1,,0000,0000,0000,,It might be a little presumptuous of me to say this, Dialogue: 0,0:21:31.89,0:21:36.35,Dialogue1,,0000,0000,0000,,but an exhibition’s more like a game, right?\NJust because we were a little embarrassed... Dialogue: 0,0:21:36.35,0:21:38.07,Dialogue1,,0000,0000,0000,,Don’t be so... Dialogue: 0,0:21:38.98,0:21:40.77,Dialogue1,,0000,0000,0000,,It isn’t an issue of simply being embarrassed. Dialogue: 0,0:21:41.99,0:21:43.82,Dialogue1,,0000,0000,0000,,Because of you, we’re... Dialogue: 0,0:21:43.82,0:21:45.32,Dialogue1,,0000,0000,0000,,We’re... Dialogue: 0,0:21:45.32,0:21:46.32,Dialogue1,,0000,0000,0000,,What is it? Dialogue: 0,0:21:46.32,0:21:47.61,Dialogue1,,0000,0000,0000,,Stop it, Suwabara. Dialogue: 0,0:21:51.37,0:21:52.66,Dialogue1,,0000,0000,0000,,Did something happen? Dialogue: 0,0:21:54.62,0:21:56.16,Dialogue1,,0000,0000,0000,,Actually, Kawachi... Dialogue: 0,0:21:57.29,0:21:59.00,Dialogue1,,0000,0000,0000,,While it may have only been \Nan exhibition... Dialogue: 0,0:21:59.00,0:22:02.42,Dialogue1,,0000,0000,0000,,On top of seriously insulting this tournament, Japan has Dialogue: 0,0:22:02.42,0:22:05.92,Dialogue1,,0000,0000,0000,,assaulted Princess Anne,\Nfrom the Kingdom of Panquita. Dialogue: 0,0:22:06.59,0:22:10.26,Dialogue1,,0000,0000,0000,,We’ve received a severe warning from\Nthe Management Board of the Monaco Cup. Dialogue: 0,0:22:10.26,0:22:12.90,Dialogue1,,0000,0000,0000,,We’ve also lost 2 points. Dialogue: 0,0:22:14.02,0:22:17.44,Dialogue1,,0000,0000,0000,,This is a match with 10 points in total, Dialogue: 0,0:22:17.44,0:22:20.65,Dialogue1,,0000,0000,0000,,so from the very beginning we have\Nno choice but to fight with only 8 points. Dialogue: 0,0:22:21.57,0:22:22.53,Dialogue1,,0000,0000,0000,,Oh well... Dialogue: 0,0:22:22.53,0:22:24.49,Dialogue1,,0000,0000,0000,,If we think about what we did to the Princess... Dialogue: 0,0:22:24.49,0:22:26.82,Dialogue1,,0000,0000,0000,,it’s strange that we didn’t get disqualified. Dialogue: 0,0:22:26.82,0:22:28.24,Dialogue1,,0000,0000,0000,,N-No way. Dialogue: 0,0:22:29.78,0:22:32.49,Dialogue1,,0000,0000,0000,,We weren’t even late, and yet we lost points... Dialogue: 0,0:22:32.49,0:22:34.25,Dialogue1,,0000,0000,0000,,It’s really cruel. Dialogue: 0,0:24:05.00,0:24:16.64,Next Episode,,0000,0000,0000,,{\pos(579,41)}Next Episode Dialogue: 0,0:24:05.87,0:24:08.30,Dialogue1,,0000,0000,0000,,Roulette start! Dialogue: 0,0:24:08.30,0:24:11.08,Dialogue1,,0000,0000,0000,,I wonder what it’ll be?\NI wonder what it’ll be? Dialogue: 0,0:24:11.08,0:24:13.22,Dialogue1,,0000,0000,0000,,Turning, turning. Dialogue: 0,0:24:13.22,0:24:14.72,Dialogue1,,0000,0000,0000,,He’s really annoying... Dialogue: 0,0:24:14.72,0:24:16.30,Dialogue1,,0000,0000,0000,,Next time, on Yakitate!! Japan, Dialogue: 0,0:24:16.30,0:24:17.55,Dialogue1,,0000,0000,0000,,This is the world level!! Dialogue: 0,0:24:17.55,0:24:19.05,Dialogue1,,0000,0000,0000,,The roulette that brings forth a storm! Dialogue: 0,0:24:16.89,0:24:19.97,title,,0000,0000,0000,,{\an1\fad(300,0)\pos(34,128)}This is the world level!! Dialogue: 0,0:24:16.89,0:24:19.97,title,,0000,0000,0000,,{\an9\fad(300,0)\pos(679,314)}The roulette that brings forth a storm! Dialogue: 0,0:24:19.05,0:24:19.97,Dialogue1,,0000,0000,0000,,Be sure to watch! Dialogue: 0,0:24:20.64,0:24:22.73,Dialogue1,,0000,0000,0000,,Yakitate!! Seed of knowledge. Dialogue: 0,0:24:24.30,0:24:31.75,wlad,,0000,0000,0000,,{\bord3\fad(400,0)\pos(355,117)\3c&HF5F7FA&}Auguste Rodin Dialogue: 0,0:24:24.30,0:24:31.75,wlad,,0000,0000,0000,,{\fad(400,0)\pos(355,117)}Auguste Rodin Dialogue: 0,0:24:25.23,0:24:31.75,ArtisanW,,0000,0000,0000,,{\bord2\an2\fs30\3c&HEBF8F9&\c&H217630&\move(70,249,345,249,0,483)\clip(226,99,551,388)\t(470,480,\clip(126,99,551,388))}The Burghers of Calais Dialogue: 0,0:24:25.76,0:24:31.75,ArtisanW,,0000,0000,0000,,{\fad(300,0)\bord2\an2\fs30\3c&HEBF8F9&\c&H217630&\move(50,326,347,326,0,363)\clip(184,165,585,409)}Monument to Balzac Dialogue: 0,0:24:23.10,0:24:25.68,Dialogue1,,0000,0000,0000,,The creator of “The Thinker,”\N Auguste Rodin. Dialogue: 0,0:24:25.68,0:24:28.10,Dialogue1,,0000,0000,0000,,With beautiful creations like “The Burghers\Nof Calais” and “Monument to Balzac,” Dialogue: 0,0:24:28.10,0:24:31.10,Dialogue1,,0000,0000,0000,,he has been called the “father of modern sculpture.” Dialogue: 0,0:24:31.10,0:24:31.74,Dialogue1,,0000,0000,0000,,Okay? Dialogue: 0,0:24:32.27,0:24:33.66,Dialogue1,,0000,0000,0000,,Really?! Dialogue: 0,0:22:35.50,0:22:43.71,OP Romaji,,0000,0000,0000,,{\kf16}{\kf13}i{\kf12}tsu{\kf21}ka {\kf21}wa{\kf23}ka{\kf18}ru {\kf89}sa{\kf37} {\kf46}ki{\kf41}zu{\kf39}tsu{\kf41}i{\kf26}ta{\kf107}ri {\kf70}{\kf21}na{\kf25}ya{\kf19}n{\kf36}da {\kf44}hi{\kf56}bi{\kf0} Dialogue: 0,0:22:35.50,0:22:37.91,ED English,,0000,0000,0000,,Someday you’ll understand. Dialogue: 0,0:22:37.92,0:22:43.71,ED English,,0000,0000,0000,,The days when you were hurt and confused Dialogue: 0,0:22:43.80,0:22:50.76,OP Romaji,,0000,0000,0000,,{\kf11}{\kf26}ka{\kf41}ga{\kf26}ya{\kf57}ki {\kf22}ni {\kf38}ka{\kf27}wa{\kf116}ru{\k0}.{\kf43} {\kf40}Da{\kf44}ka{\kf24}ra {\kf11}tsu{\kf29}ka{\kf21}ma{\kf19}e{\kf19}te{\kf82}te Dialogue: 0,0:22:43.80,0:22:50.76,ED English,,0000,0000,0000,,will turn into something radiant. So, hold on to... Dialogue: 0,0:22:51.01,0:23:00.94,OP Romaji,,0000,0000,0000,,{\fad(0,900)}{\kf12}{\kf41}i{\kf43}ma {\kf37}wa {\kf46}ku{\kf13}ru{\kf49}shi{\kf17}i {\kf21}ki{\kf78}mi {\kf68}wo.{\kf37} {\kf42}Ni{\kf20}{\kf24}ge{\kf43}na{\kf17}i{\kf22}de {\kf39}ka{\kf24}{\kf26}na{\kf53}u {\kf45}ma{\kf176}de Dialogue: 0,0:22:51.01,0:23:00.94,ED English,,0000,0000,0000,,{\q2\fad(0,900)}your present suffering. Don’t run away till your wish comes true. Dialogue: 0,0:23:15.16,0:23:20.67,OP Romaji,,0000,0000,0000,,{\kf19}{\kf46}ko{\kf21}{\kf19}do{\kf45}ku{\kf17} {\kf17}wo {\kf21}ka{\kf24}ka{\kf21}e{\kf23}ko{\kf39}mu {\kf18}to{\kf60}ki {\kf161}mo Dialogue: 0,0:23:15.16,0:23:20.67,ED English,,0000,0000,0000,,Even at times you embrace loneliness... Dialogue: 0,0:23:20.96,0:23:27.17,OP Romaji,,0000,0000,0000,,{\kf14}{\kf29}ki{\kf16}mi {\kf20}wa {\kf21}ma{\kf170}da{\kf58} {\kf18}hi{\kf27}to{\kf15}ri {\kf22}ja {\kf34}na{\kf14}i{\kf14}n{\kf149}da Dialogue: 0,0:23:20.96,0:23:27.17,ED English,,0000,0000,0000,,you are not yet alone. Dialogue: 0,0:23:27.55,0:23:37.89,OP Romaji,,0000,0000,0000,,{\kf12}{\kf44}ji{\kf39}bu{\kf47}n{\kf23} {\kf48}sa{\kf28}{\kf66}e{\kf24} {\kf38}shi{\kf17}n{\kf39}ji{\kf49}ra{\kf33}{\kf44}re{\kf21}{\kf96}na{\kf9}i{\kf57} {\kf18}bu{\kf39}ki{\kf21}{\kf24}yo{\kf36}u{\kf23} {\kf21}na {\kf24}ki{\kf22}mi {\kf20}de{\kf38}mo{\kf14} Dialogue: 0,0:23:27.55,0:23:37.89,ED English,,0000,0000,0000,,Even if you don’t quite believe it, even the clumsy little you Dialogue: 0,0:23:38.02,0:23:43.69,OP Romaji,,0000,0000,0000,,{\kf15}{\kf13}na{\kf12}n{\kf21}do{\kf20}mo {\kf19}ka{\kf18}ra {\kf89}wo{\kf35} {\kf41}ta{\kf40}ta{\kf45}ki{\kf42}na{\kf25}ga{\kf124}ra{\kf8} Dialogue: 0,0:23:38.02,0:23:43.69,ED English,,0000,0000,0000,,can knock yourself against your shell many times over, Dialogue: 0,0:23:43.98,0:23:49.86,OP Romaji,,0000,0000,0000,,{\kf12}{\kf26}to{\kf22}bi{\kf20}da{\kf32}su {\kf50}hi {\kf57}wa{\kf19} {\kf24}ji{\kf30}bu{\kf13}n {\kf21}da{\kf41}ke {\kf18}no {\kf24}chi{\kf40}ka{\kf12}ra {\kf127}sa Dialogue: 0,0:23:43.98,0:23:49.86,ED English,,0000,0000,0000,,so that the day you fly out, it will be with your own strength. Dialogue: 0,0:23:50.07,0:23:57.62,OP Romaji,,0000,0000,0000,,{\kf19}{\kf44}ta{\kf43}to{\kf39}e {\kf23}ki{\kf21}mi {\kf20}da{\kf21}ke {\kf86}ni{\kf27} {\kf51}tsu{\kf33}ba{\kf45}sa {\kf45}ga {\kf22}na{\kf37}ku{\kf23}te{\kf19}mo {\kf66}ki{\kf19}t{\kf52}to Dialogue: 0,0:23:50.07,0:23:57.62,ED English,,0000,0000,0000,,Even if it is only you who doesn’t have wings, Dialogue: 0,0:23:57.95,0:24:03.21,OP Romaji,,0000,0000,0000,,{\fad(0,900)}{\kf15}{\kf42}u{\kf22}{\kf23}ta{\kf34}u{\kf15}{\kf7} {\kf27}to{\kf34}ri{\kf25} {\kf20}ni {\kf58}na{\kf46}t{\kf158}te Dialogue: 0,0:23:57.95,0:24:03.21,ED English,,0000,0000,0000,,{\fad(0,900)}become a song bird. Dialogue: 0,0:01:20.31,0:01:23.64,title,,0000,0000,0000,,{\shad0\an8\fad(200,0)\bord3\3c&H8E4111&\c&H00FEFD&\pos(260,334)}Yakitate!! {\c&H0000FF&}Japan Dialogue: 0,0:01:20.31,0:01:23.64,TransBy,,0000,0000,0000,,{\fad(200,0)\pos(538,360)}Translated by: Anime-Empire Dialogue: 0,0:01:17.64,0:01:23.52,OP English,,0000,0000,0000,,I swore to your shining eyes Dialogue: 0,0:01:17.64,0:01:23.52,OP Romaji,,0000,0000,0000,,{\kf18}{\kf41}ka{\kf21}ga{\kf36}ya{\kf43}ku {\kf45}ki{\kf34}mi {\kf44}no {\kf37}hi{\kf21}to{\kf63}mi {\kf24}ni{\kf26} {\kf45}chi{\kf39}ka{\kf21}t{\kf30}ta{\kf0} Dialogue: 0,0:01:23.73,0:01:26.66,OP English,,0000,0000,0000,,on an afternoon when the blue sky Dialogue: 0,0:01:26.66,0:01:30.15,OP English,,0000,0000,0000,,was visible through a small window Dialogue: 0,0:01:23.73,0:01:30.15,OP Romaji,,0000,0000,0000,,{\kf30}{\kf21}chi{\kf38}i{\kf25}sa{\kf32}na{\kf47} {\kf15}ma{\kf43}do {\kf20}ka{\kf25}ra{\kf16} {\kf17}a{\kf17}o{\kf25}zo{\kf39}ra {\kf21}ga {\kf40}mi{\kf39}e{\kf79}ta {\kf20}go{\kf33}go Dialogue: 0,0:01:30.44,0:01:36.40,OP English,,0000,0000,0000,,that I no longer wanted to run away. Dialogue: 0,0:01:30.44,0:01:36.40,OP Romaji,,0000,0000,0000,,{\kf20}{\kf39}ni{\kf22}ge{\kf40}ru {\kf37}ko{\kf40}to {\kf24}na{\kf19}n{\kf19}te{\kf21} {\kf33}mo{\kf17}u {\kf47}shi{\kf20}ta{\kf42}ku {\kf57}wa {\kf44}na{\kf17}i {\kf38}yo{\kf0} Dialogue: 0,0:01:36.57,0:01:43.08,OP Romaji,,0000,0000,0000,,{\kf22}{\kf24}se{\kf40}na{\kf23}ka {\kf27}ni {\kf29}{\kf19}a{\kf20}ta{\kf41}ta{\kf22}ka{\kf21}i {\kf20}{\kf20}te {\kf17}no {\kf21}hi{\kf40}ra {\kf21}o {\kf38}ka{\kf40}n{\kf23}ji{\kf60}te{\kf20}i{\kf43}ru{\kf0} Dialogue: 0,0:01:36.57,0:01:43.08,OP English,,0000,0000,0000,,I feel a warm hand upon my back. Dialogue: 0,0:01:43.83,0:01:48.46,OP Romaji,,0000,0000,0000,,{\kf17}{\kf24}ki{\kf28}zu{\kf31}tsu{\kf21}ku {\kf29}yo{\kf31}ri {\kf94}mo{\kf63} {\kf23}tsu{\kf32}ra{\kf26}i {\kf20}no {\kf24}wa Dialogue: 0,0:01:43.83,0:01:48.46,OP English,,0000,0000,0000,,The only thing more painful than getting hurt is... Dialogue: 0,0:01:49.29,0:01:55.88,OP Romaji,,0000,0000,0000,,{\kf14}{\kf29}a{\kf49}shi{\kf21}ta {\kf59}wo{\kf1} {\kf20}a{\kf21}ki{\kf41}ra{\kf21}me{\kf35}te{\kf22} {\kf23}ji{\kf18}bu{\kf20}n {\kf20}ni {\kf16}u{\kf19}so {\kf23}tsu{\kf19}ki{\kf22}tsu{\kf21}zu{\kf24}ke{\kf17}ru {\kf17}ko{\kf67}to{\kf0} Dialogue: 0,0:01:49.29,0:01:55.88,OP English,,0000,0000,0000,,giving up on tomorrow and continuing to lie to yourself. Dialogue: 0,0:01:57.72,0:02:03.72,OP Romaji,,0000,0000,0000,,{\kf10}{\kf19}da{\kf21}i{\kf22}ji {\kf37}na {\kf21}yu{\kf19}me {\kf21}wo {\kf20}hi{\kf33}to{\kf68}tsu{\kf18} {\kf20}ko{\kf39}ko{\kf23}ro {\kf38}ni {\kf32}i{\kf49}tsu{\kf42}de{\kf48}mo{\kf0} Dialogue: 0,0:01:57.72,0:02:03.72,OP English,,0000,0000,0000,,The one precious dream always held in your heart Dialogue: 0,0:02:04.06,0:02:10.07,OP Romaji,,0000,0000,0000,,{\kf8}{\kf37}shi{\kf31}n{\kf21}ji{\kf40}te{\kf37} {\kf33}ma{\kf25}mo{\kf25}t{\kf48}te{\kf30} {\kf41}no{\kf21}ri{\kf21}ko{\kf33}e{\kf26}te {\kf16}i{\kf89}ko{\kf19}u Dialogue: 0,0:02:04.06,0:02:10.07,OP English,,0000,0000,0000,,Let’s believe it, protect it, and overcome everything. Dialogue: 0,0:02:10.27,0:02:16.57,OP Romaji,,0000,0000,0000,,{\kf14}{\kf21}da{\kf19}i{\kf22}ji {\kf20}na {\kf39}yu{\kf21}me {\kf18}ga {\kf21}a{\kf19}ru {\kf39}ka{\kf61}ra {\kf21}{\kf21}mo{\kf20}t{\kf15}to {\kf24}tsu{\kf44}yo{\kf38}ku {\kf39}na{\kf41}re{\kf53}ru Dialogue: 0,0:02:10.27,0:02:16.57,OP English,,0000,0000,0000,,Because we have a precious dream, we can become stronger Dialogue: 0,0:02:16.86,0:02:22.16,OP Romaji,,0000,0000,0000,,{\kf16}{\kf34}o{\kf27}mo{\kf37}i{\kf21}{\kf17}e{\kf23}ga{\kf61}i{\kf39}ta{\kf21} {\kf20}mi{\kf20}ra{\kf29}i {\kf29}wo {\kf22}da{\kf23}ki{\kf34}shi{\kf23}me{\kf34}te Dialogue: 0,0:02:16.86,0:02:22.16,OP English,,0000,0000,0000,,holding on to the dream that we imagined and painted Dialogue: 0,0:02:22.37,0:02:25.83,OP Romaji,,0000,0000,0000,,{\fad(0,900)}{\kf5}{\kf20}ko{\kf18}re {\kf22}ka{\kf27}ra {\kf254}mo Dialogue: 0,0:02:22.37,0:02:25.83,OP English,,0000,0000,0000,,{\fad(0,900)}forevermore.